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2533210 Search Results

Mrs Richard Palmer (oil on canvas)
Mrs Richard Palmer (oil on canvas)

AGN282308: Mrs Richard Palmer (oil on canvas), Hoppner, John (1758-1810) / Bridgeman Images

ID: AGN282308

Mrs Richard Palmer (oil on canvas)

Hoppner, John (1758-1810)

Allegory of the Peace of Aix-la-Chapelle, 1748 (oil on canvas)
Allegory of the Peace of Aix-la-Chapelle, 1748 (oil on canvas)

AGN282319: Allegory of the Peace of Aix-la-Chapelle, 1748 (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images

ID: AGN282319

Allegory of the Peace of Aix-la-Chapelle, 1748 (oil on canvas)

Boucher, Francois (1703-70)

Flower Studies: Persicaria and Meadowsweet (oil on canvas laid on panel)
Flower Studies: Persicaria and Meadowsweet (oil on canvas laid on panel)

AGN282326: Flower Studies: Persicaria and Meadowsweet (oil on canvas laid on panel), Constable, John (1776-1837) / Bridgeman Images

ID: AGN282326

Flower Studies: Persicaria and Meadowsweet (oil on canvas laid on panel)

Constable, John (1776-1837)

City, 1937 (pencil & w/c with bodycolour on paper)
City, 1937 (pencil & w/c with bodycolour on paper)

PCD282334: City, 1937 (pencil & w/c with bodycolour on paper), Trevelyan, Julian (1910-88) / Bridgeman Images

ID: PCD282334

City, 1937 (pencil & w/c with bodycolour on paper)

Trevelyan, Julian (1910-88)

Le Quadrille (pen & ink on paper)
Le Quadrille (pen & ink on paper)

PCD282345: Le Quadrille (pen & ink on paper), Pascin, Jules (1885-1930) / Bridgeman Images

ID: PCD282345

Le Quadrille (pen & ink on paper)

Pascin, Jules (1885-1930)

The Tower withstands Attack, 1927 (pen & ink on paper laid on card)
The Tower withstands Attack, 1927 (pen & ink on paper laid on card)

PCD282352: The Tower withstands Attack, 1927 (pen & ink on paper laid on card), Klee, Paul (1879-1940) / Bridgeman Images

ID: PCD282352

The Tower withstands Attack, 1927 (pen & ink on paper laid on card)

Klee, Paul (1879-1940)

The Hillside, 1913 (oil on canvas)
The Hillside, 1913 (oil on canvas)

PCD282362: The Hillside, 1913 (oil on canvas), Ginner, Charles (1878-1952) / Bridgeman Images

ID: PCD282362

The Hillside, 1913 (oil on canvas)

Ginner, Charles (1878-1952)

Portrait of a Woman (oil)
Portrait of a Woman (oil)

PCD282388: Portrait of a Woman (oil), Stuck, Franz von (1863-1928) / Bridgeman Images

ID: PCD282388

Portrait of a Woman (oil)

Stuck, Franz von (1863-1928)

Design for Hadassah Hospital, Mt. Scopus, 1934-36 (graphite on paper)
Design for Hadassah Hospital, Mt. Scopus, 1934-36 (graphite on paper)

IMJ282432: Design for Hadassah Hospital, Mt. Scopus, 1934-36 (graphite on paper), Mendelsohn, Erich (1887-1953) / Bridgeman Images

ID: IMJ282432

Design for Hadassah Hospital, Mt. Scopus, 1934-36 (graphite on paper)

Mendelsohn, Erich (1887-1953)

'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)
'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)

XYC285537: 'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285537

'Ode on the Spring', design 5 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285538 for verso)

Blake, William (1757-1827)

'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)
'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)

XYC285538: 'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285538

'Ode on the Spring', design 6 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285537 for recto)

Blake, William (1757-1827)

'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)
'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)

XYC285541: 'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285541

'Ode on a Distant Prospect of Eton College', design 21 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285542 for verso)

Blake, William (1757-1827)

'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)
'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)

XYC285542: 'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285542

'A Long Story', design 22 for 'The Poems of Thomas Gray', 1797-98 (w/c with pen & black ink) (see 285541 for recto)

Blake, William (1757-1827)

'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)
'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

XYC285550: 'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285550

'The Terror answered...', plate 10 from 'America: A Prophecy', 1793 (relief etching printed in black with pen & ink and w/c)

Blake, William (1757-1827)

'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)
'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

XYC285555: 'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285555

'Was living: panting...', plate 7 from 'Jerusalem', 1804-20 (relief etching printed in orange with pen & w/c)

Blake, William (1757-1827)

'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)
'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)

XYC285560: 'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285560

'Enitharmon slept...', plate 10 from 'Europe: A Prophecy', 1794 (relief etching printed in dark brown)

Blake, William (1757-1827)

'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)
'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

XYC285561: 'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC285561

'Over the hills...', plate 18 from 'America: A Prophecy', 1793 (relief etching printed in blue with pen & ink and w/c)

Blake, William (1757-1827)

A Venetian window in the drawing room at Kedleston Hall, Derbyshire, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo)
A Venetian window in the drawing room at Kedleston Hall, Derbyshire, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo)

CLF285576: A Venetian window in the drawing room at Kedleston Hall, Derbyshire, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: CLF285576

A Venetian window in the drawing room at Kedleston Hall, Derbyshire, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo)

English Photographer, (20th century)

The view from the west showing Robert Adam's Diocletian Wing at Bowood House, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo)
The view from the west showing Robert Adam's Diocletian Wing at Bowood House, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo)

CLF285580: The view from the west showing Robert Adam's Diocletian Wing at Bowood House, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: CLF285580

The view from the west showing Robert Adam's Diocletian Wing at Bowood House, from 'The Country Houses of Robert Adam', by Eileen Harris, published 2007 (b/w photo)

English Photographer, (20th century)

Landscape with a Dragon and a Nude Woman Sleeping (pen & ink and wash on paper)
Landscape with a Dragon and a Nude Woman Sleeping (pen & ink and wash on paper)

XIR285648: Landscape with a Dragon and a Nude Woman Sleeping (pen & ink and wash on paper), Titian (Tiziano Vecellio) (c.1488-1576) / Bridgeman Images

ID: XIR285648

Landscape with a Dragon and a Nude Woman Sleeping (pen & ink and wash on paper)

Titian (Tiziano Vecellio) (c.1488-1576)

Portrait of Louis-Joseph de Bourbon, 1794 (oil on canvas)
Portrait of Louis-Joseph de Bourbon, 1794 (oil on canvas)

XIR285664: Portrait of Louis-Joseph de Bourbon, 1794 (oil on canvas), Nattier, Jean-Marc (1685-1766) / Bridgeman Images

ID: XIR285664

Portrait of Louis-Joseph de Bourbon, 1794 (oil on canvas)

Nattier, Jean-Marc (1685-1766)

The Haven (oil on canvas)
The Haven (oil on canvas)

PS285675: The Haven (oil on canvas), Scott, Pat (1932-2017) / Bridgeman Images

ID: PS285675

The Haven (oil on canvas)

Scott, Pat (1932-2017)

The Fish Wife, 1725 (oil on panel)
The Fish Wife, 1725 (oil on panel)

BAL285685: The Fish Wife, 1725 (oil on panel), Mieris, Willem van (1662-1747) / Bridgeman Images

ID: BAL285685

The Fish Wife, 1725 (oil on panel)

Mieris, Willem van (1662-1747)

Travel Brochure (oil on board)
Travel Brochure (oil on board)

SAR285830: Travel Brochure (oil on board), Hayward, Sara / Bridgeman Images

ID: SAR285830

Travel Brochure (oil on board)

Hayward, Sara

Four Passports (oil on board)
Four Passports (oil on board)

SAR285835: Four Passports (oil on board), Hayward, Sara / Bridgeman Images

ID: SAR285835

Four Passports (oil on board)

Hayward, Sara

Three Pears (oil on board)
Three Pears (oil on board)

SAR285842: Three Pears (oil on board), Hayward, Sara / Bridgeman Images

ID: SAR285842

Three Pears (oil on board)

Hayward, Sara

La Ferme, Provence, 1945 (pencil & pastel)
La Ferme, Provence, 1945 (pencil & pastel)

AAH285845: La Ferme, Provence, 1945 (pencil & pastel), Allinson, Adrian Paul (1890-1959) / Bridgeman Images

ID: AAH285845

La Ferme, Provence, 1945 (pencil & pastel)

Allinson, Adrian Paul (1890-1959)

Figures in a Square (gouache)
Figures in a Square (gouache)

AAH285853: Figures in a Square (gouache), Johnstone, Gwyneth (1914-2010) / Bridgeman Images

ID: AAH285853

Figures in a Square (gouache)

Johnstone, Gwyneth (1914-2010)

(oil pastel on canvas)
(oil pastel on canvas)

PDA285897: (oil pastel on canvas), Davidson, Peter / Bridgeman Images

ID: PDA285897

(oil pastel on canvas)

Davidson, Peter

Tom Thumb Upside Down, 1957 (gouache on paper)
Tom Thumb Upside Down, 1957 (gouache on paper)

LAL285905: Tom Thumb Upside Down, 1957 (gouache on paper), Coelho, Eduardo Teixeira (1919-2005) / Bridgeman Images

ID: LAL285905

Tom Thumb Upside Down, 1957 (gouache on paper)

Coelho, Eduardo Teixeira (1919-2005)

Tom Thumb in a Bird Cage, 1957 (gouache on paper)
Tom Thumb in a Bird Cage, 1957 (gouache on paper)

LAL285906: Tom Thumb in a Bird Cage, 1957 (gouache on paper), Coelho, Eduardo Teixeira (1919-2005) / Bridgeman Images

ID: LAL285906

Tom Thumb in a Bird Cage, 1957 (gouache on paper)

Coelho, Eduardo Teixeira (1919-2005)

Leo the Friendly Lion at the Pool (gouache on paper)
Leo the Friendly Lion at the Pool (gouache on paper)

LAL285908: Leo the Friendly Lion at the Pool (gouache on paper), Livraghi, Virginio (20th century) / Bridgeman Images

ID: LAL285908

Leo the Friendly Lion at the Pool (gouache on paper)

Livraghi, Virginio (20th century)

The Miller's Daughter and her son, from the Story of Rumpelstiltskin, 1959 (gouache on paper)
The Miller's Daughter and her son, from the Story of Rumpelstiltskin, 1959 (gouache on paper)

LAL285910: The Miller's Daughter and her son, from the Story of Rumpelstiltskin, 1959 (gouache on paper), Blasco, Jesus (1919-95) / Bridgeman Images

ID: LAL285910

The Miller's Daughter and her son, from the Story of Rumpelstiltskin, 1959 (gouache on paper)

Blasco, Jesus (1919-95)

Chaffinch (gouache on paper)
Chaffinch (gouache on paper)

LAL285922: Chaffinch (gouache on paper), English School, (20th century) / Bridgeman Images

ID: LAL285922

Chaffinch (gouache on paper)

English School, (20th century)

On Trial: The 'Saint' Who Defied a King, 1978 (gouache on paper)
On Trial: The 'Saint' Who Defied a King, 1978 (gouache on paper)

LAL285925: On Trial: The 'Saint' Who Defied a King, 1978 (gouache on paper), Doughty, C.L. (1913-85) / Bridgeman Images

ID: LAL285925

On Trial: The 'Saint' Who Defied a King, 1978 (gouache on paper)

Doughty, C.L. (1913-85)

Edward VI, 1965 (gouache on paper)
Edward VI, 1965 (gouache on paper)

LAL285944: Edward VI, 1965 (gouache on paper), English School, (20th century) / Bridgeman Images

ID: LAL285944

Edward VI, 1965 (gouache on paper)

English School, (20th century)


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