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The bridge breaks, c.1640 (painting)
The bridge breaks, c.1640 (painting)

LRI4610961: The bridge breaks, c.1640 (painting), Rosa, Salvator (1615-73) / Bridgeman Images

Marina of the port, detail (oil on canvas, 17th century)
Marina of the port, detail (oil on canvas, 17th century)

LRI4610971: Marina of the port, detail (oil on canvas, 17th century), Rosa, Salvator (1615-73) / Bridgeman Images

Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837
Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

FLO4610974: Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608565: Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608628: Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608720: Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608771: Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608892: Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610561: Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610633: Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610644: Coneflower or black-eyed-susan, Rudbeckia hirta, Polygamia frustranea. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte
Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte

LRI4610659: Drunken Silenus - The drunk silene (detail). Painting by Jose (Jusepe) of Ribera, dit lo Spagnoletto (1591-1652), 1626, oil on canvas, 185x229 cm. Napoli, Museo di Capodimonte, Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610700: Picotee carnation 1 and scarlet bizard carnation 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610704: Pericarp of parakeet grass (or wadding) and section of the fruit of domestic apple tree Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Botanical Conferences, Lambeth Botanical Garden, England, 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the milkweed Asclepias syriaca (1-2) and apple Malus domestica (3-4). Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610764: Ginger root (Zingiber officinale) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Ginger root - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti.
Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti.

LRI4610768: Venus and Adonis - Venus and Adonis. Fresco by Sebastiano Ricci (1659-1734), circa 1707-1708. Firenze, Palazzo Pitti., Ricci, Sebastiano (1658-1734) / Bridgeman Images

Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610783: Bitter orange or orange de Seville or bigarade (Citrus aurantium) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Seville orange - Handcoloured copperplate engraving, illustration by J. G. Pretre ( 1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610825: Date (fruit of Phìnix dactylifera) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Dates - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin , from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4610943: Bagadais helmet (prionops plumatus) and sordid langrayen (Artamus cyanopterus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - White and crested helmetshrike Dusky Woodswallow - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.
Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818.

FLO4609103: Plectranthus forskohlii. (Plectranthus barbatus, Coleus forskohlii, Forskohlii, Indian coleus,) Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1818. / Bridgeman Images

Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.
Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609174: Malabar catmint, Anisomeles malabarica. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.
Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England.

FLO4609286: Jussie, aquatic plant. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1819, by Samuel Curtis, London, England. / Bridgeman Images

Tricolor Ficoide Copper engraving, painted by John Curtis and grave by Weddell, published in the “” Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Tricolor Ficoide Copper engraving, painted by John Curtis and grave by Weddell, published in the “” Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609426: Tricolor Ficoide Copper engraving, painted by John Curtis and grave by Weddell, published in the “” Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609450: Flowering cynoglosses. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

Linear acacias. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Linear acacias. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609495: Linear acacias. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350)
The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350)

LRI4609508: The Last Supper, detail of the polyptic of Santa Chiara (oil on wood, circa 1350), Veneziano, Paolo (fl.1333-62) / Bridgeman Images

Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609516: Psoralier stinks. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

Crossandre with wavy leaves or petard flower Copper engraving, starring John Curtis and grave by Weddell, published in Samuel Curtis's “” Botanical Magazine” in 1820, London, England.
Crossandre with wavy leaves or petard flower Copper engraving, starring John Curtis and grave by Weddell, published in Samuel Curtis's “” Botanical Magazine” in 1820, London, England.

FLO4609630: Crossandre with wavy leaves or petard flower Copper engraving, starring John Curtis and grave by Weddell, published in Samuel Curtis's “” Botanical Magazine” in 1820, London, England. / Bridgeman Images

Castorbean or castor-oil-plant, Ricinus communis. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1821.
Castorbean or castor-oil-plant, Ricinus communis. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1821.

FLO4609701: Castorbean or castor-oil-plant, Ricinus communis. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1821. / Bridgeman Images

Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.
Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821.

FLO4609725: Bigleaf magnolia, Magnolia macrophylla. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1821. / Bridgeman Images

Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822.
Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609747: Pink striped trumpet lily, Crinum latifolium (Crinum speciosum). Handcoloured copperplate engraving by Weddell after an illustration by William Herbert from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

Melastoma sanguineum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822.
Melastoma sanguineum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609786: Melastoma sanguineum. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

Scorzonera-leaved rampion, Phyteuma scorzonerifolium. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822.
Scorzonera-leaved rampion, Phyteuma scorzonerifolium. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609844: Scorzonera-leaved rampion, Phyteuma scorzonerifolium. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609863: Sperch (Spercheus emarginatus), hydrophilic coleoptere variete. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609884: Caterpillar and butterfly (Adscita statice) and common sorrel. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)
Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493)

LRI4609926: Virgin and Child on the throne surrounded by saints, detail (oil and tempera on panel, circa 1493), Cosimo, Piero di (c.1462-1521) / Bridgeman Images


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