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Soprano singer Madame Valere as Anna in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Soprano singer Madame Valere as Anna in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4606977: Soprano singer Madame Valere as Anna in the Romantic opera Robin des Bois by Carl Maria von Weber, Theatre Royal de l'Odeon, 1824. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view
Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view

PIX4607001: Giotto probe meets Halley's comet - Giotto probe meets Halley's comet - Artist's view, Dixon, Don (b.1951) / Bridgeman Images

Miss Pauline as Jeanny in the vaudeville piece Trilby by Theaulon, Lafontaine and Jouslin, Theatre des Varietes, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
Miss Pauline as Jeanny in the vaudeville piece Trilby by Theaulon, Lafontaine and Jouslin, Theatre des Varietes, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607042: Miss Pauline as Jeanny in the vaudeville piece Trilby by Theaulon, Lafontaine and Jouslin, Theatre des Varietes, 1823. Handcoloured lithograph by F. Noel after an illustration by Alexandre-Marie Colin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

English actor Lepeintre as Birbeth in the vaudeville piece Trilby by Theaulon, Lafontaine and Jouslin, Theatre des Varietes, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.
English actor Lepeintre as Birbeth in the vaudeville piece Trilby by Theaulon, Lafontaine and Jouslin, Theatre des Varietes, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

FLO4607051: English actor Lepeintre as Birbeth in the vaudeville piece Trilby by Theaulon, Lafontaine and Jouslin, Theatre des Varietes, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825. / Bridgeman Images

Indian pink, Spigelia marilandica. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Indian pink, Spigelia marilandica. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607285: Indian pink, Spigelia marilandica. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

Self Portrait  (oil on canvas, 1861)
Self Portrait  (oil on canvas, 1861)

LRI4607364: Self Portrait (oil on canvas, 1861), Lega, Silvestro (1826-95) / Bridgeman Images

Estate (oil on wood,  1918)
Estate (oil on wood,  1918)

LRI4607463: Estate (oil on wood, 1918), Levy, Moses (1885-1968) / Bridgeman Images

Slender Canadian columbine. Aquilegia canadensis gracilis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Slender Canadian columbine. Aquilegia canadensis gracilis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607562: Slender Canadian columbine. Aquilegia canadensis gracilis. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

Round-leaved cyclamen, Cyclamen coum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.
Round-leaved cyclamen, Cyclamen coum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s.

FLO4607605: Round-leaved cyclamen, Cyclamen coum. Handcoloured botanical illustration drawn and engraved by William Clark from Richard Morris's “Flora Conspicua” London, Longman, Rees, 1826. William Clark was former draughtsman to the London Horticultural Society and illustrated many botanical books in the 1820s and 1830s. / Bridgeman Images

Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607839: Telemaque, by order of Astarbe (Astebe), escapes from the persecutions of Pygmalion -Telemachus, by order of Astarbe, avoids the pursuits of Pygmalion. Copperplate engraving by Thomas Cook after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

Virgin and Child (tempera and gold leaf on wood, c. 1335)
Virgin and Child (tempera and gold leaf on wood, c. 1335)

LRI4607899: Virgin and Child (tempera and gold leaf on wood, c. 1335), Lorenzetti, Ambrogio (1285-c.1348) / Bridgeman Images

Bookoo or Buchu or bucco or diosma (Agathosma crenulata) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Bookoo or Buchu or bucco or diosma (Agathosma crenulata) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605485: Bookoo or Buchu or bucco or diosma (Agathosma crenulata) - Strong water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

Vandalism (poor old!)  (oil on canvas, 1873)
Vandalism (poor old!)  (oil on canvas, 1873)

LRI4605495: Vandalism (poor old!) (oil on canvas, 1873), Favretto, Giacomo (1849-87) / Bridgeman Images

The Pioneer 10 and Jupiter probe - Artist view - The Pioneer 10 and Jupiter probe - Artist view
The Pioneer 10 and Jupiter probe - Artist view - The Pioneer 10 and Jupiter probe - Artist view

PIX4605613: The Pioneer 10 and Jupiter probe - Artist view - The Pioneer 10 and Jupiter probe - Artist view, Dixon, Don (b.1951) / Bridgeman Images

Crucifixion, Detail (tempera on panel, 14th century)
Crucifixion, Detail (tempera on panel, 14th century)

LRI4605666: Crucifixion, Detail (tempera on panel, 14th century), Gaddi, Agnolo (c.1350-96) / Bridgeman Images

Pioneer 11 and Saturn - Artist's View - Pioneer 11 Saturn flyby - Artist view - Pioneer 11 was launched on April 5, 1973 with as its first destination the planet Jupiter, which it flew over in December 1974; it was the first probe to fly over Saturn in September 1979. The Pioneer 10 and Pioneer 11 probes have embarked on a plate, called the Pioneer plate, containing a message intended for potential aliens. The Pioneer 11 probe flys past Satur
Pioneer 11 and Saturn - Artist's View - Pioneer 11 Saturn flyby - Artist view - Pioneer 11 was launched on April 5, 1973 with as its first destination the planet Jupiter, which it flew over in December 1974; it was the first probe to fly over Saturn in September 1979. The Pioneer 10 and Pioneer 11 probes have embarked on a plate, called the Pioneer plate, containing a message intended for potential aliens. The Pioneer 11 probe flys past Satur

PIX4605677: Pioneer 11 and Saturn - Artist's View - Pioneer 11 Saturn flyby - Artist view - Pioneer 11 was launched on April 5, 1973 with as its first destination the planet Jupiter, which it flew over in December 1974; it was the first probe to fly over Saturn in September 1979. The Pioneer 10 and Pioneer 11 probes have embarked on a plate, called the Pioneer plate, containing a message intended for potential aliens. The Pioneer 11 probe flys past Satur, Dixon, Don (b.1951) / Bridgeman Images

Knut the Great (Canut or Knud, 984-1035) orders the sea to withdraw - King Canute commanding the sea to retire. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.
Knut the Great (Canut or Knud, 984-1035) orders the sea to withdraw - King Canute commanding the sea to retire. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

FLO4607610: Knut the Great (Canut or Knud, 984-1035) orders the sea to withdraw - King Canute commanding the sea to retire. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778. / Bridgeman Images

The pea pericarp (leguminous) and section of the fruit of cherry (or wild cherry or birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the pea Pisum sativum and cherry Prunus avium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
The pea pericarp (leguminous) and section of the fruit of cherry (or wild cherry or birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the pea Pisum sativum and cherry Prunus avium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610301: The pea pericarp (leguminous) and section of the fruit of cherry (or wild cherry or birds). Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Seed vessel pericarpium of the pea Pisum sativum and cherry Prunus avium. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.
Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

FLO4608348: Saint Gestin (Yestin, Istan or Jestin) son of Geraint, (6th century), Welsh monk at Anglesey (Wales) - Forte water by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - St. Geraint, son of the celebrated naval hero Geraint ab Erbin, a prince of the Devonshire Britons. He wears a cope fastened with fibula, short mantle and tunic, and holds a staff. In the background, a Celtic cross in the village of Carew, Pembrokeshire. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images

Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610339: Floral leaves and violet bouquet of terminal bractees of green sage (or hormine sage) and linden trees. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Floral leaves bractea of the purple top'd clary Salvia viridis and lime Tilia tomentosa. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Fragrant violet. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Violet, Viola odorata. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””
Fragrant violet. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Violet, Viola odorata. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””

FLO4610371: Fragrant violet. Coloured copper engraving, illustration by Sydenham Edwards (1768-1819) for Conferences of Botanical, Botanical Garden of Lambeth (England), 1805, by William Curtis (1746-1799). Violet, Viola odorata. Handcoloured copperplate engraving of a botanical illustration by Sydenham Edwards for William Curtis's “” Lectures on Botany, as delivered in the Botanic Garden at Lambeth,”” 1805. Edwards (1768-1819) was the artist of thousands of botanical plates for Curtis' “” Botanical Magazine”” and his own “” Botanical Register.””, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610506: Mallow, Malva sylvestris, Monadelphia, 1-4, and ragged robin, Lychnis flos-cuculi, Decandria, 5.6. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Variete of tangara euphone (tanagra violacea) and saltator with green wings (Saltator similis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Purple throated euphonia and greenery en-winged saltator - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Variete of tangara euphone (tanagra violacea) and saltator with green wings (Saltator similis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Purple throated euphonia and greenery en-winged saltator - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610784: Variete of tangara euphone (tanagra violacea) and saltator with green wings (Saltator similis) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Purple throated euphonia and greenery en-winged saltator - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

African Milan (Milvus aegyptius) and forked-tailed Milan (Elanoides forficatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Yellow-billed kite and swallowable tailed kite - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
African Milan (Milvus aegyptius) and forked-tailed Milan (Elanoides forficatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Yellow-billed kite and swallowable tailed kite - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4610874: African Milan (Milvus aegyptius) and forked-tailed Milan (Elanoides forficatus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Yellow-billed kite and swallowable tailed kite - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Dormilon a short tail and miro ecarlate - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Short-tailed field-tyrant, Muscigralla brevicauda, and Pacific robin (Norfolk Island), Petroica multicolor - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Dormilon a short tail and miro ecarlate - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Short-tailed field-tyrant, Muscigralla brevicauda, and Pacific robin (Norfolk Island), Petroica multicolor - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610893: Dormilon a short tail and miro ecarlate - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Short-tailed field-tyrant, Muscigralla brevicauda, and Pacific robin (Norfolk Island), Petroica multicolor - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

Satine gardener (Ptilonorhynchus violaceus) and tangara pillurion or large tangara or tangara pie (Cissopis leverianus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1786-1786-1780-1780-1780-1780-1780-1885) 58) - Satin bowerbird and magpie tanager - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Satine gardener (Ptilonorhynchus violaceus) and tangara pillurion or large tangara or tangara pie (Cissopis leverianus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1786-1786-1780-1780-1780-1780-1780-1885) 58) - Satin bowerbird and magpie tanager - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610954: Satine gardener (Ptilonorhynchus violaceus) and tangara pillurion or large tangara or tangara pie (Cissopis leverianus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1786-1786-1780-1780-1780-1780-1780-1885) 58) - Satin bowerbird and magpie tanager - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

The bridge breaks, c.1640 (painting)
The bridge breaks, c.1640 (painting)

LRI4610961: The bridge breaks, c.1640 (painting), Rosa, Salvator (1615-73) / Bridgeman Images

Marina of the port, detail (oil on canvas, 17th century)
Marina of the port, detail (oil on canvas, 17th century)

LRI4610971: Marina of the port, detail (oil on canvas, 17th century), Rosa, Salvator (1615-73) / Bridgeman Images

Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837
Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

FLO4610974: Martre et glouton ou carcajou (Guto guto) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Marten and wolverine - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608565: Napoleon Bonaparte directing the French Army artillery over a bridge in the Great Saint Bernard Pass when crossing the Alps, 1800. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.
Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.

FLO4608628: Napoleon Bonaparte and the French Army snowed under the Retreat from Moscow, 1812. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815. / Bridgeman Images

Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608720: Shrubby Chinese baeckea, Baeckea frutescens (Baeckia frutescens). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608771: Elephant foot yam, Amorphophallus paeoniifolius (Campanulate arum, Arum campanulatum). Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.
Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828.

FLO4608892: Pale yellow iris, Iris lutescens. Handcoloured copperplate engraving by Swan after an illustration by William Jackson Hooker from Samuel Curtis' Botanical Magazine, London, 1828. / Bridgeman Images

Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610561: Flowering rush, Butomus umbellatus, Hexagynia, hermaphrodite flower 1 and pistilla 2. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.
Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805.

FLO4610633: Hermaphrodite flower with seven pistilla, Heptagynia, Septas capensis. Handcoloured copperplate engraving by F. Sansom of a botanical illustration by Sydenham Edwards for William Curtis' Lectures on Botany, as delivered in the Botanic Garden at Lambeth, 1805., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images


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