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Mexican art: face mask in turquoise paste with diamond eyes. 17th century Florence, museo degli argenti
Mexican art: face mask in turquoise paste with diamond eyes. 17th century Florence, museo degli argenti

LRI4674468: Mexican art: face mask in turquoise paste with diamond eyes. 17th century Florence, museo degli argenti, Mexican School, (17th century) / Bridgeman Images

ID: LRI4674468

Mexican art: face mask in turquoise paste with diamond eyes. 17th century Florence, museo degli argenti

Mexican School, (17th century)

Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674362: Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4674362

Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674423: Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674423

Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674573: Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674573

Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674650: Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674650

Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674797: Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674797

Crimson red flowers of Gilia coronopifolia. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674851: Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674851

Orchid variete, Paphinia (Maxillaria) cristata, endemic species in northern South America. A pendant inflorescence with a star-shaped flower, crimson red colour with white stripes. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674862: Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674862

Variete of mimosas (Acacia pubescens). Elegant shrub, with fern-like leaves and a multitude of bright yellow flowers. Represented from Australia, in a few years, this plant quickly acclimated to the European climate. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674992: Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674992

Chorizema cordatum, leguminous plant native to Australia, with bright green leaves and vermilion flowers, yellow and purple. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675108: Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675108

Pear Saint Germain. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. St. Germain pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675126: Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675126

Apple Bedfordshire Foundling. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bedfordshire Foundling apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674826: Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674826

Variete of Polygala (Polygala speciosa), with small purple flowers, native to the Cape of Good Esperance (South Africa). Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674867: Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674867

Variete of mimulus (Mimulus roseo cardinalis). Hodson hybrid variete, called monkey flower or musk flower. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674882: Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674882

Orchid variete (Cypripedium badge), has large flower pale green, brown and purple color. This species is native to Nepal, and was introduced to England via Calcutta (India) in 1821. Illustration by Jane Taylor (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Flowers of Solanum lanatum or woolly nightshade, pale purple color. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Flowers of Solanum lanatum or woolly nightshade, pale purple color. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674942: Flowers of Solanum lanatum or woolly nightshade, pale purple color. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674942

Flowers of Solanum lanatum or woolly nightshade, pale purple color. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Branch of Kennedia Marryattiana, ornamental plant with yellow and crimson red flowers, native to western Australia. Rare and endangered ormais plant. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Branch of Kennedia Marryattiana, ornamental plant with yellow and crimson red flowers, native to western Australia. Rare and endangered ormais plant. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674969: Branch of Kennedia Marryattiana, ornamental plant with yellow and crimson red flowers, native to western Australia. Rare and endangered ormais plant. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674969

Branch of Kennedia Marryattiana, ornamental plant with yellow and crimson red flowers, native to western Australia. Rare and endangered ormais plant. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4675001: Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4675001

Variete of Epimede (Epimedium macranthum), ornamental shrub with delicates white and purple flowers, with elegant foliage. This species is one of 160 species that Dr. Siebold brought back from Japan and were grown when they were introduced to Great Britain in 1836. Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Orchid variete (Chloraea or Gavilea longibracteata), flowers with long bractee and white and yellow color. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Orchid variete (Chloraea or Gavilea longibracteata), flowers with long bractee and white and yellow color. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4675017: Orchid variete (Chloraea or Gavilea longibracteata), flowers with long bractee and white and yellow color. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4675017

Orchid variete (Chloraea or Gavilea longibracteata), flowers with long bractee and white and yellow color. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Red clover, Trifolium pratense. Prati trifolio. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Red clover, Trifolium pratense. Prati trifolio. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674676: Red clover, Trifolium pratense. Prati trifolio. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568., Liberale, Giorgio (1527-1579) (after) / Bridgeman Images

ID: FLO4674676

Red clover, Trifolium pratense. Prati trifolio. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

Liberale, Giorgio (1527-1579) (after)

Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa.
Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa.

FLO4674724: Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa. / Bridgeman Images

ID: FLO4674724

Hibiscus variete (H. roseus). This species has elegantly pink flowers is native to France, Italy and the coasts of North Africa.

Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674803: Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674803

Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674874: A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674874

A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674879: Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674879

Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674948: Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

ID: FLO4674948

Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675102: Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675102

Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675121: Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675121

Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Apple Woodville Matchless. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodville's Matchless apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple Woodville Matchless. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodville's Matchless apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675203: Apple Woodville Matchless. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodville's Matchless apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675203

Apple Woodville Matchless. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Woodville's Matchless apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Apple pippin Lucombe. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lucombe's Pine-Apple Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple pippin Lucombe. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lucombe's Pine-Apple Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675396: Apple pippin Lucombe. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lucombe's Pine-Apple Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675396

Apple pippin Lucombe. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lucombe's Pine-Apple Pippin apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675418: Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675418

Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675439: Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675439

Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675506: The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675506

The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person.
Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person.

FLO4675520: Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person. / Bridgeman Images

ID: FLO4675520

Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person.

Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675374: Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

ID: FLO4675374

Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

Japan and Australia: Earth- Illustration - Earth from space. Artwork
Japan and Australia: Earth- Illustration - Earth from space. Artwork

PIX4669542: Japan and Australia: Earth- Illustration - Earth from space. Artwork / Bridgeman Images

ID: PIX4669542

Japan and Australia: Earth- Illustration - Earth from space. Artwork

Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669647: Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669647

Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Anemone-leaved geranium, Geranium anemonefolium, three-coloured pelargonium, Pelargonium tricolor, thick-stemmed pelargonium, Pelargonium crassicaule, ivy-leaved pelargonium, Pelargonium peltatum, and horse-shoe pelargonium, Pelargonium zonale. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.
Anemone-leaved geranium, Geranium anemonefolium, three-coloured pelargonium, Pelargonium tricolor, thick-stemmed pelargonium, Pelargonium crassicaule, ivy-leaved pelargonium, Pelargonium peltatum, and horse-shoe pelargonium, Pelargonium zonale. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.

FLO4669934: Anemone-leaved geranium, Geranium anemonefolium, three-coloured pelargonium, Pelargonium tricolor, thick-stemmed pelargonium, Pelargonium crassicaule, ivy-leaved pelargonium, Pelargonium peltatum, and horse-shoe pelargonium, Pelargonium zonale. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849. / Bridgeman Images

ID: FLO4669934

Anemone-leaved geranium, Geranium anemonefolium, three-coloured pelargonium, Pelargonium tricolor, thick-stemmed pelargonium, Pelargonium crassicaule, ivy-leaved pelargonium, Pelargonium peltatum, and horse-shoe pelargonium, Pelargonium zonale. Handfinished chromolithograph by Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants, William S. Orr, London, 1849.


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