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Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568101: Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568101

Genet has a broom. Coloured copper engraving from a drawing by W.A.Delamotte from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common broom, Spartium scoparium, Cytisus scoparius. Handcoloured copperplate engraving from a drawing by W.A. Delamotte from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568235: Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568235

Drink nice or nice wood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common mezereon, Daphne mezereum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Sheet music page for Salve Regina by Domenico Scarlatti
Sheet music page for Salve Regina by Domenico Scarlatti

LRI4568428: Sheet music page for Salve Regina by Domenico Scarlatti, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4568428

Sheet music page for Salve Regina by Domenico Scarlatti

Unknown artist, (18th century)

Frontispiece of musical score of Unfinished symphony by Franz Schubert
Frontispiece of musical score of Unfinished symphony by Franz Schubert

LRI4568447: Frontispiece of musical score of Unfinished symphony by Franz Schubert, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568447

Frontispiece of musical score of Unfinished symphony by Franz Schubert

Unknown Artist, (19th century)

Portrait of singer Anthony Webster in the role of Corporal William in Sheridan's musical Le Camp at Drury Lane, London in 1778. A. Webster led a short career in London from 1776 to 1780, despite his elegance and harmonious voice. Engraving in The Vocal Magazine, published by J.Bew in 1778.
Portrait of singer Anthony Webster in the role of Corporal William in Sheridan's musical Le Camp at Drury Lane, London in 1778. A. Webster led a short career in London from 1776 to 1780, despite his elegance and harmonious voice. Engraving in The Vocal Magazine, published by J.Bew in 1778.

FLO4568776: Portrait of singer Anthony Webster in the role of Corporal William in Sheridan's musical Le Camp at Drury Lane, London in 1778. A. Webster led a short career in London from 1776 to 1780, despite his elegance and harmonious voice. Engraving in The Vocal Magazine, published by J.Bew in 1778. / Bridgeman Images

ID: FLO4568776

Portrait of singer Anthony Webster in the role of Corporal William in Sheridan's musical Le Camp at Drury Lane, London in 1778. A. Webster led a short career in London from 1776 to 1780, despite his elegance and harmonious voice. Engraving in The Vocal Magazine, published by J.Bew in 1778.

Portrait of singer and actress Margaret Martyr (nee Thornton; d. 1807), at Vauxhall, London, England, 1788. She started under her maiden name at Vauxhall Garden, the most popular London show scene of the period, and was engaged in Covent Garden in 1779. She was very appreciated in comic operas, pantomimes and intermission for 25 years. Engraving in The Vocal Magazine, published by J.Bew, 1778.
Portrait of singer and actress Margaret Martyr (nee Thornton; d. 1807), at Vauxhall, London, England, 1788. She started under her maiden name at Vauxhall Garden, the most popular London show scene of the period, and was engaged in Covent Garden in 1779. She was very appreciated in comic operas, pantomimes and intermission for 25 years. Engraving in The Vocal Magazine, published by J.Bew, 1778.

FLO4568781: Portrait of singer and actress Margaret Martyr (nee Thornton; d. 1807), at Vauxhall, London, England, 1788. She started under her maiden name at Vauxhall Garden, the most popular London show scene of the period, and was engaged in Covent Garden in 1779. She was very appreciated in comic operas, pantomimes and intermission for 25 years. Engraving in The Vocal Magazine, published by J.Bew, 1778. / Bridgeman Images

ID: FLO4568781

Portrait of singer and actress Margaret Martyr (nee Thornton; d. 1807), at Vauxhall, London, England, 1788. She started under her maiden name at Vauxhall Garden, the most popular London show scene of the period, and was engaged in Covent Garden in 1779. She was very appreciated in comic operas, pantomimes and intermission for 25 years. Engraving in The Vocal Magazine, published by J.Bew, 1778.

Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568486: Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568486

Portrait of actor James Aiken in the role of King Henry, in the play Henry VI by William Shakespeare (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616).
Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616).

FLO4568493: Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616). / Bridgeman Images

ID: FLO4568493

Portrait of actor William Thomas Lewis in the role of the Prince of Wales in William Shakespeare's play Henry IV (1564-1616).

Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568547: Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568547

Portrait of actor John Dunstall in the role of Syracuse's dromio in William Shakespeare's play The Comedy of Errors (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568556: Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568556

Portrait of actor Thomas Weston in the role of Costard in William Shakespeare's play Lost Love Punishments (1564-1616). Drawing by R. Dighton, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746
Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746

LRI4568564: Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4568564

Frontispiece with portrait of Tractatus musicus work by Meinrad Spiess, 1746

Unknown artist, (18th century)

Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823
Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823

LRI4568592: Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568592

Frontispiece of musical score of the overture of Alruna by Louis Spohr, 1823

Unknown Artist, (19th century)

Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776.
Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

FLO4568610: Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776. / Bridgeman Images

ID: FLO4568610

Portrait of actor Thomas Sheridan in the role of Brutus, for William Shakespeare's play “Julius Caesar” (1564-1616). Engraving by James Roberts, published in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho)
Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho)

LRI4568737: Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho), Italian School, (18th century) / Bridgeman Images

ID: LRI4568737

Frontispiece of musical score for Sonatas by Giuseppe Tartini (litho)

Italian School, (18th century)

Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781.
Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781.

FLO4568853: Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781. / Bridgeman Images

ID: FLO4568853

Portrait of Italian dancer Giovanna Baccelli, in a crinoloine dress, holding a garland of flowers in her hands, to baller it Les Amants Surprise, in which she began in London (England) in 1781 in the choreography of Louis simonet. She was the mistress of Frederick Sackville, Duke of Dorset. Engraving by Thornthwaite, based on an illustration by James Roberts, published in “Bell's British Theatre” in 1781.

Arabian oryx, Oryx leucoryx 1, grey rhebuck, Pelea capreolus 2, springbok, Antidorcas marsupialis 3, extinct bluebuck, Hippotragus leucophaeus 4, and roan antelope, Hippotragus equinus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Arabian oryx, Oryx leucoryx 1, grey rhebuck, Pelea capreolus 2, springbok, Antidorcas marsupialis 3, extinct bluebuck, Hippotragus leucophaeus 4, and roan antelope, Hippotragus equinus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4568887: Arabian oryx, Oryx leucoryx 1, grey rhebuck, Pelea capreolus 2, springbok, Antidorcas marsupialis 3, extinct bluebuck, Hippotragus leucophaeus 4, and roan antelope, Hippotragus equinus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4568887

Arabian oryx, Oryx leucoryx 1, grey rhebuck, Pelea capreolus 2, springbok, Antidorcas marsupialis 3, extinct bluebuck, Hippotragus leucophaeus 4, and roan antelope, Hippotragus equinus. Handcoloured copperplate engraving from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1597
Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1597

LRI4568919: Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1597, Unknown Artist, (16th century) / Bridgeman Images

ID: LRI4568919

Page from Amfiparnaso madrigal comedy by Orazio Vecchi, 1597

Unknown Artist, (16th century)

Second World War: 'Recover, don't throw anything' Poster of the Department of Recoveration and Use of Waste and Old Materials, 1939 (print)
Second World War: 'Recover, don't throw anything' Poster of the Department of Recoveration and Use of Waste and Old Materials, 1939 (print)

JLJ4568945: Second World War: 'Recover, don't throw anything' Poster of the Department of Recoveration and Use of Waste and Old Materials, 1939 (print), Auffray, Marie Therese (1912-90) / Bridgeman Images

ID: JLJ4568945

Second World War: 'Recover, don't throw anything' Poster of the Department of Recoveration and Use of Waste and Old Materials, 1939 (print)

Auffray, Marie Therese (1912-90)

Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568522: Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568522

Portrait of actress Mary Bulkley in the role of Madame Ford in The Joyeuses Merchants of Windsor by William Shakespeare (1564-1616). Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657
Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657

LRI4568527: Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657, Unknown Artist, (17th century) / Bridgeman Images

ID: LRI4568527

Frontispiece of Mechanica Hydraulico Pneumatica by Gaspar Schott, 1657

Unknown Artist, (17th century)

Page of musical score of the overture of Alruna by Louis Spohr, 1823
Page of musical score of the overture of Alruna by Louis Spohr, 1823

LRI4568582: Page of musical score of the overture of Alruna by Louis Spohr, 1823, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4568582

Page of musical score of the overture of Alruna by Louis Spohr, 1823

Unknown Artist, (19th century)

Page of musical score for the first violin of the opera Jessonda by Louis Spohr
Page of musical score for the first violin of the opera Jessonda by Louis Spohr

LRI4568597: Page of musical score for the first violin of the opera Jessonda by Louis Spohr / Bridgeman Images

ID: LRI4568597

Page of musical score for the first violin of the opera Jessonda by Louis Spohr

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.
Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

FLO4568609: Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785. / Bridgeman Images

ID: FLO4568609

Portrait of actor William Smith in the role of Richard III (play by William Shakespeare (1564-1616). He is a fencing guard, wearing panties and stockings, puffy sleeves and bare head. Smith led his career from 1753 to 1788 in London and was renowned for his delicate and sensitive interpretations of a refined gentleman. Engraving in “” Bell's Shakespeare”” by John Bell, London (England, 1776 to 1785.

Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.
Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.

FLO4568807: Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777. / Bridgeman Images

ID: FLO4568807

Portrait of John Henderson (1747-1785), in the role of Don Juan, in The Chances of Francis Beaumont and John Fletcher. Henderson was a British actor who shone in the roles of Lago, in Othello, Falstaff in Les joyeuses commeres de Windsor and Henry IV, plays by William Shakespeare (1564-1616). Engraving by Thornthwaite, based on a portrait of J. Roberts published in “Bell's British Theatre”, 1777.

Harlequin beetle - Cayenne's harlequin - Acrocinus longimanus, male and female, native to South America, on a cocoa tree, Theobroma cacao. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.
Harlequin beetle - Cayenne's harlequin - Acrocinus longimanus, male and female, native to South America, on a cocoa tree, Theobroma cacao. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

FLO4646553: Harlequin beetle - Cayenne's harlequin - Acrocinus longimanus, male and female, native to South America, on a cocoa tree, Theobroma cacao. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857. / Bridgeman Images

ID: FLO4646553

Harlequin beetle - Cayenne's harlequin - Acrocinus longimanus, male and female, native to South America, on a cocoa tree, Theobroma cacao. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

The construction site of the hotel C¿ur Mediterannee, Boulevard de Dunkerque in Marseille (Bouches du Rhone). Architect Jean Paul Viguier, 2008. Photography 14/12/07.
The construction site of the hotel C¿ur Mediterannee, Boulevard de Dunkerque in Marseille (Bouches du Rhone). Architect Jean Paul Viguier, 2008. Photography 14/12/07.

RCT4646696: The construction site of the hotel C¿ur Mediterannee, Boulevard de Dunkerque in Marseille (Bouches du Rhone). Architect Jean Paul Viguier, 2008. Photography 14/12/07., Viguier, Jean-Paul (b.1946) / Bridgeman Images

ID: RCT4646696

The construction site of the hotel C¿ur Mediterannee, Boulevard de Dunkerque in Marseille (Bouches du Rhone). Architect Jean Paul Viguier, 2008. Photography 14/12/07.

Viguier, Jean-Paul (b.1946)

Mushrooms: enfume lyophyll and shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Numeri mushroom, Tricholoma conglobatum, hadomotase, and miyamashimeji - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916
Mushrooms: enfume lyophyll and shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Numeri mushroom, Tricholoma conglobatum, hadomotase, and miyamashimeji - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916

FLO4646701: Mushrooms: enfume lyophyll and shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Numeri mushroom, Tricholoma conglobatum, hadomotase, and miyamashimeji - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916 / Bridgeman Images

ID: FLO4646701

Mushrooms: enfume lyophyll and shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Numeri mushroom, Tricholoma conglobatum, hadomotase, and miyamashimeji - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”, 1916

Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646724: Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

ID: FLO4646724

Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646890: Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

ID: FLO4646890

Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

English hunters hunting deer attacked by doe. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.
English hunters hunting deer attacked by doe. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

FLO4646047: English hunters hunting deer attacked by doe. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857. / Bridgeman Images

ID: FLO4646047

English hunters hunting deer attacked by doe. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

Cochinchina stud and hens in a farmyard. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.
Cochinchina stud and hens in a farmyard. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

FLO4646394: Cochinchina stud and hens in a farmyard. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857. / Bridgeman Images

ID: FLO4646394

Cochinchina stud and hens in a farmyard. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.

Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979. - Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979
Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979. - Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979

PIX4646490: Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979. - Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979 / Bridgeman Images

ID: PIX4646490

Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979. - Portrait of John Young, STS Mission Commander - 1. 29 - 04 - 1979

Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884
Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884

FLO4647202: Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884 / Bridgeman Images

ID: FLO4647202

Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884

Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647312: Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

ID: FLO4647312

Variety of camelias from Japan (Thea japonica Nois): Toushishi, with ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

FLO4647373: Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. / Bridgeman Images

ID: FLO4647373

Variety of camelias from Japan (Thea japonica Nois): Tagasode, with white and pink flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

Crew STS - 91 in the shuttle Discovery 06/1998 - STS - 91 crew in Discovery. 06/1998 - Downstairs, Wendy Lawrence, then clockwise, Andrew Thomas, Charles Precourt, Valery Ryumin, Janet Kavandi, Dominic Gorie, and Franklin Chang - Diaz. 1998. The seven crew members of STS - 91 pose for their traditional in - flight crew portrait aboard the Space Shuttle Discovery. Wendy B. Lawrence, mission specialist, at bottom center, (counter - clockwise from Lawrence) Andrew Thomas, mission specialist; Charles Precourt, mission commander; Valery Ryumin, mission specialist representing the Russian Aviation and Space Agency; Janet Kavandi, mission specialist; Dominic Gorie, pilot and Franklin Chang - Diaz, payload commander
Crew STS - 91 in the shuttle Discovery 06/1998 - STS - 91 crew in Discovery. 06/1998 - Downstairs, Wendy Lawrence, then clockwise, Andrew Thomas, Charles Precourt, Valery Ryumin, Janet Kavandi, Dominic Gorie, and Franklin Chang - Diaz. 1998. The seven crew members of STS - 91 pose for their traditional in - flight crew portrait aboard the Space Shuttle Discovery. Wendy B. Lawrence, mission specialist, at bottom center, (counter - clockwise from Lawrence) Andrew Thomas, mission specialist; Charles Precourt, mission commander; Valery Ryumin, mission specialist representing the Russian Aviation and Space Agency; Janet Kavandi, mission specialist; Dominic Gorie, pilot and Franklin Chang - Diaz, payload commander

PIX4647492: Crew STS - 91 in the shuttle Discovery 06/1998 - STS - 91 crew in Discovery. 06/1998 - Downstairs, Wendy Lawrence, then clockwise, Andrew Thomas, Charles Precourt, Valery Ryumin, Janet Kavandi, Dominic Gorie, and Franklin Chang - Diaz. 1998. The seven crew members of STS - 91 pose for their traditional in - flight crew portrait aboard the Space Shuttle Discovery. Wendy B. Lawrence, mission specialist, at bottom center, (counter - clockwise from Lawrence) Andrew Thomas, mission specialist; Charles Precourt, mission commander; Valery Ryumin, mission specialist representing the Russian Aviation and Space Agency; Janet Kavandi, mission specialist; Dominic Gorie, pilot and Franklin Chang - Diaz, payload commander / Bridgeman Images

ID: PIX4647492

Crew STS - 91 in the shuttle Discovery 06/1998 - STS - 91 crew in Discovery. 06/1998 - Downstairs, Wendy Lawrence, then clockwise, Andrew Thomas, Charles Precourt, Valery Ryumin, Janet Kavandi, Dominic Gorie, and Franklin Chang - Diaz. 1998. The seven crew members of STS - 91 pose for their traditional in - flight crew portrait aboard the Space Shuttle Discovery. Wendy B. Lawrence, mission specialist, at bottom center, (counter - clockwise from Lawrence) Andrew Thomas, mission specialist; Charles Precourt, mission commander; Valery Ryumin, mission specialist representing the Russian Aviation and Space Agency; Janet Kavandi, mission specialist; Dominic Gorie, pilot and Franklin Chang - Diaz, payload commander


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