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Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)
Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

PCT4265634: Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

The Marechal Petain is riding at the head of the victorious French troops, cheered by young women who throw flowers at him. Cover (1919) of the issue n°146 of the collection “” Patrie””” edited during the war 1914-1918 and until 1920 by F. Rouff.
The Marechal Petain is riding at the head of the victorious French troops, cheered by young women who throw flowers at him. Cover (1919) of the issue n°146 of the collection “” Patrie””” edited during the war 1914-1918 and until 1920 by F. Rouff.

PCT4265676: The Marechal Petain is riding at the head of the victorious French troops, cheered by young women who throw flowers at him. Cover (1919) of the issue n°146 of the collection “” Patrie””” edited during the war 1914-1918 and until 1920 by F. Rouff., Cartier, Patrice / Bridgeman Images

Vue generale de Narbonne (Aude, Pays Cathare) engraving from 1818.
Vue generale de Narbonne (Aude, Pays Cathare) engraving from 1818.

PCT4266235: Vue generale de Narbonne (Aude, Pays Cathare) engraving from 1818. / Bridgeman Images

coat of arms of the royal family of Great Britain: motto of the order of the garter: “Honi est qui mal pense”, framed by a lion and a unicorn. Detail of an engraving from 1717.
coat of arms of the royal family of Great Britain: motto of the order of the garter: “Honi est qui mal pense”, framed by a lion and a unicorn. Detail of an engraving from 1717.

PCT4266640: coat of arms of the royal family of Great Britain: motto of the order of the garter: “Honi est qui mal pense”, framed by a lion and a unicorn. Detail of an engraving from 1717. / Bridgeman Images

Baroque architecture: Church of Saint Didier (17th century). Asfeld, Ardennes (08).
Baroque architecture: Church of Saint Didier (17th century). Asfeld, Ardennes (08).

LSE4196138: Baroque architecture: Church of Saint Didier (17th century). Asfeld, Ardennes (08)., French School, (17th century) / Bridgeman Images

Baroque architecture: staircase painted in trompe l'oeil (trompe-l'oeil) (17th century). Painting by Jean Daret (1613-1668). Hotel de Chateaurenard. Aix en provence (Aix-en-Provence), Bouches du Rhone (Bouches-du-Rhone) (13).
Baroque architecture: staircase painted in trompe l'oeil (trompe-l'oeil) (17th century). Painting by Jean Daret (1613-1668). Hotel de Chateaurenard. Aix en provence (Aix-en-Provence), Bouches du Rhone (Bouches-du-Rhone) (13).

LSE4196200: Baroque architecture: staircase painted in trompe l'oeil (trompe-l'oeil) (17th century). Painting by Jean Daret (1613-1668). Hotel de Chateaurenard. Aix en provence (Aix-en-Provence), Bouches du Rhone (Bouches-du-Rhone) (13)., Daret, Jean (1613-68) / Bridgeman Images

France, Arles, Chapel of the former College of Jesuites today converts into a Christian Lapidary Museum.
France, Arles, Chapel of the former College of Jesuites today converts into a Christian Lapidary Museum.

LSE4196256: France, Arles, Chapel of the former College of Jesuites today converts into a Christian Lapidary Museum., French School / Bridgeman Images

Baroque architecture: Hotel de Vogue (17th century), Dijon, Cote d'Or (21).
Baroque architecture: Hotel de Vogue (17th century), Dijon, Cote d'Or (21).

LSE4196333: Baroque architecture: Hotel de Vogue (17th century), Dijon, Cote d'Or (21)., French School, (17th century) / Bridgeman Images

The birth of the virgin. Sculpture of the Church of Lampaul Guimiliau, late 17th century.
The birth of the virgin. Sculpture of the Church of Lampaul Guimiliau, late 17th century.

LSE4196362: The birth of the virgin. Sculpture of the Church of Lampaul Guimiliau, late 17th century., French School, (17th century) / Bridgeman Images

Baroque architecture: Chapel of the Chartreuse (1770-1780) in Valbonne by architect Jean Baptiste (Jean-Baptiste) Franque (1678-1738). Internal view. Valbonne, Gard (30).
Baroque architecture: Chapel of the Chartreuse (1770-1780) in Valbonne by architect Jean Baptiste (Jean-Baptiste) Franque (1678-1738). Internal view. Valbonne, Gard (30).

LSE4196455: Baroque architecture: Chapel of the Chartreuse (1770-1780) in Valbonne by architect Jean Baptiste (Jean-Baptiste) Franque (1678-1738). Internal view. Valbonne, Gard (30)., Franquelin, Jean Baptiste Louis (17th century) / Bridgeman Images

Baroque architecture: wooden stall representing an angel, attribute of the evangelist Saint Mathieu. Choir (18th century) of the Church of St. Stephen. Internal view. Marmoutier, Bas Rhin (67).
Baroque architecture: wooden stall representing an angel, attribute of the evangelist Saint Mathieu. Choir (18th century) of the Church of St. Stephen. Internal view. Marmoutier, Bas Rhin (67).

LSE4196551: Baroque architecture: wooden stall representing an angel, attribute of the evangelist Saint Mathieu. Choir (18th century) of the Church of St. Stephen. Internal view. Marmoutier, Bas Rhin (67)., Unknown artist, (18th century) / Bridgeman Images

Baroque architecture: sculpture of eagle. Prefecture (Hotel de Klinglin) (1730-1736). Strasbourg, Bas Rhin (Bas-Rhin) (67).
Baroque architecture: sculpture of eagle. Prefecture (Hotel de Klinglin) (1730-1736). Strasbourg, Bas Rhin (Bas-Rhin) (67).

LSE4196572: Baroque architecture: sculpture of eagle. Prefecture (Hotel de Klinglin) (1730-1736). Strasbourg, Bas Rhin (Bas-Rhin) (67)., Torrent, Evelio (1876-1940) / Bridgeman Images

Chambre de la Marechale de la Meilleraye in the Royal Arsenal of Paris (France). Baroque architecture made by Noel Quilllorier, 1637-1642.
Chambre de la Marechale de la Meilleraye in the Royal Arsenal of Paris (France). Baroque architecture made by Noel Quilllorier, 1637-1642.

LSE4196627: Chambre de la Marechale de la Meilleraye in the Royal Arsenal of Paris (France). Baroque architecture made by Noel Quilllorier, 1637-1642., Quillerier, Noel (1594-1669) / Bridgeman Images

Illustrations of the letter W. Cart carrying Christmas trees. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection
Illustrations of the letter W. Cart carrying Christmas trees. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection

DUV4197656: Illustrations of the letter W. Cart carrying Christmas trees. Chromolithography of English origin in “” Father Christmas Alphabet”” Back cover. Editons A. Capendu, Paris, circa 1900. Dim: 315 x 255 mm. Private Collection / Bridgeman Images

Letters A as coupling and B as balloon. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century
Letters A as coupling and B as balloon. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century

DUV4197902: Letters A as coupling and B as balloon. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century, French School, (19th century) / Bridgeman Images

Letter M and N as warm hand and swimming. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century
Letter M and N as warm hand and swimming. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century

DUV4197921: Letter M and N as warm hand and swimming. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century, French School, (19th century) / Bridgeman Images

Letters U and V like Uhlan and Car. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century
Letters U and V like Uhlan and Car. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century

DUV4197937: Letters U and V like Uhlan and Car. Alphabet de la Phosphatine Falieres Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres . Illustrations in chromolithography, late 19th century, French School, (19th century) / Bridgeman Images

Method of learning to read: teacher and pupil in a school room in front of a blackboard. Cover of Alphabet de la Phosphatine Falieres (brand of porridge) Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres (1833-1908). Illustrations in chromolithography, late 19th century. Private Collection
Method of learning to read: teacher and pupil in a school room in front of a blackboard. Cover of Alphabet de la Phosphatine Falieres (brand of porridge) Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres (1833-1908). Illustrations in chromolithography, late 19th century. Private Collection

DUV4197953: Method of learning to read: teacher and pupil in a school room in front of a blackboard. Cover of Alphabet de la Phosphatine Falieres (brand of porridge) Alphabet brevete S.G.D.G. by pharmacist Pierre Emile Falieres (1833-1908). Illustrations in chromolithography, late 19th century. Private Collection / Bridgeman Images

Letter L as
Letter L as

DUV4198011: Letter L as " She will resist or the piece will remain”.Comic abecedaryc.1850-1860 (Epinal print), French School, (19th century) / Bridgeman Images

Letter V as
Letter V as

DUV4198053: Letter V as " Veritable pistachios, to grow mustaches.” Charlatan selling his goods.Comic abecedaryc.1850-1860 (Epinal print), French School, (19th century) / Bridgeman Images

P as a doll. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm
P as a doll. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm

DUV4198119: P as a doll. Alphabet on the theme of games. Chromolithography of B. Sirven, late 19th century. Dim: 12x8,5cm, French School, (19th century) / Bridgeman Images

C as a canoer. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm
C as a canoer. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm

DUV4198173: C as a canoer. Alphabet illustrates each letter representing a child in a suit. Chromolithography of H. Battle, late 19th century. Abeedaire consists of 25 advertising images. Dim: 10x7cm / Bridgeman Images

Portrait of Russian Pope (religion, Russia) by Alphonse de Neuville, engraving by Hildibrand - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -
Portrait of Russian Pope (religion, Russia) by Alphonse de Neuville, engraving by Hildibrand - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -

PCT4295345: Portrait of Russian Pope (religion, Russia) by Alphonse de Neuville, engraving by Hildibrand - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -, Hildibrand, Henri Theophile (1824-1897) / Bridgeman Images

Sahara: mirage in the desert, 1881 (engraving)
Sahara: mirage in the desert, 1881 (engraving)

PCT4295380: Sahara: mirage in the desert, 1881 (engraving) / Bridgeman Images

Cerdagne electric railway line: 1908, construction of the Sejourne bridge, crossing the Tet valley near Mont-Louis and Fontpedrouse - - Roussillon, Catalan Country, Pyrenees-Orientales (Pyrenees Orientales) - this line opened in 1910, has since 2002 been inscribed by UNESCO on the indicative list of World Heritage as “” Railway of Cerdagne””. Operated by SNCF, it forms line 669 000 of the national railway network - Cliche Brun-
Cerdagne electric railway line: 1908, construction of the Sejourne bridge, crossing the Tet valley near Mont-Louis and Fontpedrouse - - Roussillon, Catalan Country, Pyrenees-Orientales (Pyrenees Orientales) - this line opened in 1910, has since 2002 been inscribed by UNESCO on the indicative list of World Heritage as “” Railway of Cerdagne””. Operated by SNCF, it forms line 669 000 of the national railway network - Cliche Brun-

PCT4295526: Cerdagne electric railway line: 1908, construction of the Sejourne bridge, crossing the Tet valley near Mont-Louis and Fontpedrouse - - Roussillon, Catalan Country, Pyrenees-Orientales (Pyrenees Orientales) - this line opened in 1910, has since 2002 been inscribed by UNESCO on the indicative list of World Heritage as “” Railway of Cerdagne””. Operated by SNCF, it forms line 669 000 of the national railway network - Cliche Brun- / Bridgeman Images

Poster for the Folies-Bergere 1874 by Jules Cheret (1836-1932) - aerobatic works, ballets, pantomimes, operettes, dance, dancer, music hall (music hall), gay Paris, Paris by night -
Poster for the Folies-Bergere 1874 by Jules Cheret (1836-1932) - aerobatic works, ballets, pantomimes, operettes, dance, dancer, music hall (music hall), gay Paris, Paris by night -

PCT4295672: Poster for the Folies-Bergere 1874 by Jules Cheret (1836-1932) - aerobatic works, ballets, pantomimes, operettes, dance, dancer, music hall (music hall), gay Paris, Paris by night -, Cheret, Jules (1836-1932) / Bridgeman Images

View of the city of Jeddah (Jeddah), Saudi Arabia, port on the banks of the Red Sea and gate of Mecca (East Africa) - in the foreground, a boat used by fishermen to transport Muslim pelerins travelling to Mecca - Islam, mosque, minaret - Engraving of “The Illustrious Universe” 1860 (East Africa) -
View of the city of Jeddah (Jeddah), Saudi Arabia, port on the banks of the Red Sea and gate of Mecca (East Africa) - in the foreground, a boat used by fishermen to transport Muslim pelerins travelling to Mecca - Islam, mosque, minaret - Engraving of “The Illustrious Universe” 1860 (East Africa) -

PCT4295682: View of the city of Jeddah (Jeddah), Saudi Arabia, port on the banks of the Red Sea and gate of Mecca (East Africa) - in the foreground, a boat used by fishermen to transport Muslim pelerins travelling to Mecca - Islam, mosque, minaret - Engraving of “The Illustrious Universe” 1860 (East Africa) - / Bridgeman Images

The Garabit Viaduct (Pont rail) in the Cantal (Auvergne, France), photo 2017 (photo)
The Garabit Viaduct (Pont rail) in the Cantal (Auvergne, France), photo 2017 (photo)

PCT4295777: The Garabit Viaduct (Pont rail) in the Cantal (Auvergne, France), photo 2017 (photo), Eiffel, Gustave (1832-1923) / Bridgeman Images

Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): reliquary bust of Saint Baudime (companion of Saint Nectaire during the evangelization of the Monts d'Ore) in oak covered with copper regrowth and gold. The right hand is raised as a sign of blessing. The eyes are ivory with the iris in horn. The dilated pupils give the gaze a terrifying expression - religious art 12th century - Photo Patrice Cartier -
Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): reliquary bust of Saint Baudime (companion of Saint Nectaire during the evangelization of the Monts d'Ore) in oak covered with copper regrowth and gold. The right hand is raised as a sign of blessing. The eyes are ivory with the iris in horn. The dilated pupils give the gaze a terrifying expression - religious art 12th century - Photo Patrice Cartier -

PCT4295875: Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): reliquary bust of Saint Baudime (companion of Saint Nectaire during the evangelization of the Monts d'Ore) in oak covered with copper regrowth and gold. The right hand is raised as a sign of blessing. The eyes are ivory with the iris in horn. The dilated pupils give the gaze a terrifying expression - religious art 12th century - Photo Patrice Cartier -, Cartier, Patrice / Bridgeman Images

Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, 19th century, cotton weave - picking scene (grapes, grapes, harvest, harvest) - vines and wine have been present in Persian culture since the Rouenid period (first millennia before the Christian era). It was only in the 7th century, after the Muslim conquete, that the consumption of alcohol was prohibited and grapes were intended for the table only - private collection -
Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, 19th century, cotton weave - picking scene (grapes, grapes, harvest, harvest) - vines and wine have been present in Persian culture since the Rouenid period (first millennia before the Christian era). It was only in the 7th century, after the Muslim conquete, that the consumption of alcohol was prohibited and grapes were intended for the table only - private collection -

PCT4296219: Iran, art of qalamkar: detail of an Iranian textile piece from Isfahan, 19th century, cotton weave - picking scene (grapes, grapes, harvest, harvest) - vines and wine have been present in Persian culture since the Rouenid period (first millennia before the Christian era). It was only in the 7th century, after the Muslim conquete, that the consumption of alcohol was prohibited and grapes were intended for the table only - private collection - / Bridgeman Images

Title page and frontispiece of the book “” Le Quart d'heure d'une jolie femme, ou les amusements de la toilette, ouvrage presque moral””, Geneve, chez Antoine Philibert, 1753 - Par Mademoiselle de***** (in reality Francois de Chevrier 1721-1762) - Gusman/Leemage
Title page and frontispiece of the book “” Le Quart d'heure d'une jolie femme, ou les amusements de la toilette, ouvrage presque moral””, Geneve, chez Antoine Philibert, 1753 - Par Mademoiselle de***** (in reality Francois de Chevrier 1721-1762) - Gusman/Leemage

PCT4296307: Title page and frontispiece of the book “” Le Quart d'heure d'une jolie femme, ou les amusements de la toilette, ouvrage presque moral””, Geneve, chez Antoine Philibert, 1753 - Par Mademoiselle de***** (in reality Francois de Chevrier 1721-1762) - Gusman/Leemage / Bridgeman Images

Expressions of the Passions of the Soul represented in several engraved heads: The Terror. Frightened man's face. From a drawing by Charles Le Brun (1619-1690) 17th century - expression, passion, emotion, fear, terror -
Expressions of the Passions of the Soul represented in several engraved heads: The Terror. Frightened man's face. From a drawing by Charles Le Brun (1619-1690) 17th century - expression, passion, emotion, fear, terror -

PCT4296325: Expressions of the Passions of the Soul represented in several engraved heads: The Terror. Frightened man's face. From a drawing by Charles Le Brun (1619-1690) 17th century - expression, passion, emotion, fear, terror - / Bridgeman Images

Pau, Bearn, boulevard des Pyrenees: postcard beginning 20th century (beginning of 20th century). Walkers, pegs, pedestrian avenue -
Pau, Bearn, boulevard des Pyrenees: postcard beginning 20th century (beginning of 20th century). Walkers, pegs, pedestrian avenue -

PCT4296546: Pau, Bearn, boulevard des Pyrenees: postcard beginning 20th century (beginning of 20th century). Walkers, pegs, pedestrian avenue - / Bridgeman Images

Villa known as English in Pau (Bearn) at the beginning of the 20th century - the region of Pau was very popular among Anglo-Saxons (English and American) at the beginning of the 20th century. At the end of the nineteenth and the end of the 19th centuries, many villas of this type were built throughout the region for the benefit of the rich bitannic in the town. They're called English villas. They were the place of worldly rendezvous -
Villa known as English in Pau (Bearn) at the beginning of the 20th century - the region of Pau was very popular among Anglo-Saxons (English and American) at the beginning of the 20th century. At the end of the nineteenth and the end of the 19th centuries, many villas of this type were built throughout the region for the benefit of the rich bitannic in the town. They're called English villas. They were the place of worldly rendezvous -

PCT4296564: Villa known as English in Pau (Bearn) at the beginning of the 20th century - the region of Pau was very popular among Anglo-Saxons (English and American) at the beginning of the 20th century. At the end of the nineteenth and the end of the 19th centuries, many villas of this type were built throughout the region for the benefit of the rich bitannic in the town. They're called English villas. They were the place of worldly rendezvous - / Bridgeman Images

Cover of a French edition of the book “” Les derniers jours de Pompei”” (The last days of Pompeii - Edward Bulwer Lytton (1803-1873)), Delagrave edition debut 20th century, Juventa collection -
Cover of a French edition of the book “” Les derniers jours de Pompei”” (The last days of Pompeii - Edward Bulwer Lytton (1803-1873)), Delagrave edition debut 20th century, Juventa collection -

PCT4296926: Cover of a French edition of the book “” Les derniers jours de Pompei”” (The last days of Pompeii - Edward Bulwer Lytton (1803-1873)), Delagrave edition debut 20th century, Juventa collection -, Cartier, Patrice / Bridgeman Images

Cover of the book 'Les Terres du ciel', Camille Flammarion 1884 (print)
Cover of the book 'Les Terres du ciel', Camille Flammarion 1884 (print)

PCT4297512: Cover of the book 'Les Terres du ciel', Camille Flammarion 1884 (print), French School, (19th century) / Bridgeman Images


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