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Rosemary Leaf Spike - Willowherb, Epilobium dodonaei (Epilobium angustissimum). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Rosemary Leaf Spike - Willowherb, Epilobium dodonaei (Epilobium angustissimum). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599429: Rosemary Leaf Spike - Willowherb, Epilobium dodonaei (Epilobium angustissimum). Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Blue dots - Butterfly pea or greater clitoria, Clitoria ternatea major. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).
Blue dots - Butterfly pea or greater clitoria, Clitoria ternatea major. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835).

FLO4599475: Blue dots - Butterfly pea or greater clitoria, Clitoria ternatea major. Handcoloured zincograph by C. Chabot drawn by Miss M. A. Burnett from her “” Plantae Utiliores: or Illustrations of Useful Plants,”” Whittaker, London, 1842. Miss Burnett drew the botanical illustrations, but the text was chiefly by her late brother, British botanist Gilbert Thomas Burnett (1800-1835). / Bridgeman Images

Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590223: Male and female Mandarins (magistrates) in summer dress, imperial court of China. Embroidered square on their tunic reveals their rank and type: bird for civil, animal for military. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta krater representing sphinxes,  580-560 BC
Terracotta krater representing sphinxes,  580-560 BC

LRI4590291: Terracotta krater representing sphinxes, 580-560 BC, Etruscan, (6th century BC) / Bridgeman Images

Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590345: Chinese distiller making Cho-Chou or brandy in a vat on a furnace. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590485: Chinese mountebank riding a boat on land accompanied by a musician playing a recorder, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590602: Criminal being punished with the Bastinado, or whipping acoss the thighs with a whip or bamboo cane. Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590664: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Krater representing Neoptoleme, Astyanax, Helene of Troy, 4th century BC (terracotta)
Krater representing Neoptoleme, Astyanax, Helene of Troy, 4th century BC (terracotta)

LRI4589712: Krater representing Neoptoleme, Astyanax, Helene of Troy, 4th century BC (terracotta), Etruscan, (4th century BC) / Bridgeman Images

Terracotta fragment of kylix representing a maenad and a satyr, 350 BC
Terracotta fragment of kylix representing a maenad and a satyr, 350 BC

LRI4589806: Terracotta fragment of kylix representing a maenad and a satyr, 350 BC, Etruscan, (4th century BC) / Bridgeman Images

Terracotta column krater with a portrait of a woman, between two horses, a young lady with a naked man, 310-300 BC
Terracotta column krater with a portrait of a woman, between two horses, a young lady with a naked man, 310-300 BC

LRI4589828: Terracotta column krater with a portrait of a woman, between two horses, a young lady with a naked man, 310-300 BC, Etruscan, (4th century BC) / Bridgeman Images

Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589865: Shopfront to Martin's caterers, 50 rue St. Jacques de la Boucherie, Paris, circa 1800.Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris, Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589916: Shopfront of Cafe Tesse, 1 Quai Voltaire, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â
Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â

FLO4589945: Shopfront of Monsieur Fargeon's perfumery to the Empress Josephine, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. Â / Bridgeman Images

Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590163: Kien Long (Qianlong) Emperor of China, sixth emperor in the Qing Dynasty (1711-1799). Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589708: Variete of goatsuckle - Stained fly honeysuckle, Lonicera discolor. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589779: Orchid Variety - Ambiguous encyclia orchid, Encycloa ambigua (Winged epidendrum, Epidendrum alatum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Head of woman shaped terracotta vase, 550-530 BC
Head of woman shaped terracotta vase, 550-530 BC

LRI4589807: Head of woman shaped terracotta vase, 550-530 BC, Etruscan, (6th century BC) / Bridgeman Images

Terracotta oenochoe (oinochoe) representing sphinxes, bulls, riders, birds and tree, 520 BC
Terracotta oenochoe (oinochoe) representing sphinxes, bulls, riders, birds and tree, 520 BC

LRI4589821: Terracotta oenochoe (oinochoe) representing sphinxes, bulls, riders, birds and tree, 520 BC, Etruscan, (6th century BC) / Bridgeman Images

Shopfront to Lescot's pharmacy on the rue de Grammont, Paris, early 1800s. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront to Lescot's pharmacy on the rue de Grammont, Paris, early 1800s. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589858: Shopfront to Lescot's pharmacy on the rue de Grammont, Paris, early 1800s. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4589930: Shopfront of Monsieur Taillebosq's fabric store, 38 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Shopfront of Monsieur Bertin's fashion boutique, 26 rue de la Roi, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Bertin's fashion boutique, 26 rue de la Roi, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4590058: Shopfront of Monsieur Bertin's fashion boutique, 26 rue de la Roi, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Detail of a kylix representing a maenad and a satyr, 330-300 BC
Detail of a kylix representing a maenad and a satyr, 330-300 BC

LRI4590092: Detail of a kylix representing a maenad and a satyr, 330-300 BC, Etruscan, (4th century BC) / Bridgeman Images

Etruscan civilization: representation of an Etruscan house, reduced funeral model, italy (Etruscan art, model of an etruscan house, funerary miniature, Italy) Florence, Archaeological Museum
Etruscan civilization: representation of an Etruscan house, reduced funeral model, italy (Etruscan art, model of an etruscan house, funerary miniature, Italy) Florence, Archaeological Museum

LRI4590112: Etruscan civilization: representation of an Etruscan house, reduced funeral model, italy (Etruscan art, model of an etruscan house, funerary miniature, Italy) Florence, Archaeological Museum, Etruscan / Bridgeman Images

Amphora,  590-580 BC (terracotta)
Amphora,  590-580 BC (terracotta)

LRI4590119: Amphora, 590-580 BC (terracotta), Etruscan, (6th century BC) / Bridgeman Images

Amphora with geometric figures, c.700 BC (terracotta)
Amphora with geometric figures, c.700 BC (terracotta)

LRI4590259: Amphora with geometric figures, c.700 BC (terracotta), Etruscan, (8th century BC) / Bridgeman Images

Various jugs, cups and vases. 320-280 BC (terracotta)
Various jugs, cups and vases. 320-280 BC (terracotta)

LRI4590364: Various jugs, cups and vases. 320-280 BC (terracotta), Etruscan (3rd century BC) / Bridgeman Images

Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster
Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster

PIX4590807: Constellations of the Great Dog, Orion and Hyad Cluster - Constellations Canis Major, Orion and the Hyades cluster - Winter Constellations. On the left the constellation of the Great Dog with the star Sirius, in the center the constellation of Orion, on the right the cluster of the Hyades. Winter constellations, from left to right: Canis Major with Sirius star, the constellation Orion and the Hyades cluster / Bridgeman Images

Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.
Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805.

FLO4590850: Plan, elevation and section of an air vault, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by David Mushet from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1805. / Bridgeman Images

Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4590969: Dial work and striking part of an eight-day clock. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810
John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810

FLO4591145: John Isaac Hawkins (1772-1855) 'patent polygraph machine or autopen. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810 / Bridgeman Images

Terracotta oinochoe (oenochoe) representing plant motifs and animals, 700-675 BC
Terracotta oinochoe (oenochoe) representing plant motifs and animals, 700-675 BC

LRI4590274: Terracotta oinochoe (oenochoe) representing plant motifs and animals, 700-675 BC, Etruscan, (7th century BC) / Bridgeman Images

Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590365: Chinese stage cart, Qing Dynasty. Common horse-drawn carriage or wagon used by all classes. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese swan pan or abacus, and pottery shop, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese swan pan or abacus, and pottery shop, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590545: Chinese swan pan or abacus, and pottery shop, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Porcelain factory in China, Qing Dynasty. Workers painting dishes by hand while another brings more plates. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Porcelain factory in China, Qing Dynasty. Workers painting dishes by hand while another brings more plates. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590649: Porcelain factory in China, Qing Dynasty. Workers painting dishes by hand while another brings more plates. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Sections through furnaces for the reduction of antimony. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1802.
Sections through furnaces for the reduction of antimony. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1802.

FLO4590732: Sections through furnaces for the reduction of antimony. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1802. / Bridgeman Images


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