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George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616944: George Frederic Auguste (1727-1760), Prince of Wales, England 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

French royal officer, 17th century, after an engraving of 1675, by Jean de Saint Jean - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867
French royal officer, 17th century, after an engraving of 1675, by Jean de Saint Jean - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867

FLO4616759: French royal officer, 17th century, after an engraving of 1675, by Jean de Saint Jean - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16e, 17th et 18th Siecles” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

Phobos - Illustration - Phobos - Illustratio
Phobos - Illustration - Phobos - Illustratio

PIX4617062: Phobos - Illustration - Phobos - Illustratio / Bridgeman Images

Ferdinand Guillemardet (1765-1809), ambassador of the French republic to Spain 18th century, based on a painting of 1798 by Francisco Goya (1746-1828) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from Georges Duorges Plessis (1834-1899), edition 1867
Ferdinand Guillemardet (1765-1809), ambassador of the French republic to Spain 18th century, based on a painting of 1798 by Francisco Goya (1746-1828) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from Georges Duorges Plessis (1834-1899), edition 1867

FLO4616890: Ferdinand Guillemardet (1765-1809), ambassador of the French republic to Spain 18th century, based on a painting of 1798 by Francisco Goya (1746-1828) - Lithography of an illustration by Edmond Lechevallier-Chevignard (1825-1902), from Georges Duorges Plessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617161: Germander speedwell, Veronica chamaedrys. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

French peasant, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
French peasant, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4616973: French peasant, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617263: Tobacco, Nicotiana tabacum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Spanish Eveque 16th century, based on a painting by Bartolome Murillo (1617-1682) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867
Spanish Eveque 16th century, based on a painting by Bartolome Murillo (1617-1682) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867

FLO4617013: Spanish Eveque 16th century, based on a painting by Bartolome Murillo (1617-1682) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from “Costumes historiques des 16th, 17th and 18th century” by Georges Duplessis (1834-1899), edition 1867, Lechevallier-Chevignard, Edmond (1825-1902) / Bridgeman Images

White opium poppy, Papaver somniferum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
White opium poppy, Papaver somniferum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617812: White opium poppy, Papaver somniferum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Common asarabacca, Asarum europaeum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Common asarabacca, Asarum europaeum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617661: Common asarabacca, Asarum europaeum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice
Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice

LRI4600994: Central panel of the Polyptych of Revelation: the Vision of Saint John the Evangelist. Detrempe on wood by Jacobello Alberegno (1367-1397 approx.) 1360-1390. Gallerie dell'Accademia, Venice, Alberegno, Jacopo (d. 1397) / Bridgeman Images

History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina
History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina

LRI4601094: History of Joseph, son of Jacob: “” Joseph interpreting his father's dreams”” Painting on wood by Andrea del Sarto (1486-1530) 1515-1517 Dim. 98x135 cm Florence, Palazzo Pitti, Galleria Palatina, Sarto, Andrea del (1486-1530) / Bridgeman Images

Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601113: Meskwaki men performing the Dance to the Medicine of the Brave. Bag warriors dancing with scalps of their enemy in front of the teepee of a fallen warrior's widow. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Seminole brave Os-ce-o-la, Powell, son of a white man and Creek woman. In turban and calico robes, holding a rifle, Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians (London, 1841).
Seminole brave Os-ce-o-la, Powell, son of a white man and Creek woman. In turban and calico robes, holding a rifle, Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians (London, 1841).

FLO4601144: Seminole brave Os-ce-o-la, Powell, son of a white man and Creek woman. In turban and calico robes, holding a rifle, Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians (London, 1841). / Bridgeman Images

Mandan medicine man Mah-to-he-hah, Old Bear, painted with various colours, bear grease and charcoal, holding feathered medicine pipes and wearing fox tails on his heels. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan medicine man Mah-to-he-hah, Old Bear, painted with various colours, bear grease and charcoal, holding feathered medicine pipes and wearing fox tails on his heels. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601279: Mandan medicine man Mah-to-he-hah, Old Bear, painted with various colours, bear grease and charcoal, holding feathered medicine pipes and wearing fox tails on his heels. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601421: Mandan religious ceremony - the last race or eh-ke-na-ka-nah-pick, part of the four-day O-Kee-Pa buffalo dance. Exhausted young men run or are dragged in an attempt to shake off the splints and buffalo skulls skewered in their skin. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528)
Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528)

LRI4601069: Vallombrosa Altarpiece: st John Baptist and st Bernard degli Uberti, side panels. (oil on panel, 1528), Sarto, Andrea del (1486-1530) / Bridgeman Images

Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601107: Mandan village with earth domes and spears, and interior of a Mandan dwelling with skylight, fireplace and people resting on mats of rushes. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Sha-co-pay, Chief of the Ojibwe nation 35, and one of his squaws 36. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sha-co-pay, Chief of the Ojibwe nation 35, and one of his squaws 36. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601027: Sha-co-pay, Chief of the Ojibwe nation 35, and one of his squaws 36. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601039: Meskwaki warriors Muk-a-tah-mish-o-kah-kaik, Black Hawk 283, his son NAH-se-US-kuk, Whirling Thunder 284, Wah-pe-kee-suck, White Cloud or the Prophet 285, and Wee-sheet, Sturgeon's Head 286. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601462: Minataree, Hidatsa or Minnetaree men performing the green corn dance around a fire and kettle with medicine men offering ripe maize to the Great Spirit. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Sioux men dancing the Scalp Dance after a victory. They wave scalps stretched on poles, brandish knives, pipes and tomahawks, their bodies decorated with vermilion and charcoal tattoos. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux men dancing the Scalp Dance after a victory. They wave scalps stretched on poles, brandish knives, pipes and tomahawks, their bodies decorated with vermilion and charcoal tattoos. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601644: Sioux men dancing the Scalp Dance after a victory. They wave scalps stretched on poles, brandish knives, pipes and tomahawks, their bodies decorated with vermilion and charcoal tattoos. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

James Whitney, the notorious highwayman, executed at Porter's Block, 1694. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
James Whitney, the notorious highwayman, executed at Porter's Block, 1694. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601898: James Whitney, the notorious highwayman, executed at Porter's Block, 1694. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Old Harry with his Raree Show. He attracted customers with a bell and showed a cabinet of curiosities including a snake, a flea, and Nippotate a tame hedgehog for a farthing. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Old Harry with his Raree Show. He attracted customers with a bell and showed a cabinet of curiosities including a snake, a flea, and Nippotate a tame hedgehog for a farthing. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601996: Old Harry with his Raree Show. He attracted customers with a bell and showed a cabinet of curiosities including a snake, a flea, and Nippotate a tame hedgehog for a farthing. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

William Joy, the English Samson, strongman and performer of feats of strength, depicted in 1699 at age 24. Engraving by Cook from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
William Joy, the English Samson, strongman and performer of feats of strength, depicted in 1699 at age 24. Engraving by Cook from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601886: William Joy, the English Samson, strongman and performer of feats of strength, depicted in 1699 at age 24. Engraving by Cook from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Thomas Britton, coal merchant and antiquarian book dealer, died 1714. Engraving by Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Thomas Britton, coal merchant and antiquarian book dealer, died 1714. Engraving by Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601937: Thomas Britton, coal merchant and antiquarian book dealer, died 1714. Engraving by Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Virgin with child between st Paul and st George (tempera on wood, 1490-1500)
Virgin with child between st Paul and st George (tempera on wood, 1490-1500)

LRI4601975: Virgin with child between st Paul and st George (tempera on wood, 1490-1500), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

Allegory of medisance or envy A character of a giant shell, a serpent wraps around his arm, Wood painting by Giovanni Bellini dit Giambellino (1425/1433-1516) 1480-1490 Venice, Gallerie dell'Accademia
Allegory of medisance or envy A character of a giant shell, a serpent wraps around his arm, Wood painting by Giovanni Bellini dit Giambellino (1425/1433-1516) 1480-1490 Venice, Gallerie dell'Accademia

LRI4602007: Allegory of medisance or envy A character of a giant shell, a serpent wraps around his arm, Wood painting by Giovanni Bellini dit Giambellino (1425/1433-1516) 1480-1490 Venice, Gallerie dell'Accademia, Bellini, Giovanni (c.1430-1516) / Bridgeman Images

Sir William Read, cobbler and tailor who became a mountebank, quack doctor, and finally oculist to King George I and Queen Anne, died 1715. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Sir William Read, cobbler and tailor who became a mountebank, quack doctor, and finally oculist to King George I and Queen Anne, died 1715. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602053: Sir William Read, cobbler and tailor who became a mountebank, quack doctor, and finally oculist to King George I and Queen Anne, died 1715. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Jeremiah White, chaplain to Oliver Cromwell, 17th century. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Jeremiah White, chaplain to Oliver Cromwell, 17th century. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602104: Jeremiah White, chaplain to Oliver Cromwell, 17th century. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

James Radcliffe, Earl of Derwentwater, rebel lord, executed 1716. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
James Radcliffe, Earl of Derwentwater, rebel lord, executed 1716. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602225: James Radcliffe, Earl of Derwentwater, rebel lord, executed 1716. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Fawkes, sleigh-of-hand man and juggler at Bartholomew Fair, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Fawkes, sleigh-of-hand man and juggler at Bartholomew Fair, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602247: Fawkes, sleigh-of-hand man and juggler at Bartholomew Fair, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

John Law, murderer, gambler, projector of the failed Missisippi Scheme, died 1729. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Law, murderer, gambler, projector of the failed Missisippi Scheme, died 1729. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602335: John Law, murderer, gambler, projector of the failed Missisippi Scheme, died 1729. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Nathaniel St. Andre, 18th century Swiss surgeon and “” rabbit doctor””” fooled by Mary Toft, the rabbit woman of Godalming. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Nathaniel St. Andre, 18th century Swiss surgeon and “” rabbit doctor””” fooled by Mary Toft, the rabbit woman of Godalming. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602445: Nathaniel St. Andre, 18th century Swiss surgeon and “” rabbit doctor””” fooled by Mary Toft, the rabbit woman of Godalming. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Owen Farrel, the Irish Dwarf, uncouth beggar on the streets of London. Sold his body before his death to the surgeon Mr. Omrod, who later made a skeleton of his bones. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Owen Farrel, the Irish Dwarf, uncouth beggar on the streets of London. Sold his body before his death to the surgeon Mr. Omrod, who later made a skeleton of his bones. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602607: Owen Farrel, the Irish Dwarf, uncouth beggar on the streets of London. Sold his body before his death to the surgeon Mr. Omrod, who later made a skeleton of his bones. Copperplate engraving from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

Jane Scrimshaw, lived to the age of 127, died 1711. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Jane Scrimshaw, lived to the age of 127, died 1711. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602098: Jane Scrimshaw, lived to the age of 127, died 1711. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images


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