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Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646724: Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

ID: FLO4646724

Mushrooms: varietes a mycelium annular, growing in witch circle or circle of fees - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kishimeji and kintake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646890: Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

ID: FLO4646890

Mushrooms: shimeji varietes, tricholome - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Zenbon shimeji mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884
Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884

FLO4647202: Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884 / Bridgeman Images

ID: FLO4647202

Mint lime corean and agastache fennel (or anise hyssop, anisee hyssop or large hyssop) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1884 - Korean mint, Agastache rugosa (Lophanthus rugosus Fisch.) and anise hysch. Sop, Agastache foeniculum (Lophanthus anisatus) - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu”””, 1884

Varieties of Japanese camelias (Thea japonica Nois): Senjyu and Kamitsuma, with yellow and ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Varieties of Japanese camelias (Thea japonica Nois): Senjyu and Kamitsuma, with yellow and ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647304: Varieties of Japanese camelias (Thea japonica Nois): Senjyu and Kamitsuma, with yellow and ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

ID: FLO4647304

Varieties of Japanese camelias (Thea japonica Nois): Senjyu and Kamitsuma, with yellow and ecarlate flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

Camelia Madame de Cannart d'Hamale. Hybrid, variete Ghent, grows in a cold greenhouse, pink flower line with red. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.
Camelia Madame de Cannart d'Hamale. Hybrid, variete Ghent, grows in a cold greenhouse, pink flower line with red. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.

FLO4647525: Camelia Madame de Cannart d'Hamale. Hybrid, variete Ghent, grows in a cold greenhouse, pink flower line with red. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer. / Bridgeman Images

ID: FLO4647525

Camelia Madame de Cannart d'Hamale. Hybrid, variete Ghent, grows in a cold greenhouse, pink flower line with red. Lithograph of L. Stroobant de Ghent, based on a drawing by P. Stroobant, published around 1880 in L'Illustration Horticole by Jean Jules Linden (1817-1898), Belgian botanist and explorer.

Camelia variete Madame P. de Pannemaeker (Camellia japonica, Thea japonica), pink flower. Chromolithography by P.de Pannemaeker, published in 1886 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.
Camelia variete Madame P. de Pannemaeker (Camellia japonica, Thea japonica), pink flower. Chromolithography by P.de Pannemaeker, published in 1886 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

FLO4647592: Camelia variete Madame P. de Pannemaeker (Camellia japonica, Thea japonica), pink flower. Chromolithography by P.de Pannemaeker, published in 1886 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist. / Bridgeman Images

ID: FLO4647592

Camelia variete Madame P. de Pannemaeker (Camellia japonica, Thea japonica), pink flower. Chromolithography by P.de Pannemaeker, published in 1886 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

Philodendron mamei with white and blood red inflorescence. Tropical exotic plant. Illustration by J. de Bosschere, lithography by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.
Philodendron mamei with white and blood red inflorescence. Tropical exotic plant. Illustration by J. de Bosschere, lithography by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

FLO4647724: Philodendron mamei with white and blood red inflorescence. Tropical exotic plant. Illustration by J. de Bosschere, lithography by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist. / Bridgeman Images

ID: FLO4647724

Philodendron mamei with white and blood red inflorescence. Tropical exotic plant. Illustration by J. de Bosschere, lithography by P.de Pannemaeker, published around 1880 in Ghent (Belgium), in L'Illustration Horticole by Jean Linden (1817-1898) explorer, botanist and Belgian horticulturist.

Variety of camelias from Japan (Thea japonica Nois): Ariake and Hagomoro, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Ariake and Hagomoro, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

FLO4647380: Variety of camelias from Japan (Thea japonica Nois): Ariake and Hagomoro, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. / Bridgeman Images

ID: FLO4647380

Variety of camelias from Japan (Thea japonica Nois): Ariake and Hagomoro, with pink and white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

Variety of camelias from Japan (Thea japonica Nois): Shirataki and Shiroshishi, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.
Variety of camelias from Japan (Thea japonica Nois): Shirataki and Shiroshishi, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

FLO4647408: Variety of camelias from Japan (Thea japonica Nois): Shirataki and Shiroshishi, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants. / Bridgeman Images

ID: FLO4647408

Variety of camelias from Japan (Thea japonica Nois): Shirataki and Shiroshishi, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to Mždicinal plants.

Variety of Japanese camelias (Thea japonica Nois): Kagiri and Monokaha, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.
Variety of Japanese camelias (Thea japonica Nois): Kagiri and Monokaha, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

FLO4647424: Variety of Japanese camelias (Thea japonica Nois): Kagiri and Monokaha, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. / Bridgeman Images

ID: FLO4647424

Variety of Japanese camelias (Thea japonica Nois): Kagiri and Monokaha, with white flowers. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants.

Jesus' prayer in the garden of olive trees illuminated by Giovanni Gadio. Detail of an antiphonary. 1483. Cremone, choral 6, capitolo del duomo
Jesus' prayer in the garden of olive trees illuminated by Giovanni Gadio. Detail of an antiphonary. 1483. Cremone, choral 6, capitolo del duomo

LRI4647474: Jesus' prayer in the garden of olive trees illuminated by Giovanni Gadio. Detail of an antiphonary. 1483. Cremone, choral 6, capitolo del duomo, Gadio, Giovanni (15th century) / Bridgeman Images

ID: LRI4647474

Jesus' prayer in the garden of olive trees illuminated by Giovanni Gadio. Detail of an antiphonary. 1483. Cremone, choral 6, capitolo del duomo

Gadio, Giovanni (15th century)

Variety of camelias from Japan (Thea japonica Nois): Susukage, crimson red flower. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. Crimson camellia “Susukage”. Thea japonica Nois. Colour printed woodblock engraving Kan'en Iwasaki from “” Honzo Zufu,”” an Illustrated Guide to Medicinal Plants, 1884. Iwasaki (1786-1842) was a Japanese botanist, entomologist and zoologist.
Variety of camelias from Japan (Thea japonica Nois): Susukage, crimson red flower. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. Crimson camellia “Susukage”. Thea japonica Nois. Colour printed woodblock engraving Kan'en Iwasaki from “” Honzo Zufu,”” an Illustrated Guide to Medicinal Plants, 1884. Iwasaki (1786-1842) was a Japanese botanist, entomologist and zoologist.

FLO4647503: Variety of camelias from Japan (Thea japonica Nois): Susukage, crimson red flower. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. Crimson camellia “Susukage”. Thea japonica Nois. Colour printed woodblock engraving Kan'en Iwasaki from “” Honzo Zufu,”” an Illustrated Guide to Medicinal Plants, 1884. Iwasaki (1786-1842) was a Japanese botanist, entomologist and zoologist. / Bridgeman Images

ID: FLO4647503

Variety of camelias from Japan (Thea japonica Nois): Susukage, crimson red flower. Eau forte en couleurs, woodcut by Kanen Iwasaki (1786-1842) botanist, entomology and Japanese zoology, published in Honzo Zufu, in 1884, an illustrative guide to medicinal plants. Crimson camellia “Susukage”. Thea japonica Nois. Colour printed woodblock engraving Kan'en Iwasaki from “” Honzo Zufu,”” an Illustrated Guide to Medicinal Plants, 1884. Iwasaki (1786-1842) was a Japanese botanist, entomologist and zoologist.

Autumn chrysanthemum hybrids, 19th century (print)
Autumn chrysanthemum hybrids, 19th century (print)

FLO4647659: Autumn chrysanthemum hybrids, 19th century (print) / Bridgeman Images

ID: FLO4647659

Autumn chrysanthemum hybrids, 19th century (print)

Sumatra phalaenopsis orchid, Phalaenopsis sumatrana. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.
Sumatra phalaenopsis orchid, Phalaenopsis sumatrana. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

FLO4647842: Sumatra phalaenopsis orchid, Phalaenopsis sumatrana. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868. / Bridgeman Images

ID: FLO4647842

Sumatra phalaenopsis orchid, Phalaenopsis sumatrana. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

Claude Nicollier in the shuttle Discovery STS - 103 1999 - Astronaut Claude Nicollier in Discovery - 1999 - Astronaut Claude Nicollier, mission specialist representing the European Space Agency (ESA), on Discovery's mid deck prior to a space walk in the weightlessness of space
Claude Nicollier in the shuttle Discovery STS - 103 1999 - Astronaut Claude Nicollier in Discovery - 1999 - Astronaut Claude Nicollier, mission specialist representing the European Space Agency (ESA), on Discovery's mid deck prior to a space walk in the weightlessness of space

PIX4647908: Claude Nicollier in the shuttle Discovery STS - 103 1999 - Astronaut Claude Nicollier in Discovery - 1999 - Astronaut Claude Nicollier, mission specialist representing the European Space Agency (ESA), on Discovery's mid deck prior to a space walk in the weightlessness of space / Bridgeman Images

ID: PIX4647908

Claude Nicollier in the shuttle Discovery STS - 103 1999 - Astronaut Claude Nicollier in Discovery - 1999 - Astronaut Claude Nicollier, mission specialist representing the European Space Agency (ESA), on Discovery's mid deck prior to a space walk in the weightlessness of space

Fete at Palazzo Barberini in honor of Christine de Suede (Cristina di Svezia), on 28/02/1656 Detail. Painting by Filippo Lauri (1623-1694) and Filippo Gagliardi (died 1659). 17th century Rome, Museum of Rome
Fete at Palazzo Barberini in honor of Christine de Suede (Cristina di Svezia), on 28/02/1656 Detail. Painting by Filippo Lauri (1623-1694) and Filippo Gagliardi (died 1659). 17th century Rome, Museum of Rome

LRI4643398: Fete at Palazzo Barberini in honor of Christine de Suede (Cristina di Svezia), on 28/02/1656 Detail. Painting by Filippo Lauri (1623-1694) and Filippo Gagliardi (died 1659). 17th century Rome, Museum of Rome, Lauri, Filippo (1623-94) / Bridgeman Images

ID: LRI4643398

Fete at Palazzo Barberini in honor of Christine de Suede (Cristina di Svezia), on 28/02/1656 Detail. Painting by Filippo Lauri (1623-1694) and Filippo Gagliardi (died 1659). 17th century Rome, Museum of Rome

Lauri, Filippo (1623-94)

Common shelduck, Tadorna tadorna. (Shieldrake, Anas tadorna.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Common shelduck, Tadorna tadorna. (Shieldrake, Anas tadorna.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643473: Common shelduck, Tadorna tadorna. (Shieldrake, Anas tadorna.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643473

Common shelduck, Tadorna tadorna. (Shieldrake, Anas tadorna.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

Armor and wedding clothes of the spouses Johann von Linden and Guda von Bellersheim, represented by their coats of arms, at their wedding in 1394 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Armor and wedding clothes of the spouses Johann von Linden and Guda von Bellersheim, represented by their coats of arms, at their wedding in 1394 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643510: Armor and wedding clothes of the spouses Johann von Linden and Guda von Bellersheim, represented by their coats of arms, at their wedding in 1394 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643510

Armor and wedding clothes of the spouses Johann von Linden and Guda von Bellersheim, represented by their coats of arms, at their wedding in 1394 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

German grave combs, between 1360 and 1420 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments of the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
German grave combs, between 1360 and 1420 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments of the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643545: German grave combs, between 1360 and 1420 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments of the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643545

German grave combs, between 1360 and 1420 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments of the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un salesman de cheeses et musicians (Cheese merchant and musicians) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino
La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un salesman de cheeses et musicians (Cheese merchant and musicians) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

LRI4643643: La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un salesman de cheeses et musicians (Cheese merchant and musicians) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino, Gigante, Gaetano (1770-1840) / Bridgeman Images

ID: LRI4643643

La feast de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un salesman de cheeses et musicians (Cheese merchant and musicians) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

Gigante, Gaetano (1770-1840)

The gentleman Klaus Hofmaier (died 1427), in male dress of the 15th century - From a commemorative stone of the Church of St. Moritz in Augsburg (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller , Frankfurt, 1883
The gentleman Klaus Hofmaier (died 1427), in male dress of the 15th century - From a commemorative stone of the Church of St. Moritz in Augsburg (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller , Frankfurt, 1883

FLO4643696: The gentleman Klaus Hofmaier (died 1427), in male dress of the 15th century - From a commemorative stone of the Church of St. Moritz in Augsburg (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller , Frankfurt, 1883 / Bridgeman Images

ID: FLO4643696

The gentleman Klaus Hofmaier (died 1427), in male dress of the 15th century - From a commemorative stone of the Church of St. Moritz in Augsburg (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller , Frankfurt, 1883

Knight in armor, 15th century - Tombstone of Peter von Stettenberg, died 1428) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor, 15th century - Tombstone of Peter von Stettenberg, died 1428) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643711: Knight in armor, 15th century - Tombstone of Peter von Stettenberg, died 1428) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643711

Knight in armor, 15th century - Tombstone of Peter von Stettenberg, died 1428) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

Red-cheeked cordonbleu, Uraeginthus bengalus. (Blue-bellied finch, Fringilla benghalus.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Red-cheeked cordonbleu, Uraeginthus bengalus. (Blue-bellied finch, Fringilla benghalus.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643312: Red-cheeked cordonbleu, Uraeginthus bengalus. (Blue-bellied finch, Fringilla benghalus.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643312

Red-cheeked cordonbleu, Uraeginthus bengalus. (Blue-bellied finch, Fringilla benghalus.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

Great bustard, Otis tarda, female. Vulnerable. Handcoloured copperplate engraving of an illustration by William and Emily Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
Great bustard, Otis tarda, female. Vulnerable. Handcoloured copperplate engraving of an illustration by William and Emily Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643333: Great bustard, Otis tarda, female. Vulnerable. Handcoloured copperplate engraving of an illustration by William and Emily Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643333

Great bustard, Otis tarda, female. Vulnerable. Handcoloured copperplate engraving of an illustration by William and Emily Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

Hayes, William (1735-1802)

La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino
La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

LRI4643672: La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino, Gigante, Gaetano (1770-1840) / Bridgeman Images

ID: LRI4643672

La fete de la Madonna dell'Arco a Naples (Feast of the Madonna of the Arch) Detail d'un vendeur de chestnuts (Chesnut seller) - Painting by Gaetano Gigante (1770-1840) 1825 Naples, Museo Nazionale di San Martino

Gigante, Gaetano (1770-1840)

A Shipowner and a Lady detail of a genre painting, 18th (painting)
A Shipowner and a Lady detail of a genre painting, 18th (painting)

LRI4643752: A Shipowner and a Lady detail of a genre painting, 18th (painting), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: LRI4643752

A Shipowner and a Lady detail of a genre painting, 18th (painting)

Fabris, Pietro (fl.1768-78)

Great bustard, Otis tarda, male. Vulnerable. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Great bustard, Otis tarda, male. Vulnerable. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643330: Great bustard, Otis tarda, male. Vulnerable. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643330

Great bustard, Otis tarda, male. Vulnerable. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

Blossom-headed parakeet, Psittacula roseata. (Rose-headed ring parrakeet) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Blossom-headed parakeet, Psittacula roseata. (Rose-headed ring parrakeet) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643367: Blossom-headed parakeet, Psittacula roseata. (Rose-headed ring parrakeet) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643367

Blossom-headed parakeet, Psittacula roseata. (Rose-headed ring parrakeet) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

Hayes, William (1735-1802)

The armor of Conrad von Bickenbach (died 1393), after a 14th century tombstone, of the National Museum of Munich (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
The armor of Conrad von Bickenbach (died 1393), after a 14th century tombstone, of the National Museum of Munich (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643517: The armor of Conrad von Bickenbach (died 1393), after a 14th century tombstone, of the National Museum of Munich (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643517

The armor of Conrad von Bickenbach (died 1393), after a 14th century tombstone, of the National Museum of Munich (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

View of Messina harbour, workers(Painting, 1791)
View of Messina harbour, workers(Painting, 1791)

LRI4643842: View of Messina harbour, workers(Painting, 1791), Hackert, Jacob-Philippe (1737-1807) / Bridgeman Images

ID: LRI4643842

View of Messina harbour, workers(Painting, 1791)

Hackert, Jacob-Philippe (1737-1807)

Groups of people on the dock of the port of Gaeta (Gaete) (People on the docks of Gaeta harbour) Detail - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807), 18th century - Museo Nazionale di San Martino Naples
Groups of people on the dock of the port of Gaeta (Gaete) (People on the docks of Gaeta harbour) Detail - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807), 18th century - Museo Nazionale di San Martino Naples

LRI4643858: Groups of people on the dock of the port of Gaeta (Gaete) (People on the docks of Gaeta harbour) Detail - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807), 18th century - Museo Nazionale di San Martino Naples, Hackert, Jacob-Philippe (1737-1807) / Bridgeman Images

ID: LRI4643858

Groups of people on the dock of the port of Gaeta (Gaete) (People on the docks of Gaeta harbour) Detail - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807), 18th century - Museo Nazionale di San Martino Naples

Hackert, Jacob-Philippe (1737-1807)

View of the military fortifications of the port of Reggio Calabria (View of Reggio Calabria military fortifications) Detail of a guard and canons (cannons and guard) - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples
View of the military fortifications of the port of Reggio Calabria (View of Reggio Calabria military fortifications) Detail of a guard and canons (cannons and guard) - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples

LRI4643861: View of the military fortifications of the port of Reggio Calabria (View of Reggio Calabria military fortifications) Detail of a guard and canons (cannons and guard) - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples, Hackert, Jacob-Philippe (1737-1807) / Bridgeman Images

ID: LRI4643861

View of the military fortifications of the port of Reggio Calabria (View of Reggio Calabria military fortifications) Detail of a guard and canons (cannons and guard) - Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples

Hackert, Jacob-Philippe (1737-1807)

Costumes, mid-15th century, based on a miniature of the library of the castle of Aschaffenburg (Germany), a shield adorns a character wearing a long tunic and a hood with animal ears (Private collection in Regensburg, Germany) and two shields decorated with motifs from the Museum of Darmstadt (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Costumes, mid-15th century, based on a miniature of the library of the castle of Aschaffenburg (Germany), a shield adorns a character wearing a long tunic and a hood with animal ears (Private collection in Regensburg, Germany) and two shields decorated with motifs from the Museum of Darmstadt (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643981: Costumes, mid-15th century, based on a miniature of the library of the castle of Aschaffenburg (Germany), a shield adorns a character wearing a long tunic and a hood with animal ears (Private collection in Regensburg, Germany) and two shields decorated with motifs from the Museum of Darmstadt (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

ID: FLO4643981

Costumes, mid-15th century, based on a miniature of the library of the castle of Aschaffenburg (Germany), a shield adorns a character wearing a long tunic and a hood with animal ears (Private collection in Regensburg, Germany) and two shields decorated with motifs from the Museum of Darmstadt (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

German saddle from the mid 16th century. Rear view and side view of the richly decorated saddle and stirrrup. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
German saddle from the mid 16th century. Rear view and side view of the richly decorated saddle and stirrrup. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644038: German saddle from the mid 16th century. Rear view and side view of the richly decorated saddle and stirrrup. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644038

German saddle from the mid 16th century. Rear view and side view of the richly decorated saddle and stirrrup. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Chandelier made of deer antlers with female figures holding heraldic shields, Germany, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by H. Kaulbach, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Chandelier made of deer antlers with female figures holding heraldic shields, Germany, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by H. Kaulbach, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644093: Chandelier made of deer antlers with female figures holding heraldic shields, Germany, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by H. Kaulbach, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644093

Chandelier made of deer antlers with female figures holding heraldic shields, Germany, mid 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by H. Kaulbach, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Basrelief gravestone of Susannna Albert, died 1565, wife of Adam Albert, counsel and town clerk. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Basrelief gravestone of Susannna Albert, died 1565, wife of Adam Albert, counsel and town clerk. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644101: Basrelief gravestone of Susannna Albert, died 1565, wife of Adam Albert, counsel and town clerk. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644101

Basrelief gravestone of Susannna Albert, died 1565, wife of Adam Albert, counsel and town clerk. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.


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