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Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669180: Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4669180

Balloon plant, Cardiospermum halicacabum, and goosefoot. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669351: The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669351

The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669392: Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669392

Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669534: The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669534

The kitchen in the Reform Club, with stoves, ovens, sinks, rotisserie, pots, pans, and cooks. Steel engraving by W. Radclyffe after an illustration by G.B. Moore from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Dinosaur fossils and zoological skeletons at the Hunterian Museum, Royal College of Surgeons. Steel engraving by E. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Dinosaur fossils and zoological skeletons at the Hunterian Museum, Royal College of Surgeons. Steel engraving by E. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669563: Dinosaur fossils and zoological skeletons at the Hunterian Museum, Royal College of Surgeons. Steel engraving by E. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669563

Dinosaur fossils and zoological skeletons at the Hunterian Museum, Royal College of Surgeons. Steel engraving by E. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671033: Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671033

Death's Head hawkmoth, Acherontia atropos, and oak hawkmoth, Marumba quercus. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors.
Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors.

FLO4671139: Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors. / Bridgeman Images

ID: FLO4671139

Vriesia brachystachys, description of the plant with ornamental leafy and with epi inflorescence in gold and purple colors.

Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies.
Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies.

FLO4671146: Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies. / Bridgeman Images

ID: FLO4671146

Butterfly collector's tools from the 18th century: aerial net on a cane 1, scissors with racquets 2, small preservative brush 6, and soft brush to remove dust 9. Steel engraving by the Pauquet brothers from Hippolyte Lucas' Natural History of European Butterflies.

Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671181: Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671181

Variete of Azalee marvel, with small semi-double flowers of type Amcena, pale purple colour. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671459: Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671459

Primevere from Japan, Lilacina variety has pale purple flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Additional Library at the British Museum. The British Museum had 13 miles of shelves and its catalog of books ran to 61 folio volumes. Steel engraving by Radclyffe after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Additional Library at the British Museum. The British Museum had 13 miles of shelves and its catalog of books ran to 61 folio volumes. Steel engraving by Radclyffe after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669753: Additional Library at the British Museum. The British Museum had 13 miles of shelves and its catalog of books ran to 61 folio volumes. Steel engraving by Radclyffe after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669753

Additional Library at the British Museum. The British Museum had 13 miles of shelves and its catalog of books ran to 61 folio volumes. Steel engraving by Radclyffe after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Purple-coloured indigo tree, Indigofera violacea, coronilla-leaved swainsonia, Swainsonia coronillaefolia, crimson glory pea, Clianthus puniceus, Mr. Loudon's adesmia, Adesmia loudonia, scarlet kennedya, Kennedya coccinea, and large-keeled physolobium, Physolobium carinatum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.
Purple-coloured indigo tree, Indigofera violacea, coronilla-leaved swainsonia, Swainsonia coronillaefolia, crimson glory pea, Clianthus puniceus, Mr. Loudon's adesmia, Adesmia loudonia, scarlet kennedya, Kennedya coccinea, and large-keeled physolobium, Physolobium carinatum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

FLO4670009: Purple-coloured indigo tree, Indigofera violacea, coronilla-leaved swainsonia, Swainsonia coronillaefolia, crimson glory pea, Clianthus puniceus, Mr. Loudon's adesmia, Adesmia loudonia, scarlet kennedya, Kennedya coccinea, and large-keeled physolobium, Physolobium carinatum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants. / Bridgeman Images

ID: FLO4670009

Purple-coloured indigo tree, Indigofera violacea, coronilla-leaved swainsonia, Swainsonia coronillaefolia, crimson glory pea, Clianthus puniceus, Mr. Loudon's adesmia, Adesmia loudonia, scarlet kennedya, Kennedya coccinea, and large-keeled physolobium, Physolobium carinatum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

Organ mountains escallonia, Escallonia organensis, blue flowered Japanese hydrangea, Hydrangea japonica caerulea, and fragrant luculia, Luculia gratissima. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.
Organ mountains escallonia, Escallonia organensis, blue flowered Japanese hydrangea, Hydrangea japonica caerulea, and fragrant luculia, Luculia gratissima. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

FLO4670092: Organ mountains escallonia, Escallonia organensis, blue flowered Japanese hydrangea, Hydrangea japonica caerulea, and fragrant luculia, Luculia gratissima. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants. / Bridgeman Images

ID: FLO4670092

Organ mountains escallonia, Escallonia organensis, blue flowered Japanese hydrangea, Hydrangea japonica caerulea, and fragrant luculia, Luculia gratissima. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

Asiatic torenia, Torenia asiatica, Dr. Lindley's buddlea, Buddlea lindleyana, clammy anthocercis, Anthocercis viscosa, twining rhodochiton, Rhodochiton volubile, lycium-like solanum lycioides, orange-flowered cestrum, Cestrum aurantiacum, and many-flowered chaenum Chaenostoma polyanthum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.
Asiatic torenia, Torenia asiatica, Dr. Lindley's buddlea, Buddlea lindleyana, clammy anthocercis, Anthocercis viscosa, twining rhodochiton, Rhodochiton volubile, lycium-like solanum lycioides, orange-flowered cestrum, Cestrum aurantiacum, and many-flowered chaenum Chaenostoma polyanthum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

FLO4670098: Asiatic torenia, Torenia asiatica, Dr. Lindley's buddlea, Buddlea lindleyana, clammy anthocercis, Anthocercis viscosa, twining rhodochiton, Rhodochiton volubile, lycium-like solanum lycioides, orange-flowered cestrum, Cestrum aurantiacum, and many-flowered chaenum Chaenostoma polyanthum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants. / Bridgeman Images

ID: FLO4670098

Asiatic torenia, Torenia asiatica, Dr. Lindley's buddlea, Buddlea lindleyana, clammy anthocercis, Anthocercis viscosa, twining rhodochiton, Rhodochiton volubile, lycium-like solanum lycioides, orange-flowered cestrum, Cestrum aurantiacum, and many-flowered chaenum Chaenostoma polyanthum. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden or Ornamental Greenhouse Plants.

Large-flowered epimedium Epimedium macranthum, altaiac lion's leaf, Leontice altaica, two-leaved jeffersonia, Jeffersonia diphylla, and cymosis diphylleia, Diphylleia cymosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden of Ornamental Perennials, William S. Orr, London, 1849.
Large-flowered epimedium Epimedium macranthum, altaiac lion's leaf, Leontice altaica, two-leaved jeffersonia, Jeffersonia diphylla, and cymosis diphylleia, Diphylleia cymosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden of Ornamental Perennials, William S. Orr, London, 1849.

FLO4670172: Large-flowered epimedium Epimedium macranthum, altaiac lion's leaf, Leontice altaica, two-leaved jeffersonia, Jeffersonia diphylla, and cymosis diphylleia, Diphylleia cymosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden of Ornamental Perennials, William S. Orr, London, 1849. / Bridgeman Images

ID: FLO4670172

Large-flowered epimedium Epimedium macranthum, altaiac lion's leaf, Leontice altaica, two-leaved jeffersonia, Jeffersonia diphylla, and cymosis diphylleia, Diphylleia cymosa. Handfinished chromolithograph by Henry Noel Humphreys after an illustration by Jane Loudon from Mrs. Jane Loudon's Ladies Flower Garden of Ornamental Perennials, William S. Orr, London, 1849.

Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671577: Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671577

Tamarind, Tamarindus indicus. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671610: Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671610

Roman chamomile, Chamaemelum nobile (Anthemis nobilis). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669647: Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669647

Foreign levee in the Library at Buckingham Palace. Foreign dignitaries in military uniform in a large room with windows onto a garden. Steel engraving by Henry Melville after an illustration by Gilbert from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671827: Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671827

Light carriage called a diligence or coupe car for two passengers from the court of Marie Antoinette. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672060: King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672060

King Henry III Plantagenet (1207-1272), behind him, a falconer, based on representations from Westminster Abbey (England) and royal manuscripts. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672172: Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672172

Men's costume at the time of Henri VII (1457-1509), wearing a short coat with long sleeves on a purdot and high shoes. According to the Harleian manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672192: Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672192

Man's costume in the time of Richard III (1452-1485), wearing a long sleeve tunic on ecarlate stockings. From a royal manuscript. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Cross (Detail of mosaics, 6th century)
Cross (Detail of mosaics, 6th century)

LRI4674082: Cross (Detail of mosaics, 6th century), Byzantine School, (6th century) / Bridgeman Images

ID: LRI4674082

Cross (Detail of mosaics, 6th century)

Byzantine School, (6th century)

Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672457: Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672457

Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672534: Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672534

Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672563: Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672563

Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

The group called
The group called

JLJ4673097: The group called "Tetrarchs", 300-315 (porphyry), Byzantine, (4th century) / Bridgeman Images

ID: JLJ4673097

The group called "Tetrarchs", 300-315 (porphyry)

Byzantine, (4th century)

Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673272: Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673272

Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673320: King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673320

King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673386: Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673386

Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Musician playing the cithar (bronze statuette, 4th-2nd century BC)
Musician playing the cithar (bronze statuette, 4th-2nd century BC)

LRI4673531: Musician playing the cithar (bronze statuette, 4th-2nd century BC), Punic, (2nd century BC) / Bridgeman Images

ID: LRI4673531

Musician playing the cithar (bronze statuette, 4th-2nd century BC)

Punic, (2nd century BC)

Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673507: Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673507

Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Louis II the German, King of Bavaria, 806. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Louis II the German, King of Bavaria, 806. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673775: Louis II the German, King of Bavaria, 806. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673775

Louis II the German, King of Bavaria, 806. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673580: Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673580

Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Jean de Vaudetar, chamberlain to King Charles V, 14th century. He wears a simple white buttoned tunic and stockings, with dagger and keys hanging from his belt. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Jean de Vaudetar, chamberlain to King Charles V, 14th century. He wears a simple white buttoned tunic and stockings, with dagger and keys hanging from his belt. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673612: Jean de Vaudetar, chamberlain to King Charles V, 14th century. He wears a simple white buttoned tunic and stockings, with dagger and keys hanging from his belt. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673612

Jean de Vaudetar, chamberlain to King Charles V, 14th century. He wears a simple white buttoned tunic and stockings, with dagger and keys hanging from his belt. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673616: Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673616

Military costume of a Norman soldier (or Saxon), 12th century, from a manuscript in England. He wears a tunic with sleeves, stockings, shoes, and is armed with a lance, buckler (shield), sword and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)


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