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Sympathic nervous system in the cardiac plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sympathic nervous system in the cardiac plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672521: Sympathic nervous system in the cardiac plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Executioner, 9th century. He wears a sleeveless tunic with belt, laced sandals up to the calf, and holds an axe. From a manuscript in the king's library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Executioner, 9th century. He wears a sleeveless tunic with belt, laced sandals up to the calf, and holds an axe. From a manuscript in the king's library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673840: Executioner, 9th century. He wears a sleeveless tunic with belt, laced sandals up to the calf, and holds an axe. From a manuscript in the king's library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Suger, Abbot of Saint-Denis (Suger de Saint Denis, 1080-1151), 12th century. He wears the tonsure, a hooded robe and holds a crosier. From a portrait in a stainless-glass window in Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Suger, Abbot of Saint-Denis (Suger de Saint Denis, 1080-1151), 12th century. He wears the tonsure, a hooded robe and holds a crosier. From a portrait in a stainless-glass window in Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674023: Suger, Abbot of Saint-Denis (Suger de Saint Denis, 1080-1151), 12th century. He wears the tonsure, a hooded robe and holds a crosier. From a portrait in a stainless-glass window in Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Renaud or Bernard, son of William II (William II) Count of Tonnerre, died 1148 on a crusade in Latakia, Syria. He wears a suit of chainmail under a tunic, and holds a lance with banderole, sword, and buckler (shield) without heraldic coat of arms. From a statue. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Renaud or Bernard, son of William II (William II) Count of Tonnerre, died 1148 on a crusade in Latakia, Syria. He wears a suit of chainmail under a tunic, and holds a lance with banderole, sword, and buckler (shield) without heraldic coat of arms. From a statue. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674026: Renaud or Bernard, son of William II (William II) Count of Tonnerre, died 1148 on a crusade in Latakia, Syria. He wears a suit of chainmail under a tunic, and holds a lance with banderole, sword, and buckler (shield) without heraldic coat of arms. From a statue. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Holy communion ceremony, 12th century. A priest and altar boy with tonsure giving holy communion to the kneeling congregation in a church. From a manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Holy communion ceremony, 12th century. A priest and altar boy with tonsure giving holy communion to the kneeling congregation in a church. From a manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674054: Holy communion ceremony, 12th century. A priest and altar boy with tonsure giving holy communion to the kneeling congregation in a church. From a manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672216: Charles Brandon, Earl of Suffolk (1484-1545), wearing a double fur coat on a purdot. From a vertue engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

Mahaut or Matilda II, (Mathilde d'Artois or Mahaut d'Artois, 1268-1329) Countess of Burgundy, 13th century. She wears a crown decorated with gems, veil over her hair, a blue coat-of-arms tunic with gold fleurs de liys, and tunic with pink sleeves. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Mahaut or Matilda II, (Mathilde d'Artois or Mahaut d'Artois, 1268-1329) Countess of Burgundy, 13th century. She wears a crown decorated with gems, veil over her hair, a blue coat-of-arms tunic with gold fleurs de liys, and tunic with pink sleeves. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674190: Mahaut or Matilda II, (Mathilde d'Artois or Mahaut d'Artois, 1268-1329) Countess of Burgundy, 13th century. She wears a crown decorated with gems, veil over her hair, a blue coat-of-arms tunic with gold fleurs de liys, and tunic with pink sleeves. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674226: Knight Templar in combat uniform, 12th century. He wears a steel helm, white tunic and stockings, carries a sword and buckler. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674362: Margaret of Bar (Marguerite de Bar, 1220-1275), wife of Henry V, Count of Luxembourg, 13th century. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672822: Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672832: Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672922: Circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672977: Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673028: Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673055: Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672920: The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674423: Snapdragon variety, Antirrhinum species, ANTIRRHINO IIIII. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568. / Bridgeman Images

Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673122: Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674573: Southern maidenhair fern, Adiantum capillus-veneris. Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568. / Bridgeman Images

Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.
Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568.

FLO4674650: Spring crocus, Crocus vernus (Croco fiorito). Handcoloured woodblock print by Wolfgang Meyerpick after an illustration by Giorgio Liberale from Pietro Andrea Mattioli's Discorsi di P.A. Matthioli ne i sei libri della Materia Medicinale di Pedacio Dioscoride Anazarbeo (Commentary on the Materia Medica of Dioscorides), Vincenzo Valgrisi, Venice, 1568. / Bridgeman Images

Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674803: Specimen of Mentzelia stipitata 34. Illustration by Priscilla Bury, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674874: A variete of oxypetalum (Tweedia coerulea), a shrub with persistent foliage, up to 2 metres tall, producing delicate blue, star-shaped flowers. This ornamental plant was discovered in South America, it is likely that indigo is produced from this plant. Its seeds were sent in 1835 to Dublin (Ireland). Illustration by Sara Maund, in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674879: Variete of Epicris (E. Nivalis), persistent shrub with small white flowers. Illustration by Augusta Innes Withers (1793-1877), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.
Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings.

FLO4674948: Mimosas caterpillar (Acacia longifolia), shrub with persistent foliage, up to 3 to 6 metres high, with inflorescence in long, lemon-yellow epis, very fragrance. Plant native to New Holland (Australia), introduced to Great Britain in 1792. Illustration by R. Mills (active 1836-1842), in The Botanist, series by Benjamin Maund in five volumes, published between 1836 and 1842. This work is renowned for its finely detailed engravings. / Bridgeman Images

Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675102: Pear, variety grown Glout Piece. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Glout Piece pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675121: Unmatched apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Scarlet Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph engraving from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Apple nonalike, variety royal hunt. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hunt's Royal Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple nonalike, variety royal hunt. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hunt's Royal Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675220: Apple nonalike, variety royal hunt. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Hunt's Royal Nonpareil apple, Malus domestica, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Bergamot pear seckle. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamot Seckle pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Bergamot pear seckle. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamot Seckle pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675274: Bergamot pear seckle. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Bergamot Seckle pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675374: Ashmead's Kernel pear. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Ashmead's Kernel pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675382: Bergamot pear of Gansel. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Gansel's Bergamot pear, Pyrus communis, within a Della Robbia ornamental frame with text below. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675418: Apple-shaped pear, a variety of Pearmain d'lamb abbey. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Lamb Abbey Pearmain apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.
Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons.

FLO4675439: Common or domestic apple. Lithograph by Benjamin Maund (1790-1863) published in The Fruitist, London, England, 1850. Short Hanging Flat Apple, Malus domestica. Handcoloured glyphograph from Benjamin Maund's “” The Fruitist,”” London, 1850, Groombridge and Sons. / Bridgeman Images

The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675506: The Monk. The beggar monk returning to his convent with his money bank and purse. Death grabbed him by the hood, and strained him away. Plate 10. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person.
Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person.

FLO4675520: Engraved title page “” The Triumph of Death, grave after the original drawings of Jean Holbein, graveurt Chrn. de Mechel””. Plate 1. The title seems to be serious on a tombstone, with a portrait of Hans Holbein the Younger (1497-1543) above the side of two cherubins, and a figure of Death on the left showing a terrified man (Holbein) hiding behind a curtain on the right. With a spear in his right hand, Death shows him the great spectacle of scenes of human life that he will paint. This is also depicted by a whole bunch of attributes of grandeur, dignity, wealth, arts and sciences, intermelee with heads of death, which are trampled by death in person. / Bridgeman Images

Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673223: Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

New York Night View - New York City by Night - The East River View from the Empire State Building. East River seen from the Empire State Building
New York Night View - New York City by Night - The East River View from the Empire State Building. East River seen from the Empire State Building

PIX4673450: New York Night View - New York City by Night - The East River View from the Empire State Building. East River seen from the Empire State Building / Bridgeman Images


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