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Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569291: Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569291

Cinnamon rose, Rosa majalis, and sweet briar, Rosa rubiginosa, Rosa umbellata flora carneo. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569381: Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569381

Large flowered Damask pink, Rosa damascena grandiflora. Handcoloured copperplate engraving from an illustration drawn from nature by Horned from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Page of musical score of violin in concerto V in Il cimento dell'armonia e dell'inventione by Antonio Vivaldi, 1725
Page of musical score of violin in concerto V in Il cimento dell'armonia e dell'inventione by Antonio Vivaldi, 1725

LRI4569415: Page of musical score of violin in concerto V in Il cimento dell'armonia e dell'inventione by Antonio Vivaldi, 1725, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4569415

Page of musical score of violin in concerto V in Il cimento dell'armonia e dell'inventione by Antonio Vivaldi, 1725

Unknown artist, (18th century)

White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569650: White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569650

White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Franklin tree, Franklinia alatamaha, native to America, extinct in the wild. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Franklin tree, Franklinia alatamaha, native to America, extinct in the wild. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569739: Franklin tree, Franklinia alatamaha, native to America, extinct in the wild. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569739

Franklin tree, Franklinia alatamaha, native to America, extinct in the wild. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Canary madrone or strawberry tree, Arbutus canariensis, native to the Canary Islands, vulnerable. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Canary madrone or strawberry tree, Arbutus canariensis, native to the Canary Islands, vulnerable. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569756: Canary madrone or strawberry tree, Arbutus canariensis, native to the Canary Islands, vulnerable. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569756

Canary madrone or strawberry tree, Arbutus canariensis, native to the Canary Islands, vulnerable. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Narrowleaf bottle brush, Callistemon linearis, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Narrowleaf bottle brush, Callistemon linearis, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569884: Narrowleaf bottle brush, Callistemon linearis, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569884

Narrowleaf bottle brush, Callistemon linearis, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Sea mango, Cerbera manghas, native to the Seychelles and islands in the Indian Ocean. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Sea mango, Cerbera manghas, native to the Seychelles and islands in the Indian Ocean. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569927: Sea mango, Cerbera manghas, native to the Seychelles and islands in the Indian Ocean. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569927

Sea mango, Cerbera manghas, native to the Seychelles and islands in the Indian Ocean. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Page of dedicace to Ferdinand of Austria in musical score of Sinfonie musicali by Ludovico Viadana, 1610
Page of dedicace to Ferdinand of Austria in musical score of Sinfonie musicali by Ludovico Viadana, 1610

LRI4569331: Page of dedicace to Ferdinand of Austria in musical score of Sinfonie musicali by Ludovico Viadana, 1610, Unknown Artist, (17th century) / Bridgeman Images

ID: LRI4569331

Page of dedicace to Ferdinand of Austria in musical score of Sinfonie musicali by Ludovico Viadana, 1610

Unknown Artist, (17th century)

Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569778: Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569778

Dendrium buxifolium, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Indian pink or woodland pinkroot, Spigelia marilandica, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Indian pink or woodland pinkroot, Spigelia marilandica, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569869: Indian pink or woodland pinkroot, Spigelia marilandica, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569869

Indian pink or woodland pinkroot, Spigelia marilandica, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569363: Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569363

Purple or violet rose, Rosa holoserica purpurea flora semi-pleno. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.
Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

FLO4569390: Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc. / Bridgeman Images

ID: FLO4569390

Queen rose, Rosa regina rubicans, and moss rose, Rosa muscosa major. Handcoloured copperplate engraving from an illustration drawn from nature by Stark from Bertuch's “” Bilderbuch fur Kinder”” (Picture Book for Children), Weimar, 1790-1830. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc.

Cyrtanthus angustifolius, amaryllis native to South Africa. Handcoloured stipple copperplate engraving by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Cyrtanthus angustifolius, amaryllis native to South Africa. Handcoloured stipple copperplate engraving by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569414: Cyrtanthus angustifolius, amaryllis native to South Africa. Handcoloured stipple copperplate engraving by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569414

Cyrtanthus angustifolius, amaryllis native to South Africa. Handcoloured stipple copperplate engraving by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Flame lily, Gloriosa superba, native to tropical Africa and Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Flame lily, Gloriosa superba, native to tropical Africa and Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569596: Flame lily, Gloriosa superba, native to tropical Africa and Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569596

Flame lily, Gloriosa superba, native to tropical Africa and Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Indigofera juncea. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Indigofera juncea. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569658: Indigofera juncea. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569658

Indigofera juncea. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Rush lily, Sowerbaea juncea, native to Australia. Named for the botanical artist James Sowerby. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Rush lily, Sowerbaea juncea, native to Australia. Named for the botanical artist James Sowerby. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569856: Rush lily, Sowerbaea juncea, native to Australia. Named for the botanical artist James Sowerby. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4569856

Rush lily, Sowerbaea juncea, native to Australia. Named for the botanical artist James Sowerby. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Sowerby, James (1757-1822)

Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570063: Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570063

Heavenly or sacred bamboo, Nandina domestica, native to China and Japan. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570104: Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570104

Little gem daffodil, Narcissus minor, native to France and Spain. Handcoloured stipple engraving on copper by Pater Guyard from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Tomyris the queen who reigned over the Massagetae (Fresco, 15th century)
Tomyris the queen who reigned over the Massagetae (Fresco, 15th century)

LRI4570387: Tomyris the queen who reigned over the Massagetae (Fresco, 15th century), Castagno, Andrea del (1410-57) / Bridgeman Images

ID: LRI4570387

Tomyris the queen who reigned over the Massagetae (Fresco, 15th century)

Castagno, Andrea del (1410-57)

Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti
Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti

LRI4570392: Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti, Castagno, Andrea del (1410-57) / Bridgeman Images

ID: LRI4570392

Virgin and Child with Two Angels, Saint John the Baptist and another saint, and two children of the Pazzi family Detail representing one of the Pazzi sons (Virgin with child with saint John Baptist and another saint, two angels, and two children of the Pazzi family) Detail of one of the little Pazzi boy - Fresco by Andrea del Castagno (1421-1457) Florence, Palazzo Pitti

Castagno, Andrea del (1410-57)

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570412: Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570412

Joan of Arc, the maid of Orleans, Joan of Arc, Maid of Orleans, 1410-1431. She wears a suit of armour with yellow gaubisson (pourpoint) beneath. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517)
The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517)

LRI4570458: The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517), Sarto, Andrea del (1486-1530) / Bridgeman Images

ID: LRI4570458

The disputation of the Holy Trinity, with St Peter, St Lawrence, St Augustine of Hippo, St Francis, St Sebastian, St Mary Magdalene (Painting, c.1517)

Sarto, Andrea del (1486-1530)

Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570536: Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570536

Marie de Fayel, countess of Dammartin, wife of Renaud de Nanteuil, seigneur d'Acy and sister to Jean de Fayel. Handcoloured lithograph after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 123 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Anne Rogier de Beaufort, Viccountess de Turenne 1435-1479. Handcoloured lithograph after a stainless-glass window in the church of Cordelieres de Nantes in Roger de Gaignieres' portfolio VI 11 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Anne Rogier de Beaufort, Viccountess de Turenne 1435-1479. Handcoloured lithograph after a stainless-glass window in the church of Cordelieres de Nantes in Roger de Gaignieres' portfolio VI 11 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570673: Anne Rogier de Beaufort, Viccountess de Turenne 1435-1479. Handcoloured lithograph after a stainless-glass window in the church of Cordelieres de Nantes in Roger de Gaignieres' portfolio VI 11 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570673

Anne Rogier de Beaufort, Viccountess de Turenne 1435-1479. Handcoloured lithograph after a stainless-glass window in the church of Cordelieres de Nantes in Roger de Gaignieres' portfolio VI 11 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Enguerrant de Monstrelet, French chronicler and historian, 1390-1453. Handcoloured lithograph after a miniature in a manuscript by Monstrelet in Roger de Gaignieres' portfolio VII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Enguerrant de Monstrelet, French chronicler and historian, 1390-1453. Handcoloured lithograph after a miniature in a manuscript by Monstrelet in Roger de Gaignieres' portfolio VII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570679: Enguerrant de Monstrelet, French chronicler and historian, 1390-1453. Handcoloured lithograph after a miniature in a manuscript by Monstrelet in Roger de Gaignieres' portfolio VII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570679

Enguerrant de Monstrelet, French chronicler and historian, 1390-1453. Handcoloured lithograph after a miniature in a manuscript by Monstrelet in Roger de Gaignieres' portfolio VII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570815: Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570815

Anne, Duchess of Brittany, Queen of France, 1477-1514. Anne of Brittany, Queen of France. In mourning clothes with pet dog and parakeet in a birdcage. Handcoloured lithograph by Georges Lafosse after a miniature by Jean Marot in Bernard de Montfaucon's collection IV VIII from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Charles II of Cleves, Earl of Nevers and Eu, Earl of Rethel, son of Engilbert de Cleves and Charlotte de Bourbon, d. 1521. He wears a damask manteau with gold royons, white pourpoint and hose. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles II of Cleves, Earl of Nevers and Eu, Earl of Rethel, son of Engilbert de Cleves and Charlotte de Bourbon, d. 1521. He wears a damask manteau with gold royons, white pourpoint and hose. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570890: Charles II of Cleves, Earl of Nevers and Eu, Earl of Rethel, son of Engilbert de Cleves and Charlotte de Bourbon, d. 1521. He wears a damask manteau with gold royons, white pourpoint and hose. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570890

Charles II of Cleves, Earl of Nevers and Eu, Earl of Rethel, son of Engilbert de Cleves and Charlotte de Bourbon, d. 1521. He wears a damask manteau with gold royons, white pourpoint and hose. Handcoloured lithograph after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Gui de Rochefort, Chancellor of France, 1447-1507. Handcoloured lithograph by Leopold Massard after a miniature of the court of Louis XII in Roger de Gaignieres' portfolio VII 139 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Gui de Rochefort, Chancellor of France, 1447-1507. Handcoloured lithograph by Leopold Massard after a miniature of the court of Louis XII in Roger de Gaignieres' portfolio VII 139 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570894: Gui de Rochefort, Chancellor of France, 1447-1507. Handcoloured lithograph by Leopold Massard after a miniature of the court of Louis XII in Roger de Gaignieres' portfolio VII 139 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570894

Gui de Rochefort, Chancellor of France, 1447-1507. Handcoloured lithograph by Leopold Massard after a miniature of the court of Louis XII in Roger de Gaignieres' portfolio VII 139 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Judge or doctor of law, Judge or Doctor of Law, 16th century France. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 144 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Judge or doctor of law, Judge or Doctor of Law, 16th century France. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 144 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570947: Judge or doctor of law, Judge or Doctor of Law, 16th century France. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 144 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570947

Judge or doctor of law, Judge or Doctor of Law, 16th century France. Handcoloured lithograph after a miniature of the court of King Louis XII in Roger de Gaignieres' portfolio VII 144 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

King Francis I of France. Francois I, King of France, 1494-1547. On horseback in battle costume: black suit of armour, red tonlet, with mace and sword. Drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Francis I of France. Francois I, King of France, 1494-1547. On horseback in battle costume: black suit of armour, red tonlet, with mace and sword. Drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570963: King Francis I of France. Francois I, King of France, 1494-1547. On horseback in battle costume: black suit of armour, red tonlet, with mace and sword. Drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570963

King Francis I of France. Francois I, King of France, 1494-1547. On horseback in battle costume: black suit of armour, red tonlet, with mace and sword. Drawn and lithographed by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VII 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Life of John the baptist (wood painting)
Life of John the baptist (wood painting)

LRI4570497: Life of John the baptist (wood painting) / Bridgeman Images

ID: LRI4570497

Life of John the baptist (wood painting)

french king Louis XI wearing Saint Michel order suit, 19th century (litho)
french king Louis XI wearing Saint Michel order suit, 19th century (litho)

FLO4570601: french king Louis XI wearing Saint Michel order suit, 19th century (litho), Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570601

french king Louis XI wearing Saint Michel order suit, 19th century (litho)

Massard, Leopold (1812-1889)

Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570623: Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570623

Charles the Bold, Duke of Burgundy, Charles the Temereire, Duke of Burgundy 1433-1477. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio Maisons etrangeres XI 35 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428)
Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428)

LRI4570641: Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4570641

Virgin and Child surrounded by St. Dominica, St. John the Baptist, St. Thomas Aquinas and St. Peter martyr. (St. Peter of Verona Triptych, tempera on panel, 1428)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570649: Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570649

Jean Juvenal des Ursins, Archbishop of Reims, 1388-1473. Handcoloured lithograph by Leopold Massard after a miniature in a manuscript Histoire de Charles VI in Roger de Gaignieres' portfolio VII 29 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)


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