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Hanging garden of Babylon.
Hanging garden of Babylon.

LSE4402824: Hanging garden of Babylon., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4402824

Hanging garden of Babylon.

Unknown artist, (18th century)

Portrait of Max Jacob, 1932.
Portrait of Max Jacob, 1932.

LSE4402983: Portrait of Max Jacob, 1932., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4402983

Portrait of Max Jacob, 1932.

Unknown Artist, (20th century)

Portrait of Robert Edwin Peary (1856-1920), c.1909
Portrait of Robert Edwin Peary (1856-1920), c.1909

LSE4403049: Portrait of Robert Edwin Peary (1856-1920), c.1909 / Bridgeman Images

ID: LSE4403049

Portrait of Robert Edwin Peary (1856-1920), c.1909

Portrait of Kurt Weil (1900-1950), American composer of German origin.
Portrait of Kurt Weil (1900-1950), American composer of German origin.

LSE4403131: Portrait of Kurt Weil (1900-1950), American composer of German origin., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4403131

Portrait of Kurt Weil (1900-1950), American composer of German origin.

Unknown photographer, (20th century)

Eskimo Harpoons - Elisha Kent Kane, Artic Exploration in years 1853-1855, Philadelphia, Childs and Peterson, 1856, vol. 1, p. 413.
Eskimo Harpoons - Elisha Kent Kane, Artic Exploration in years 1853-1855, Philadelphia, Childs and Peterson, 1856, vol. 1, p. 413.

LSE4403173: Eskimo Harpoons - Elisha Kent Kane, Artic Exploration in years 1853-1855, Philadelphia, Childs and Peterson, 1856, vol. 1, p. 413., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4403173

Eskimo Harpoons - Elisha Kent Kane, Artic Exploration in years 1853-1855, Philadelphia, Childs and Peterson, 1856, vol. 1, p. 413.

Unknown Artist, (19th century)

The saver, working a shoe in his workshop.
The saver, working a shoe in his workshop.

LSE4403206: The saver, working a shoe in his workshop., Unknown Artist / Bridgeman Images

ID: LSE4403206

The saver, working a shoe in his workshop.

Unknown Artist

Entrance of the pneumatic railway from London to Sydenham, established in 1865 - in “The Wonders of Science”, by L. Figuier. ¿
Entrance of the pneumatic railway from London to Sydenham, established in 1865 - in “The Wonders of Science”, by L. Figuier. ¿

LSE4403215: Entrance of the pneumatic railway from London to Sydenham, established in 1865 - in “The Wonders of Science”, by L. Figuier. ¿, French School, (19th century) / Bridgeman Images

ID: LSE4403215

Entrance of the pneumatic railway from London to Sydenham, established in 1865 - in “The Wonders of Science”, by L. Figuier. ¿

French School, (19th century)

Caesar's troupe after the destruction of the Kingdom of Numidia - in “” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
Caesar's troupe after the destruction of the Kingdom of Numidia - in “” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

LSE4403272: Caesar's troupe after the destruction of the Kingdom of Numidia - in “” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4403272

Caesar's troupe after the destruction of the Kingdom of Numidia - in “” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

Unknown Artist, (19th century)

On the purse, What is called a basket, no flowers in any case: series of caricatures on the purse of Honore Daumier (1808-1879). “Charivari”, 1856.
On the purse, What is called a basket, no flowers in any case: series of caricatures on the purse of Honore Daumier (1808-1879). “Charivari”, 1856.

LSE4403314: On the purse, What is called a basket, no flowers in any case: series of caricatures on the purse of Honore Daumier (1808-1879). “Charivari”, 1856., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403314

On the purse, What is called a basket, no flowers in any case: series of caricatures on the purse of Honore Daumier (1808-1879). “Charivari”, 1856.

Daumier, Honore (1808-79)

This is a must-have that Parisians take when they leave their homes, even in the middle of noon, since they learned by Monsieur Babinet that the sun could fade from one moment to the next. Cartoon on the Comete and astronomy by Honore Daumier (1808-1879). “Charivari”, 1856.
This is a must-have that Parisians take when they leave their homes, even in the middle of noon, since they learned by Monsieur Babinet that the sun could fade from one moment to the next. Cartoon on the Comete and astronomy by Honore Daumier (1808-1879). “Charivari”, 1856.

LSE4403347: This is a must-have that Parisians take when they leave their homes, even in the middle of noon, since they learned by Monsieur Babinet that the sun could fade from one moment to the next. Cartoon on the Comete and astronomy by Honore Daumier (1808-1879). “Charivari”, 1856., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403347

This is a must-have that Parisians take when they leave their homes, even in the middle of noon, since they learned by Monsieur Babinet that the sun could fade from one moment to the next. Cartoon on the Comete and astronomy by Honore Daumier (1808-1879). “Charivari”, 1856.

Daumier, Honore (1808-79)

Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856.
Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856.

LSE4403441: Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403441

Aspect of the streets of Paris since the owners meant that they would no longer admit in their buildings neither dogs nor children, taken from “” Tenants et Proprietaires”, a series of cartoons by Honore Daumier (1808-1879). “Charivari”, 1856.

Daumier, Honore (1808-79)

The physiognomy of the railways: it is the right to travel on the bench. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, 1852.
The physiognomy of the railways: it is the right to travel on the bench. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, 1852.

LSE4403525: The physiognomy of the railways: it is the right to travel on the bench. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, 1852., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403525

The physiognomy of the railways: it is the right to travel on the bench. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, 1852.

Daumier, Honore (1808-79)

At the World Exhibition: “” ao... shocking! “” , french translation: here is a marble lady who has a very light and unsuitable costume. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 1, 1855.
At the World Exhibition: “” ao... shocking! “” , french translation: here is a marble lady who has a very light and unsuitable costume. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 1, 1855.

LSE4403552: At the World Exhibition: “” ao... shocking! “” , french translation: here is a marble lady who has a very light and unsuitable costume. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 1, 1855., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403552

At the World Exhibition: “” ao... shocking! “” , french translation: here is a marble lady who has a very light and unsuitable costume. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 1, 1855.

Daumier, Honore (1808-79)

The garden of plants in Pekin: the Chinese admiring a quadrupede of France and a beep of the same country. Illustration by Honore Daumier (1808-1879), published in “Charivari”, China Actualites, 1854.
The garden of plants in Pekin: the Chinese admiring a quadrupede of France and a beep of the same country. Illustration by Honore Daumier (1808-1879), published in “Charivari”, China Actualites, 1854.

LSE4403591: The garden of plants in Pekin: the Chinese admiring a quadrupede of France and a beep of the same country. Illustration by Honore Daumier (1808-1879), published in “Charivari”, China Actualites, 1854., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403591

The garden of plants in Pekin: the Chinese admiring a quadrupede of France and a beep of the same country. Illustration by Honore Daumier (1808-1879), published in “Charivari”, China Actualites, 1854.

Daumier, Honore (1808-79)

Portrait of René Descartes. 1596-1650. from La Ciencia y sus Hombres by Louis Figuier. Barcelona 1881
Portrait of René Descartes. 1596-1650. from La Ciencia y sus Hombres by Louis Figuier. Barcelona 1881

XEE4403639: Portrait of René Descartes. 1596-1650. from La Ciencia y sus Hombres by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4403639

Portrait of René Descartes. 1596-1650. from La Ciencia y sus Hombres by Louis Figuier. Barcelona 1881

Unknown Artist, (19th century)

Mary Pickford in 1918. American film actress and producer (1893 to 1979).
Mary Pickford in 1918. American film actress and producer (1893 to 1979).

XEE4403765: Mary Pickford in 1918. American film actress and producer (1893 to 1979)., Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4403765

Mary Pickford in 1918. American film actress and producer (1893 to 1979).

Unknown photographer, (20th century)

Salome. Princesse jeive, fille d'Herod et d'Herodiade (or Herodias) (died around 72 AD). engraving of 1881. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Salome. Princesse jeive, fille d'Herod et d'Herodiade (or Herodias) (died around 72 AD). engraving of 1881. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4403783: Salome. Princesse jeive, fille d'Herod et d'Herodiade (or Herodias) (died around 72 AD). engraving of 1881. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4403783

Salome. Princesse jeive, fille d'Herod et d'Herodiade (or Herodias) (died around 72 AD). engraving of 1881. in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

Unknown Artist, (19th century)

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Gill's melon (drawing of the period)”. Following the censorship of one of his drawings, Andre Gill (1840-1885), a French cartoonist, replaced him with that of a melon deprived of one of his slices and opened his mouth to deliver a speech. The cartoon, published in L'Eclipse on 15 August 1868, is in turn censured for “obscenite”. The identity of the person represented is controversial. Illustration by Andre Gill, published in L'Eclipse and reproduced in La Lanterne, August 15, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.
Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Gill's melon (drawing of the period)”. Following the censorship of one of his drawings, Andre Gill (1840-1885), a French cartoonist, replaced him with that of a melon deprived of one of his slices and opened his mouth to deliver a speech. The cartoon, published in L'Eclipse on 15 August 1868, is in turn censured for “obscenite”. The identity of the person represented is controversial. Illustration by Andre Gill, published in L'Eclipse and reproduced in La Lanterne, August 15, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

JOC4401048: Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Gill's melon (drawing of the period)”. Following the censorship of one of his drawings, Andre Gill (1840-1885), a French cartoonist, replaced him with that of a melon deprived of one of his slices and opened his mouth to deliver a speech. The cartoon, published in L'Eclipse on 15 August 1868, is in turn censured for “obscenite”. The identity of the person represented is controversial. Illustration by Andre Gill, published in L'Eclipse and reproduced in La Lanterne, August 15, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection. / Bridgeman Images

ID: JOC4401048

Cartoon of the politics of the Second Empire (Bonapartiste Regime) directed by Napoleon III (Charles Louis Napoleon Bonaparte, dit Louis-Napoleon Bonaparte, 1808-1873). “Gill's melon (drawing of the period)”. Following the censorship of one of his drawings, Andre Gill (1840-1885), a French cartoonist, replaced him with that of a melon deprived of one of his slices and opened his mouth to deliver a speech. The cartoon, published in L'Eclipse on 15 August 1868, is in turn censured for “obscenite”. The identity of the person represented is controversial. Illustration by Andre Gill, published in L'Eclipse and reproduced in La Lanterne, August 15, 1868. Engraving in “” Napoleon dernier: Les Lanternes de l'Empire”” (Volume 1, volume 1), reedition of 1880-1881 of 75 issues of the newspaper “” La Lanterne “” published by Henri Rochefort (1831-1913) between 30/05/1868 and 29/10/1869 at the Anti-Clerical Librairie. Private collection.

Chocolates with the effigy of Wolfang Amadeus Mozart.
Chocolates with the effigy of Wolfang Amadeus Mozart.

XEE4403939: Chocolates with the effigy of Wolfang Amadeus Mozart. / Bridgeman Images

ID: XEE4403939

Chocolates with the effigy of Wolfang Amadeus Mozart.

View of the Quai d'Orleans on the Ile Saint Louis (Saint-Louis) in Paris in March 2006.
View of the Quai d'Orleans on the Ile Saint Louis (Saint-Louis) in Paris in March 2006.

XEE4404732: View of the Quai d'Orleans on the Ile Saint Louis (Saint-Louis) in Paris in March 2006., French School / Bridgeman Images

ID: XEE4404732

View of the Quai d'Orleans on the Ile Saint Louis (Saint-Louis) in Paris in March 2006.

French School

The wolf sits on the chimney. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The wolf sits on the chimney. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404665: The wolf sits on the chimney. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404665

The wolf sits on the chimney. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The mother goat leaves for the walk and warns her biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The mother goat leaves for the walk and warns her biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404683: The mother goat leaves for the walk and warns her biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404683

The mother goat leaves for the walk and warns her biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

House of Education of the Legion of Honour, Saint-Denis, 19th century.
House of Education of the Legion of Honour, Saint-Denis, 19th century.

LSE4402466: House of Education of the Legion of Honour, Saint-Denis, 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4402466

House of Education of the Legion of Honour, Saint-Denis, 19th century.

Unknown Artist, (19th century)

Childbirth scene, -in “De Conceptu et generatione hominis...” by Jacques Rueff, 1580.
Childbirth scene, -in “De Conceptu et generatione hominis...” by Jacques Rueff, 1580.

LSE4402538: Childbirth scene, -in “De Conceptu et generatione hominis...” by Jacques Rueff, 1580., Rueff, Jacob (1500-58) / Bridgeman Images

ID: LSE4402538

Childbirth scene, -in “De Conceptu et generatione hominis...” by Jacques Rueff, 1580.

Rueff, Jacob (1500-58)

Winter in Paris, Homeless people warming up around a brazier, 1902 (print)
Winter in Paris, Homeless people warming up around a brazier, 1902 (print)

XEE4404097: Winter in Paris, Homeless people warming up around a brazier, 1902 (print), French School, (20th century) / Bridgeman Images

ID: XEE4404097

Winter in Paris, Homeless people warming up around a brazier, 1902 (print)

French School, (20th century)

Inauguration of the horse races at the Bois de Boulogne in 1857.
Inauguration of the horse races at the Bois de Boulogne in 1857.

XEE4404118: Inauguration of the horse races at the Bois de Boulogne in 1857., French School, (19th century) / Bridgeman Images

ID: XEE4404118

Inauguration of the horse races at the Bois de Boulogne in 1857.

French School, (19th century)

Portrait of Major General Baron Louis Emmanuel Rey, 1818 (engraving)
Portrait of Major General Baron Louis Emmanuel Rey, 1818 (engraving)

XEE4404163: Portrait of Major General Baron Louis Emmanuel Rey, 1818 (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images

ID: XEE4404163

Portrait of Major General Baron Louis Emmanuel Rey, 1818 (engraving)

Tardieu, Ambroise (1788-1841)

Frontispice in “Histoire generale de la marine” under the direction of Mr. Van Tenac, 1850.
Frontispice in “Histoire generale de la marine” under the direction of Mr. Van Tenac, 1850.

XEE4404987: Frontispice in “Histoire generale de la marine” under the direction of Mr. Van Tenac, 1850., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404987

Frontispice in “Histoire generale de la marine” under the direction of Mr. Van Tenac, 1850.

Unknown Artist, (19th century)

Stephenson's Endless Chain Locomotive - in “The Wonders of Science, by L. Figuier, 1814
Stephenson's Endless Chain Locomotive - in “The Wonders of Science, by L. Figuier, 1814

LSE4401784: Stephenson's Endless Chain Locomotive - in “The Wonders of Science, by L. Figuier, 1814, French School, (19th century) / Bridgeman Images

ID: LSE4401784

Stephenson's Endless Chain Locomotive - in “The Wonders of Science, by L. Figuier, 1814

French School, (19th century)

View of the port and the city of Algiers, sd, 19th century
View of the port and the city of Algiers, sd, 19th century

LSE4402421: View of the port and the city of Algiers, sd, 19th century, Unknown photographer, (19th century) / Bridgeman Images

ID: LSE4402421

View of the port and the city of Algiers, sd, 19th century

Unknown photographer, (19th century)

How to breastfeed children, 1785
How to breastfeed children, 1785

LSE4402427: How to breastfeed children, 1785, French School, (18th century) / Bridgeman Images

ID: LSE4402427

How to breastfeed children, 1785

French School, (18th century)

Candidate for election visit in a family of peasants: “” The Carrot of the Election”” - cartoon by Daumier, in “” Charivari”” of 21/03/1844
Candidate for election visit in a family of peasants: “” The Carrot of the Election”” - cartoon by Daumier, in “” Charivari”” of 21/03/1844

LSE4402442: Candidate for election visit in a family of peasants: “” The Carrot of the Election”” - cartoon by Daumier, in “” Charivari”” of 21/03/1844, Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4402442

Candidate for election visit in a family of peasants: “” The Carrot of the Election”” - cartoon by Daumier, in “” Charivari”” of 21/03/1844

Daumier, Honore (1808-79)

Hey, good. Never mind! we'll plead... I like it better!... , cartoon by Honore Daumier (1808-1879). “Charivari”.
Hey, good. Never mind! we'll plead... I like it better!... , cartoon by Honore Daumier (1808-1879). “Charivari”.

LSE4403383: Hey, good. Never mind! we'll plead... I like it better!... , cartoon by Honore Daumier (1808-1879). “Charivari”., Daumier, Honore (1808-79) / Bridgeman Images

ID: LSE4403383

Hey, good. Never mind! we'll plead... I like it better!... , cartoon by Honore Daumier (1808-1879). “Charivari”.

Daumier, Honore (1808-79)

War 1914-1918. Expedition of the Dardanelles (1915). The English superdreadnought
War 1914-1918. Expedition of the Dardanelles (1915). The English superdreadnought

XEE4404031: War 1914-1918. Expedition of the Dardanelles (1915). The English superdreadnought "Queen Elizabeth bombing the fort of the Dardanelles., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4404031

War 1914-1918. Expedition of the Dardanelles (1915). The English superdreadnought "Queen Elizabeth bombing the fort of the Dardanelles.

Unknown Artist, (20th century)

Portrait of Alphonse de Neuville, French painter. (1835-1885)
Portrait of Alphonse de Neuville, French painter. (1835-1885)

XEE4404043: Portrait of Alphonse de Neuville, French painter. (1835-1885), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404043

Portrait of Alphonse de Neuville, French painter. (1835-1885)

Unknown Artist, (19th century)

Portrait of Louis XVI, King of France.
Portrait of Louis XVI, King of France.

XEE4404046: Portrait of Louis XVI, King of France., Lacauchie, Alexandre (19th century) (after) / Bridgeman Images

ID: XEE4404046

Portrait of Louis XVI, King of France.

Lacauchie, Alexandre (19th century) (after)


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