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Iron meteorite (AI). Founded in Canyon Diablo (Meteor Crater, USA) in 1891. National Museum of Natural History, Paris.
Iron meteorite (AI). Founded in Canyon Diablo (Meteor Crater, USA) in 1891. National Museum of Natural History, Paris.

SYC4701694: Iron meteorite (AI). Founded in Canyon Diablo (Meteor Crater, USA) in 1891. National Museum of Natural History, Paris. / Bridgeman Images

The trophee of Diane Chasseresse, a group sculpted from the door of the Galerie doree reflecting in a mirror, by Francois Antoine Vasse (1681-1736), circa 1715. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -
The trophee of Diane Chasseresse, a group sculpted from the door of the Galerie doree reflecting in a mirror, by Francois Antoine Vasse (1681-1736), circa 1715. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -

SYC4702516: The trophee of Diane Chasseresse, a group sculpted from the door of the Galerie doree reflecting in a mirror, by Francois Antoine Vasse (1681-1736), circa 1715. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France - / Bridgeman Images

Galerie des Hauteurs in Musee d'orsay, 1986 (photo)
Galerie des Hauteurs in Musee d'orsay, 1986 (photo)

TEC4700148: Galerie des Hauteurs in Musee d'orsay, 1986 (photo) / Bridgeman Images

Orsay Museum in Paris, photo taken in 1986 (photo)
Orsay Museum in Paris, photo taken in 1986 (photo)

TEC4700814: Orsay Museum in Paris, photo taken in 1986 (photo) / Bridgeman Images

Le Pavillon Sully de la Cour Carree du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 1998. Sully Pavilion in the Carree Court
Le Pavillon Sully de la Cour Carree du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 1998. Sully Pavilion in the Carree Court

TEC4704412: Le Pavillon Sully de la Cour Carree du Louvre, Grand Louvre, Rue de Rivoli and Quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. Photography 1998. Sully Pavilion in the Carree Court / Bridgeman Images

La Cour Napoleon du Louvre, Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. View of the Napoleon Court
La Cour Napoleon du Louvre, Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. View of the Napoleon Court

TEC4703804: La Cour Napoleon du Louvre, Grand Louvre, Rue de Rivoli and quai des Tuileries, Paris 75001. Architecture of Leoh Ming Pei in association with Michel Macary and Jean-Michel Wilmotte, 1983-2001. View of the Napoleon Court / Bridgeman Images

Orsay Museum in Paris, photo taken in 1986 (photo)
Orsay Museum in Paris, photo taken in 1986 (photo)

TEC4700780: Orsay Museum in Paris, photo taken in 1986 (photo) / Bridgeman Images

Allegory of the Sun. Painting of the vault of the Galerie doree, by Francois Perrier (1594-1649), 1645. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -
Allegory of the Sun. Painting of the vault of the Galerie doree, by Francois Perrier (1594-1649), 1645. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -

SYC4703064: Allegory of the Sun. Painting of the vault of the Galerie doree, by Francois Perrier (1594-1649), 1645. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France - / Bridgeman Images

Allegory of Fire and Earth on the vault. Painting of the vault of the Galerie doree, by Francois Perrier (1594-1649), 1645. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -
Allegory of Fire and Earth on the vault. Painting of the vault of the Galerie doree, by Francois Perrier (1594-1649), 1645. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -

SYC4703094: Allegory of Fire and Earth on the vault. Painting of the vault of the Galerie doree, by Francois Perrier (1594-1649), 1645. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France - / Bridgeman Images

The trophee of Diane Chasseresse, a group sculpted from the door of the Galerie doree, by Francois Antoine Vasse (1681-1736), circa 1715. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -
The trophee of Diane Chasseresse, a group sculpted from the door of the Galerie doree, by Francois Antoine Vasse (1681-1736), circa 1715. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France -

SYC4702606: The trophee of Diane Chasseresse, a group sculpted from the door of the Galerie doree, by Francois Antoine Vasse (1681-1736), circa 1715. Banque de France. Hotel de Toulouse, former hotel de la Villiere, Paris - Hotel de Toulouse, headquarters of the Banque de France - / Bridgeman Images

Map of Vermandois and Picardy in Gaul (France), 1570 (engraving)
Map of Vermandois and Picardy in Gaul (France), 1570 (engraving)

LRI4704350: Map of Vermandois and Picardy in Gaul (France), 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Cover of 'L'Assiette au Beurre', number 446, Satirical in Colors, 1909_10_16
Cover of 'L'Assiette au Beurre', number 446, Satirical in Colors, 1909_10_16

ICA4700574: Cover of 'L'Assiette au Beurre', number 446, Satirical in Colors, 1909_10_16, Camara, Leal de (1877-1948) / Bridgeman Images

Chinese medicine. The currents of the body where to apply acupunture. 19th century.
Chinese medicine. The currents of the body where to apply acupunture. 19th century.

GIA4701840: Chinese medicine. The currents of the body where to apply acupunture. 19th century., Unknown Artist, (19th century) / Bridgeman Images

Proverb: Better to be carried by a donkey than to throw by a horse.
Proverb: Better to be carried by a donkey than to throw by a horse.

GIA4702762: Proverb: Better to be carried by a donkey than to throw by a horse., Unknown Artist, (19th century) / Bridgeman Images

Nativite (Nativity) Painting by Grechetto (Giovanni Benedetto Castiglione) (1610-1665), 17th century Genes, Musei di Strada Nuova
Nativite (Nativity) Painting by Grechetto (Giovanni Benedetto Castiglione) (1610-1665), 17th century Genes, Musei di Strada Nuova

LRI4702765: Nativite (Nativity) Painting by Grechetto (Giovanni Benedetto Castiglione) (1610-1665), 17th century Genes, Musei di Strada Nuova, Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images

Sabbath ceremony with witches. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.
Sabbath ceremony with witches. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.

GIA4703037: Sabbath ceremony with witches. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567., Italian School, (16th century) / Bridgeman Images

Ark of Barbarossa, with scenes of the life of St John the Baptist (wood, silver leaf and stones, 12th century)
Ark of Barbarossa, with scenes of the life of St John the Baptist (wood, silver leaf and stones, 12th century)

LRI4703899: Ark of Barbarossa, with scenes of the life of St John the Baptist (wood, silver leaf and stones, 12th century), Italian School, (12th century) / Bridgeman Images

L'Indiscret, Satirique en N & B, 1902_10_8: Rothschild - Illustration by Leal de Camara (1877-1948)
L'Indiscret, Satirique en N & B, 1902_10_8: Rothschild - Illustration by Leal de Camara (1877-1948)

ICA4700772: L'Indiscret, Satirique en N & B, 1902_10_8: Rothschild - Illustration by Leal de Camara (1877-1948), Camara, Leal de (1877-1948) / Bridgeman Images

View of monte Senario near Florence (Drawing, ca 1833)
View of monte Senario near Florence (Drawing, ca 1833)

LRI4701005: View of monte Senario near Florence (Drawing, ca 1833), Garibbo, Luigi (c.1782-1869) / Bridgeman Images

View over the city of Genoa with Santo Stefano bell tower (Watercolour, ca 1825)
View over the city of Genoa with Santo Stefano bell tower (Watercolour, ca 1825)

LRI4701161: View over the city of Genoa with Santo Stefano bell tower (Watercolour, ca 1825), Garibbo, Luigi (c.1782-1869) / Bridgeman Images

The Miracle of Saint Peter (oil on canvas, 1696)
The Miracle of Saint Peter (oil on canvas, 1696)

LRI4701562: The Miracle of Saint Peter (oil on canvas, 1696), Piola, Domenico the Elder (1627-1703) / Bridgeman Images

Adoration of the Magi Painting by Bonifacio Veronese (1487-1553) 16th century Genes, Musei di Strada Nuova
Adoration of the Magi Painting by Bonifacio Veronese (1487-1553) 16th century Genes, Musei di Strada Nuova

LRI4702238: Adoration of the Magi Painting by Bonifacio Veronese (1487-1553) 16th century Genes, Musei di Strada Nuova, Pitati, Bonifazio de' (Bonifacio Veronese) (c.1487-1553) / Bridgeman Images

The beggar painter (oil on canvas, 1735)
The beggar painter (oil on canvas, 1735)

LRI4703016: The beggar painter (oil on canvas, 1735), Magnasco, Alessandro (1667-1749) / Bridgeman Images

Portrait of Francesco Maria Imperiale Lercari (1629-1712) Doge de Genes (Portrait of the Doge of Genoa Francesco Maria Imperiale Lercari) Painting by Giovanni Maria Dellepiane dit “il Mulinaretto”” Genes, Musei di Strada Nuova
Portrait of Francesco Maria Imperiale Lercari (1629-1712) Doge de Genes (Portrait of the Doge of Genoa Francesco Maria Imperiale Lercari) Painting by Giovanni Maria Dellepiane dit “il Mulinaretto”” Genes, Musei di Strada Nuova

LRI4703106: Portrait of Francesco Maria Imperiale Lercari (1629-1712) Doge de Genes (Portrait of the Doge of Genoa Francesco Maria Imperiale Lercari) Painting by Giovanni Maria Dellepiane dit “il Mulinaretto”” Genes, Musei di Strada Nuova, Piane, Giovanni Maria delle, called Mulinaretto (1660-1745) / Bridgeman Images

An astrologer measures height during the moon eclipse.
An astrologer measures height during the moon eclipse.

GIA4701480: An astrologer measures height during the moon eclipse., Unknown Artist, (16th century) / Bridgeman Images

Topiltzin (high priest of ancient Mexican civilizations) making a human sacrifice - in “The ancient and modern costume”” by J. ferrario, 1819 - 1820. Bibl. Arts Deco.
Topiltzin (high priest of ancient Mexican civilizations) making a human sacrifice - in “The ancient and modern costume”” by J. ferrario, 1819 - 1820. Bibl. Arts Deco.

GIA4701425: Topiltzin (high priest of ancient Mexican civilizations) making a human sacrifice - in “The ancient and modern costume”” by J. ferrario, 1819 - 1820. Bibl. Arts Deco., Ferrario, Giulio (1767-1847) / Bridgeman Images

St Ursula (oil on canvas, 1635)
St Ursula (oil on canvas, 1635)

LRI4701620: St Ursula (oil on canvas, 1635), Zurbaran, Francisco de (1598-1664) / Bridgeman Images

Cover of “Three mazurkas for piano, Opus 50”” dedicated to Leon Szmitkowski composed by Frederic Chopin (1810-1849).
Cover of “Three mazurkas for piano, Opus 50”” dedicated to Leon Szmitkowski composed by Frederic Chopin (1810-1849).

GIA4703254: Cover of “Three mazurkas for piano, Opus 50”” dedicated to Leon Szmitkowski composed by Frederic Chopin (1810-1849)., Anonymous / Bridgeman Images

The return of the victorious fleets to Corfu, detail of The Battle of Lepanto off the coast of Greece,  in 1571 (Tapestry, 1591)
The return of the victorious fleets to Corfu, detail of The Battle of Lepanto off the coast of Greece,  in 1571 (Tapestry, 1591)

LRI4704043: The return of the victorious fleets to Corfu, detail of The Battle of Lepanto off the coast of Greece, in 1571 (Tapestry, 1591), Cambiaso, Luca (1527-85) & Calvi, Lazzaro (1502-1587 or 1607) / Bridgeman Images

View of a theatre floor one evening of representation (Probably the theater Sant'Agostino in Genoa) (Watercolour, circa 1814)
View of a theatre floor one evening of representation (Probably the theater Sant'Agostino in Genoa) (Watercolour, circa 1814)

LRI4700869: View of a theatre floor one evening of representation (Probably the theater Sant'Agostino in Genoa) (Watercolour, circa 1814), Garibbo, Luigi (c.1782-1869) / Bridgeman Images

The suit used by Jacob Rowe in 1759.
The suit used by Jacob Rowe in 1759.

GIA4700032: The suit used by Jacob Rowe in 1759., Unknown artist, (18th century) / Bridgeman Images

Cover of L'Indiscret, Satirique en N & B, 1902_11_5: Prostitution - Lepine Louis, Cochefert Armand, Constant, Theophile, Boulaine - Illustration by Leal de Camara (1877-1948)
Cover of L'Indiscret, Satirique en N & B, 1902_11_5: Prostitution - Lepine Louis, Cochefert Armand, Constant, Theophile, Boulaine - Illustration by Leal de Camara (1877-1948)

ICA4700818: Cover of L'Indiscret, Satirique en N & B, 1902_11_5: Prostitution - Lepine Louis, Cochefert Armand, Constant, Theophile, Boulaine - Illustration by Leal de Camara (1877-1948), Camara, Leal de (1877-1948) / Bridgeman Images

Map of the Mediterranean islands of Sicily, Sardinia, Corfu, Malta, Djerba and Elba, 1570 (engraving)
Map of the Mediterranean islands of Sicily, Sardinia, Corfu, Malta, Djerba and Elba, 1570 (engraving)

LRI4704794: Map of the Mediterranean islands of Sicily, Sardinia, Corfu, Malta, Djerba and Elba, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Map of Hungary, 1570 (engraving)
Map of Hungary, 1570 (engraving)

LRI4704855: Map of Hungary, 1570 (engraving), Ortelius, Abraham (1527-98) / Bridgeman Images

Drieberg's scaphandre project of 1802, known as the triton. The air comes straight into the man's mouth.
Drieberg's scaphandre project of 1802, known as the triton. The air comes straight into the man's mouth.

GIA4700015: Drieberg's scaphandre project of 1802, known as the triton. The air comes straight into the man's mouth., Unknown Artist, (19th century) / Bridgeman Images

L'Assiette au Beurre', number 238, Satirical in Colours, 1905_10_21
L'Assiette au Beurre', number 238, Satirical in Colours, 1905_10_21

ICA4700063: L'Assiette au Beurre', number 238, Satirical in Colours, 1905_10_21, Camara, Leal de (1877-1948) / Bridgeman Images


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