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Good school point, beginning of the 20th century - Evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis has to choose his husband by tending him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - Phocean city - Phoceens - Massilia -
Good school point, beginning of the 20th century - Evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis has to choose his husband by tending him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - Phocean city - Phoceens - Massilia -

PCT4294997: Good school point, beginning of the 20th century - Evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis has to choose his husband by tending him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - Phocean city - Phoceens - Massilia - / Bridgeman Images

ID: PCT4294997

Good school point, beginning of the 20th century - Evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis has to choose his husband by tending him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - Phocean city - Phoceens - Massilia -

Risorgimento, Naples, November 1860: first review of the troops in Naples (Italy, Napolie, Italia) by Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving from 1861 -
Risorgimento, Naples, November 1860: first review of the troops in Naples (Italy, Napolie, Italia) by Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving from 1861 -

PCT4293297: Risorgimento, Naples, November 1860: first review of the troops in Naples (Italy, Napolie, Italia) by Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving from 1861 - / Bridgeman Images

ID: PCT4293297

Risorgimento, Naples, November 1860: first review of the troops in Naples (Italy, Napolie, Italia) by Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving from 1861 -

La “une” from the first issue of “L'Univers illustrious”, weekly newspaper, Saturday, May 22, 1858. It is launched by editor Michel Levy brothers. It has 8 pages in format 29 x 41 cm and its price is 15 cents, directly in line with periodic weekend newspapers such as L'Illustration and the Monde illustrates. The editorial of this opening number is signed by Theophile Gautier -
La “une” from the first issue of “L'Univers illustrious”, weekly newspaper, Saturday, May 22, 1858. It is launched by editor Michel Levy brothers. It has 8 pages in format 29 x 41 cm and its price is 15 cents, directly in line with periodic weekend newspapers such as L'Illustration and the Monde illustrates. The editorial of this opening number is signed by Theophile Gautier -

PCT4293396: La “une” from the first issue of “L'Univers illustrious”, weekly newspaper, Saturday, May 22, 1858. It is launched by editor Michel Levy brothers. It has 8 pages in format 29 x 41 cm and its price is 15 cents, directly in line with periodic weekend newspapers such as L'Illustration and the Monde illustrates. The editorial of this opening number is signed by Theophile Gautier - / Bridgeman Images

ID: PCT4293396

La “une” from the first issue of “L'Univers illustrious”, weekly newspaper, Saturday, May 22, 1858. It is launched by editor Michel Levy brothers. It has 8 pages in format 29 x 41 cm and its price is 15 cents, directly in line with periodic weekend newspapers such as L'Illustration and the Monde illustrates. The editorial of this opening number is signed by Theophile Gautier -

Two men fight with a stick at the time of prehistory, under the rejoyed gaze of the Devil - diabolical war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict - weapon - anger - mechancete, ediction -
Two men fight with a stick at the time of prehistory, under the rejoyed gaze of the Devil - diabolical war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict - weapon - anger - mechancete, ediction -

PCT4290149: Two men fight with a stick at the time of prehistory, under the rejoyed gaze of the Devil - diabolical war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict - weapon - anger - mechancete, ediction - / Bridgeman Images

ID: PCT4290149

Two men fight with a stick at the time of prehistory, under the rejoyed gaze of the Devil - diabolical war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict - weapon - anger - mechancete, ediction -

A soldier (German soldier with a pointed helmet) shoots the enemy with a rifle, under the rejoyed gaze of the Devil applauding - evil war - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon -
A soldier (German soldier with a pointed helmet) shoots the enemy with a rifle, under the rejoyed gaze of the Devil applauding - evil war - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon -

PCT4290155: A soldier (German soldier with a pointed helmet) shoots the enemy with a rifle, under the rejoyed gaze of the Devil applauding - evil war - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon - / Bridgeman Images

ID: PCT4290155

A soldier (German soldier with a pointed helmet) shoots the enemy with a rifle, under the rejoyed gaze of the Devil applauding - evil war - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon -

Victims of a bacteriological attack, the soldiers of the two enemy armies line up on the battlefield, under the rejoyed gaze of the Devil - evil war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapons, chemical weapons, weapons of mass destruction, anti-militarism -
Victims of a bacteriological attack, the soldiers of the two enemy armies line up on the battlefield, under the rejoyed gaze of the Devil - evil war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapons, chemical weapons, weapons of mass destruction, anti-militarism -

PCT4290177: Victims of a bacteriological attack, the soldiers of the two enemy armies line up on the battlefield, under the rejoyed gaze of the Devil - evil war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapons, chemical weapons, weapons of mass destruction, anti-militarism - / Bridgeman Images

ID: PCT4290177

Victims of a bacteriological attack, the soldiers of the two enemy armies line up on the battlefield, under the rejoyed gaze of the Devil - evil war - illustration by Bertall (Charles Albert d'Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapons, chemical weapons, weapons of mass destruction, anti-militarism -

The Devil pulls the strings of war by manipulating men like puppets at the end of threads - diabolical wars - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon, destruction -
The Devil pulls the strings of war by manipulating men like puppets at the end of threads - diabolical wars - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon, destruction -

PCT4290180: The Devil pulls the strings of war by manipulating men like puppets at the end of threads - diabolical wars - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon, destruction - / Bridgeman Images

ID: PCT4290180

The Devil pulls the strings of war by manipulating men like puppets at the end of threads - diabolical wars - illustration by Bertall (Charles Albert of Arnoux 1820-1882) in “The comedy of our time, children, young, walls, old, pencil and pen studies”, 1875 - Satan, conflict, weapon, destruction -

Trench art - slicing, crafts, military art: objects made by soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - two decorative flower vases made with shells (pieces of ammunition) made of copper or brassware - souvenir of Verdun, artillery, recuperation, recycling - collection particulere - Photo Patrice Cartier - see also GUT6031, GUT6032 and GUT7767 to 7770
Trench art - slicing, crafts, military art: objects made by soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - two decorative flower vases made with shells (pieces of ammunition) made of copper or brassware - souvenir of Verdun, artillery, recuperation, recycling - collection particulere - Photo Patrice Cartier - see also GUT6031, GUT6032 and GUT7767 to 7770

PCT4291465: Trench art - slicing, crafts, military art: objects made by soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - two decorative flower vases made with shells (pieces of ammunition) made of copper or brassware - souvenir of Verdun, artillery, recuperation, recycling - collection particulere - Photo Patrice Cartier - see also GUT6031, GUT6032 and GUT7767 to 7770 / Bridgeman Images

ID: PCT4291465

Trench art - slicing, crafts, military art: objects made by soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - two decorative flower vases made with shells (pieces of ammunition) made of copper or brassware - souvenir of Verdun, artillery, recuperation, recycling - collection particulere - Photo Patrice Cartier - see also GUT6031, GUT6032 and GUT7767 to 7770

Art of the trench - cutting, crafts: object made by the soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - miniature barrel made with shotguns (bullets) and pieces of ammunition - copper and brassware - souvenir, artillery, toy - private collection - Photo Patrice Cartier -
Art of the trench - cutting, crafts: object made by the soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - miniature barrel made with shotguns (bullets) and pieces of ammunition - copper and brassware - souvenir, artillery, toy - private collection - Photo Patrice Cartier -

PCT4290267: Art of the trench - cutting, crafts: object made by the soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - miniature barrel made with shotguns (bullets) and pieces of ammunition - copper and brassware - souvenir, artillery, toy - private collection - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4290267

Art of the trench - cutting, crafts: object made by the soldiers (hairy) during the First World War of 14-18 (1914 - 1918) - miniature barrel made with shotguns (bullets) and pieces of ammunition - copper and brassware - souvenir, artillery, toy - private collection - Photo Patrice Cartier -

Cover of the newspaper “” GIG”” No. 4 of 24 April 1981: an official presidential photo of General de Gaulle. The President of the French Republic dresses in a leather perfecto, to evoke rock and roll music in France -
Cover of the newspaper “” GIG”” No. 4 of 24 April 1981: an official presidential photo of General de Gaulle. The President of the French Republic dresses in a leather perfecto, to evoke rock and roll music in France -

PCT4293444: Cover of the newspaper “” GIG”” No. 4 of 24 April 1981: an official presidential photo of General de Gaulle. The President of the French Republic dresses in a leather perfecto, to evoke rock and roll music in France - / Bridgeman Images

ID: PCT4293444

Cover of the newspaper “” GIG”” No. 4 of 24 April 1981: an official presidential photo of General de Gaulle. The President of the French Republic dresses in a leather perfecto, to evoke rock and roll music in France -

Page of the title of the “Grand dictionary des precieuses” by the Sieur de Somaize (Antoine Baudeau de Somaize, 1630- circa 1680) - this work contains the verse of Moliere's piece “” Les Precieuses ridicules - This publication was made without Moliere's knowledge, called Mascarille by Somaize who did not appreciate it guere -
Page of the title of the “Grand dictionary des precieuses” by the Sieur de Somaize (Antoine Baudeau de Somaize, 1630- circa 1680) - this work contains the verse of Moliere's piece “” Les Precieuses ridicules - This publication was made without Moliere's knowledge, called Mascarille by Somaize who did not appreciate it guere -

PCT4290874: Page of the title of the “Grand dictionary des precieuses” by the Sieur de Somaize (Antoine Baudeau de Somaize, 1630- circa 1680) - this work contains the verse of Moliere's piece “” Les Precieuses ridicules - This publication was made without Moliere's knowledge, called Mascarille by Somaize who did not appreciate it guere - / Bridgeman Images

ID: PCT4290874

Page of the title of the “Grand dictionary des precieuses” by the Sieur de Somaize (Antoine Baudeau de Somaize, 1630- circa 1680) - this work contains the verse of Moliere's piece “” Les Precieuses ridicules - This publication was made without Moliere's knowledge, called Mascarille by Somaize who did not appreciate it guere -

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - church, chiesa Santa Maria dell'Ammiraglio (La Martorana): mosaic representing the nativity of Christ, medieval art - Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - church, chiesa Santa Maria dell'Ammiraglio (La Martorana): mosaic representing the nativity of Christ, medieval art - Photo Patrice Cartier -

PCT4291882: Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - church, chiesa Santa Maria dell'Ammiraglio (La Martorana): mosaic representing the nativity of Christ, medieval art - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291882

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - church, chiesa Santa Maria dell'Ammiraglio (La Martorana): mosaic representing the nativity of Christ, medieval art - Photo Patrice Cartier -

The sheep of Panurge, scene having given source to an expression of the French language - “” Panurge without alder thing say throws into the open sea his shouting and bellant sheep. All the sheep shouting and wailing in such intonation began to jaw and jump into the sea after in line. The scarf is the first to sail after their compaignon. As you clear the natural sheep, every day comes first, somewhere it goes.”” Pantagruel, Extract from the Fourth Livre, chapter VIII - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 (see also GUT3763 and GUT3773) -
The sheep of Panurge, scene having given source to an expression of the French language - “” Panurge without alder thing say throws into the open sea his shouting and bellant sheep. All the sheep shouting and wailing in such intonation began to jaw and jump into the sea after in line. The scarf is the first to sail after their compaignon. As you clear the natural sheep, every day comes first, somewhere it goes.”” Pantagruel, Extract from the Fourth Livre, chapter VIII - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 (see also GUT3763 and GUT3773) -

PCT4290992: The sheep of Panurge, scene having given source to an expression of the French language - “” Panurge without alder thing say throws into the open sea his shouting and bellant sheep. All the sheep shouting and wailing in such intonation began to jaw and jump into the sea after in line. The scarf is the first to sail after their compaignon. As you clear the natural sheep, every day comes first, somewhere it goes.”” Pantagruel, Extract from the Fourth Livre, chapter VIII - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 (see also GUT3763 and GUT3773) - / Bridgeman Images

ID: PCT4290992

The sheep of Panurge, scene having given source to an expression of the French language - “” Panurge without alder thing say throws into the open sea his shouting and bellant sheep. All the sheep shouting and wailing in such intonation began to jaw and jump into the sea after in line. The scarf is the first to sail after their compaignon. As you clear the natural sheep, every day comes first, somewhere it goes.”” Pantagruel, Extract from the Fourth Livre, chapter VIII - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 (see also GUT3763 and GUT3773) -

Adventures of Gulliver by Jonathan Swift, illustration of Job - A Brobdingnac (Brobdingnag), among the giants, Gulliver is chased by a monkey who then plays with him as with a doll - the monkey in the literature - edition 1930 -
Adventures of Gulliver by Jonathan Swift, illustration of Job - A Brobdingnac (Brobdingnag), among the giants, Gulliver is chased by a monkey who then plays with him as with a doll - the monkey in the literature - edition 1930 -

PCT4291316: Adventures of Gulliver by Jonathan Swift, illustration of Job - A Brobdingnac (Brobdingnag), among the giants, Gulliver is chased by a monkey who then plays with him as with a doll - the monkey in the literature - edition 1930 - / Bridgeman Images

ID: PCT4291316

Adventures of Gulliver by Jonathan Swift, illustration of Job - A Brobdingnac (Brobdingnag), among the giants, Gulliver is chased by a monkey who then plays with him as with a doll - the monkey in the literature - edition 1930 -

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier -

PCT4292038: Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier - / Bridgeman Images

ID: PCT4292038

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier -

Algiers at the beginning of the 20th century, algerie French colony - concert of the music of the Zouaves on the Place du Gouvernement - colonialism, settlers, elegant Europeans, elegantes - postcard sent in 1907 -
Algiers at the beginning of the 20th century, algerie French colony - concert of the music of the Zouaves on the Place du Gouvernement - colonialism, settlers, elegant Europeans, elegantes - postcard sent in 1907 -

PCT4290653: Algiers at the beginning of the 20th century, algerie French colony - concert of the music of the Zouaves on the Place du Gouvernement - colonialism, settlers, elegant Europeans, elegantes - postcard sent in 1907 - / Bridgeman Images

ID: PCT4290653

Algiers at the beginning of the 20th century, algerie French colony - concert of the music of the Zouaves on the Place du Gouvernement - colonialism, settlers, elegant Europeans, elegantes - postcard sent in 1907 -

La Dive Bottle - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 -
La Dive Bottle - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 -

PCT4290961: La Dive Bottle - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 - / Bridgeman Images

ID: PCT4290961

La Dive Bottle - illustration by Robida for the complete works of Francois Rabelais published by the Illustree Librairie around 1885 - 1890 -

Extract from the special number of the sports magazine Mirror-Sprint (Mirror Sprint) dedicated to the cycling race of the Ronde de France in July 1946 - the first exciting stage Bordeaux-Pau dominated by the Transalpins (Italian riders) and won by Bertocchi - “”
Extract from the special number of the sports magazine Mirror-Sprint (Mirror Sprint) dedicated to the cycling race of the Ronde de France in July 1946 - the first exciting stage Bordeaux-Pau dominated by the Transalpins (Italian riders) and won by Bertocchi - “”

PCT4291246: Extract from the special number of the sports magazine Mirror-Sprint (Mirror Sprint) dedicated to the cycling race of the Ronde de France in July 1946 - the first exciting stage Bordeaux-Pau dominated by the Transalpins (Italian riders) and won by Bertocchi - “” / Bridgeman Images

ID: PCT4291246

Extract from the special number of the sports magazine Mirror-Sprint (Mirror Sprint) dedicated to the cycling race of the Ronde de France in July 1946 - the first exciting stage Bordeaux-Pau dominated by the Transalpins (Italian riders) and won by Bertocchi - “”

Child holding a large model bilboquet calls “” the Terror “”! - Extract from an article entitled “” A l'Academie du Bilboquet “”, Readings for All 1907 - game of skill -
Child holding a large model bilboquet calls “” the Terror “”! - Extract from an article entitled “” A l'Academie du Bilboquet “”, Readings for All 1907 - game of skill -

PCT4291907: Child holding a large model bilboquet calls “” the Terror “”! - Extract from an article entitled “” A l'Academie du Bilboquet “”, Readings for All 1907 - game of skill - / Bridgeman Images

ID: PCT4291907

Child holding a large model bilboquet calls “” the Terror “”! - Extract from an article entitled “” A l'Academie du Bilboquet “”, Readings for All 1907 - game of skill -

Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - during this public meeting, the candidate for the primary of the left for the presidential election defended the idea of a “strong state” - Party Socialist - Photo Patrice Cartier -
Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - during this public meeting, the candidate for the primary of the left for the presidential election defended the idea of a “strong state” - Party Socialist - Photo Patrice Cartier -

PCT4293766: Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - during this public meeting, the candidate for the primary of the left for the presidential election defended the idea of a “strong state” - Party Socialist - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4293766

Manuel Valls, former Minister of the Interior and former Prime Minister, candidate for the President of the French Republic 2017, in a meeting in Villemoustaussou, near Carcassonne (11, Aude) on 12/12/2016 - during this public meeting, the candidate for the primary of the left for the presidential election defended the idea of a “strong state” - Party Socialist - Photo Patrice Cartier -

Operation of the cements of the Porte de France (Porte-de-France, near Grenoble, Isere, Dauphine) at the end of the 19th century: lower part of the self-propelled air cable with the details of the wagons - engraving extracted from “La Nature”, between 1896 and 1900 - cement quarry, telepherical -
Operation of the cements of the Porte de France (Porte-de-France, near Grenoble, Isere, Dauphine) at the end of the 19th century: lower part of the self-propelled air cable with the details of the wagons - engraving extracted from “La Nature”, between 1896 and 1900 - cement quarry, telepherical -

PCT4292789: Operation of the cements of the Porte de France (Porte-de-France, near Grenoble, Isere, Dauphine) at the end of the 19th century: lower part of the self-propelled air cable with the details of the wagons - engraving extracted from “La Nature”, between 1896 and 1900 - cement quarry, telepherical - / Bridgeman Images

ID: PCT4292789

Operation of the cements of the Porte de France (Porte-de-France, near Grenoble, Isere, Dauphine) at the end of the 19th century: lower part of the self-propelled air cable with the details of the wagons - engraving extracted from “La Nature”, between 1896 and 1900 - cement quarry, telepherical -

Herculanum (Herculaneum, Ercolano, Italia, Italy): house of Thelephe - A young tourist makes a selfie (self-portrait) in front of a marble low relief depicting the myth of Telephus (Telephus) - casa del rilievo di telefo - tourism and photography - Photo Patrice Cartier -
Herculanum (Herculaneum, Ercolano, Italia, Italy): house of Thelephe - A young tourist makes a selfie (self-portrait) in front of a marble low relief depicting the myth of Telephus (Telephus) - casa del rilievo di telefo - tourism and photography - Photo Patrice Cartier -

PCT4293568: Herculanum (Herculaneum, Ercolano, Italia, Italy): house of Thelephe - A young tourist makes a selfie (self-portrait) in front of a marble low relief depicting the myth of Telephus (Telephus) - casa del rilievo di telefo - tourism and photography - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4293568

Herculanum (Herculaneum, Ercolano, Italia, Italy): house of Thelephe - A young tourist makes a selfie (self-portrait) in front of a marble low relief depicting the myth of Telephus (Telephus) - casa del rilievo di telefo - tourism and photography - Photo Patrice Cartier -

Music dematerialization: USB key in the shape of an electric guitar, intended for recording digital music files in MP3 format in 2016 - computer, digital, digital, digital, data transmission -
Music dematerialization: USB key in the shape of an electric guitar, intended for recording digital music files in MP3 format in 2016 - computer, digital, digital, digital, data transmission -

PCT4293686: Music dematerialization: USB key in the shape of an electric guitar, intended for recording digital music files in MP3 format in 2016 - computer, digital, digital, digital, data transmission - / Bridgeman Images

ID: PCT4293686

Music dematerialization: USB key in the shape of an electric guitar, intended for recording digital music files in MP3 format in 2016 - computer, digital, digital, digital, data transmission -

French Algerie: colonial and seaside tourism - holidays on the beach of Zeralda, on the coast of the Mediterranean Sea near Algiers on September 12, 1954 - tent, parassol, hotel restaurant Les Sables d'or - sand, colony, maghreb - period photographic print, family archives, private collection Patrice Cartier -
French Algerie: colonial and seaside tourism - holidays on the beach of Zeralda, on the coast of the Mediterranean Sea near Algiers on September 12, 1954 - tent, parassol, hotel restaurant Les Sables d'or - sand, colony, maghreb - period photographic print, family archives, private collection Patrice Cartier -

PCT4290400: French Algerie: colonial and seaside tourism - holidays on the beach of Zeralda, on the coast of the Mediterranean Sea near Algiers on September 12, 1954 - tent, parassol, hotel restaurant Les Sables d'or - sand, colony, maghreb - period photographic print, family archives, private collection Patrice Cartier - / Bridgeman Images

ID: PCT4290400

French Algerie: colonial and seaside tourism - holidays on the beach of Zeralda, on the coast of the Mediterranean Sea near Algiers on September 12, 1954 - tent, parassol, hotel restaurant Les Sables d'or - sand, colony, maghreb - period photographic print, family archives, private collection Patrice Cartier -

Group of young French soldiers posing for photography in Reggan (Reggane, on the edge of the Tanezrouft desert), Algeria (southern Algeria) on February 13, 1960, day of the first French atomic bomb test (so-called Gerboise Bleue experimentation) carried out in these surroundings - colony, colonization, blackfoot, black foot - nuclear explosion, Radioactive Retombees, Cancer - Amateur photography, period black and white print, family archives, private collection Patrice Cartier -
Group of young French soldiers posing for photography in Reggan (Reggane, on the edge of the Tanezrouft desert), Algeria (southern Algeria) on February 13, 1960, day of the first French atomic bomb test (so-called Gerboise Bleue experimentation) carried out in these surroundings - colony, colonization, blackfoot, black foot - nuclear explosion, Radioactive Retombees, Cancer - Amateur photography, period black and white print, family archives, private collection Patrice Cartier -

PCT4290776: Group of young French soldiers posing for photography in Reggan (Reggane, on the edge of the Tanezrouft desert), Algeria (southern Algeria) on February 13, 1960, day of the first French atomic bomb test (so-called Gerboise Bleue experimentation) carried out in these surroundings - colony, colonization, blackfoot, black foot - nuclear explosion, Radioactive Retombees, Cancer - Amateur photography, period black and white print, family archives, private collection Patrice Cartier - / Bridgeman Images

ID: PCT4290776

Group of young French soldiers posing for photography in Reggan (Reggane, on the edge of the Tanezrouft desert), Algeria (southern Algeria) on February 13, 1960, day of the first French atomic bomb test (so-called Gerboise Bleue experimentation) carried out in these surroundings - colony, colonization, blackfoot, black foot - nuclear explosion, Radioactive Retombees, Cancer - Amateur photography, period black and white print, family archives, private collection Patrice Cartier -

Two men playing bilboquet. One of the two, practicing with a large model named “Terror” receives the ball on his head - Illustration from an article entitled “At the Academy of the Bilboquet “”, Readings for All 1907 - skill game -
Two men playing bilboquet. One of the two, practicing with a large model named “Terror” receives the ball on his head - Illustration from an article entitled “At the Academy of the Bilboquet “”, Readings for All 1907 - skill game -

PCT4291915: Two men playing bilboquet. One of the two, practicing with a large model named “Terror” receives the ball on his head - Illustration from an article entitled “At the Academy of the Bilboquet “”, Readings for All 1907 - skill game - / Bridgeman Images

ID: PCT4291915

Two men playing bilboquet. One of the two, practicing with a large model named “Terror” receives the ball on his head - Illustration from an article entitled “At the Academy of the Bilboquet “”, Readings for All 1907 - skill game -

Palermo, graffiti anonymous, graf, tag, street art - vicolo dei corrieri 2015 - Photo Patrice Cartier -
Palermo, graffiti anonymous, graf, tag, street art - vicolo dei corrieri 2015 - Photo Patrice Cartier -

PCT4291944: Palermo, graffiti anonymous, graf, tag, street art - vicolo dei corrieri 2015 - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4291944

Palermo, graffiti anonymous, graf, tag, street art - vicolo dei corrieri 2015 - Photo Patrice Cartier -

Theodore Roosevelt (1858-1919) President of the United States of America (USA, 1901 to 1909) with two dogs around 1905 - Theodore Roosevelt standing with two dogs next to haystack c1905 -
Theodore Roosevelt (1858-1919) President of the United States of America (USA, 1901 to 1909) with two dogs around 1905 - Theodore Roosevelt standing with two dogs next to haystack c1905 -

PCT4291991: Theodore Roosevelt (1858-1919) President of the United States of America (USA, 1901 to 1909) with two dogs around 1905 - Theodore Roosevelt standing with two dogs next to haystack c1905 - / Bridgeman Images

ID: PCT4291991

Theodore Roosevelt (1858-1919) President of the United States of America (USA, 1901 to 1909) with two dogs around 1905 - Theodore Roosevelt standing with two dogs next to haystack c1905 -

Bretagne, Ille-et-Vilaine (35), Rotheneuf: granite rock sculpted by the abbe Foure (Adolphe Julien Fouere, 1839-1910), 1890 - Rock sculpted by the abbe Foure, Rotheneuf, France - Photo Patrice Cartier -
Bretagne, Ille-et-Vilaine (35), Rotheneuf: granite rock sculpted by the abbe Foure (Adolphe Julien Fouere, 1839-1910), 1890 - Rock sculpted by the abbe Foure, Rotheneuf, France - Photo Patrice Cartier -

PCT4294814: Bretagne, Ille-et-Vilaine (35), Rotheneuf: granite rock sculpted by the abbe Foure (Adolphe Julien Fouere, 1839-1910), 1890 - Rock sculpted by the abbe Foure, Rotheneuf, France - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4294814

Bretagne, Ille-et-Vilaine (35), Rotheneuf: granite rock sculpted by the abbe Foure (Adolphe Julien Fouere, 1839-1910), 1890 - Rock sculpted by the abbe Foure, Rotheneuf, France - Photo Patrice Cartier -

Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017-
Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017-

PCT4294568: Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017- / Bridgeman Images

ID: PCT4294568

Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017-

Sardiniere de Douarnenez (Brittany, Finistere): postcard Villard sent in 1921 -
Sardiniere de Douarnenez (Brittany, Finistere): postcard Villard sent in 1921 -

PCT4290272: Sardiniere de Douarnenez (Brittany, Finistere): postcard Villard sent in 1921 - / Bridgeman Images

ID: PCT4290272

Sardiniere de Douarnenez (Brittany, Finistere): postcard Villard sent in 1921 -

Grand aitre or aitres of Saint Maclou (St Maclou, Saint-Maclou) to Rouen, Seine-Maritime, Normandy - Cemetiere (grave) created after the Great Black Plague, an epidemic that killed three-quarters of the inhabitants of the neighborhood in 1348. Three of the galleries surrounding the cemetery were built between 1526 and 1533 to serve as ossuary - postcard beginning 20th century -
Grand aitre or aitres of Saint Maclou (St Maclou, Saint-Maclou) to Rouen, Seine-Maritime, Normandy - Cemetiere (grave) created after the Great Black Plague, an epidemic that killed three-quarters of the inhabitants of the neighborhood in 1348. Three of the galleries surrounding the cemetery were built between 1526 and 1533 to serve as ossuary - postcard beginning 20th century -

PCT4291696: Grand aitre or aitres of Saint Maclou (St Maclou, Saint-Maclou) to Rouen, Seine-Maritime, Normandy - Cemetiere (grave) created after the Great Black Plague, an epidemic that killed three-quarters of the inhabitants of the neighborhood in 1348. Three of the galleries surrounding the cemetery were built between 1526 and 1533 to serve as ossuary - postcard beginning 20th century - / Bridgeman Images

ID: PCT4291696

Grand aitre or aitres of Saint Maclou (St Maclou, Saint-Maclou) to Rouen, Seine-Maritime, Normandy - Cemetiere (grave) created after the Great Black Plague, an epidemic that killed three-quarters of the inhabitants of the neighborhood in 1348. Three of the galleries surrounding the cemetery were built between 1526 and 1533 to serve as ossuary - postcard beginning 20th century -

Le Havre - Nice-Havrais (Nice havrais) a Sainte-Adresse (Sainte-Adresse), Seine Maritime (Seine-Maritime, Normandy): subdivision and seaside resort created in 1905 by Georges Dufayel, Parisian businessman, design of Havre architect Ernest Daniel - the raidillon of Sainte-Adresse - postcard beginning 20th century -
Le Havre - Nice-Havrais (Nice havrais) a Sainte-Adresse (Sainte-Adresse), Seine Maritime (Seine-Maritime, Normandy): subdivision and seaside resort created in 1905 by Georges Dufayel, Parisian businessman, design of Havre architect Ernest Daniel - the raidillon of Sainte-Adresse - postcard beginning 20th century -

PCT4291798: Le Havre - Nice-Havrais (Nice havrais) a Sainte-Adresse (Sainte-Adresse), Seine Maritime (Seine-Maritime, Normandy): subdivision and seaside resort created in 1905 by Georges Dufayel, Parisian businessman, design of Havre architect Ernest Daniel - the raidillon of Sainte-Adresse - postcard beginning 20th century -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4291798

Le Havre - Nice-Havrais (Nice havrais) a Sainte-Adresse (Sainte-Adresse), Seine Maritime (Seine-Maritime, Normandy): subdivision and seaside resort created in 1905 by Georges Dufayel, Parisian businessman, design of Havre architect Ernest Daniel - the raidillon of Sainte-Adresse - postcard beginning 20th century -

Unknown photographer, (20th century)

First World War - stereoscopic glass plate LSU 1914-1918 (14-18) - Vauquois, trench, small post: French soldiers - Publishers during World War I had regular newspaper calls for hairy people to transmit their photos, which were then widely disseminated -
First World War - stereoscopic glass plate LSU 1914-1918 (14-18) - Vauquois, trench, small post: French soldiers - Publishers during World War I had regular newspaper calls for hairy people to transmit their photos, which were then widely disseminated -

PCT4290375: First World War - stereoscopic glass plate LSU 1914-1918 (14-18) - Vauquois, trench, small post: French soldiers - Publishers during World War I had regular newspaper calls for hairy people to transmit their photos, which were then widely disseminated -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4290375

First World War - stereoscopic glass plate LSU 1914-1918 (14-18) - Vauquois, trench, small post: French soldiers - Publishers during World War I had regular newspaper calls for hairy people to transmit their photos, which were then widely disseminated -

Unknown photographer, (20th century)

Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) -
Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) -

PCT4293157: Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) - / Bridgeman Images

ID: PCT4293157

Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) -

Algerie francaise coloniale: musicians in Biskra - Bon chkiona, music of the negres, drummer - stereoscopic view Julien Damoy, beginning 20th century -
Algerie francaise coloniale: musicians in Biskra - Bon chkiona, music of the negres, drummer - stereoscopic view Julien Damoy, beginning 20th century -

PCT4290484: Algerie francaise coloniale: musicians in Biskra - Bon chkiona, music of the negres, drummer - stereoscopic view Julien Damoy, beginning 20th century -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4290484

Algerie francaise coloniale: musicians in Biskra - Bon chkiona, music of the negres, drummer - stereoscopic view Julien Damoy, beginning 20th century -

Unknown photographer, (20th century)


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