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Volunteer Movement, Jones & Family under Canvass', 1862. Satirical print showing a Victorian family playing soldiers for the Volunteer Force, a part-time territorial army. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.
Volunteer Movement, Jones & Family under Canvass', 1862. Satirical print showing a Victorian family playing soldiers for the Volunteer Force, a part-time territorial army. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864.

FLO4995471: Volunteer Movement, Jones & Family under Canvass', 1862. Satirical print showing a Victorian family playing soldiers for the Volunteer Force, a part-time territorial army. Handcoloured etching by John Leech from Follies of the Year, from Punchõs Pocket Books, Bradbury, London, 1864. / Bridgeman Images

Statue of Roman Emperor Augustus in armour. In the collection of Rufini, Bishop of Malfi. Copperplate engraving after an illustration by Gio. Petrini from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of Roman Emperor Augustus in armour. In the collection of Rufini, Bishop of Malfi. Copperplate engraving after an illustration by Gio. Petrini from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997226: Statue of Roman Emperor Augustus in armour. In the collection of Rufini, Bishop of Malfi. Copperplate engraving after an illustration by Gio. Petrini from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of Roma, goddess of the city of Rome, wearing a helmet and seated on a throne with shield and quiver. From the Giardino Cesi. Copperplate engraving by Gio. Petrini after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of Roma, goddess of the city of Rome, wearing a helmet and seated on a throne with shield and quiver. From the Giardino Cesi. Copperplate engraving by Gio. Petrini after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997248: Statue of Roma, goddess of the city of Rome, wearing a helmet and seated on a throne with shield and quiver. From the Giardino Cesi. Copperplate engraving by Gio. Petrini after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of Pudicitia, goddess of modesty, in veiled robes. In the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of Pudicitia, goddess of modesty, in veiled robes. In the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997319: Statue of Pudicitia, goddess of modesty, in veiled robes. In the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of the Roman empress Vibia Sabina in the attributes of the goddess Flora. Found in Hadrian's Villa. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of the Roman empress Vibia Sabina in the attributes of the goddess Flora. Found in Hadrian's Villa. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997393: Statue of the Roman empress Vibia Sabina in the attributes of the goddess Flora. Found in Hadrian's Villa. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4997474: Ensign Johnny Newcome riding a horse accompanied by a subaltern with pack horse in Portugal. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

France, Ile-de-France, Paris : Advertising balloon, Meeting of Francois Hollande at Bercy
France, Ile-de-France, Paris : Advertising balloon, Meeting of Francois Hollande at Bercy

GNG4997869: France, Ile-de-France, Paris : Advertising balloon, Meeting of Francois Hollande at Bercy / Bridgeman Images

Italian advertisement for Sarti liqueur, 1920
Italian advertisement for Sarti liqueur, 1920

ANJ4998855: Italian advertisement for Sarti liqueur, 1920, Unknown Artist, (20th century) / Bridgeman Images

Italian advertisement for the digestive Cordial Paradiso Savorani “” The door to paradise... is open! “”. Drawing by Glauco CAMBON (1875-1930), 1922.
Italian advertisement for the digestive Cordial Paradiso Savorani “” The door to paradise... is open! “”. Drawing by Glauco CAMBON (1875-1930), 1922.

ANJ4998876: Italian advertisement for the digestive Cordial Paradiso Savorani “” The door to paradise... is open! “”. Drawing by Glauco CAMBON (1875-1930), 1922., Cambon, Glauco (1875-1930) / Bridgeman Images

Italian advertisement for dealership garages Villar Perosa, 1938.
Italian advertisement for dealership garages Villar Perosa, 1938.

ANJ4999116: Italian advertisement for dealership garages Villar Perosa, 1938. / Bridgeman Images

Italian advertisement for Spiga and Superga tyres, 1930
Italian advertisement for Spiga and Superga tyres, 1930

ANJ4999100: Italian advertisement for Spiga and Superga tyres, 1930, Unknown Artist, (20th century) / Bridgeman Images

A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady. Ladies forced to wash clothes and peel potatoes, coarse peasants in the drawing room, etc. Handcoloured etching by John Leech from Follies of the Year, from Punch's Pocket Books, Bradbury, London, 1864.
A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady. Ladies forced to wash clothes and peel potatoes, coarse peasants in the drawing room, etc. Handcoloured etching by John Leech from Follies of the Year, from Punch's Pocket Books, Bradbury, London, 1864.

FLO4995416: A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady. Ladies forced to wash clothes and peel potatoes, coarse peasants in the drawing room, etc. Handcoloured etching by John Leech from Follies of the Year, from Punch's Pocket Books, Bradbury, London, 1864. / Bridgeman Images

Chinese cinnamon, Cinnamomom cassia. Chromolithograph after a botanical illustration by Walther Muller from Hermann Adolph Koehler's Medicinal Plants, edited by Gustav Pabst, Koehler, Germany, 1887.
Chinese cinnamon, Cinnamomom cassia. Chromolithograph after a botanical illustration by Walther Muller from Hermann Adolph Koehler's Medicinal Plants, edited by Gustav Pabst, Koehler, Germany, 1887.

FLO4995078: Chinese cinnamon, Cinnamomom cassia. Chromolithograph after a botanical illustration by Walther Muller from Hermann Adolph Koehler's Medicinal Plants, edited by Gustav Pabst, Koehler, Germany, 1887. / Bridgeman Images

Bust of the Egyptian idol Canopus, god of water, in basalt found in the Canopus of Hadrian's Villa at Tivoli. Copperplate drawn and engraved by Giacomo Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Bust of the Egyptian idol Canopus, god of water, in basalt found in the Canopus of Hadrian's Villa at Tivoli. Copperplate drawn and engraved by Giacomo Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997198: Bust of the Egyptian idol Canopus, god of water, in basalt found in the Canopus of Hadrian's Villa at Tivoli. Copperplate drawn and engraved by Giacomo Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Briar or dog rose, Rosa canina and French rose, Rosa gallica species.
Briar or dog rose, Rosa canina and French rose, Rosa gallica species.

FLO4997148: Briar or dog rose, Rosa canina and French rose, Rosa gallica species. / Bridgeman Images

Statue of Roman general Julius Caesar, perpetual dictator. In the collection of Rufini, Bishop of Malfi. Copperplate engraving after an illustration by G. Petrini from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of Roman general Julius Caesar, perpetual dictator. In the collection of Rufini, Bishop of Malfi. Copperplate engraving after an illustration by G. Petrini from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997235: Statue of Roman general Julius Caesar, perpetual dictator. In the collection of Rufini, Bishop of Malfi. Copperplate engraving after an illustration by G. Petrini from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of a Bacchante in animal skin and garlands. In the Vatican Palace. Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of a Bacchante in animal skin and garlands. In the Vatican Palace. Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997260: Statue of a Bacchante in animal skin and garlands. In the Vatican Palace. Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Leda and Zeus or Jove in the form of a swan. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Leda and Zeus or Jove in the form of a swan. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997314: Leda and Zeus or Jove in the form of a swan. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of unknown Roman goddess, believed to be Clemenza or Clementia, the goddess of forgiveness. Found in the Aventine, Rome. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of unknown Roman goddess, believed to be Clemenza or Clementia, the goddess of forgiveness. Found in the Aventine, Rome. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997340: Statue of unknown Roman goddess, believed to be Clemenza or Clementia, the goddess of forgiveness. Found in the Aventine, Rome. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Flavia Julia Titi, daughter of Roman Emperor Titus. In the collection of Cardinal Pietro Ottoboni. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Flavia Julia Titi, daughter of Roman Emperor Titus. In the collection of Cardinal Pietro Ottoboni. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997395: Flavia Julia Titi, daughter of Roman Emperor Titus. In the collection of Cardinal Pietro Ottoboni. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask, the attributes of Thalia, muse of comedy. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask, the attributes of Thalia, muse of comedy. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997398: Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask, the attributes of Thalia, muse of comedy. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Superb lyrebird, Menura novaehollandiae (Parkinsonian paradise bird, Paradisea parkinsoniana). Illustration drawn and engraved by Richard Polydore Nodder after Jean Baptiste Audebert. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Superb lyrebird, Menura novaehollandiae (Parkinsonian paradise bird, Paradisea parkinsoniana). Illustration drawn and engraved by Richard Polydore Nodder after Jean Baptiste Audebert. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4997417: Superb lyrebird, Menura novaehollandiae (Parkinsonian paradise bird, Paradisea parkinsoniana). Illustration drawn and engraved by Richard Polydore Nodder after Jean Baptiste Audebert. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

Sculpture of a lion attacking a horse. Found in an old mill at Porta San Paolo (Porta Ostiensis). Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Sculpture of a lion attacking a horse. Found in an old mill at Porta San Paolo (Porta Ostiensis). Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997229: Sculpture of a lion attacking a horse. Found in an old mill at Porta San Paolo (Porta Ostiensis). Copperplate engraving from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of a Roman orator and politician believed to be Marcus Tullius Cicero. From the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by Giacomo Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of a Roman orator and politician believed to be Marcus Tullius Cicero. From the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by Giacomo Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997301: Statue of a Roman orator and politician believed to be Marcus Tullius Cicero. From the Belvedere Courtyard in the Vatican. Copperplate engraving after an illustration by Giacomo Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of the Greek god Hermes as a Pankration fighter (Pancraziaste). From Hadrian's Villa at Tivoli. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of the Greek god Hermes as a Pankration fighter (Pancraziaste). From Hadrian's Villa at Tivoli. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997421: Statue of the Greek god Hermes as a Pankration fighter (Pancraziaste). From Hadrian's Villa at Tivoli. Copperplate drawn and engraved by G. Bossi from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Statue of an Egyptian priest in headdress holding a stone tablet found in the Canopus of Hadrian's Villa at Tivoli. Copperplate engraving by Giacomo Bossi after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.
Statue of an Egyptian priest in headdress holding a stone tablet found in the Canopus of Hadrian's Villa at Tivoli. Copperplate engraving by Giacomo Bossi after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

FLO4997236: Statue of an Egyptian priest in headdress holding a stone tablet found in the Canopus of Hadrian's Villa at Tivoli. Copperplate engraving by Giacomo Bossi after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabilii's Il Museo Capitolino (The Capitoline Museum), Rome, 1820. / Bridgeman Images

Italian advertising for the automotive industry Fiat. Drawing by Mario Sironi (1885-1961), 1936. Art of the fascist period.
Italian advertising for the automotive industry Fiat. Drawing by Mario Sironi (1885-1961), 1936. Art of the fascist period.

ANJ4999108: Italian advertising for the automotive industry Fiat. Drawing by Mario Sironi (1885-1961), 1936. Art of the fascist period., Sironi, Mario (1885-1961) / Bridgeman Images

North-east view of the back of the original altar of St. Bartholomew the Greater, built 1102. Door to carnel house at right. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.
North-east view of the back of the original altar of St. Bartholomew the Greater, built 1102. Door to carnel house at right. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.

FLO5000254: North-east view of the back of the original altar of St. Bartholomew the Greater, built 1102. Door to carnel house at right. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811. / Bridgeman Images

Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.
Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815.

FLO4999383: Captain Johnny Newcome on duty as Aide de Camp to the Duke of Wellington during the Peninsula Campaign. Handcoloured copperplate engraving drawn and etched by Thomas Rowlandson from Colonel David Roberts' The Military Adventures of Johnny Newcome, Martin, London, 1815., Rowlandson, Thomas (1756-1827) / Bridgeman Images

A magnificent Tudor mansion lately standing on Hart Street, Crutched Friars, 1792. External specimen of the Armorial Style with carved oak decoration, 16th century, reign of Henry VIII. Demolished 1801. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812.
A magnificent Tudor mansion lately standing on Hart Street, Crutched Friars, 1792. External specimen of the Armorial Style with carved oak decoration, 16th century, reign of Henry VIII. Demolished 1801. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812.

FLO5000622: A magnificent Tudor mansion lately standing on Hart Street, Crutched Friars, 1792. External specimen of the Armorial Style with carved oak decoration, 16th century, reign of Henry VIII. Demolished 1801. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1812. / Bridgeman Images

Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999845: Johnny in service at a gentleman's club, serving wine to members while others gamble on card games at a large gaming table. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Street-crossing sweeper boy in a large waistcoast and soldier's jacket. With dog and broom. Worked Prince's Street and Hanover Square. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.
Street-crossing sweeper boy in a large waistcoast and soldier's jacket. With dog and broom. Worked Prince's Street and Hanover Square. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817.

FLO5000932: Street-crossing sweeper boy in a large waistcoast and soldier's jacket. With dog and broom. Worked Prince's Street and Hanover Square. Copperplate etching drawn and engraved by John Thomas Smith from his Vagabondiana, Anecdotes of Mendicant Wanderers through the Streets of London, 1817. / Bridgeman Images

Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.
Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax.

FLO4999876: Johnny in service to the portrait painter Carmine at his gallery. When alone, Johnny defaces the portraits with chalk and causes a furore. Handcoloured copperplate engraving by Thomas Rowlandson from William Combe's The History of Johnny Quae Genus, the Little Foundling of the late Doctor Syntax., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Italian advertisement for the Rom reconstituent. Drawing by Giuseppe Magagnoli dit MAGA (1878-1933), 1925
Italian advertisement for the Rom reconstituent. Drawing by Giuseppe Magagnoli dit MAGA (1878-1933), 1925

ANJ5003111: Italian advertisement for the Rom reconstituent. Drawing by Giuseppe Magagnoli dit MAGA (1878-1933), 1925, Magagnoli, Giuseppe "MAGA" (1878-1933) / Bridgeman Images

Harvestman spider, Megabunus diadema. Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare, or little known animal subjects.
Harvestman spider, Megabunus diadema. Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare, or little known animal subjects.

FLO5003557: Harvestman spider, Megabunus diadema. Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare, or little known animal subjects., Sowerby, James (1757-1822) / Bridgeman Images

Mining bee, Andrena nigroaenea (Melitta nigro-aenea). Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare, or little known animal subjects.
Mining bee, Andrena nigroaenea (Melitta nigro-aenea). Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare, or little known animal subjects.

FLO5003873: Mining bee, Andrena nigroaenea (Melitta nigro-aenea). Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare, or little known animal subjects., Sowerby, James (1757-1822) / Bridgeman Images


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