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Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707060: Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707060

Young heraut in official dress, described from front and back, wearing a crimson tunic on a skirt and tights of the same colour. The herald played an important role in tournaments and battles, where his knowledge of coats of arms helped identify knights. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707147: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707147

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707247: Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707247

Title page of volume 2 Book 1 of the series. Title in German, with a vignette: two naked boys decorating a bust with a laurel wreath. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707290: A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707290

A Saxon king in ceremonial costume. The great mantle is worn only by members of the realm or aristocracy and seems to have and reserve for divine or Celestial beings. Her hair and beard seem to have been dyed blue, as can be seen in paintings from the 8th century onwards. The saxons introduced the royal diademe, a circle of gold carries like a crown. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707303: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707303

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707314: Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707314

Anglo-Saxon women: wearing tunic, veil, coat and shoe with open toe (36), wearing tunic and veil (37) and wearing a veil of a different colour from that of her coat. The sails were dyed in various colours and woven in more or less precious materials. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707340: First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707340

First officer of the Royal Guard (41), rider with a spear (42) and Anglo-Saxon infantryman with a spear and a shield (43). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707463: Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707463

Anglo Saxon king of the 9th century, in a tunic with embroidered edges and hem, with a jete coat on the shoulder and fastener with a clasp. Clothing close to those of Charlemagne (742 or 748-814) and the kings of France. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of jazz saxophonist Anthony Braxton on stage in 1981.
Portrait of jazz saxophonist Anthony Braxton on stage in 1981.

MME4707800: Portrait of jazz saxophonist Anthony Braxton on stage in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707800

Portrait of jazz saxophonist Anthony Braxton on stage in 1981.

Mencarini, Marcello

Portrait of writer William Burroughs around 1980
Portrait of writer William Burroughs around 1980

MME4707939: Portrait of writer William Burroughs around 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707939

Portrait of writer William Burroughs around 1980

Mencarini, Marcello

Portrait of the Spanish singer Montserrat Caballe in Rome in 1992.
Portrait of the Spanish singer Montserrat Caballe in Rome in 1992.

MME4708090: Portrait of the Spanish singer Montserrat Caballe in Rome in 1992., Mencarini, Marcello / Bridgeman Images

ID: MME4708090

Portrait of the Spanish singer Montserrat Caballe in Rome in 1992.

Mencarini, Marcello

Portrait of the Italian composer Sylvano Bussotti, circa 1980
Portrait of the Italian composer Sylvano Bussotti, circa 1980

MME4707998: Portrait of the Italian composer Sylvano Bussotti, circa 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707998

Portrait of the Italian composer Sylvano Bussotti, circa 1980

Mencarini, Marcello

A Norman queen, dressed in a purple coat on green and carmine dresses, with her head covered with an orange veil and a golden crown. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. A Norman queen wearing purple mantle over green and crimson robes, orange veil and golden crown.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
A Norman queen, dressed in a purple coat on green and carmine dresses, with her head covered with an orange veil and a golden crown. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. A Norman queen wearing purple mantle over green and crimson robes, orange veil and golden crown.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707951: A Norman queen, dressed in a purple coat on green and carmine dresses, with her head covered with an orange veil and a golden crown. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. A Norman queen wearing purple mantle over green and crimson robes, orange veil and golden crown.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707951

A Norman queen, dressed in a purple coat on green and carmine dresses, with her head covered with an orange veil and a golden crown. Copper engraving hand-coloured, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. A Norman queen wearing purple mantle over green and crimson robes, orange veil and golden crown.Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Portrait of composer and poet John Cage, hiding his eyes, in 1982.
Portrait of composer and poet John Cage, hiding his eyes, in 1982.

MME4708113: Portrait of composer and poet John Cage, hiding his eyes, in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708113

Portrait of composer and poet John Cage, hiding his eyes, in 1982.

Mencarini, Marcello

Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992.
Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992.

MME4708159: Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992., Mencarini, Marcello / Bridgeman Images

ID: MME4708159

Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992.

Mencarini, Marcello

Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708168: Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708168

Norman infantry: infantry with spear and shield, saddler and two crossbaletriers carrying armor or chest. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708195: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708195

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708525

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of the writer Carlo Cassola in 1979.
Portrait of the writer Carlo Cassola in 1979.

MME4708591: Portrait of the writer Carlo Cassola in 1979., Mencarini, Marcello / Bridgeman Images

ID: MME4708591

Portrait of the writer Carlo Cassola in 1979.

Mencarini, Marcello

Portrait of the French realizer Claude Chabrol in 1988.
Portrait of the French realizer Claude Chabrol in 1988.

MME4708656: Portrait of the French realizer Claude Chabrol in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4708656

Portrait of the French realizer Claude Chabrol in 1988.

Mencarini, Marcello

Panoramic view of the forum of Trajan (foro traiano), Rome Italy
Panoramic view of the forum of Trajan (foro traiano), Rome Italy

MME4708899: Panoramic view of the forum of Trajan (foro traiano), Rome Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4708899

Panoramic view of the forum of Trajan (foro traiano), Rome Italy

Mencarini, Marcello

Portrait of American composer David Tudor around 1980.
Portrait of American composer David Tudor around 1980.

MME4705880: Portrait of American composer David Tudor around 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4705880

Portrait of American composer David Tudor around 1980.

Mencarini, Marcello

Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706073: Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706073

Man of fashion in Venice and other Italian towns, 16th century. He wears a copper balzo headdress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706036: Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706036

Nobleman of Bohemia, 1500s and 1600s. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

French pianist of Bulgarian origin Alexis Weissenberg in concert.
French pianist of Bulgarian origin Alexis Weissenberg in concert.

MME4706175: French pianist of Bulgarian origin Alexis Weissenberg in concert., Mencarini, Marcello / Bridgeman Images

ID: MME4706175

French pianist of Bulgarian origin Alexis Weissenberg in concert.

Mencarini, Marcello

Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.
Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

FLO4706436: Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590. / Bridgeman Images

ID: FLO4706436

Nobleman of England, 1577. He wears a black velvet coat lined with fur, and a velvet or felt hat. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837. Illustration from Cesare Vecellio's Habiti antichi e moderni, Venice, 1590.

Portrait of the writer and painter Cesare Zavattini in his studio in 1979.
Portrait of the writer and painter Cesare Zavattini in his studio in 1979.

MME4706823: Portrait of the writer and painter Cesare Zavattini in his studio in 1979., Mencarini, Marcello / Bridgeman Images

ID: MME4706823

Portrait of the writer and painter Cesare Zavattini in his studio in 1979.

Mencarini, Marcello

Portrait of psychologist Armando Verdiglione in 1980.
Portrait of psychologist Armando Verdiglione in 1980.

MME4706008: Portrait of psychologist Armando Verdiglione in 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4706008

Portrait of psychologist Armando Verdiglione in 1980.

Mencarini, Marcello

Woman of Alsace, with her purse hanging from her belt. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Woman of Alsace, with her purse hanging from her belt. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706013: Woman of Alsace, with her purse hanging from her belt. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706013

Woman of Alsace, with her purse hanging from her belt. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706051: Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706051

Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707301: Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707301

Anglo-Saxon women wearing a tunic, a coat and a large veil covering the hair and shoulder, falling to the knees (33), a floating veil (14) and wearing veil and belt (35). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Danish soldiers in mesh armor. The oldest Danish armor consists of a helm, a chest and a shield. Then after the conquest of Great Britain, they changed to a complete armor (69,70 and 71), and changed their armor (sword and spear). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Danish soldiers in mesh armor. The oldest Danish armor consists of a helm, a chest and a shield. Then after the conquest of Great Britain, they changed to a complete armor (69,70 and 71), and changed their armor (sword and spear). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707543: Danish soldiers in mesh armor. The oldest Danish armor consists of a helm, a chest and a shield. Then after the conquest of Great Britain, they changed to a complete armor (69,70 and 71), and changed their armor (sword and spear). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707543

Danish soldiers in mesh armor. The oldest Danish armor consists of a helm, a chest and a shield. Then after the conquest of Great Britain, they changed to a complete armor (69,70 and 71), and changed their armor (sword and spear). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of the Italian composer Sylvano Bussotti, circa 1980
Portrait of the Italian composer Sylvano Bussotti, circa 1980

MME4707961: Portrait of the Italian composer Sylvano Bussotti, circa 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707961

Portrait of the Italian composer Sylvano Bussotti, circa 1980

Mencarini, Marcello

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705483: Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705483

Swiss army officer, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Young French woman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Young French woman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705539: Young French woman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705539

Young French woman, 1581. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705622: Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705622

Woman of Bayern, 1581, and a German army captain, 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.


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