1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502221 Search Results

Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689270: Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689270

Oval rosewood box mounted in steel decorated with signs of the Zodiac, oval and square cameos. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC
Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC

LRI4689730: Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689730

Terracotta pot with its lid, from the tomb of the bronze tan, 680-670 BC

Etruscan, (7th century BC)

Etruscan civilization: “” Alabastre””” Upper part in plaster shaped woman with long hair 600-550 BC Dim 24.5 cm From the tomb of the Flabelli a Populonia, Italy - Florence Museo Archeologico inv 89293 b
Etruscan civilization: “” Alabastre””” Upper part in plaster shaped woman with long hair 600-550 BC Dim 24.5 cm From the tomb of the Flabelli a Populonia, Italy - Florence Museo Archeologico inv 89293 b

LRI4689764: Etruscan civilization: “” Alabastre””” Upper part in plaster shaped woman with long hair 600-550 BC Dim 24.5 cm From the tomb of the Flabelli a Populonia, Italy - Florence Museo Archeologico inv 89293 b, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689764

Etruscan civilization: “” Alabastre””” Upper part in plaster shaped woman with long hair 600-550 BC Dim 24.5 cm From the tomb of the Flabelli a Populonia, Italy - Florence Museo Archeologico inv 89293 b

Etruscan, (6th century BC)

Willows On The Banks Of The River Orvanne, 1883 (oil on canvas)
Willows On The Banks Of The River Orvanne, 1883 (oil on canvas)

JLJ4668900: Willows On The Banks Of The River Orvanne, 1883 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

ID: JLJ4668900

Willows On The Banks Of The River Orvanne, 1883 (oil on canvas)

Sisley, Alfred (1839-99)

Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668680: Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668680

Crownvetch, Securigera securidaca, and Greek cyclamen, Cyclamen graecum. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Detail of ex-voto representing the Battle of Guararapes, 18/02/1649. 1758 (painting)
Detail of ex-voto representing the Battle of Guararapes, 18/02/1649. 1758 (painting)

LRI4668949: Detail of ex-voto representing the Battle of Guararapes, 18/02/1649. 1758 (painting), Brazilian School, (18th century) / Bridgeman Images

ID: LRI4668949

Detail of ex-voto representing the Battle of Guararapes, 18/02/1649. 1758 (painting)

Brazilian School, (18th century)

Blessed thistle, Carduus benedictus, and bear's breeches, Acanthus spinosus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Blessed thistle, Carduus benedictus, and bear's breeches, Acanthus spinosus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669076: Blessed thistle, Carduus benedictus, and bear's breeches, Acanthus spinosus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4669076

Blessed thistle, Carduus benedictus, and bear's breeches, Acanthus spinosus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Ancient Greece: Head of Athena Parthenos called
Ancient Greece: Head of Athena Parthenos called

JLJ4669091: Ancient Greece: Head of Athena Parthenos called "Athena Odescalchi", -500-401 BC (marble), Greek school, (5th century BC) / Bridgeman Images

ID: JLJ4669091

Ancient Greece: Head of Athena Parthenos called "Athena Odescalchi", -500-401 BC (marble)

Greek school, (5th century BC)

Madonna dell'arco, Detail party representing a walnut and chestnut salesman. 18th century (Painting)
Madonna dell'arco, Detail party representing a walnut and chestnut salesman. 18th century (Painting)

LRI4669106: Madonna dell'arco, Detail party representing a walnut and chestnut salesman. 18th century (Painting), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: LRI4669106

Madonna dell'arco, Detail party representing a walnut and chestnut salesman. 18th century (Painting)

Fabris, Pietro (fl.1768-78)

Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4669089: Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4669089

Cow parsnip, Heracleum sphondylium, and creeping thistle. Cirsium arvense. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

View of the square of the church of Santa Maria Formosa a Venice Engraving from “” Magnificentiores Selectioresque Urbis Venetiarum Prospectus”” by Michele Marieschi (1710-1743) 1741 Venice, Museo Correr
View of the square of the church of Santa Maria Formosa a Venice Engraving from “” Magnificentiores Selectioresque Urbis Venetiarum Prospectus”” by Michele Marieschi (1710-1743) 1741 Venice, Museo Correr

LRI4669126: View of the square of the church of Santa Maria Formosa a Venice Engraving from “” Magnificentiores Selectioresque Urbis Venetiarum Prospectus”” by Michele Marieschi (1710-1743) 1741 Venice, Museo Correr, Italian School, (18th century) / Bridgeman Images

ID: LRI4669126

View of the square of the church of Santa Maria Formosa a Venice Engraving from “” Magnificentiores Selectioresque Urbis Venetiarum Prospectus”” by Michele Marieschi (1710-1743) 1741 Venice, Museo Correr

Italian School, (18th century)

Dial of the Tower of the Clock - Auxerre - Clock on the clock tower in Auxerre - Clock with dials of the Tower of the Clock in Auxerre. This public clock was built in 1469 by a master watchmaker named Jean. It operated until 1812. The present mechanism dates back to 1817. The clock consists of two identical dials, one to the east (photo), the other to the west. The dials are divided into 24 hours: from noon to midnight, and from midnight to noon. A needle on which the Sun is depicted indicates the hours of the day. The second hand carries a globe with half black and half gold. This globe indicates the phases of the Moon. This needle indicates the lunar day, which is 24h49min. The stars pass to the Meridian (towards the south) when their image is at the top of the dial, on the number XII. Clock on the 15th century clock tower in Auxerre
Dial of the Tower of the Clock - Auxerre - Clock on the clock tower in Auxerre - Clock with dials of the Tower of the Clock in Auxerre. This public clock was built in 1469 by a master watchmaker named Jean. It operated until 1812. The present mechanism dates back to 1817. The clock consists of two identical dials, one to the east (photo), the other to the west. The dials are divided into 24 hours: from noon to midnight, and from midnight to noon. A needle on which the Sun is depicted indicates the hours of the day. The second hand carries a globe with half black and half gold. This globe indicates the phases of the Moon. This needle indicates the lunar day, which is 24h49min. The stars pass to the Meridian (towards the south) when their image is at the top of the dial, on the number XII. Clock on the 15th century clock tower in Auxerre

PIX4669111: Dial of the Tower of the Clock - Auxerre - Clock on the clock tower in Auxerre - Clock with dials of the Tower of the Clock in Auxerre. This public clock was built in 1469 by a master watchmaker named Jean. It operated until 1812. The present mechanism dates back to 1817. The clock consists of two identical dials, one to the east (photo), the other to the west. The dials are divided into 24 hours: from noon to midnight, and from midnight to noon. A needle on which the Sun is depicted indicates the hours of the day. The second hand carries a globe with half black and half gold. This globe indicates the phases of the Moon. This needle indicates the lunar day, which is 24h49min. The stars pass to the Meridian (towards the south) when their image is at the top of the dial, on the number XII. Clock on the 15th century clock tower in Auxerre / Bridgeman Images

ID: PIX4669111

Dial of the Tower of the Clock - Auxerre - Clock on the clock tower in Auxerre - Clock with dials of the Tower of the Clock in Auxerre. This public clock was built in 1469 by a master watchmaker named Jean. It operated until 1812. The present mechanism dates back to 1817. The clock consists of two identical dials, one to the east (photo), the other to the west. The dials are divided into 24 hours: from noon to midnight, and from midnight to noon. A needle on which the Sun is depicted indicates the hours of the day. The second hand carries a globe with half black and half gold. This globe indicates the phases of the Moon. This needle indicates the lunar day, which is 24h49min. The stars pass to the Meridian (towards the south) when their image is at the top of the dial, on the number XII. Clock on the 15th century clock tower in Auxerre

Earth seen by satellite Terra - Earth seen by satellite: The Pacific Ocean seen by Terra satellite on 10 July 2005. Photo Mosaic - Pacific ocean seen by Terra satellite. Image Composite
Earth seen by satellite Terra - Earth seen by satellite: The Pacific Ocean seen by Terra satellite on 10 July 2005. Photo Mosaic - Pacific ocean seen by Terra satellite. Image Composite

PIX4669156: Earth seen by satellite Terra - Earth seen by satellite: The Pacific Ocean seen by Terra satellite on 10 July 2005. Photo Mosaic - Pacific ocean seen by Terra satellite. Image Composite / Bridgeman Images

ID: PIX4669156

Earth seen by satellite Terra - Earth seen by satellite: The Pacific Ocean seen by Terra satellite on 10 July 2005. Photo Mosaic - Pacific ocean seen by Terra satellite. Image Composite

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669141: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669141

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.
The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.

TEC4669202: The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669202

The Federal University of Brasilia (Brazil). Architect Oscar Niemeyer, 1962. Photograph 11/04/07.

Niemeyer, Oscar (1907-2012)

Children in the Wood of Silencio, 1909 (painting)
Children in the Wood of Silencio, 1909 (painting)

JLJ4669201: Children in the Wood of Silencio, 1909 (painting), Denis, Maurice (1870-1943) / Bridgeman Images

ID: JLJ4669201

Children in the Wood of Silencio, 1909 (painting)

Denis, Maurice (1870-1943)

Carnival scene in Rome, 19th century (painting)
Carnival scene in Rome, 19th century (painting)

LRI4669224: Carnival scene in Rome, 19th century (painting), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4669224

Carnival scene in Rome, 19th century (painting)

Unknown Artist, (19th century)

An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669258: An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669258

An officer's widow in mourning dress presents her son to the Commander in Chief for admission to a military school at Horse Guards. Steel engraving by T. Turnbull after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Common cudweed, Filago vulgaris, and rush, Juncus conglomeratus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Common cudweed, Filago vulgaris, and rush, Juncus conglomeratus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668174: Common cudweed, Filago vulgaris, and rush, Juncus conglomeratus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668174

Common cudweed, Filago vulgaris, and rush, Juncus conglomeratus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900)
The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900)

PIX4668247: The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900) / Bridgeman Images

ID: PIX4668247

The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universell

The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900)
The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900)

PIX4668273: The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900) / Bridgeman Images

ID: PIX4668273

The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universell

The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900)
The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900)

PIX4668326: The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universelle (1900) / Bridgeman Images

ID: PIX4668326

The Oriental Park of Maulevrier is a Japanese garden located in Maulevrier, Maine-et-Loire, France. With 29 hectares it is today the largest Japanese garden in Europe. Organizing around an artificial lake fed by the Monk that crosses it from east to west, it contains about 300 plants, including azalees, camelias, rhododendrons, Japanese Maple, ginkgo biloba and others, with elements of traditional decoration of Japanese gardens such as red porticos (torii), stone lanterns (T r), or replica of a Khmer Buddhist temple. The designer of this space is the Parisian architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the 1900 Universal Exhibition - The Parc Oriental de Maulevrier is the largest Japanese garden in France. It is located in Maulevrier, Maine-et-Loire, Pays de la Loire, France. - The park was created between 1899-1913 on the grounds of Chateau Colbert by architect Alexandre Marcel (1860-1928), designer of the Cambodia pavilion at the Exposition Universell

The Eveque of Jerusalem Saint Cyril (315-386) and Saint Augustine (354-430), 16th century (miniature)
The Eveque of Jerusalem Saint Cyril (315-386) and Saint Augustine (354-430), 16th century (miniature)

JLJ4669339: The Eveque of Jerusalem Saint Cyril (315-386) and Saint Augustine (354-430), 16th century (miniature), Unknown Artist, (16th century) / Bridgeman Images

ID: JLJ4669339

The Eveque of Jerusalem Saint Cyril (315-386) and Saint Augustine (354-430), 16th century (miniature)

Unknown Artist, (16th century)

Roman Art: fresco of the genie wing from Pompei - End of the 1st century BC (fresco)
Roman Art: fresco of the genie wing from Pompei - End of the 1st century BC (fresco)

JLJ4669371: Roman Art: fresco of the genie wing from Pompei - End of the 1st century BC (fresco), Roman, (1st century AD) / Bridgeman Images

ID: JLJ4669371

Roman Art: fresco of the genie wing from Pompei - End of the 1st century BC (fresco)

Roman, (1st century AD)

Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669392: Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669392

Exhibition of model ships at the Royal Naval Museum, Somerset House. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Burial relief in limestone of Taime and his wife. from Palmyra. 200 AD (stone)
Burial relief in limestone of Taime and his wife. from Palmyra. 200 AD (stone)

JLJ4669306: Burial relief in limestone of Taime and his wife. from Palmyra. 200 AD (stone), Syrian School (3rd century AD) / Bridgeman Images

ID: JLJ4669306

Burial relief in limestone of Taime and his wife. from Palmyra. 200 AD (stone)

Syrian School (3rd century AD)

Portrait of Francois-Joseph (Francois Joseph) Talma (1763-1826), French actor, 19th century (engraving)
Portrait of Francois-Joseph (Francois Joseph) Talma (1763-1826), French actor, 19th century (engraving)

JLJ4669327: Portrait of Francois-Joseph (Francois Joseph) Talma (1763-1826), French actor, 19th century (engraving), Vigneron, Pierre Roch (1789-1872) / Bridgeman Images

ID: JLJ4669327

Portrait of Francois-Joseph (Francois Joseph) Talma (1763-1826), French actor, 19th century (engraving)

Vigneron, Pierre Roch (1789-1872)

Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669340: Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669340

Distribution of prizes in the theatre at King's College by the Archbishop of Canterbury. Steel engraving by Henry Melville after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669351: The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669351

The map room at the United Service Club. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Fragment of architectural relief in marble from the procession of the Ara Pacis Augustae, c.13-9 BC (bas-relief)
Fragment of architectural relief in marble from the procession of the Ara Pacis Augustae, c.13-9 BC (bas-relief)

JLJ4669388: Fragment of architectural relief in marble from the procession of the Ara Pacis Augustae, c.13-9 BC (bas-relief), Roman, (1st century BC) / Bridgeman Images

ID: JLJ4669388

Fragment of architectural relief in marble from the procession of the Ara Pacis Augustae, c.13-9 BC (bas-relief)

Roman, (1st century BC)

The grand staircase, Goldsmith's Hall. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.
The grand staircase, Goldsmith's Hall. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

FLO4669420: The grand staircase, Goldsmith's Hall. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841. / Bridgeman Images

ID: FLO4669420

The grand staircase, Goldsmith's Hall. Steel engraving by Henry Melville after an illustration by Llewellyn Jewitt from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Greek art: torso without head of Couros (Kouros) in marble. 575 BC (marble)
Greek art: torso without head of Couros (Kouros) in marble. 575 BC (marble)

JLJ4669443: Greek art: torso without head of Couros (Kouros) in marble. 575 BC (marble), Greek school, (6th century BC) / Bridgeman Images

ID: JLJ4669443

Greek art: torso without head of Couros (Kouros) in marble. 575 BC (marble)

Greek school, (6th century BC)

Elamite civilization: bronze statue of Queen Napir Asu with elamite inscription, 1250 BC (bronze)
Elamite civilization: bronze statue of Queen Napir Asu with elamite inscription, 1250 BC (bronze)

JLJ4669457: Elamite civilization: bronze statue of Queen Napir Asu with elamite inscription, 1250 BC (bronze), Middle Elamite Period, (c.1500-1000 BC) / Bridgeman Images

ID: JLJ4669457

Elamite civilization: bronze statue of Queen Napir Asu with elamite inscription, 1250 BC (bronze)

Middle Elamite Period, (c.1500-1000 BC)

Japan and Australia: Earth- Illustration - Earth from space. Artwork
Japan and Australia: Earth- Illustration - Earth from space. Artwork

PIX4669542: Japan and Australia: Earth- Illustration - Earth from space. Artwork / Bridgeman Images

ID: PIX4669542

Japan and Australia: Earth- Illustration - Earth from space. Artwork

Artist villa, studio residence, 21 rue du Belvedere in Boulogne Billancourt (Hauts de Seine). Realisation 1929, architect Auguste Perret (1874-1954). Built for sculptor Dora Gordin.
Artist villa, studio residence, 21 rue du Belvedere in Boulogne Billancourt (Hauts de Seine). Realisation 1929, architect Auguste Perret (1874-1954). Built for sculptor Dora Gordin.

MDA4669562: Artist villa, studio residence, 21 rue du Belvedere in Boulogne Billancourt (Hauts de Seine). Realisation 1929, architect Auguste Perret (1874-1954). Built for sculptor Dora Gordin., Perret, Auguste (1874-1954) / Bridgeman Images

ID: MDA4669562

Artist villa, studio residence, 21 rue du Belvedere in Boulogne Billancourt (Hauts de Seine). Realisation 1929, architect Auguste Perret (1874-1954). Built for sculptor Dora Gordin.

Perret, Auguste (1874-1954)

A king receives banners and miniature axes from “” Dicta et facta memorabilia” by Valere Maxime (Valerius Maximus) (1st century BC) 1410 Chantilly, Musee Conde
A king receives banners and miniature axes from “” Dicta et facta memorabilia” by Valere Maxime (Valerius Maximus) (1st century BC) 1410 Chantilly, Musee Conde

LRI4668382: A king receives banners and miniature axes from “” Dicta et facta memorabilia” by Valere Maxime (Valerius Maximus) (1st century BC) 1410 Chantilly, Musee Conde, French School, (15th century) / Bridgeman Images

ID: LRI4668382

A king receives banners and miniature axes from “” Dicta et facta memorabilia” by Valere Maxime (Valerius Maximus) (1st century BC) 1410 Chantilly, Musee Conde

French School, (15th century)


Back to top