STC119561:
The Red Room, Cotehele House, c.1830-40 (colour litho), English School, (19th century) / Bridgeman Images
ID: STC119561
The Red Room, Cotehele House, c.1830-40 (colour litho)
English School, (19th century)
STC119573:
Bishops Court, from Ackermann's 'Repository of Arts', 1828 (colour litho), English School, (19th century) / Bridgeman Images
ID: STC119573
Bishops Court, from Ackermann's 'Repository of Arts', 1828 (colour litho)
English School, (19th century)
STC119586:
Princess Elizabeth's Cottage, Old Windsor, from R. Ackermann's (1764-1834) 'Repository of Arts', 1820s (colour engraving), Gendall, John (1790-1865) (after) / Bridgeman Images
ID: STC119586
Princess Elizabeth's Cottage, Old Windsor, from R. Ackermann's (1764-1834) 'Repository of Arts', 1820s (colour engraving)
Gendall, John (1790-1865) (after)
XJF119749:
Hog Hunters Meeting, by Surprise, a Tigress and her Cubs, engraved by H.Merke (fl.1800-20) after an original design by Captain Thomas Williamson, pub. by Edward Orme (1774-c.1820) (engraving), Howett, Samuel (1756-1822) (after) / Bridgeman Images
ID: XJF119749
Hog Hunters Meeting, by Surprise, a Tigress and her Cubs, engraved by H.Merke (fl.1800-20) after an original design by Captain Thomas Williamson, pub. by Edward Orme (1774-c.1820) (engraving)
Howett, Samuel (1756-1822) (after)
STC119903:
Coming Home from the Marshes, Life and Landscape on the Norfolk Broads, 1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images
ID: STC119903
Coming Home from the Marshes, Life and Landscape on the Norfolk Broads, 1886 (photo)
Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)
STC119927:
A Marsh Farm, c.1886 (photograph), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images
ID: STC119927
A Marsh Farm, c.1886 (photograph)
Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)
STC119933:
Cattle on the Marsh, c.1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images
ID: STC119933
Cattle on the Marsh, c.1886 (photo)
Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)
SGS119969:
Page from a book of hours, c.1400-40 (vellum), English School, (15th century) / Bridgeman Images
ID: SGS119969
Page from a book of hours, c.1400-40 (vellum)
English School, (15th century)
CSM74114:
Edward VII King of England, Emperor of India, front cover of 'L'Assiette Au Beurre', pub. 28th June 1901 (litho), Veber, Jean (1868-1928) / Bridgeman Images
ID: CSM74114
Edward VII King of England, Emperor of India, front cover of 'L'Assiette Au Beurre', pub. 28th June 1901 (litho)
Veber, Jean (1868-1928)
STC120294:
Palazzo of Cardinal Alesandrino, Piazza SS Apostoli, Rome, from 'Palazzi di Roma', part I, published 1655 (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images
ID: STC120294
Palazzo of Cardinal Alesandrino, Piazza SS Apostoli, Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)
Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)
WH120368:
Sydney Harbour, 1842 (w/c on paper), Janssen, Jacob (1779-1856) / Bridgeman Images
ID: WH120368
Sydney Harbour, 1842 (w/c on paper)
Janssen, Jacob (1779-1856)
BOO74457:
Portrait of Prince Kurakin, engraved by Nikolai Ivanovich Utkin (1780-1863), 1812 (etching with engraving), Renu, J.B. (fl.1812) (after) / Bridgeman Images
ID: BOO74457
Portrait of Prince Kurakin, engraved by Nikolai Ivanovich Utkin (1780-1863), 1812 (etching with engraving)
Renu, J.B. (fl.1812) (after)
GES74710:
Man casting a stone in a game of curling (colour litho), Pellegrini, Carlo (1866-1937) / Bridgeman Images
ID: GES74710
Man casting a stone in a game of curling (colour litho)
Pellegrini, Carlo (1866-1937)
BAL108971:
Washington Refusing a Dictatorship, from Harper's Magazine, 1883 (litho), Pyle, Howard (1853-1911) / Bridgeman Images
ID: BAL108971
Washington Refusing a Dictatorship, from Harper's Magazine, 1883 (litho)
Pyle, Howard (1853-1911)
STC109046:
Hieroglyphic manuscript depicting the god Chuacohuati (colour engraving), Bonatti, D.K. (fl.1720-80) (after) / Bridgeman Images
ID: STC109046
Hieroglyphic manuscript depicting the god Chuacohuati (colour engraving)
Bonatti, D.K. (fl.1720-80) (after)
STC109070:
Early settlement of Vancouver (colour engraving), Fumagalli, Paolo (19th century) / Bridgeman Images
ID: STC109070
Early settlement of Vancouver (colour engraving)
Fumagalli, Paolo (19th century)
STC109076:
Greenland men and women returning from fishing (colour engraving), Gallina, Gallo (1796-1874) / Bridgeman Images
ID: STC109076
Greenland men and women returning from fishing (colour engraving)
Gallina, Gallo (1796-1874)
LMG109110:
View of Chester, 1698 (pen & ink and wash on paper), Place, Francis (1647-1728) / Bridgeman Images
ID: LMG109110
View of Chester, 1698 (pen & ink and wash on paper)
Place, Francis (1647-1728)
LMG109122:
Landscape with Waterfall, c.1700-07 (oil on canvas), Marini, Antonio (1668-1725) / Bridgeman Images
ID: LMG109122
Landscape with Waterfall, c.1700-07 (oil on canvas)
Marini, Antonio (1668-1725)
LMG109125:
Driving the Flock, 1877 (oil on canvas), Linnell, John (1792-1882) / Bridgeman Images
ID: LMG109125
Driving the Flock, 1877 (oil on canvas)
Linnell, John (1792-1882)
LMG109144:
Commercial Street, Leeds (oil on canvas), Senior, Mark (1862-1927) / Bridgeman Images
ID: LMG109144
Commercial Street, Leeds (oil on canvas)
Senior, Mark (1862-1927)
PFA109307:
(L to R) Portrait of Baron Friedrich Lympurg and of Margreta Lympurg Nee Freyin, 1559 (oil on panel), Ring, Ludger Tom the Younger (circle of) (1522-84) / Bridgeman Images
ID: PFA109307
(L to R) Portrait of Baron Friedrich Lympurg and of Margreta Lympurg Nee Freyin, 1559 (oil on panel)
Ring, Ludger Tom the Younger (circle of) (1522-84)
CSM74888:
Plate LXXXIV-V Demonstration in large scale of part of the Portico of the Pantheon from 'Vedute', first published in 1756, pub. by E & F.N. Spon Ltd., 1900 (engraving), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images
ID: CSM74888
Plate LXXXIV-V Demonstration in large scale of part of the Portico of the Pantheon from 'Vedute', first published in 1756, pub. by E & F.N. Spon Ltd., 1900 (engraving)
Piranesi, Giovanni Battista (1720-78)
ASP74915:
Serpollet driving in the Rothschild Cup of 1903 in Nice: ceramic tiles manufactured by Gilardoni Fils et Cie of Paris, after a drawing by Ernest Montaut (1878-1909), 1908-10, Montaut, Ernest (1878-1909) / Bridgeman Images
ID: ASP74915
Serpollet driving in the Rothschild Cup of 1903 in Nice: ceramic tiles manufactured by Gilardoni Fils et Cie of Paris, after a drawing by Ernest Montaut (1878-1909), 1908-10
Montaut, Ernest (1878-1909)
MAL75141:
Study for The Triumph of Will: The Challenge (oil, w/c and chalk) (see 38533), Tissot, James Jacques Joseph (1836-1902) / Bridgeman Images
ID: MAL75141
Study for The Triumph of Will: The Challenge (oil, w/c and chalk) (see 38533)
Tissot, James Jacques Joseph (1836-1902)
WH75176:
Girl in a landscape, 1912, Allcott, Walter Herbert (1880-1951) / Bridgeman Images
ID: WH75176
Girl in a landscape, 1912
Allcott, Walter Herbert (1880-1951)
WH75202:
The Italian Fisher Boy, 1883 (panel) (see also 57174), Bramley, Frank (1857-1915) / Bridgeman Images
ID: WH75202
The Italian Fisher Boy, 1883 (panel) (see also 57174)
Bramley, Frank (1857-1915)
COB75220:
Hereford, from Dynedor Hill, engraved by Theodore H. A. Fielding (1781-1851), pub. in 'Picturesque Views of the River Wye', 1820 (engraving), Fielding, A.V. Copley (1787-1855) (after) / Bridgeman Images
ID: COB75220
Hereford, from Dynedor Hill, engraved by Theodore H. A. Fielding (1781-1851), pub. in 'Picturesque Views of the River Wye', 1820 (engraving)
Fielding, A.V. Copley (1787-1855) (after)
CSM75321:
Dirty Linen: "I'm finished! They are criticising me for having abused my political situation by accepting a free ride in a hot air balloon at the local fete!, engraved by the artist from 'L'Assiette Au beurre', pub. May 1908 (litho), Delannoy, Aristide (1874-1911) / Bridgeman Images
ID: CSM75321
Dirty Linen: "I'm finished! They are criticising me for having abused my political situation by accepting a free ride in a hot air balloon at the local fete!, engraved by the artist from 'L'Assiette Au beurre', pub. May 1908 (litho)
Delannoy, Aristide (1874-1911)
PFA109376:
In Alto (oil on canvas), Carcano, Filippo (1840-1914) / Bridgeman Images
ID: PFA109376
In Alto (oil on canvas)
Carcano, Filippo (1840-1914)
PFA109516:
Portrait of Captain David Brodie (1709-87) Holding a Telescope (oil on canvas), Mercier, Philippe (1689-1760) / Bridgeman Images
ID: PFA109516
Portrait of Captain David Brodie (1709-87) Holding a Telescope (oil on canvas)
Mercier, Philippe (1689-1760)
FIT109652:
"In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
ID: FIT109652
"In Thunders Ends the Voice", plate 7 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Blake, William (1757-1827)
FIT109655:
"Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper), Blake, William (1757-1827) / Bridgeman Images
ID: FIT109655
"Fiery the Angels Rose", plate 11 from 'America, a Prophecy', 1793 (relief etching & w/c on paper)
Blake, William (1757-1827)
STC109680:
Conway Bridge, Construction of Second Tube, September 1848, engraved by the artist (litho), Hawkins, George (1819-52) / Bridgeman Images
ID: STC109680
Conway Bridge, Construction of Second Tube, September 1848, engraved by the artist (litho)
Hawkins, George (1819-52)
UOL120694:
Scribe to the Janissary Commanders, Ottoman period, third quarter of 18th century (w/c on paper), French School, (18th century) / Bridgeman Images
ID: UOL120694
Scribe to the Janissary Commanders, Ottoman period, third quarter of 18th century (w/c on paper)
French School, (18th century)
VFS109723:
Darby, a Yorkshire Terrier (oil on panel), Sandys, Anthony Frederick Augustus (1829-1904) / Bridgeman Images