1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497570 Search Results

A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677184: A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

ID: FLO4677184

A young woman dressed in a medievale dress and headdress, sitting on a Gothic seat plays the play of twine, observed by a thoughtful young man - Lithograph based on an illustration by J.E. Rogers, from Passe temps actuels de l'Engleterre heureuse, by Francis Cowley Burnand (1836-1917), 1873 - Medieval woman seated in a gothic chair playing cat's cradle with a pensive youth - Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873
A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

FLO4677209: A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873 / Bridgeman Images

ID: FLO4677209

A man of the Middle Ages drives a wooden bicycle, in a pave street, in front of frightened spectators (this type of bicycle did not appear until the end of the 19th century) - Lithography based on an illustration by J.E. Rogers, from Francis Cowley Burnand's Passe temps actuels de l'Englance (1836-1917), 1873 - Medieval man riding a wooden velocipede on a cobbled street in front of startled bystanders. (This early bicycle was invented in the late 19th century) Handcoloured lithograph after an illustration by J. E. Rogers from Francis Cowley Burnand's “” Present Pastimes of Merrie England, Cassell, London, 1873

Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677354: Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677354

Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677385: Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677385

Woman from the Chaussee-d'Antin in the Chinese fashion. She wears a tall bonnet with flowers and ribbons over her piled up hairstyle a la Chinoque, ruff collar, tunic with bells, shawl tied in a bow, and shoes with bows. Illustration by Louis-Philibert Debucourt. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677482: Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677482

Cartoon of English fashions in Paris, 1814. Man in flowerpot hat, women in bottom-shaped gowns. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992.
Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992.

MME4708159: Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992., Mencarini, Marcello / Bridgeman Images

ID: MME4708159

Portrait of composer and poet John Cage, holding a photo of him from 1983 representing him holding a photo of him in 1982, by abime, Perugia, Italy. 1992.

Mencarini, Marcello

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708525: Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708525

Knight of the Order of Constantine. The Order was first founded in 343 BC by the Roman Emperor Constantine, but received its official rules and statutes in 1190 by Isaac Ange Comnene (1155-1204), Emperor of Constantinople, the Order was also known as the Order of the Angelics, the Order of the Dory Knights or the Constantine militia of Saint George. It consisted of three rows for its members: Grand Cross, knight and brother serving; The insignia of the order is a red cross made of four flowers of lilies, surrounded by a golden border. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678629: Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678629

Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Variete of Triteleia or brodeleia, with yellow flowers, native to California - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow prettyface, Triteleia ixioides subsp. ixioides (Calliprora lutea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Variete of Triteleia or brodeleia, with yellow flowers, native to California - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow prettyface, Triteleia ixioides subsp. ixioides (Calliprora lutea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678748: Variete of Triteleia or brodeleia, with yellow flowers, native to California - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow prettyface, Triteleia ixioides subsp. ixioides (Calliprora lutea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678748

Variete of Triteleia or brodeleia, with yellow flowers, native to California - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Yellow prettyface, Triteleia ixioides subsp. ixioides (Calliprora lutea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Combretum Variete, Red Flower Graphips - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large-flowered bushwillow, Combretum grandiflorum - Engraving by S. Watts from Sydenham Edward Register “” The Botanical London, Ridgway, 1833
Combretum Variete, Red Flower Graphips - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large-flowered bushwillow, Combretum grandiflorum - Engraving by S. Watts from Sydenham Edward Register “” The Botanical London, Ridgway, 1833

FLO4679034: Combretum Variete, Red Flower Graphips - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large-flowered bushwillow, Combretum grandiflorum - Engraving by S. Watts from Sydenham Edward Register “” The Botanical London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679034

Combretum Variete, Red Flower Graphips - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large-flowered bushwillow, Combretum grandiflorum - Engraving by S. Watts from Sydenham Edward Register “” The Botanical London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name)
Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name)

MME4705501: Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name), Mencarini, Marcello / Bridgeman Images

ID: MME4705501

Portrait of German comedian Horst Tappert (interpret by Inspector Derrick in the series of the same name)

Mencarini, Marcello

Portrait of British conductor Jeffrey Tate in 1995
Portrait of British conductor Jeffrey Tate in 1995

MME4705538: Portrait of British conductor Jeffrey Tate in 1995, Mencarini, Marcello / Bridgeman Images

ID: MME4705538

Portrait of British conductor Jeffrey Tate in 1995

Mencarini, Marcello

English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705635: English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705635

English standard-bearer in baggy long breeches 1588. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Italy, Florence, Uffizi gallery, The Rape of the Sabine Woman, image date: circa 1910. Carl Simon Archive
Italy, Florence, Uffizi gallery, The Rape of the Sabine Woman, image date: circa 1910. Carl Simon Archive

UTD4705811: Italy, Florence, Uffizi gallery, The Rape of the Sabine Woman, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705811

Italy, Florence, Uffizi gallery, The Rape of the Sabine Woman, image date: circa 1910. Carl Simon Archive

Simon, Carl (1873-1952)

Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705866: Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705866

Eccentric dress of a French count, 1399. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679251: Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679251

Title page with vignette of two men in frock coats and breeches. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679268: Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679268

Serving dropping a tea-urn on gentleman's leg in a parlour. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.
Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.

FLO4679280: Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850. / Bridgeman Images

ID: FLO4679280

Great auk, Pinguinus impennis. Extinct. Handcoloured woodblock engraving by Benjamin Fawcett from Francis Orpen Morris 'Natural History of British Birds, London, 1850.

Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679500: Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

ID: FLO4679500

Vase decorated with mythical figures of nereids and hippocampi from the British Museum. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4705968: Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4705968

Noblewoman of Genoa with flowers in her hair and bodice. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706051: Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706051

Married couple of Venice in the early middle ages. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

The Noble. The Noble, the high sword, tries in vain to free himself from the embrace of death. The hourglass is on his coffin. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The Noble. The Noble, the high sword, tries in vain to free himself from the embrace of death. The hourglass is on his coffin. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675681: The Noble. The Noble, the high sword, tries in vain to free himself from the embrace of death. The hourglass is on his coffin. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675681

The Noble. The Noble, the high sword, tries in vain to free himself from the embrace of death. The hourglass is on his coffin. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706378: Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4706378

Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Harlequin Duck, Histrionicus histrionicus - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Harlequin Duck, Histrionicus histrionicus - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682718: Harlequin Duck, Histrionicus histrionicus - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682718

Harlequin Duck, Histrionicus histrionicus - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Bluespotted cornetfish, Fistularia tabacaria (Fibre-tailed fistularia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.
Bluespotted cornetfish, Fistularia tabacaria (Fibre-tailed fistularia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

FLO4683158: Bluespotted cornetfish, Fistularia tabacaria (Fibre-tailed fistularia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801. / Bridgeman Images

ID: FLO4683158

Bluespotted cornetfish, Fistularia tabacaria (Fibre-tailed fistularia). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

Black loach or large slug and leopard slug or ash slug or large grey loach. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Black loach or large slug and leopard slug or ash slug or large grey loach. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680307: Black loach or large slug and leopard slug or ash slug or large grey loach. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680307

Black loach or large slug and leopard slug or ash slug or large grey loach. Signed illustration S (George Shaw). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Woodpecker (Dendrocopos major). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1794 by George Shaw and Frederick Nodder. Great spotted woodpecker, Dendrocopos major. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Woodpecker (Dendrocopos major). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1794 by George Shaw and Frederick Nodder. Great spotted woodpecker, Dendrocopos major. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4680548: Woodpecker (Dendrocopos major). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1794 by George Shaw and Frederick Nodder. Great spotted woodpecker, Dendrocopos major. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

ID: FLO4680548

Woodpecker (Dendrocopos major). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1794 by George Shaw and Frederick Nodder. Great spotted woodpecker, Dendrocopos major. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

Cassiopee meduse or mangrove meduse (Cassiopea andromeda), seen from above and below. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Upside-down jellyfish, Cassiopea andromeda. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Cassiopee meduse or mangrove meduse (Cassiopea andromeda), seen from above and below. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Upside-down jellyfish, Cassiopea andromeda. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680718: Cassiopee meduse or mangrove meduse (Cassiopea andromeda), seen from above and below. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Upside-down jellyfish, Cassiopea andromeda. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680718

Cassiopee meduse or mangrove meduse (Cassiopea andromeda), seen from above and below. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Upside-down jellyfish, Cassiopea andromeda. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Shell Liguus virgineus. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Liguus snail, Liguus virgineus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Shell Liguus virgineus. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Liguus snail, Liguus virgineus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680779: Shell Liguus virgineus. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Liguus snail, Liguus virgineus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680779

Shell Liguus virgineus. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Liguus snail, Liguus virgineus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Death's head hawkmoth, Acherontia atropos, moth, caterpillar and pupa (Jasmine sphinx, Sphinx atropos). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Death's head hawkmoth, Acherontia atropos, moth, caterpillar and pupa (Jasmine sphinx, Sphinx atropos). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4683219: Death's head hawkmoth, Acherontia atropos, moth, caterpillar and pupa (Jasmine sphinx, Sphinx atropos). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

ID: FLO4683219

Death's head hawkmoth, Acherontia atropos, moth, caterpillar and pupa (Jasmine sphinx, Sphinx atropos). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

Common death adder, Acanthophis antarctica (Antarctic boa, Boa antarctica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Common death adder, Acanthophis antarctica (Antarctic boa, Boa antarctica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4683253: Common death adder, Acanthophis antarctica (Antarctic boa, Boa antarctica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

ID: FLO4683253

Common death adder, Acanthophis antarctica (Antarctic boa, Boa antarctica). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

Water stick insect, Ranatra linearis (Linear nepa, Nepa linearis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Water stick insect, Ranatra linearis (Linear nepa, Nepa linearis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4683300: Water stick insect, Ranatra linearis (Linear nepa, Nepa linearis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

ID: FLO4683300

Water stick insect, Ranatra linearis (Linear nepa, Nepa linearis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

Eurasian jay, Garrulus glandarius (Common jay, Corvus glandarius). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.
Eurasian jay, Garrulus glandarius (Common jay, Corvus glandarius). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

FLO4683319: Eurasian jay, Garrulus glandarius (Common jay, Corvus glandarius). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802. / Bridgeman Images

ID: FLO4683319

Eurasian jay, Garrulus glandarius (Common jay, Corvus glandarius). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1802.

Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680875: Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680875

Terebelle, sedentary sea worm with gills (Terebella madreporarum). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Madrepore terebella, Terebella madreporarum. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Femoral cymatium (Femoral murex, Femoral Murex). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.
Femoral cymatium (Femoral murex, Femoral Murex). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

FLO4680962: Femoral cymatium (Femoral murex, Femoral Murex). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803. / Bridgeman Images

ID: FLO4680962

Femoral cymatium (Femoral murex, Femoral Murex). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

Green peafowl, Pavo muticus (Spike-crested peacock, Pavo spicifer). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Green peafowl, Pavo muticus (Spike-crested peacock, Pavo spicifer). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681185: Green peafowl, Pavo muticus (Spike-crested peacock, Pavo spicifer). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

ID: FLO4681185

Green peafowl, Pavo muticus (Spike-crested peacock, Pavo spicifer). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.


Back to top