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In the Parched Steppe, 1934 (oil on canvas)
In the Parched Steppe, 1934 (oil on canvas)

AGR145140: In the Parched Steppe, 1934 (oil on canvas), Ungewitter, Hugo (1869-1944) / Bridgeman Images

ID: AGR145140

In the Parched Steppe, 1934 (oil on canvas)

Ungewitter, Hugo (1869-1944)

Charity children, c.1880 (engraving)
Charity children, c.1880 (engraving)

XJF145446: Charity children, c.1880 (engraving), Greenaway, Kate (1846-1901) / Bridgeman Images

ID: XJF145446

Charity children, c.1880 (engraving)

Greenaway, Kate (1846-1901)

Charity children, c.1880 (engraving)
Charity children, c.1880 (engraving)

XJF145447: Charity children, c.1880 (engraving), Greenaway, Kate (1846-1901) / Bridgeman Images

ID: XJF145447

Charity children, c.1880 (engraving)

Greenaway, Kate (1846-1901)

Virgin of Seven Sorrows from the Dome Altar, 1499 (tempera on panel)
Virgin of Seven Sorrows from the Dome Altar, 1499 (tempera on panel)

XKH145503: Virgin of Seven Sorrows from the Dome Altar, 1499 (tempera on panel), Stumme, Absolon (15th century) / Bridgeman Images

ID: XKH145503

Virgin of Seven Sorrows from the Dome Altar, 1499 (tempera on panel)

Stumme, Absolon (15th century)

The Flight into Egypt, from the Dome Altar, 1499 (tempera on panel)
The Flight into Egypt, from the Dome Altar, 1499 (tempera on panel)

XKH145505: The Flight into Egypt, from the Dome Altar, 1499 (tempera on panel), Stumme, Absolon (15th century) / Bridgeman Images

ID: XKH145505

The Flight into Egypt, from the Dome Altar, 1499 (tempera on panel)

Stumme, Absolon (15th century)

Annunciation, from the Dome Altar, 1499 (tempera on panel)
Annunciation, from the Dome Altar, 1499 (tempera on panel)

XKH145513: Annunciation, from the Dome Altar, 1499 (tempera on panel), Stumme, Absolon (15th century) / Bridgeman Images

ID: XKH145513

Annunciation, from the Dome Altar, 1499 (tempera on panel)

Stumme, Absolon (15th century)

The Members of the Hamburg Artist's Club, 1840 (oil on canvas)
The Members of the Hamburg Artist's Club, 1840 (oil on canvas)

XKH145522: The Members of the Hamburg Artist's Club, 1840 (oil on canvas), Gensler, Gunther (1803-84) / Bridgeman Images

ID: XKH145522

The Members of the Hamburg Artist's Club, 1840 (oil on canvas)

Gensler, Gunther (1803-84)

A section from the second version of 'The Morning', 1809 (oil on canvas) (see also 144715)
A section from the second version of 'The Morning', 1809 (oil on canvas) (see also 144715)

XKH144716: A section from the second version of 'The Morning', 1809 (oil on canvas) (see also 144715), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH144716

A section from the second version of 'The Morning', 1809 (oil on canvas) (see also 144715)

Runge, Philipp Otto (1777-1810)

Detail from Repairing the Nets, 1889 (oil on canvas) (see 144756)
Detail from Repairing the Nets, 1889 (oil on canvas) (see 144756)

XKH144755: Detail from Repairing the Nets, 1889 (oil on canvas) (see 144756), Liebermann, Max (1847-1935) / Bridgeman Images

ID: XKH144755

Detail from Repairing the Nets, 1889 (oil on canvas) (see 144756)

Liebermann, Max (1847-1935)

A Study of Princess Amalie of Prussia (chalk on paper)
A Study of Princess Amalie of Prussia (chalk on paper)

XKH144764: A Study of Princess Amalie of Prussia (chalk on paper), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: XKH144764

A Study of Princess Amalie of Prussia (chalk on paper)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

Nymphaeum in the Zwinger at Dresden, 1850 (oil on canvas)
Nymphaeum in the Zwinger at Dresden, 1850 (oil on canvas)

XKH144793: Nymphaeum in the Zwinger at Dresden, 1850 (oil on canvas), Menzel, Adolph Friedrich Erdmann von (1815-1905) / Bridgeman Images

ID: XKH144793

Nymphaeum in the Zwinger at Dresden, 1850 (oil on canvas)

Menzel, Adolph Friedrich Erdmann von (1815-1905)

Design intended to show two distinct colour schemes (w/c and pencil on paper)
Design intended to show two distinct colour schemes (w/c and pencil on paper)

WMA143187: Design intended to show two distinct colour schemes (w/c and pencil on paper), Voysey, Charles Francis Annesley (1857-1941) / Bridgeman Images

ID: WMA143187

Design intended to show two distinct colour schemes (w/c and pencil on paper)

Voysey, Charles Francis Annesley (1857-1941)

John Tatum's Lecture Room in Dorset Street, off Fleet Street, 1810 (pen and ink on paper)
John Tatum's Lecture Room in Dorset Street, off Fleet Street, 1810 (pen and ink on paper)

TRI143314: John Tatum's Lecture Room in Dorset Street, off Fleet Street, 1810 (pen and ink on paper), Faraday, Michael (1791-1867) / Bridgeman Images

ID: TRI143314

John Tatum's Lecture Room in Dorset Street, off Fleet Street, 1810 (pen and ink on paper)

Faraday, Michael (1791-1867)

Couple with a spaniel (w/c on paper)
Couple with a spaniel (w/c on paper)

ABT143324: Couple with a spaniel (w/c on paper), Harden, John (1772-1847) / Bridgeman Images

ID: ABT143324

Couple with a spaniel (w/c on paper)

Harden, John (1772-1847)

Milking (w/c on paper)
Milking (w/c on paper)

ABT143327: Milking (w/c on paper), Harden, John (1772-1847) / Bridgeman Images

ID: ABT143327

Milking (w/c on paper)

Harden, John (1772-1847)

The Church of Sveti Kliment, built in 1295 (photo)
The Church of Sveti Kliment, built in 1295 (photo)

XIR143346: The Church of Sveti Kliment, built in 1295 (photo), Sgouros, Progonos (13th century) / Bridgeman Images

ID: XIR143346

The Church of Sveti Kliment, built in 1295 (photo)

Sgouros, Progonos (13th century)

Suwarrow's Passage of the St. Gothard, engraved by Stephane Pannemaker (1847-1930), from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving)
Suwarrow's Passage of the St. Gothard, engraved by Stephane Pannemaker (1847-1930), from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving)

PML143618: Suwarrow's Passage of the St. Gothard, engraved by Stephane Pannemaker (1847-1930), from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving), Schuler, Jules Theophile (1821-78) (after) / Bridgeman Images

ID: PML143618

Suwarrow's Passage of the St. Gothard, engraved by Stephane Pannemaker (1847-1930), from 'The History of France', by Emile de Bonnechose, published by Ward, Lock and Co, London (engraving)

Schuler, Jules Theophile (1821-78) (after)

The Great Temple, Hurdwar, with Procession of Hindu Pilgrims, engraved by W. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)
The Great Temple, Hurdwar, with Procession of Hindu Pilgrims, engraved by W. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)

PML143626: The Great Temple, Hurdwar, with Procession of Hindu Pilgrims, engraved by W. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving), Dibdin, Thomas Colman (1810-93) (after) / Bridgeman Images

ID: PML143626

The Great Temple, Hurdwar, with Procession of Hindu Pilgrims, engraved by W. Finden, from 'World Religion', published by A. Fullarton & Co. (engraving)

Dibdin, Thomas Colman (1810-93) (after)

The Greek Patriarch of Constantinople, 18th century, engraved by C. Holl, from 'World Religion', published by A. Fullarton & Co. (engraving)
The Greek Patriarch of Constantinople, 18th century, engraved by C. Holl, from 'World Religion', published by A. Fullarton & Co. (engraving)

PML143634: The Greek Patriarch of Constantinople, 18th century, engraved by C. Holl, from 'World Religion', published by A. Fullarton & Co. (engraving), Picart (19th century) (after) / Bridgeman Images

ID: PML143634

The Greek Patriarch of Constantinople, 18th century, engraved by C. Holl, from 'World Religion', published by A. Fullarton & Co. (engraving)

Picart (19th century) (after)

High Priest of the Guebres. (Fire-Worshippers), engraved by Le Conte, from 'World Religion', published by A. Fullarton & Co. (engraving)
High Priest of the Guebres. (Fire-Worshippers), engraved by Le Conte, from 'World Religion', published by A. Fullarton & Co. (engraving)

PML143639: High Priest of the Guebres. (Fire-Worshippers), engraved by Le Conte, from 'World Religion', published by A. Fullarton & Co. (engraving), Picart (19th century) (after) / Bridgeman Images

ID: PML143639

High Priest of the Guebres. (Fire-Worshippers), engraved by Le Conte, from 'World Religion', published by A. Fullarton & Co. (engraving)

Picart (19th century) (after)

Worship according to the Armenian Church, engraved by T. Brown, from 'World Religion', published by A. Fullarton & Co. (engraving)
Worship according to the Armenian Church, engraved by T. Brown, from 'World Religion', published by A. Fullarton & Co. (engraving)

PML143644: Worship according to the Armenian Church, engraved by T. Brown, from 'World Religion', published by A. Fullarton & Co. (engraving), Picart (19th century) (after) / Bridgeman Images

ID: PML143644

Worship according to the Armenian Church, engraved by T. Brown, from 'World Religion', published by A. Fullarton & Co. (engraving)

Picart (19th century) (after)

Bust of Charles Philipon (1800-62), c.1833 (bronze)
Bust of Charles Philipon (1800-62), c.1833 (bronze)

XIR144068: Bust of Charles Philipon (1800-62), c.1833 (bronze), Daumier, Honore (1808-79) / Bridgeman Images

ID: XIR144068

Bust of Charles Philipon (1800-62), c.1833 (bronze)

Daumier, Honore (1808-79)

View of the Pont de la Tournelle During the Floods of 1910, 1910 (oil on canvas)
View of the Pont de la Tournelle During the Floods of 1910, 1910 (oil on canvas)

ZEN144117: View of the Pont de la Tournelle During the Floods of 1910, 1910 (oil on canvas), Pierson, Andre (fl.1910) / Bridgeman Images

ID: ZEN144117

View of the Pont de la Tournelle During the Floods of 1910, 1910 (oil on canvas)

Pierson, Andre (fl.1910)

A Rural Idyll, 1872 (oil on canvas)
A Rural Idyll, 1872 (oil on canvas)

FAS144230: A Rural Idyll, 1872 (oil on canvas), Calvert, Edward (1799-1883) / Bridgeman Images

ID: FAS144230

A Rural Idyll, 1872 (oil on canvas)

Calvert, Edward (1799-1883)

View towards the Acropolis, 1893 (oil on canvas)
View towards the Acropolis, 1893 (oil on canvas)

FAS144236: View towards the Acropolis, 1893 (oil on canvas), Monsted, Peder (1859-1941) / Bridgeman Images

ID: FAS144236

View towards the Acropolis, 1893 (oil on canvas)

Monsted, Peder (1859-1941)

Ragusa (Dubrovnik), 5th-6th May 1866 (pen, ink and w/c on paper)
Ragusa (Dubrovnik), 5th-6th May 1866 (pen, ink and w/c on paper)

FAS144237: Ragusa (Dubrovnik), 5th-6th May 1866 (pen, ink and w/c on paper), Lear, Edward (1812-88) / Bridgeman Images

ID: FAS144237

Ragusa (Dubrovnik), 5th-6th May 1866 (pen, ink and w/c on paper)

Lear, Edward (1812-88)

Infancy, an illustration of Shakespeare's 'The Seven Ages of Man', charger plate made by Minton's Art Pottery Studio, 1873 (ceramic)
Infancy, an illustration of Shakespeare's 'The Seven Ages of Man', charger plate made by Minton's Art Pottery Studio, 1873 (ceramic)

FAS144246: Infancy, an illustration of Shakespeare's 'The Seven Ages of Man', charger plate made by Minton's Art Pottery Studio, 1873 (ceramic), Marks, Henry Stacy (1829-98) / Bridgeman Images

ID: FAS144246

Infancy, an illustration of Shakespeare's 'The Seven Ages of Man', charger plate made by Minton's Art Pottery Studio, 1873 (ceramic)

Marks, Henry Stacy (1829-98)

On the Tyne near Ormiston - Children Gathering Wild Flowers (oil on canvas)
On the Tyne near Ormiston - Children Gathering Wild Flowers (oil on canvas)

FAS144247: On the Tyne near Ormiston - Children Gathering Wild Flowers (oil on canvas), McKay, William Darling (1844-1923) / Bridgeman Images

ID: FAS144247

On the Tyne near Ormiston - Children Gathering Wild Flowers (oil on canvas)

McKay, William Darling (1844-1923)

Hallstand, made by Coalbrookdale and Company, Shropshire, 1867 (cast iron)
Hallstand, made by Coalbrookdale and Company, Shropshire, 1867 (cast iron)

FAS144249: Hallstand, made by Coalbrookdale and Company, Shropshire, 1867 (cast iron), Dresser, Christopher (1834-1904) / Bridgeman Images

ID: FAS144249

Hallstand, made by Coalbrookdale and Company, Shropshire, 1867 (cast iron)

Dresser, Christopher (1834-1904)

Man and Woman Reading (pen and ink wash on paper)
Man and Woman Reading (pen and ink wash on paper)

ABT144258: Man and Woman Reading (pen and ink wash on paper), Harden, John (1772-1847) / Bridgeman Images

ID: ABT144258

Man and Woman Reading (pen and ink wash on paper)

Harden, John (1772-1847)

Man and Woman Reading at a Table, 1825 (pen and ink on paper)
Man and Woman Reading at a Table, 1825 (pen and ink on paper)

ABT144259: Man and Woman Reading at a Table, 1825 (pen and ink on paper), Harden, John (1772-1847) / Bridgeman Images

ID: ABT144259

Man and Woman Reading at a Table, 1825 (pen and ink on paper)

Harden, John (1772-1847)

A Day at the Beach (pen and ink wash on paper)
A Day at the Beach (pen and ink wash on paper)

ABT144271: A Day at the Beach (pen and ink wash on paper), Harden, John (1772-1847) / Bridgeman Images

ID: ABT144271

A Day at the Beach (pen and ink wash on paper)

Harden, John (1772-1847)

Brathay Hall (pen and ink wash on paper)
Brathay Hall (pen and ink wash on paper)

ABT144284: Brathay Hall (pen and ink wash on paper), Harden, John (1772-1847) / Bridgeman Images

ID: ABT144284

Brathay Hall (pen and ink wash on paper)

Harden, John (1772-1847)

The First Swim (oil on canvas)
The First Swim (oil on canvas)

XKH145556: The First Swim (oil on canvas), Daumier, Honore (1808-79) / Bridgeman Images

ID: XKH145556

The First Swim (oil on canvas)

Daumier, Honore (1808-79)

Laxenburg Castle, near Vienna, 1810 (oil on canvas)
Laxenburg Castle, near Vienna, 1810 (oil on canvas)

XIR145597: Laxenburg Castle, near Vienna, 1810 (oil on canvas), Bidauld, Jean (1758-1846) and Vernet, Antoine (1758-1836) / Bridgeman Images

ID: XIR145597

Laxenburg Castle, near Vienna, 1810 (oil on canvas)

Bidauld, Jean (1758-1846) and Vernet, Antoine (1758-1836)

A View of the Tamar Estuary, Plymouth (oil on panel)
A View of the Tamar Estuary, Plymouth (oil on panel)

RAF145708: A View of the Tamar Estuary, Plymouth (oil on panel), Hornbrook, Thomas L. (1780-1850) / Bridgeman Images

ID: RAF145708

A View of the Tamar Estuary, Plymouth (oil on panel)

Hornbrook, Thomas L. (1780-1850)


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