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A Tazza with Bread on a Dish, c.1632-37 (oil on panel)
A Tazza with Bread on a Dish, c.1632-37 (oil on panel)

JVH121469: A Tazza with Bread on a Dish, c.1632-37 (oil on panel), Uyl, Jan Jansz. den (1595-1640) / Bridgeman Images

ID: JVH121469

A Tazza with Bread on a Dish, c.1632-37 (oil on panel)

Uyl, Jan Jansz. den (1595-1640)

Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo)
Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo)

XIR164586: Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo), French School, (16th century) / Bridgeman Images

ID: XIR164586

Coronation of Francis II (1544-60), 21st September 1559 in Reims by the archbishop Cardinal de Lorraine (engraving) (b/w photo)

French School, (16th century)

Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo)
Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo)

XIR164751: Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: XIR164751

Entry of Hercule Francois of France, duke of Alencon (1554-84) in Antwerp, 19th February 1582 (engraving) (b/w photo)

Hogenberg, Franz (1540-c.1590)

Plan of Paris, known as the 'Plan de Turgot', engraved by Claude Lucas, 1734-39 (engraving) (b/w photo) (detail)
Plan of Paris, known as the 'Plan de Turgot', engraved by Claude Lucas, 1734-39 (engraving) (b/w photo) (detail)

XIR158158: Plan of Paris, known as the 'Plan de Turgot', engraved by Claude Lucas, 1734-39 (engraving) (b/w photo) (detail), Bretez, Louis (18th century) (after) / Bridgeman Images

ID: XIR158158

Plan of Paris, known as the 'Plan de Turgot', engraved by Claude Lucas, 1734-39 (engraving) (b/w photo) (detail)

Bretez, Louis (18th century) (after)

Portrait of Dr. von Meyer (oil on canvas)
Portrait of Dr. von Meyer (oil on canvas)

XAB122128: Portrait of Dr. von Meyer (oil on canvas), Klinger, Max (1857-1920) / Bridgeman Images

ID: XAB122128

Portrait of Dr. von Meyer (oil on canvas)

Klinger, Max (1857-1920)

Head Usher of the Harem, Captain of the Harem Ushers, Harem Usher and Pageboy, plate 3 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)
Head Usher of the Harem, Captain of the Harem Ushers, Harem Usher and Pageboy, plate 3 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

STC122316: Head Usher of the Harem, Captain of the Harem Ushers, Harem Usher and Pageboy, plate 3 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint), Italian School, (19th century) / Bridgeman Images

ID: STC122316

Head Usher of the Harem, Captain of the Harem Ushers, Harem Usher and Pageboy, plate 3 from Part III, Volume I of 'The History of the Nations', engraved by V. Raineri (aquatint)

Italian School, (19th century)

The Rehearsal, 1888 (w/c on panel)
The Rehearsal, 1888 (w/c on panel)

CW122381: The Rehearsal, 1888 (w/c on panel), Hammond, Gertrude E. Demain (1862-1952) / Bridgeman Images

ID: CW122381

The Rehearsal, 1888 (w/c on panel)

Hammond, Gertrude E. Demain (1862-1952)

Balaklava, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)
Balaklava, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

STC122440: Balaklava, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC122440

Balaklava, plate from 'The Seat of War in the East', pub. by Paul & Dominic Colnaghi & Co., 1856 (litho)

Simpson, William 'Crimea' (1823-99)

Woman and Girl (pencil on paper)
Woman and Girl (pencil on paper)

BRN165351: Woman and Girl (pencil on paper), Glackens, William James (1870-1938) / Bridgeman Images

ID: BRN165351

Woman and Girl (pencil on paper)

Glackens, William James (1870-1938)

The Offering (mixed media on panel)
The Offering (mixed media on panel)

BRN165366: The Offering (mixed media on panel), Prendergast, Charles (1863-1948) / Bridgeman Images

ID: BRN165366

The Offering (mixed media on panel)

Prendergast, Charles (1863-1948)

Seated Semi-Nude, 1919 (oil on canvas)
Seated Semi-Nude, 1919 (oil on canvas)

BRN165387: Seated Semi-Nude, 1919 (oil on canvas), Pascin, Jules (1885-1930) / Bridgeman Images

ID: BRN165387

Seated Semi-Nude, 1919 (oil on canvas)

Pascin, Jules (1885-1930)

Meeting of the Two Seas, ceiling painting from the Galerie des Glaces
Meeting of the Two Seas, ceiling painting from the Galerie des Glaces

XIR165396: Meeting of the Two Seas, ceiling painting from the Galerie des Glaces, Le Brun, Charles (1619-90) / Bridgeman Images

ID: XIR165396

Meeting of the Two Seas, ceiling painting from the Galerie des Glaces

Le Brun, Charles (1619-90)

Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)
Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

BAL122562: Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving), French School, (20th century) / Bridgeman Images

ID: BAL122562

Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

French School, (20th century)

Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122956: Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122956

Moa-Na-Hon-Ga or 'Great Walker', an Iowa Chief, 1824, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

The Pond, 1908 (oil on canvas)
The Pond, 1908 (oil on canvas)

LMG123028: The Pond, 1908 (oil on canvas), Lambert, George Washington (1873-1930) / Bridgeman Images

ID: LMG123028

The Pond, 1908 (oil on canvas)

Lambert, George Washington (1873-1930)

Faithful Servants (Marine) c.1928 (tempera on board)
Faithful Servants (Marine) c.1928 (tempera on board)

LMG123046: Faithful Servants (Marine) c.1928 (tempera on board), Wadsworth, Edward Alexander (1889-1949) / Bridgeman Images

ID: LMG123046

Faithful Servants (Marine) c.1928 (tempera on board)

Wadsworth, Edward Alexander (1889-1949)

Buskers (oil on canvas)
Buskers (oil on canvas)

PFA165699: Buskers (oil on canvas), Nevinson, Christopher Richard Wynne (1889-1946) / Bridgeman Images

ID: PFA165699

Buskers (oil on canvas)

Nevinson, Christopher Richard Wynne (1889-1946)

Etienne Dumonstier (1540-1603), c.1570 (pencil on paper)
Etienne Dumonstier (1540-1603), c.1570 (pencil on paper)

XAB165715: Etienne Dumonstier (1540-1603), c.1570 (pencil on paper), Dumonstier, or Dumoustier, Pierre (1545-p.1600) / Bridgeman Images

ID: XAB165715

Etienne Dumonstier (1540-1603), c.1570 (pencil on paper)

Dumonstier, or Dumoustier, Pierre (1545-p.1600)

Medal (obverse) of Sigismondo Pandolfo Malatesta (1417-68), 1446 (for reverse see 165741)
Medal (obverse) of Sigismondo Pandolfo Malatesta (1417-68), 1446 (for reverse see 165741)

XAB165742: Medal (obverse) of Sigismondo Pandolfo Malatesta (1417-68), 1446 (for reverse see 165741), Pasti, Matteo di Andrea de' (c.1420-68) / Bridgeman Images

ID: XAB165742

Medal (obverse) of Sigismondo Pandolfo Malatesta (1417-68), 1446 (for reverse see 165741)

Pasti, Matteo di Andrea de' (c.1420-68)

The Rest, 1905 (oil on canvas)
The Rest, 1905 (oil on canvas)

XAB165745: The Rest, 1905 (oil on canvas), O'Conor, Roderic (1860-1940) / Bridgeman Images

ID: XAB165745

The Rest, 1905 (oil on canvas)

O'Conor, Roderic (1860-1940)

Study for the Race of the Barbarian Horses (oil on canvas)
Study for the Race of the Barbarian Horses (oil on canvas)

XIR165894: Study for the Race of the Barbarian Horses (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

ID: XIR165894

Study for the Race of the Barbarian Horses (oil on canvas)

Gericault, Theodore (1791-1824)

Frost Scene, 1827 (oil on canvas)
Frost Scene, 1827 (oil on canvas)

XYC165934: Frost Scene, 1827 (oil on canvas), Collins, William (1788-1847) / Bridgeman Images

ID: XYC165934

Frost Scene, 1827 (oil on canvas)

Collins, William (1788-1847)

A Barge with a Wounded Soldier (oil on canvas)
A Barge with a Wounded Soldier (oil on canvas)

XYC158773: A Barge with a Wounded Soldier (oil on canvas), Crome, John (1768-1821) / Bridgeman Images

ID: XYC158773

A Barge with a Wounded Soldier (oil on canvas)

Crome, John (1768-1821)

The Stage (oil on panel)
The Stage (oil on panel)

XIR158800: The Stage (oil on panel), Unknown Artist, (19th century) / Bridgeman Images

ID: XIR158800

The Stage (oil on panel)

Unknown Artist, (19th century)

'Monsieur' otherwise Philip Duc d'Orleans of France (1640-1701) (engraving)
'Monsieur' otherwise Philip Duc d'Orleans of France (1640-1701) (engraving)

STC158931: 'Monsieur' otherwise Philip Duc d'Orleans of France (1640-1701) (engraving), Bonnart, Henri (1642-1711) / Bridgeman Images

ID: STC158931

'Monsieur' otherwise Philip Duc d'Orleans of France (1640-1701) (engraving)

Bonnart, Henri (1642-1711)

The Golfer, also known as the 'Crecy Window', from the east window, c.1340 (stained glass)
The Golfer, also known as the 'Crecy Window', from the east window, c.1340 (stained glass)

DIS158934: The Golfer, also known as the 'Crecy Window', from the east window, c.1340 (stained glass), English School, (14th century) / Bridgeman Images

ID: DIS158934

The Golfer, also known as the 'Crecy Window', from the east window, c.1340 (stained glass)

English School, (14th century)

Ms 124 f. 83 Historiated initial depicting King David playing a carillon, illustration from a psalter (vellum)
Ms 124 f. 83 Historiated initial depicting King David playing a carillon, illustration from a psalter (vellum)

XIR159104: Ms 124 f. 83 Historiated initial depicting King David playing a carillon, illustration from a psalter (vellum), French School, (14th century) / Bridgeman Images

ID: XIR159104

Ms 124 f. 83 Historiated initial depicting King David playing a carillon, illustration from a psalter (vellum)

French School, (14th century)

Emperor Babur (r.1526-30) in conversation with an old man, 15th-17th century (gouache on paper)
Emperor Babur (r.1526-30) in conversation with an old man, 15th-17th century (gouache on paper)

XIR159108: Emperor Babur (r.1526-30) in conversation with an old man, 15th-17th century (gouache on paper), Indian School / Bridgeman Images

ID: XIR159108

Emperor Babur (r.1526-30) in conversation with an old man, 15th-17th century (gouache on paper)

Indian School

Portrait of the Artist's Three Children Playing at a Table, 1841 (oil on canvas)
Portrait of the Artist's Three Children Playing at a Table, 1841 (oil on canvas)

PFA123582: Portrait of the Artist's Three Children Playing at a Table, 1841 (oil on canvas), Lundqvist, Anders (1803-53) / Bridgeman Images

ID: PFA123582

Portrait of the Artist's Three Children Playing at a Table, 1841 (oil on canvas)

Lundqvist, Anders (1803-53)

A View of Corfu (w/c on paper) (pair of 123588)
A View of Corfu (w/c on paper) (pair of 123588)

PFA123587: A View of Corfu (w/c on paper) (pair of 123588), Scarvelli, Spyridon (1868-1942) / Bridgeman Images

ID: PFA123587

A View of Corfu (w/c on paper) (pair of 123588)

Scarvelli, Spyridon (1868-1942)

Portrait of Queen Elizabeth I (1533-1603) 16th century (w/c on paper)
Portrait of Queen Elizabeth I (1533-1603) 16th century (w/c on paper)

MFI123743: Portrait of Queen Elizabeth I (1533-1603) 16th century (w/c on paper), Zuccaro, Federico (1542-1609) (attr. to) / Bridgeman Images

ID: MFI123743

Portrait of Queen Elizabeth I (1533-1603) 16th century (w/c on paper)

Zuccaro, Federico (1542-1609) (attr. to)

'The Maid of Bath', Act III (engraving)
'The Maid of Bath', Act III (engraving)

CWA123964: 'The Maid of Bath', Act III (engraving), English School, (18th century) / Bridgeman Images

ID: CWA123964

'The Maid of Bath', Act III (engraving)

English School, (18th century)

Mr Tenducci, engraved by John Finlayson (1730-76), 1770 (engraving)
Mr Tenducci, engraved by John Finlayson (1730-76), 1770 (engraving)

CWA123970: Mr Tenducci, engraved by John Finlayson (1730-76), 1770 (engraving), Bruscett, J. (18th century) (after) / Bridgeman Images

ID: CWA123970

Mr Tenducci, engraved by John Finlayson (1730-76), 1770 (engraving)

Bruscett, J. (18th century) (after)

Men of the Day, No. 47:
Men of the Day, No. 47:

CWA123995: Men of the Day, No. 47: "Orchestration", caricature from Vanity Fair, 6th July 1872 (colour litho), English School, (19th century) / Bridgeman Images

ID: CWA123995

Men of the Day, No. 47: "Orchestration", caricature from Vanity Fair, 6th July 1872 (colour litho)

English School, (19th century)

The Farewell of the Bertrand Family, St. Helena, c.1821-36 (engraving) (b/w photo)
The Farewell of the Bertrand Family, St. Helena, c.1821-36 (engraving) (b/w photo)

BMT166057: The Farewell of the Bertrand Family, St. Helena, c.1821-36 (engraving) (b/w photo), Vernet, Carle (1758-1836) (after) / Bridgeman Images

ID: BMT166057

The Farewell of the Bertrand Family, St. Helena, c.1821-36 (engraving) (b/w photo)

Vernet, Carle (1758-1836) (after)

A Portrait of Margaret, May and Emily Atkinson, later Mrs Masters, Mrs C.H. Cope and Mrs Sheed, 1841 (oil on panel)
A Portrait of Margaret, May and Emily Atkinson, later Mrs Masters, Mrs C.H. Cope and Mrs Sheed, 1841 (oil on panel)

PFA166264: A Portrait of Margaret, May and Emily Atkinson, later Mrs Masters, Mrs C.H. Cope and Mrs Sheed, 1841 (oil on panel), Cope, Charles West (1811-90) / Bridgeman Images

ID: PFA166264

A Portrait of Margaret, May and Emily Atkinson, later Mrs Masters, Mrs C.H. Cope and Mrs Sheed, 1841 (oil on panel)

Cope, Charles West (1811-90)


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