1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491632 Search Results

The Crucifixion and Stoning of SS. Cosmas and Damian, detail of their tormentors, predella from the Annalena Altarpiece, 1434 (tempera on panel)
The Crucifixion and Stoning of SS. Cosmas and Damian, detail of their tormentors, predella from the Annalena Altarpiece, 1434 (tempera on panel)

XIR119412: The Crucifixion and Stoning of SS. Cosmas and Damian, detail of their tormentors, predella from the Annalena Altarpiece, 1434 (tempera on panel), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: XIR119412

The Crucifixion and Stoning of SS. Cosmas and Damian, detail of their tormentors, predella from the Annalena Altarpiece, 1434 (tempera on panel)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Kitley, from Ackermann's 'Repository of Arts', 1826 (coloured litho)
Kitley, from Ackermann's 'Repository of Arts', 1826 (coloured litho)

STC119588: Kitley, from Ackermann's 'Repository of Arts', 1826 (coloured litho), English School, (19th century) / Bridgeman Images

ID: STC119588

Kitley, from Ackermann's 'Repository of Arts', 1826 (coloured litho)

English School, (19th century)

Victoria, the Princess Royal (1840-1901) with her son, Prince Frederick William Victor Albert, May 1859, from a photograph (engraving)
Victoria, the Princess Royal (1840-1901) with her son, Prince Frederick William Victor Albert, May 1859, from a photograph (engraving)

XJF119754: Victoria, the Princess Royal (1840-1901) with her son, Prince Frederick William Victor Albert, May 1859, from a photograph (engraving), English School, (19th century) / Bridgeman Images

ID: XJF119754

Victoria, the Princess Royal (1840-1901) with her son, Prince Frederick William Victor Albert, May 1859, from a photograph (engraving)

English School, (19th century)

A Sunday Parade in Tipperary (engraving)
A Sunday Parade in Tipperary (engraving)

XJF119857: A Sunday Parade in Tipperary (engraving), English School, (19th century) / Bridgeman Images

ID: XJF119857

A Sunday Parade in Tipperary (engraving)

English School, (19th century)

View of Roxborough Church, Kings Arms and the chimneys of Browns House, from an embrasure between the sally port and the right hand bastion of the lines, 1776 (pen & ink on paper)
View of Roxborough Church, Kings Arms and the chimneys of Browns House, from an embrasure between the sally port and the right hand bastion of the lines, 1776 (pen & ink on paper)

XJF119880: View of Roxborough Church, Kings Arms and the chimneys of Browns House, from an embrasure between the sally port and the right hand bastion of the lines, 1776 (pen & ink on paper), English School / Bridgeman Images

ID: XJF119880

View of Roxborough Church, Kings Arms and the chimneys of Browns House, from an embrasure between the sally port and the right hand bastion of the lines, 1776 (pen & ink on paper)

English School

Taking up the Eel Net, c.1886 (photo)
Taking up the Eel Net, c.1886 (photo)

STC119932: Taking up the Eel Net, c.1886 (photo), Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944) / Bridgeman Images

ID: STC119932

Taking up the Eel Net, c.1886 (photo)

Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944)

Master Page, Anne Page and Slender (oil on canvas)
Master Page, Anne Page and Slender (oil on canvas)

SGS119964: Master Page, Anne Page and Slender (oil on canvas), Dowman, John (1750-1824) / Bridgeman Images

ID: SGS119964

Master Page, Anne Page and Slender (oil on canvas)

Dowman, John (1750-1824)

The Flower Market (litho) (b/w photo)
The Flower Market (litho) (b/w photo)

CHT163593: The Flower Market (litho) (b/w photo), Bouchot, Frederic (1798-1860) / Bridgeman Images

ID: CHT163593

The Flower Market (litho) (b/w photo)

Bouchot, Frederic (1798-1860)

Night (preparatory study), 1803 (pen and black ink over pencil on paper)
Night (preparatory study), 1803 (pen and black ink over pencil on paper)

XKH156609: Night (preparatory study), 1803 (pen and black ink over pencil on paper), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH156609

Night (preparatory study), 1803 (pen and black ink over pencil on paper)

Runge, Philipp Otto (1777-1810)

A hilly landscape, c.1775-80 (black chalk, stump and white chalk on blue paper)
A hilly landscape, c.1775-80 (black chalk, stump and white chalk on blue paper)

BI156639: A hilly landscape, c.1775-80 (black chalk, stump and white chalk on blue paper), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: BI156639

A hilly landscape, c.1775-80 (black chalk, stump and white chalk on blue paper)

Gainsborough, Thomas (1727-88)

Dividend Office, Bank of England (engraving)
Dividend Office, Bank of England (engraving)

XJF156775: Dividend Office, Bank of England (engraving), English School, (19th century) / Bridgeman Images

ID: XJF156775

Dividend Office, Bank of England (engraving)

English School, (19th century)

Girl with Doll, 1910 (oil on cardboard)
Girl with Doll, 1910 (oil on cardboard)

FFA156923: Girl with Doll, 1910 (oil on cardboard), Jawlensky, Alexej von (1864-1941) / Bridgeman Images

ID: FFA156923

Girl with Doll, 1910 (oil on cardboard)

Jawlensky, Alexej von (1864-1941)

The Ship 'Le Pourquoi Pas?' anchored in Angmagssalik (Greenland), c. 1925-1935 (b/w photo)
The Ship 'Le Pourquoi Pas?' anchored in Angmagssalik (Greenland), c. 1925-1935 (b/w photo)

LRS163660: The Ship 'Le Pourquoi Pas?' anchored in Angmagssalik (Greenland), c. 1925-1935 (b/w photo), Grandidier (1850-1950) / Bridgeman Images

ID: LRS163660

The Ship 'Le Pourquoi Pas?' anchored in Angmagssalik (Greenland), c. 1925-1935 (b/w photo)

Grandidier (1850-1950)

Improvements for Paris, study for a low relief, early 19th century (pencil on paper)
Improvements for Paris, study for a low relief, early 19th century (pencil on paper)

XIR163666: Improvements for Paris, study for a low relief, early 19th century (pencil on paper), Lafitte, Louis (1770-1828) / Bridgeman Images

ID: XIR163666

Improvements for Paris, study for a low relief, early 19th century (pencil on paper)

Lafitte, Louis (1770-1828)

In Prison for Debt at Clichy, c.1830-40 (litho) (b/w photo)
In Prison for Debt at Clichy, c.1830-40 (litho) (b/w photo)

CHT163796: In Prison for Debt at Clichy, c.1830-40 (litho) (b/w photo), Gavarni, Paul (1804-66) / Bridgeman Images

ID: CHT163796

In Prison for Debt at Clichy, c.1830-40 (litho) (b/w photo)

Gavarni, Paul (1804-66)

Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)
Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)

CHT163863: Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo), Bellenger, Albert (b. 1846) / Bridgeman Images

ID: CHT163863

Jean Valjean closing Fantine's Eyes, illustration from 'Les Miserables' (1845-62) by Victor Hugo (1802-85), c. 1885 (engraving) (b/w photo)

Bellenger, Albert (b. 1846)

Fernand Pelloutier (1867-1901) (b/w photo)
Fernand Pelloutier (1867-1901) (b/w photo)

CHT163881: Fernand Pelloutier (1867-1901) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT163881

Fernand Pelloutier (1867-1901) (b/w photo)

French School, (19th century)

The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving)
The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving)

CHT163982: The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving), French School, (19th century) / Bridgeman Images

ID: CHT163982

The Stag House at the Jardin d'Acclimatation, Paris, c.1900 (colour engraving)

French School, (19th century)

Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)
Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)

STC120296: Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving), Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78) / Bridgeman Images

ID: STC120296

Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from 'Palazzi di Roma', part I, published 1655 (engraving)

Ferrerio, Pietro (1600-54) or Falda, G.B. (c.1648-78)

Chalice and Eucharist Plate, belonging to the Abbot Pelage end 12th beginning 13th century (silver)
Chalice and Eucharist Plate, belonging to the Abbot Pelage end 12th beginning 13th century (silver)

XIR156986: Chalice and Eucharist Plate, belonging to the Abbot Pelage end 12th beginning 13th century (silver), Spanish School / Bridgeman Images

ID: XIR156986

Chalice and Eucharist Plate, belonging to the Abbot Pelage end 12th beginning 13th century (silver)

Spanish School

A Man Trapped Between a Lion and a Serpent, c.1790 (pen & brown ink, grey wash on paper)
A Man Trapped Between a Lion and a Serpent, c.1790 (pen & brown ink, grey wash on paper)

SGS120420: A Man Trapped Between a Lion and a Serpent, c.1790 (pen & brown ink, grey wash on paper), Cosway, Richard (1742-1821) / Bridgeman Images

ID: SGS120420

A Man Trapped Between a Lion and a Serpent, c.1790 (pen & brown ink, grey wash on paper)

Cosway, Richard (1742-1821)

Detail of 'The Artist's Parents', 1806 (oil on canvas) (see 141625)
Detail of 'The Artist's Parents', 1806 (oil on canvas) (see 141625)

XKH157603: Detail of 'The Artist's Parents', 1806 (oil on canvas) (see 141625), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH157603

Detail of 'The Artist's Parents', 1806 (oil on canvas) (see 141625)

Runge, Philipp Otto (1777-1810)

Portrait of a Blind Boy (oil on canvas)
Portrait of a Blind Boy (oil on canvas)

XKH157664: Portrait of a Blind Boy (oil on canvas), Oldach, Julius (1804-30) / Bridgeman Images

ID: XKH157664

Portrait of a Blind Boy (oil on canvas)

Oldach, Julius (1804-30)

A Happy Family (oil on canvas)
A Happy Family (oil on canvas)

LMG157853: A Happy Family (oil on canvas), Herring Snr, John Frederick (1795-1865) / Bridgeman Images

ID: LMG157853

A Happy Family (oil on canvas)

Herring Snr, John Frederick (1795-1865)

Virgin and Child (polychrome wood)
Virgin and Child (polychrome wood)

XIR157992: Virgin and Child (polychrome wood), French School, (14th century) / Bridgeman Images

ID: XIR157992

Virgin and Child (polychrome wood)

French School, (14th century)

Portrait of a woman, 1912 (oil on canvas)
Portrait of a woman, 1912 (oil on canvas)

PCT164326: Portrait of a woman, 1912 (oil on canvas), Humbert, Jacques Fernand (1842-1934) / Bridgeman Images

ID: PCT164326

Portrait of a woman, 1912 (oil on canvas)

Humbert, Jacques Fernand (1842-1934)

Gold comes from books (engraving) (b/w photo)
Gold comes from books (engraving) (b/w photo)

CHT164342: Gold comes from books (engraving) (b/w photo), French School, (18th century) / Bridgeman Images

ID: CHT164342

Gold comes from books (engraving) (b/w photo)

French School, (18th century)

Miniature: Portrait of Abram Constable, brother of the artist (oil on board)
Miniature: Portrait of Abram Constable, brother of the artist (oil on board)

XYC158034: Miniature: Portrait of Abram Constable, brother of the artist (oil on board), Constable, John (1776-1837) (attr. to) / Bridgeman Images

ID: XYC158034

Miniature: Portrait of Abram Constable, brother of the artist (oil on board)

Constable, John (1776-1837) (attr. to)

Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper)
Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper)

XYC158077: Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: XYC158077

Illustrations for 'The Military Adventures of Johnny Newcome: 'Dashed with his suite for Santarem that night' by John Mitford (1782-1831) (pen and ink and w/c on paper)

Rowlandson, Thomas (1756-1827)

Emile Zola (1840-1902), photographed in Quimper (b/w photo)
Emile Zola (1840-1902), photographed in Quimper (b/w photo)

CHT164381: Emile Zola (1840-1902), photographed in Quimper (b/w photo), Genot (19th century) / Bridgeman Images

ID: CHT164381

Emile Zola (1840-1902), photographed in Quimper (b/w photo)

Genot (19th century)

Map of Seville, Cadiz, and Malaga, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)
Map of Seville, Cadiz, and Malaga, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

STC121052: Map of Seville, Cadiz, and Malaga, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

ID: STC121052

Map of Seville, Cadiz, and Malaga, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90), c.1572 (coloured engraving)

Hoefnagel, Joris (1542-1600) (after)

The Brain, from 'Traite d'Anatomie du Cerveau' by Felix Vicq d'Azyr (1748-94), 1786 (colour engraving)
The Brain, from 'Traite d'Anatomie du Cerveau' by Felix Vicq d'Azyr (1748-94), 1786 (colour engraving)

CHT164394: The Brain, from 'Traite d'Anatomie du Cerveau' by Felix Vicq d'Azyr (1748-94), 1786 (colour engraving), Ladmiral, Jan or Joannes (1698-1773) / Bridgeman Images

ID: CHT164394

The Brain, from 'Traite d'Anatomie du Cerveau' by Felix Vicq d'Azyr (1748-94), 1786 (colour engraving)

Ladmiral, Jan or Joannes (1698-1773)

A Romantic Wooded Landscape (oil on canvas)
A Romantic Wooded Landscape (oil on canvas)

MAL121412: A Romantic Wooded Landscape (oil on canvas), Glover, John (1767-1849) / Bridgeman Images

ID: MAL121412

A Romantic Wooded Landscape (oil on canvas)

Glover, John (1767-1849)

The Forge (litho)
The Forge (litho)

PCT164454: The Forge (litho), Gericault, Theodore (1791-1824) (after) / Bridgeman Images

ID: PCT164454

The Forge (litho)

Gericault, Theodore (1791-1824) (after)

A Wedding Party by a Frozen River (oil on panel)
A Wedding Party by a Frozen River (oil on panel)

BAL121439: A Wedding Party by a Frozen River (oil on panel), Battem, Gerrit van (c.1636-84) / Bridgeman Images

ID: BAL121439

A Wedding Party by a Frozen River (oil on panel)

Battem, Gerrit van (c.1636-84)

Still Life of Fruit and Oysters (oil on canvas)
Still Life of Fruit and Oysters (oil on canvas)

JVH121463: Still Life of Fruit and Oysters (oil on canvas), Heem, Cornelis de (1631-95) / Bridgeman Images

ID: JVH121463

Still Life of Fruit and Oysters (oil on canvas)

Heem, Cornelis de (1631-95)


Back to top