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Excavated remains and display cabinets of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo)
Excavated remains and display cabinets of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo)

BAT201234: Excavated remains and display cabinets of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo) / Bridgeman Images

ID: BAT201234

Excavated remains and display cabinets of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo)

Excavated remains of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo)
Excavated remains of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo)

BAT201235: Excavated remains of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo) / Bridgeman Images

ID: BAT201235

Excavated remains of the Paleochristian church of Santa Reparata, discovered 1965-74, Duomo, Florence, Italy (photo)

Loggia del Bigallo, built 1351-58 (photo)
Loggia del Bigallo, built 1351-58 (photo)

BAT201237: Loggia del Bigallo, built 1351-58 (photo), Arnoldi, Alberto (d.1377) (attr.to) / Bridgeman Images

ID: BAT201237

Loggia del Bigallo, built 1351-58 (photo)

Arnoldi, Alberto (d.1377) (attr.to)

Elizabeth Chudleigh (1720-88) Dressed in the Character of Iphigenia (engraving) (b/w photo)
Elizabeth Chudleigh (1720-88) Dressed in the Character of Iphigenia (engraving) (b/w photo)

XJF201243: Elizabeth Chudleigh (1720-88) Dressed in the Character of Iphigenia (engraving) (b/w photo), English School, (18th century) / Bridgeman Images

ID: XJF201243

Elizabeth Chudleigh (1720-88) Dressed in the Character of Iphigenia (engraving) (b/w photo)

English School, (18th century)

Ecce Ancilla Domini: Mater Dei Alma, 1896 (conte crayon on paper)
Ecce Ancilla Domini: Mater Dei Alma, 1896 (conte crayon on paper)

MAA201270: Ecce Ancilla Domini: Mater Dei Alma, 1896 (conte crayon on paper), Solomon, Simeon (1840-1905) / Bridgeman Images

ID: MAA201270

Ecce Ancilla Domini: Mater Dei Alma, 1896 (conte crayon on paper)

Solomon, Simeon (1840-1905)

Twenty-Two Butterflies (w/c on paper)
Twenty-Two Butterflies (w/c on paper)

MAA201272: Twenty-Two Butterflies (w/c on paper), Rowan, Ellis (1848-1922) / Bridgeman Images

ID: MAA201272

Twenty-Two Butterflies (w/c on paper)

Rowan, Ellis (1848-1922)

The Interior of Hall Place, Leigh, near Tonbridge, 1879 (w/c with bodycolour on paper)
The Interior of Hall Place, Leigh, near Tonbridge, 1879 (w/c with bodycolour on paper)

MAA201277: The Interior of Hall Place, Leigh, near Tonbridge, 1879 (w/c with bodycolour on paper), Robertson, Henry Robert (1839-1921) / Bridgeman Images

ID: MAA201277

The Interior of Hall Place, Leigh, near Tonbridge, 1879 (w/c with bodycolour on paper)

Robertson, Henry Robert (1839-1921)

Her First Sitting (oil on canvas)
Her First Sitting (oil on canvas)

MAA201282: Her First Sitting (oil on canvas), English School, (19th century) / Bridgeman Images

ID: MAA201282

Her First Sitting (oil on canvas)

English School, (19th century)

The Two Sisters (oil on canvas)
The Two Sisters (oil on canvas)

MAA201283: The Two Sisters (oil on canvas), Sant, James (1820-1916) / Bridgeman Images

ID: MAA201283

The Two Sisters (oil on canvas)

Sant, James (1820-1916)

Portrait of a Woman, c.1933 (w/c & pencil on paper)
Portrait of a Woman, c.1933 (w/c & pencil on paper)

MAA201303: Portrait of a Woman, c.1933 (w/c & pencil on paper), Spare, Austin Osman (1886-1956) / Bridgeman Images

ID: MAA201303

Portrait of a Woman, c.1933 (w/c & pencil on paper)

Spare, Austin Osman (1886-1956)

Having a Snooze (pencil on paper)
Having a Snooze (pencil on paper)

MAA201308: Having a Snooze (pencil on paper), Steer, Philip Wilson (1860-1942) / Bridgeman Images

ID: MAA201308

Having a Snooze (pencil on paper)

Steer, Philip Wilson (1860-1942)

Two Children in a Garden, 1903 (w/c on paper)
Two Children in a Garden, 1903 (w/c on paper)

MAA201311: Two Children in a Garden, 1903 (w/c on paper), Sowerby, Millicent (1878-1967) / Bridgeman Images

ID: MAA201311

Two Children in a Garden, 1903 (w/c on paper)

Sowerby, Millicent (1878-1967)

Spring in the Valley (oil on canvas)
Spring in the Valley (oil on canvas)

MAA201325: Spring in the Valley (oil on canvas), Adams, John Clayton (1840-1906) / Bridgeman Images

ID: MAA201325

Spring in the Valley (oil on canvas)

Adams, John Clayton (1840-1906)

Anne Patterson, 1913 (pencil on paper)
Anne Patterson, 1913 (pencil on paper)

MAA201330: Anne Patterson, 1913 (pencil on paper), Robertson, Eric Harald Macbeth (1887-1941) / Bridgeman Images

ID: MAA201330

Anne Patterson, 1913 (pencil on paper)

Robertson, Eric Harald Macbeth (1887-1941)

Study of a Negro Boy (oil on panel)
Study of a Negro Boy (oil on panel)

MAA201340: Study of a Negro Boy (oil on panel), Procter, Dod (1892-1972) / Bridgeman Images

ID: MAA201340

Study of a Negro Boy (oil on panel)

Procter, Dod (1892-1972)

Portrait of Melissa, the artist's daughter, 1955 (coloured chalks on paper)
Portrait of Melissa, the artist's daughter, 1955 (coloured chalks on paper)

MAA201342: Portrait of Melissa, the artist's daughter, 1955 (coloured chalks on paper), Dring, Dennis William (1904-90) / Bridgeman Images

ID: MAA201342

Portrait of Melissa, the artist's daughter, 1955 (coloured chalks on paper)

Dring, Dennis William (1904-90)

Mythological Celtic Beauty (oil on canvas)
Mythological Celtic Beauty (oil on canvas)

MAA201347: Mythological Celtic Beauty (oil on canvas), Machell, Reginald (fl.1881-1900) / Bridgeman Images

ID: MAA201347

Mythological Celtic Beauty (oil on canvas)

Machell, Reginald (fl.1881-1900)

Beauty and the Beast (w/c with bodycolour on paper)
Beauty and the Beast (w/c with bodycolour on paper)

MAA201351: Beauty and the Beast (w/c with bodycolour on paper), Robertson, Graham (1866-1948) / Bridgeman Images

ID: MAA201351

Beauty and the Beast (w/c with bodycolour on paper)

Robertson, Graham (1866-1948)

Sea Sprites, 1842 (oil on panel)
Sea Sprites, 1842 (oil on panel)

MAA201363: Sea Sprites, 1842 (oil on panel), Baldwin, Samuel (fl.1843-58) / Bridgeman Images

ID: MAA201363

Sea Sprites, 1842 (oil on panel)

Baldwin, Samuel (fl.1843-58)

View from the Cima de Jazi, 1868 (w/c with bodycolour over pencil on paper)
View from the Cima de Jazi, 1868 (w/c with bodycolour over pencil on paper)

MAA201370: View from the Cima de Jazi, 1868 (w/c with bodycolour over pencil on paper), Cust, Arthur (1842-1911) / Bridgeman Images

ID: MAA201370

View from the Cima de Jazi, 1868 (w/c with bodycolour over pencil on paper)

Cust, Arthur (1842-1911)

Portrait of a Girl, 1860 (pencil on paper)
Portrait of a Girl, 1860 (pencil on paper)

MAA201374: Portrait of a Girl, 1860 (pencil on paper), English School, (19th century) / Bridgeman Images

ID: MAA201374

Portrait of a Girl, 1860 (pencil on paper)

English School, (19th century)

Arran, from Millport, Cumbrae, 1854 (oil on board)
Arran, from Millport, Cumbrae, 1854 (oil on board)

MAA201377: Arran, from Millport, Cumbrae, 1854 (oil on board), Cairns, John (fl.1854-65) / Bridgeman Images

ID: MAA201377

Arran, from Millport, Cumbrae, 1854 (oil on board)

Cairns, John (fl.1854-65)

The Interior of a Bookshop, 1891 (monochrome w/c on paper)
The Interior of a Bookshop, 1891 (monochrome w/c on paper)

MAA201382: The Interior of a Bookshop, 1891 (monochrome w/c on paper), Ellis, Arthur (1856-1918) / Bridgeman Images

ID: MAA201382

The Interior of a Bookshop, 1891 (monochrome w/c on paper)

Ellis, Arthur (1856-1918)

Poster advertising the play 'L'Argent' (litho) (b/w photo)
Poster advertising the play 'L'Argent' (litho) (b/w photo)

CHT202670: Poster advertising the play 'L'Argent' (litho) (b/w photo), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: CHT202670

Poster advertising the play 'L'Argent' (litho) (b/w photo)

Toulouse-Lautrec, Henri de (1864-1901)

Natives of Cayenne, after watercolours by M. Bouyer, engraved by Antoine Valery Bertrand (b.1823) (engraving) (b/w photo)
Natives of Cayenne, after watercolours by M. Bouyer, engraved by Antoine Valery Bertrand (b.1823) (engraving) (b/w photo)

CHT202678: Natives of Cayenne, after watercolours by M. Bouyer, engraved by Antoine Valery Bertrand (b.1823) (engraving) (b/w photo), Riou, Edouard (1833-1900) (after) / Bridgeman Images

ID: CHT202678

Natives of Cayenne, after watercolours by M. Bouyer, engraved by Antoine Valery Bertrand (b.1823) (engraving) (b/w photo)

Riou, Edouard (1833-1900) (after)

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)
Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

CHT202679: Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo), Riou, Edouard (1833-1900) / Bridgeman Images

ID: CHT202679

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

Riou, Edouard (1833-1900)

English Volunteers Exercising at Magic-City in Paris, 1914 (b/w photo)
English Volunteers Exercising at Magic-City in Paris, 1914 (b/w photo)

LRS202706: English Volunteers Exercising at Magic-City in Paris, 1914 (b/w photo), Moreau, Jacques (b.1887) / Bridgeman Images

ID: LRS202706

English Volunteers Exercising at Magic-City in Paris, 1914 (b/w photo)

Moreau, Jacques (b.1887)

General Petain (1856-1951) being photographed at Chateau de Compiegne, 1918 (b/w photo)
General Petain (1856-1951) being photographed at Chateau de Compiegne, 1918 (b/w photo)

LRS202715: General Petain (1856-1951) being photographed at Chateau de Compiegne, 1918 (b/w photo), Moreau, Jacques (b.1887) / Bridgeman Images

ID: LRS202715

General Petain (1856-1951) being photographed at Chateau de Compiegne, 1918 (b/w photo)

Moreau, Jacques (b.1887)

Generosity and Charity piercing two Vices, capital depicting the Fight of the Vices against the Virtues, from the church of Notre-Dame-du-Port, Clermont-Ferrand (plaster cast from stone) (b/w photo) (see 202728 for other side)
Generosity and Charity piercing two Vices, capital depicting the Fight of the Vices against the Virtues, from the church of Notre-Dame-du-Port, Clermont-Ferrand (plaster cast from stone) (b/w photo) (see 202728 for other side)

XIR202727: Generosity and Charity piercing two Vices, capital depicting the Fight of the Vices against the Virtues, from the church of Notre-Dame-du-Port, Clermont-Ferrand (plaster cast from stone) (b/w photo) (see 202728 for other side), French School, (12th century) / Bridgeman Images

ID: XIR202727

Generosity and Charity piercing two Vices, capital depicting the Fight of the Vices against the Virtues, from the church of Notre-Dame-du-Port, Clermont-Ferrand (plaster cast from stone) (b/w photo) (see 202728 for other side)

French School, (12th century)

Crouching Venus, copy of a 3rd century BC Greek original (marble) (b/w photo) (see also 191002, 191003)
Crouching Venus, copy of a 3rd century BC Greek original (marble) (b/w photo) (see also 191002, 191003)

XIR202753: Crouching Venus, copy of a 3rd century BC Greek original (marble) (b/w photo) (see also 191002, 191003), Roman / Bridgeman Images

ID: XIR202753

Crouching Venus, copy of a 3rd century BC Greek original (marble) (b/w photo) (see also 191002, 191003)

Roman

Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (detail) (b/w photo) (see also 154092)
Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (detail) (b/w photo) (see also 154092)

XIR202761: Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (detail) (b/w photo) (see also 154092), Greek school, (6th century BC) / Bridgeman Images

ID: XIR202761

Kouros, from Paros, near the sanctuary of Asklepios, c.540 BC (marble) (detail) (b/w photo) (see also 154092)

Greek school, (6th century BC)

General Charles Pichegru (1761-1804) (engraving) (b/w photo)
General Charles Pichegru (1761-1804) (engraving) (b/w photo)

XIR202765: General Charles Pichegru (1761-1804) (engraving) (b/w photo), Hodges, Charles Howard (1764-1837) / Bridgeman Images

ID: XIR202765

General Charles Pichegru (1761-1804) (engraving) (b/w photo)

Hodges, Charles Howard (1764-1837)

Jean Louis Guez de Balzac (1597-1654) (engraving) (b/w photo)
Jean Louis Guez de Balzac (1597-1654) (engraving) (b/w photo)

XIR202771: Jean Louis Guez de Balzac (1597-1654) (engraving) (b/w photo), Lubin, Jacques (1637-c.1695) / Bridgeman Images

ID: XIR202771

Jean Louis Guez de Balzac (1597-1654) (engraving) (b/w photo)

Lubin, Jacques (1637-c.1695)

Jean-Paul Sartre (1905-80) and his favourite director Michel Vitold (b. 1914) on the set for 'Morts sans sepulture', 1946, from 'L'Homme Sartre' by Marc Beigbeder, published by Bordas in 1947 (b/w photo)
Jean-Paul Sartre (1905-80) and his favourite director Michel Vitold (b. 1914) on the set for 'Morts sans sepulture', 1946, from 'L'Homme Sartre' by Marc Beigbeder, published by Bordas in 1947 (b/w photo)

CHT202850: Jean-Paul Sartre (1905-80) and his favourite director Michel Vitold (b. 1914) on the set for 'Morts sans sepulture', 1946, from 'L'Homme Sartre' by Marc Beigbeder, published by Bordas in 1947 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: CHT202850

Jean-Paul Sartre (1905-80) and his favourite director Michel Vitold (b. 1914) on the set for 'Morts sans sepulture', 1946, from 'L'Homme Sartre' by Marc Beigbeder, published by Bordas in 1947 (b/w photo)

French Photographer, (20th century)

R-L: Jorge Amado (1912-2001) Jean-Paul Sartre (1905-80) and Simone de Beauvoir (1908-86) walking in the streets of Araraquara, September 1960, from 'Sartre no Brasil, a conferencia de Araraquara', Paz e Terra/UNESP, published 1986 (b/w photo)
R-L: Jorge Amado (1912-2001) Jean-Paul Sartre (1905-80) and Simone de Beauvoir (1908-86) walking in the streets of Araraquara, September 1960, from 'Sartre no Brasil, a conferencia de Araraquara', Paz e Terra/UNESP, published 1986 (b/w photo)

CHT202866: R-L: Jorge Amado (1912-2001) Jean-Paul Sartre (1905-80) and Simone de Beauvoir (1908-86) walking in the streets of Araraquara, September 1960, from 'Sartre no Brasil, a conferencia de Araraquara', Paz e Terra/UNESP, published 1986 (b/w photo), Brazilian Photographer, (20th century) / Bridgeman Images

ID: CHT202866

R-L: Jorge Amado (1912-2001) Jean-Paul Sartre (1905-80) and Simone de Beauvoir (1908-86) walking in the streets of Araraquara, September 1960, from 'Sartre no Brasil, a conferencia de Araraquara', Paz e Terra/UNESP, published 1986 (b/w photo)

Brazilian Photographer, (20th century)

An Eastern Dancer, 1877 (w/c on paper)
An Eastern Dancer, 1877 (w/c on paper)

BOU202907: An Eastern Dancer, 1877 (w/c on paper), Leloir, Alexandre-Louis (1843-84) / Bridgeman Images

ID: BOU202907

An Eastern Dancer, 1877 (w/c on paper)

Leloir, Alexandre-Louis (1843-84)


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