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Oswald (pen & ink on paper)
Oswald (pen & ink on paper)

WAG451632: Oswald (pen & ink on paper), Du Maurier, George (1834-96) / Bridgeman Images

ID: WAG451632

Oswald (pen & ink on paper)

Du Maurier, George (1834-96)

Our Decadents, c.1850-88 (pen & ink on paper)
Our Decadents, c.1850-88 (pen & ink on paper)

WAG451635: Our Decadents, c.1850-88 (pen & ink on paper), Du Maurier, George (1834-96) / Bridgeman Images

ID: WAG451635

Our Decadents, c.1850-88 (pen & ink on paper)

Du Maurier, George (1834-96)

Sir Isaac Newton (engraving)
Sir Isaac Newton (engraving)

WAG451656: Sir Isaac Newton (engraving), Houbracken, Jacobus (1698-1780) / Bridgeman Images

ID: WAG451656

Sir Isaac Newton (engraving)

Houbracken, Jacobus (1698-1780)

King Canute (engraving)
King Canute (engraving)

WAG451669: King Canute (engraving), Vertue, George (1684-1756) / Bridgeman Images

ID: WAG451669

King Canute (engraving)

Vertue, George (1684-1756)

The Village Glee Singers (engraving)
The Village Glee Singers (engraving)

WAG451682: The Village Glee Singers (engraving), English School, (19th century) / Bridgeman Images

ID: WAG451682

The Village Glee Singers (engraving)

English School, (19th century)

Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho)
Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho)

WAG451688: Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho), Wallis, George (1811-91) / Bridgeman Images

ID: WAG451688

Plate from 'Illuminated Manuscripts in the British Museum: Miniatures, Borders and Initials' (colour litho)

Wallis, George (1811-91)

Harold, returned from Normandy, presents himself to Edward the Confessor, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)
Harold, returned from Normandy, presents himself to Edward the Confessor, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

STC451691: Harold, returned from Normandy, presents himself to Edward the Confessor, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho), Maclise, Daniel (1806-70) (after) / Bridgeman Images

ID: STC451691

Harold, returned from Normandy, presents himself to Edward the Confessor, from 'The Story of the Norman Conquest', engraved by L. Gruner, 1866 (litho)

Maclise, Daniel (1806-70) (after)

Statue fragment of a Roman man, AD 60-100 (marble)
Statue fragment of a Roman man, AD 60-100 (marble)

EX469329: Statue fragment of a Roman man, AD 60-100 (marble), Roman, (1st century AD) / Bridgeman Images

ID: EX469329

Statue fragment of a Roman man, AD 60-100 (marble)

Roman, (1st century AD)

Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving)
Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving)

KWE469507: Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving), Dudley, Robert (d.1891) / Bridgeman Images

ID: KWE469507

Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving)

Dudley, Robert (d.1891)

Lear believes Cordelia does not love him and banishes her, illustration from King Lear, from 'The Illustrated Library Shakespeare', published London 1890 (litho)
Lear believes Cordelia does not love him and banishes her, illustration from King Lear, from 'The Illustrated Library Shakespeare', published London 1890 (litho)

KWE469556: Lear believes Cordelia does not love him and banishes her, illustration from King Lear, from 'The Illustrated Library Shakespeare', published London 1890 (litho), English School, (19th century) / Bridgeman Images

ID: KWE469556

Lear believes Cordelia does not love him and banishes her, illustration from King Lear, from 'The Illustrated Library Shakespeare', published London 1890 (litho)

English School, (19th century)

Carved trompe l'oeil chair, late 19th century (stained oak)
Carved trompe l'oeil chair, late 19th century (stained oak)

CH469724: Carved trompe l'oeil chair, late 19th century (stained oak), Shutov, V. P. (19th century) (after) / Bridgeman Images

ID: CH469724

Carved trompe l'oeil chair, late 19th century (stained oak)

Shutov, V. P. (19th century) (after)

Feather fan (feather & silk)
Feather fan (feather & silk)

BRH470205: Feather fan (feather & silk), Mexican School, (17th century) / Bridgeman Images

ID: BRH470205

Feather fan (feather & silk)

Mexican School, (17th century)

Portrait of a Lady, c.1612 (oil on panel)
Portrait of a Lady, c.1612 (oil on panel)

BRH470211: Portrait of a Lady, c.1612 (oil on panel), English School, (17th century) / Bridgeman Images

ID: BRH470211

Portrait of a Lady, c.1612 (oil on panel)

English School, (17th century)

Self Portrait (oil on panel)
Self Portrait (oil on panel)

BRH470229: Self Portrait (oil on panel), Leyster, Judith (1600-60) (attr. to) / Bridgeman Images

ID: BRH470229

Self Portrait (oil on panel)

Leyster, Judith (1600-60) (attr. to)

The Capuchin Monastery at Cava (Salerno) 1838 (oil on canvas)
The Capuchin Monastery at Cava (Salerno) 1838 (oil on canvas)

LAF470803: The Capuchin Monastery at Cava (Salerno) 1838 (oil on canvas), Vigne, Edouard de (1808-66) / Bridgeman Images

ID: LAF470803

The Capuchin Monastery at Cava (Salerno) 1838 (oil on canvas)

Vigne, Edouard de (1808-66)

The Meersstraat in Ghent, 1862 (oil on canvas)
The Meersstraat in Ghent, 1862 (oil on canvas)

LAF470806: The Meersstraat in Ghent, 1862 (oil on canvas), Cock, Xavier de (1818-96) / Bridgeman Images

ID: LAF470806

The Meersstraat in Ghent, 1862 (oil on canvas)

Cock, Xavier de (1818-96)

Portrait of Victoria Dubourg, the Artist's Wife, 1873 (oil on canvas)
Portrait of Victoria Dubourg, the Artist's Wife, 1873 (oil on canvas)

LAF470831: Portrait of Victoria Dubourg, the Artist's Wife, 1873 (oil on canvas) , Fantin-Latour, Ignace Henri Jean (1836-1904) / Bridgeman Images

ID: LAF470831

Portrait of Victoria Dubourg, the Artist's Wife, 1873 (oil on canvas)

Fantin-Latour, Ignace Henri Jean (1836-1904)

Armand Heins Painting (oil on panel)
Armand Heins Painting (oil on panel)

LAF470888: Armand Heins Painting (oil on panel), Rysselberghe, Theo van (1862-1926) / Bridgeman Images

ID: LAF470888

Armand Heins Painting (oil on panel)

Rysselberghe, Theo van (1862-1926)

Self Portrait (oil on canvas)
Self Portrait (oil on canvas)

LAF470901: Self Portrait (oil on canvas), Torajiro Kojima (1881-1929) / Bridgeman Images

ID: LAF470901

Self Portrait (oil on canvas)

Torajiro Kojima (1881-1929)

The Life of Christ and the Virgin, 1580 (oil on panel)
The Life of Christ and the Virgin, 1580 (oil on panel)

LAF470931: The Life of Christ and the Virgin, 1580 (oil on panel), Francken, Frans the Elder (1542-1616) / Bridgeman Images

ID: LAF470931

The Life of Christ and the Virgin, 1580 (oil on panel)

Francken, Frans the Elder (1542-1616)

The Porte du Rivage in Brussels, 1877 (oil on canvas)
The Porte du Rivage in Brussels, 1877 (oil on canvas)

LAF470949: The Porte du Rivage in Brussels, 1877 (oil on canvas), Asselbergs, Alphonse (1839-1916) / Bridgeman Images

ID: LAF470949

The Porte du Rivage in Brussels, 1877 (oil on canvas)

Asselbergs, Alphonse (1839-1916)

Bust of Ingres (bronze) (detail of 471055)
Bust of Ingres (bronze) (detail of 471055)

LAF471054: Bust of Ingres (bronze) (detail of 471055), Bourdelle, Emile-Antoine (1861-1929) / Bridgeman Images

ID: LAF471054

Bust of Ingres (bronze) (detail of 471055)

Bourdelle, Emile-Antoine (1861-1929)

Flaxweeding in Flanders, 1887 (oil on canvas)
Flaxweeding in Flanders, 1887 (oil on canvas)

LAF471129: Flaxweeding in Flanders, 1887 (oil on canvas), Claus, Emile (1849-1924) / Bridgeman Images

ID: LAF471129

Flaxweeding in Flanders, 1887 (oil on canvas)

Claus, Emile (1849-1924)

Suffer the Little Children come to Me, 1923 (oil on canvas)
Suffer the Little Children come to Me, 1923 (oil on canvas)

LAF471243: Suffer the Little Children come to Me, 1923 (oil on canvas), Vriendt, Juliaan de (1842-1935) / Bridgeman Images

ID: LAF471243

Suffer the Little Children come to Me, 1923 (oil on canvas)

Vriendt, Juliaan de (1842-1935)

Portrait of a man (oil on panel)
Portrait of a man (oil on panel)

LAF471250: Portrait of a man (oil on panel), Heemskerck, Maerten van (1498-1574) / Bridgeman Images

ID: LAF471250

Portrait of a man (oil on panel)

Heemskerck, Maerten van (1498-1574)

Madonna surrounded by a Garland of Flowers (oil on panel)
Madonna surrounded by a Garland of Flowers (oil on panel)

LAF471258: Madonna surrounded by a Garland of Flowers (oil on panel), Schut, Cornelius I (1597-1655) / Bridgeman Images

ID: LAF471258

Madonna surrounded by a Garland of Flowers (oil on panel)

Schut, Cornelius I (1597-1655)

The Gol Gumbaz, tomb of Mohammed Adil Shah II , built in 1659 (lithograph)
The Gol Gumbaz, tomb of Mohammed Adil Shah II , built in 1659 (lithograph)

DGC451972: The Gol Gumbaz, tomb of Mohammed Adil Shah II , built in 1659 (lithograph), American School, (19th century) / Bridgeman Images

ID: DGC451972

The Gol Gumbaz, tomb of Mohammed Adil Shah II , built in 1659 (lithograph)

American School, (19th century)

'The Hunt is Up and it is well nigh day and Harry our King is gone hunting', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'The Hunt is Up and it is well nigh day and Harry our King is gone hunting', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452006: 'The Hunt is Up and it is well nigh day and Harry our King is gone hunting', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452006

'The Hunt is Up and it is well nigh day and Harry our King is gone hunting', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'Twas in the Merry Month of May', Corydon setting a wreath of flowers on the head of Phillida, song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Twas in the Merry Month of May', Corydon setting a wreath of flowers on the head of Phillida, song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452012: 'Twas in the Merry Month of May', Corydon setting a wreath of flowers on the head of Phillida, song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452012

'Twas in the Merry Month of May', Corydon setting a wreath of flowers on the head of Phillida, song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'To All You Ladies now on land, We men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452019)
'To All You Ladies now on land, We men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452019)

DGC452018: 'To All You Ladies now on land, We men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452019), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452018

'To All You Ladies now on land, We men at sea indite', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (see also 452019)

Crane, Walter (1845-1915)

'Love Will Find Out the Way', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Love Will Find Out the Way', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452024: 'Love Will Find Out the Way', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452024

'Love Will Find Out the Way', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)
'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

DGC452031: 'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452031

'Sir Simon de Montfort', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho)

Crane, Walter (1845-1915)

'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036)
'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036)

DGC452037: 'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036), Crane, Walter (1845-1915) / Bridgeman Images

ID: DGC452037

'We Be Soldiers Three', song illustration from 'Pan-Pipes', A Book of Old Songs, Newly Arranged and with Accompaniments by Theo. Marzials, published in London by George Routledge & Sons, 1884 (colour litho) (detail of 452036)

Crane, Walter (1845-1915)

The Three Graces (marble)
The Three Graces (marble)

STF452260: The Three Graces (marble), Roman / Bridgeman Images

ID: STF452260

The Three Graces (marble)

Roman

Head of Medusa (marble)
Head of Medusa (marble)

STF452304: Head of Medusa (marble), Roman / Bridgeman Images

ID: STF452304

Head of Medusa (marble)

Roman

Relief depicting a man, probably at a grave or altar (stone)
Relief depicting a man, probably at a grave or altar (stone)

STF452388: Relief depicting a man, probably at a grave or altar (stone), Greco-Roman / Bridgeman Images

ID: STF452388

Relief depicting a man, probably at a grave or altar (stone)

Greco-Roman


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