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Queen Ranavalona III, circa 1890 (photograph)
Queen Ranavalona III, circa 1890 (photograph)

XJF862985: Queen Ranavalona III, circa 1890 (photograph), French Photographer, (19th century) / Bridgeman Images

Page from 'Logica (de Astrolaeo Aristarchi)' by Nikephoros Blemmydes, Venice 1498 (print)
Page from 'Logica (de Astrolaeo Aristarchi)' by Nikephoros Blemmydes, Venice 1498 (print)

NCO833793: Page from 'Logica (de Astrolaeo Aristarchi)' by Nikephoros Blemmydes, Venice 1498 (print), Italian School, (15th century) / Bridgeman Images

Jewish wedding procession by Georg Puschner from Kirchner's
Jewish wedding procession by Georg Puschner from Kirchner's

XJF862991: Jewish wedding procession by Georg Puschner from Kirchner's "Jüdisches Ceremoniel", 1726 (engraving), German School, (18th century) / Bridgeman Images

The Screen, 1742 (etching)
The Screen, 1742 (etching)

XJF863022: The Screen, 1742 (etching), English School, (18th century) / Bridgeman Images

Spes, illustration on the flyleaf of 'Utopia' by Thomas More, 1897 (pen & ink and chalk on paper)
Spes, illustration on the flyleaf of 'Utopia' by Thomas More, 1897 (pen & ink and chalk on paper)

NCO833811: Spes, illustration on the flyleaf of 'Utopia' by Thomas More, 1897 (pen & ink and chalk on paper), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Page 742 from 'Historia De Gentivus Septentrionalibus' by Magnus Olaus, Rome 1565 (print & engraving)
Page 742 from 'Historia De Gentivus Septentrionalibus' by Magnus Olaus, Rome 1565 (print & engraving)

NCO833820: Page 742 from 'Historia De Gentivus Septentrionalibus' by Magnus Olaus, Rome 1565 (print & engraving), Italian School, (16th century) / Bridgeman Images

The Butchers Triumph, or Waterman in the Dumps, 1750 (engraving)
The Butchers Triumph, or Waterman in the Dumps, 1750 (engraving)

XJF863043: The Butchers Triumph, or Waterman in the Dumps, 1750 (engraving), English School, (18th century) / Bridgeman Images

A Perspective View and Section of an Engine Propos'd  to be Built by Subscription which will shave Sixty Men a Minute, also Oyl comb and Powder their Wigs, published by J. Dubois, 1745 (etching)
A Perspective View and Section of an Engine Propos'd  to be Built by Subscription which will shave Sixty Men a Minute, also Oyl comb and Powder their Wigs, published by J. Dubois, 1745 (etching)

XJF863046: A Perspective View and Section of an Engine Propos'd to be Built by Subscription which will shave Sixty Men a Minute, also Oyl comb and Powder their Wigs, published by J. Dubois, 1745 (etching), English School, (18th century) / Bridgeman Images

Mrs Laura Knight, c.1925 (charcoal, w/c & ink on paper)
Mrs Laura Knight, c.1925 (charcoal, w/c & ink on paper)

AAH863075: Mrs Laura Knight, c.1925 (charcoal, w/c & ink on paper), Belcher, George (1875-1947) / Bridgeman Images

Scotland: ‘Melrose Abbey’, 1842 (pencil & watercolour on paper)
Scotland: ‘Melrose Abbey’, 1842 (pencil & watercolour on paper)

AAH863153: Scotland: ‘Melrose Abbey’, 1842 (pencil & watercolour on paper), Callow, William (1812-1908) / Bridgeman Images

Scepter (stone)
Scepter (stone)

DBP834168: Scepter (stone), Taino Culture / Bridgeman Images

Kenilworth Castle’, 1776 (pen, brush & ink on paper)
Kenilworth Castle’, 1776 (pen, brush & ink on paper)

AAH863179: Kenilworth Castle’, 1776 (pen, brush & ink on paper), Griffiths, Moses (1749-1819) / Bridgeman Images

Elevated railroad, Wabash Avenue, Chicago, Illinois, c.1900-10 (b/w photo)
Elevated railroad, Wabash Avenue, Chicago, Illinois, c.1900-10 (b/w photo)

XOS847331: Elevated railroad, Wabash Avenue, Chicago, Illinois, c.1900-10 (b/w photo), Behm, Hans (fl.1900-10) / Bridgeman Images

Man with Pipe, 19th Century (photograph)
Man with Pipe, 19th Century (photograph)

XJF862522: Man with Pipe, 19th Century (photograph), English Photographer, (19th century) / Bridgeman Images

A traveling photographer, 19th Century (photograph)
A traveling photographer, 19th Century (photograph)

XJF862560: A traveling photographer, 19th Century (photograph), English Photographer, (19th century) / Bridgeman Images

Photography outside of the studio before the introduction of photographic 'dry plates', circa 1870 (engraving)
Photography outside of the studio before the introduction of photographic 'dry plates', circa 1870 (engraving)

XJF862568: Photography outside of the studio before the introduction of photographic 'dry plates', circa 1870 (engraving), English School, (19th century) / Bridgeman Images

The Annunciation, altarpiece of the Carafa Chapel, 1488-93 (fresco)
The Annunciation, altarpiece of the Carafa Chapel, 1488-93 (fresco)

SBL862868: The Annunciation, altarpiece of the Carafa Chapel, 1488-93 (fresco), Lippi, Filippino (c.1457-1504) / Bridgeman Images

Ketubah by Georg Puschner from Kirchner's
Ketubah by Georg Puschner from Kirchner's

XJF862993: Ketubah by Georg Puschner from Kirchner's "Jüdisches Ceremoniel", 1726 (engraving), German School, (18th century) / Bridgeman Images

General View of the Chase Electric Cyclorama, taken from
General View of the Chase Electric Cyclorama, taken from

XJF862996: General View of the Chase Electric Cyclorama, taken from "La Nature", 1896 (engraving), French School, (19th century) / Bridgeman Images

Photographic print of the Central Pacific Railroad Company's original timetable for 6th June 1864, 1864 (lithograph)
Photographic print of the Central Pacific Railroad Company's original timetable for 6th June 1864, 1864 (lithograph)

XJF863003: Photographic print of the Central Pacific Railroad Company's original timetable for 6th June 1864, 1864 (lithograph), American School, (19th century) / Bridgeman Images

The Recruiting Sergeant or Britannia's Happy Prospect, print made by George Townshend, 1757 (etching)
The Recruiting Sergeant or Britannia's Happy Prospect, print made by George Townshend, 1757 (etching)

XJF863030: The Recruiting Sergeant or Britannia's Happy Prospect, print made by George Townshend, 1757 (etching), English School, (18th century) / Bridgeman Images

The Duke of Newcastle and his Cook, c.1745 (etching)
The Duke of Newcastle and his Cook, c.1745 (etching)

XJF863036: The Duke of Newcastle and his Cook, c.1745 (etching), English School, (18th century) / Bridgeman Images

Theodosius and Constansia’, illustration to Charles Cooke'’s 1800 edition of 'Constantia and Theodosius' by John Langhorne, c.1800 (w/c on paper)
Theodosius and Constansia’, illustration to Charles Cooke'’s 1800 edition of 'Constantia and Theodosius' by John Langhorne, c.1800 (w/c on paper)

AAH863158: Theodosius and Constansia’, illustration to Charles Cooke'’s 1800 edition of 'Constantia and Theodosius' by John Langhorne, c.1800 (w/c on paper) , Corbould, Richard (1757-1831) / Bridgeman Images

Grange over Sands: ‘Wilson’s’ Farm, Lindale, 1875 (gouache on paper)
Grange over Sands: ‘Wilson’s’ Farm, Lindale, 1875 (gouache on paper)

AAH863164: Grange over Sands: ‘Wilson’s’ Farm, Lindale, 1875 (gouache on paper), English School, (19th century) / Bridgeman Images

‘Clovelly Harbour (w/c on paper)
‘Clovelly Harbour (w/c on paper)

AAH863184: ‘Clovelly Harbour (w/c on paper), Hunt, Alfred William (1830-96) / Bridgeman Images

Key from a William and Mary striking table clock with pull quarter repeat, no. 167, c.1690 (wood & metal) (see also 867495-6)
Key from a William and Mary striking table clock with pull quarter repeat, no. 167, c.1690 (wood & metal) (see also 867495-6)

CH867497: Key from a William and Mary striking table clock with pull quarter repeat, no. 167, c.1690 (wood & metal) (see also 867495-6), Tompion, Thomas (1639-1713) / Bridgeman Images

Modern American gallery, Brooklyn Institute of Arts and Sciences, c.1905-15 (b/w photo)
Modern American gallery, Brooklyn Institute of Arts and Sciences, c.1905-15 (b/w photo)

XOS867554: Modern American gallery, Brooklyn Institute of Arts and Sciences, c.1905-15 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images

Lord Bateman's House in Soho Square, 1764 (engraving)
Lord Bateman's House in Soho Square, 1764 (engraving)

XJF867623: Lord Bateman's House in Soho Square, 1764 (engraving), King, Haynes (1831-1904) / Bridgeman Images

North Side of Grosvenor Square,1800 (engraving)
North Side of Grosvenor Square,1800 (engraving)

XJF867639: North Side of Grosvenor Square,1800 (engraving), English School, (19th century) / Bridgeman Images

Durham Cathedral, 1843 (engraving)
Durham Cathedral, 1843 (engraving)

XJF867642: Durham Cathedral, 1843 (engraving), English School, (19th century) / Bridgeman Images

The Invasion or Perkins Triumph - a Protestant Print, inscrib'd to all true lovers of their Religion and Liberty, 1745 (etching)
The Invasion or Perkins Triumph - a Protestant Print, inscrib'd to all true lovers of their Religion and Liberty, 1745 (etching)

XJF867799: The Invasion or Perkins Triumph - a Protestant Print, inscrib'd to all true lovers of their Religion and Liberty, 1745 (etching), English School, (18th century) / Bridgeman Images

Approach to Bath Station from the East, from 'History of the Great Western Railway', printed by C. F. Cheffins, c.1846 (litho)
Approach to Bath Station from the East, from 'History of the Great Western Railway', printed by C. F. Cheffins, c.1846 (litho)

XJF867822: Approach to Bath Station from the East, from 'History of the Great Western Railway', printed by C. F. Cheffins, c.1846 (litho), Bourne, John Cooke (1814-96) / Bridgeman Images

A Brighton hot bath, or preparations for the wedding, 1816 (etching)
A Brighton hot bath, or preparations for the wedding, 1816 (etching)

XJF867839: A Brighton hot bath, or preparations for the wedding, 1816 (etching), Cruikshank, George (1792-1878) / Bridgeman Images

Self Portrait of Louis Boilly (oil on canvas)
Self Portrait of Louis Boilly (oil on canvas)

CHT867873: Self Portrait of Louis Boilly (oil on canvas), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

Vergognosi 1590 (engraving)
Vergognosi 1590 (engraving)

XJF867961: Vergognosi 1590 (engraving), Vecellio, Cesare (c.1521-1601) (attr. to) / Bridgeman Images

Portrait of Léopold Lacour (b/w photo)
Portrait of Léopold Lacour (b/w photo)

LRS887588: Portrait of Léopold Lacour (b/w photo), Reutlinger Studio (1850-1937) / Bridgeman Images


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