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The Brahmin Sudama and Rukmini in a palace, page from the Sudama episode of Bhagavata Purana series, c.1800 or later (w/c on paper)
The Brahmin Sudama and Rukmini in a palace, page from the Sudama episode of Bhagavata Purana series, c.1800 or later (w/c on paper)

TBM499312: The Brahmin Sudama and Rukmini in a palace, page from the Sudama episode of Bhagavata Purana series, c.1800 or later (w/c on paper), Indian School, (19th century) / Bridgeman Images

ID: TBM499312

The Brahmin Sudama and Rukmini in a palace, page from the Sudama episode of Bhagavata Purana series, c.1800 or later (w/c on paper)

Indian School, (19th century)

The Chinese Buddhist Pilgrim Hsuan-Tsang (ink on paper)
The Chinese Buddhist Pilgrim Hsuan-Tsang (ink on paper)

TBM499324: The Chinese Buddhist Pilgrim Hsuan-Tsang (ink on paper), Japanese School, (19th century) / Bridgeman Images

ID: TBM499324

The Chinese Buddhist Pilgrim Hsuan-Tsang (ink on paper)

Japanese School, (19th century)

Naval battle, 1894 (colour woodblock print)
Naval battle, 1894 (colour woodblock print)

TBM499333: Naval battle, 1894 (colour woodblock print), Japanese School, (19th century) / Bridgeman Images

ID: TBM499333

Naval battle, 1894 (colour woodblock print)

Japanese School, (19th century)

And his house, for all its magnificence, felt lonely and cold, 2011 (etching)
And his house, for all its magnificence, felt lonely and cold, 2011 (etching)

JBG430919: And his house, for all its magnificence, felt lonely and cold, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images

ID: JBG430919

And his house, for all its magnificence, felt lonely and cold, 2011 (etching)

Massouras, Alexander (b.1981)

Hieronymus returned the bee. As he did so, Ambrose related his own affliction, 2011 (etching)
Hieronymus returned the bee. As he did so, Ambrose related his own affliction, 2011 (etching)

JBG430931: Hieronymus returned the bee. As he did so, Ambrose related his own affliction, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images

ID: JBG430931

Hieronymus returned the bee. As he did so, Ambrose related his own affliction, 2011 (etching)

Massouras, Alexander (b.1981)

And sometimes so would people, 2011 (etching)
And sometimes so would people, 2011 (etching)

JBG430934: And sometimes so would people, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images

ID: JBG430934

And sometimes so would people, 2011 (etching)

Massouras, Alexander (b.1981)

Alfred's words were broken, 2011 (etching)
Alfred's words were broken, 2011 (etching)

JBG430946: Alfred's words were broken, 2011 (etching), Massouras, Alexander (b.1981) / Bridgeman Images

ID: JBG430946

Alfred's words were broken, 2011 (etching)

Massouras, Alexander (b.1981)

Ribbons (digital)
Ribbons (digital)

LKN433304: Ribbons (digital), Hereford, Louisa / Bridgeman Images

ID: LKN433304

Ribbons (digital)

Hereford, Louisa

Green Heel
Green Heel

DDV433349: Green Heel, de Villeneuve, Daisy / Bridgeman Images

ID: DDV433349

Green Heel

de Villeneuve, Daisy

Purple Knickers
Purple Knickers

DDV433361: Purple Knickers, de Villeneuve, Daisy / Bridgeman Images

ID: DDV433361

Purple Knickers

de Villeneuve, Daisy

Red T-Shirt
Red T-Shirt

DDV433364: Red T-Shirt, de Villeneuve, Daisy / Bridgeman Images

ID: DDV433364

Red T-Shirt

de Villeneuve, Daisy

Fields and Clouds, Vale of Pewsey, 2010 (oil on canvas)
Fields and Clouds, Vale of Pewsey, 2010 (oil on canvas)

PBR433388: Fields and Clouds, Vale of Pewsey, 2010 (oil on canvas), Breeden, Peter (b.1956) / Bridgeman Images

ID: PBR433388

Fields and Clouds, Vale of Pewsey, 2010 (oil on canvas)

Breeden, Peter (b.1956)

Man's head, or portrait of Andrea del Verrocchio, c.1450 (pen & ink on paper)
Man's head, or portrait of Andrea del Verrocchio, c.1450 (pen & ink on paper)

FAF433488: Man's head, or portrait of Andrea del Verrocchio, c.1450 (pen & ink on paper), Castagno, Andreal del (1410-57) (attr. to) / Bridgeman Images

ID: FAF433488

Man's head, or portrait of Andrea del Verrocchio, c.1450 (pen & ink on paper)

Castagno, Andreal del (1410-57) (attr. to)

Dream Days, 1898 (colour litho)
Dream Days, 1898 (colour litho)

AIG433505: Dream Days, 1898 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433505

Dream Days, 1898 (colour litho)

Parrish, Maxfield Frederick (1870-1966)

Villa D'Este, Tivoli, c.1904 (colour litho)
Villa D'Este, Tivoli, c.1904 (colour litho)

AIG433535: Villa D'Este, Tivoli, c.1904 (colour litho), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433535

Villa D'Este, Tivoli, c.1904 (colour litho)

Parrish, Maxfield Frederick (1870-1966)

Little Jack Horner, 1897 (pen & ink on paper)
Little Jack Horner, 1897 (pen & ink on paper)

AIG433550: Little Jack Horner, 1897 (pen & ink on paper), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433550

Little Jack Horner, 1897 (pen & ink on paper)

Parrish, Maxfield Frederick (1870-1966)

Church at Norwich, Vermont, 1950 (oil on panel)
Church at Norwich, Vermont, 1950 (oil on panel)

AIG433568: Church at Norwich, Vermont, 1950 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433568

Church at Norwich, Vermont, 1950 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

Atlas Landscape, 1907-10 (oil on panel)
Atlas Landscape, 1907-10 (oil on panel)

AIG433589: Atlas Landscape, 1907-10 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433589

Atlas Landscape, 1907-10 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

Border with Plant Motifs (mosaic)
Border with Plant Motifs (mosaic)

SAP479151: Border with Plant Motifs (mosaic), Roman, (2nd century) / Bridgeman Images

ID: SAP479151

Border with Plant Motifs (mosaic)

Roman, (2nd century)

Portrait of a twenty–seven–year–old Japanese man named Yamanouchi Rokusaburō, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print)
Portrait of a twenty–seven–year–old Japanese man named Yamanouchi Rokusaburō, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print)

PRM479230: Portrait of a twenty–seven–year–old Japanese man named Yamanouchi Rokusaburō, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print) , Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479230

Portrait of a twenty–seven–year–old Japanese man named Yamanouchi Rokusaburō, a samurai and officer on the 1864 Ikeda mission to France, employed as an interpreter of English, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)
Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)

PRM479248: Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479248

Portrait of a twenty–seven–year–old Japanese man named Takagi Tomesaburō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of one of the assistant envoys, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a twenty–year–old Japanese man named Uramoto Tokizō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the officers, 1864 (albumen print)
Portrait of a twenty–year–old Japanese man named Uramoto Tokizō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the officers, 1864 (albumen print)

PRM479260: Portrait of a twenty–year–old Japanese man named Uramoto Tokizō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the officers, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479260

Portrait of a twenty–year–old Japanese man named Uramoto Tokizō, a samurai and member of the 1864 Ikeda mission to France, employed as a domestic attendant of the officers, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a twenty–one–year–old Japanese man (named Hayasi Kankai), a student of medicine in The Hague, 1864 (albumen print)
Portrait of a twenty–one–year–old Japanese man (named Hayasi Kankai), a student of medicine in The Hague, 1864 (albumen print)

PRM479263: Portrait of a twenty–one–year–old Japanese man (named Hayasi Kankai), a student of medicine in The Hague, 1864 (albumen print), Potteau, Jacques-Philippe (1807-76) / Bridgeman Images

ID: PRM479263

Portrait of a twenty–one–year–old Japanese man (named Hayasi Kankai), a student of medicine in The Hague, 1864 (albumen print)

Potteau, Jacques-Philippe (1807-76)

Portrait of a Japanese woman wearing traditional dress of kimono, c.1860 (albumen print)
Portrait of a Japanese woman wearing traditional dress of kimono, c.1860 (albumen print)

PRM479266: Portrait of a Japanese woman wearing traditional dress of kimono, c.1860 (albumen print), Japanese Photographer, (19th century) / Bridgeman Images

ID: PRM479266

Portrait of a Japanese woman wearing traditional dress of kimono, c.1860 (albumen print)

Japanese Photographer, (19th century)

View south west from the roof of the Potala looking towards Chakpori, or Medicine Hill, Lhasa, Tibet, 22nd November 1936 (b/w photo)
View south west from the roof of the Potala looking towards Chakpori, or Medicine Hill, Lhasa, Tibet, 22nd November 1936 (b/w photo)

PRM479311: View south west from the roof of the Potala looking towards Chakpori, or Medicine Hill, Lhasa, Tibet, 22nd November 1936 (b/w photo), Chapman, Frederick Spencer (1907-71) / Bridgeman Images

ID: PRM479311

View south west from the roof of the Potala looking towards Chakpori, or Medicine Hill, Lhasa, Tibet, 22nd November 1936 (b/w photo)

Chapman, Frederick Spencer (1907-71)

The south face of the Potala with the village of Sho in the foreground, Lhasa, Tibet, January 1937 (b/w photo)
The south face of the Potala with the village of Sho in the foreground, Lhasa, Tibet, January 1937 (b/w photo)

PRM479317: The south face of the Potala with the village of Sho in the foreground, Lhasa, Tibet, January 1937 (b/w photo), Chapman, Frederick Spencer (1907-71) / Bridgeman Images

ID: PRM479317

The south face of the Potala with the village of Sho in the foreground, Lhasa, Tibet, January 1937 (b/w photo)

Chapman, Frederick Spencer (1907-71)

Zimchongpa or foot soldiers in ancient armour on the roof of the Jokhang Temple at dawn, Lhasa, Tibet, 24th December 1936 (gelatin silver print)
Zimchongpa or foot soldiers in ancient armour on the roof of the Jokhang Temple at dawn, Lhasa, Tibet, 24th December 1936 (gelatin silver print)

PRM479355: Zimchongpa or foot soldiers in ancient armour on the roof of the Jokhang Temple at dawn, Lhasa, Tibet, 24th December 1936 (gelatin silver print), Chapman, Frederick Spencer (1907-71) / Bridgeman Images

ID: PRM479355

Zimchongpa or foot soldiers in ancient armour on the roof of the Jokhang Temple at dawn, Lhasa, Tibet, 24th December 1936 (gelatin silver print)

Chapman, Frederick Spencer (1907-71)

Shepherd with Purple Robe, 1899 (mixed media)
Shepherd with Purple Robe, 1899 (mixed media)

AIG433613: Shepherd with Purple Robe, 1899 (mixed media), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433613

Shepherd with Purple Robe, 1899 (mixed media)

Parrish, Maxfield Frederick (1870-1966)

Milkmaid, 1901 (oil on panel)
Milkmaid, 1901 (oil on panel)

AIG433616: Milkmaid, 1901 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433616

Milkmaid, 1901 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

Hot Springs, Yavapai, 1902 (oil on illustration board)
Hot Springs, Yavapai, 1902 (oil on illustration board)

AIG433619: Hot Springs, Yavapai, 1902 (oil on illustration board), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433619

Hot Springs, Yavapai, 1902 (oil on illustration board)

Parrish, Maxfield Frederick (1870-1966)

Deep Woods, Moonlight, 1916 (oil on masonite)
Deep Woods, Moonlight, 1916 (oil on masonite)

AIG433652: Deep Woods, Moonlight, 1916 (oil on masonite), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433652

Deep Woods, Moonlight, 1916 (oil on masonite)

Parrish, Maxfield Frederick (1870-1966)

Riverbank, Autumn, 1938 (oil on panel)
Riverbank, Autumn, 1938 (oil on panel)

AIG433674: Riverbank, Autumn, 1938 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433674

Riverbank, Autumn, 1938 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

New Hampshire Summer Landscape, 1958 (oil on panel)
New Hampshire Summer Landscape, 1958 (oil on panel)

AIG433686: New Hampshire Summer Landscape, 1958 (oil on panel), Parrish, Maxfield Frederick (1870-1966) / Bridgeman Images

ID: AIG433686

New Hampshire Summer Landscape, 1958 (oil on panel)

Parrish, Maxfield Frederick (1870-1966)

The Infant, 2011 (acrylic on wood)
The Infant, 2011 (acrylic on wood)

PJC433838: The Infant, 2011 (acrylic on wood), Crook, PJ / Bridgeman Images

ID: PJC433838

The Infant, 2011 (acrylic on wood)

Crook, PJ

Liberation (acrylic on canvas & wood)
Liberation (acrylic on canvas & wood)

PJC433841: Liberation (acrylic on canvas & wood), Crook, PJ / Bridgeman Images

ID: PJC433841

Liberation (acrylic on canvas & wood)

Crook, PJ

Pheasant Dusting in Autumn Sun, 2000 (oil on board)
Pheasant Dusting in Autumn Sun, 2000 (oil on board)

DAS433844: Pheasant Dusting in Autumn Sun, 2000 (oil on board), Anderson, Douglas (b.1934) / Bridgeman Images

ID: DAS433844

Pheasant Dusting in Autumn Sun, 2000 (oil on board)

Anderson, Douglas (b.1934)


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