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Greek antiquite: gold pendant with a representation of centaur, 600-500 BC (gold)
Greek antiquite: gold pendant with a representation of centaur, 600-500 BC (gold)

JLJ4658650: Greek antiquite: gold pendant with a representation of centaur, 600-500 BC (gold), Greek school, (6th-5th century BC) / Bridgeman Images

Virgin working in Christ (Mosaic of 1310-1320)
Virgin working in Christ (Mosaic of 1310-1320)

LRI4656707: Virgin working in Christ (Mosaic of 1310-1320), Byzantine, (14th century) / Bridgeman Images

Bronze statuette of Ratapoil, personifying the gravedigger of the Republic and probon-artist spy, invented, 19th century (bronze)
Bronze statuette of Ratapoil, personifying the gravedigger of the Republic and probon-artist spy, invented, 19th century (bronze)

JLJ4655558: Bronze statuette of Ratapoil, personifying the gravedigger of the Republic and probon-artist spy, invented, 19th century (bronze), Daumier, Honore (1808-79) / Bridgeman Images

Roman art: a hunter attacked by a lioness protects himself with his shield. Detail of mosaic of “” The big hunting part”” 315-350 AD. Piazza Armerina, Villa Romana del Casale
Roman art: a hunter attacked by a lioness protects himself with his shield. Detail of mosaic of “” The big hunting part”” 315-350 AD. Piazza Armerina, Villa Romana del Casale

LRI4658073: Roman art: a hunter attacked by a lioness protects himself with his shield. Detail of mosaic of “” The big hunting part”” 315-350 AD. Piazza Armerina, Villa Romana del Casale, Roman, (4th century AD) / Bridgeman Images

Oriental antiquite: stele in black limestone carved from bas-reliefs. They represent the great deities. From Iran (limestone)
Oriental antiquite: stele in black limestone carved from bas-reliefs. They represent the great deities. From Iran (limestone)

JLJ4658247: Oriental antiquite: stele in black limestone carved from bas-reliefs. They represent the great deities. From Iran (limestone), Babylonian / Bridgeman Images

Figure number 1 representing the face of a man in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the features of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811.
Figure number 1 representing the face of a man in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the features of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811.

GIA4795279: Figure number 1 representing the face of a man in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the features of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811., Italian School, (19th century) / Bridgeman Images

Salt production: cooking. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.
Salt production: cooking. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567.

GIA4799391: Salt production: cooking. Engraving by Olaus Magnus (1490 - 1557), Swedish religious and geographer, “Historia de Gentis Septentrionalibus”, Venice, 1567. / Bridgeman Images

Italian illustration for the novel “The Invisible Man” by writer H. G. (Herbert George) Wells (1866-1946).
Italian illustration for the novel “The Invisible Man” by writer H. G. (Herbert George) Wells (1866-1946).

GIA4799632: Italian illustration for the novel “The Invisible Man” by writer H. G. (Herbert George) Wells (1866-1946)., Italian School, (20th century) / Bridgeman Images

Calligram of Guillaume Apollinaire (1880-1918): “Soldiers of faience and escarloop, o love”” 1915
Calligram of Guillaume Apollinaire (1880-1918): “Soldiers of faience and escarloop, o love”” 1915

GIA4796118: Calligram of Guillaume Apollinaire (1880-1918): “Soldiers of faience and escarloop, o love”” 1915, Apollinaire, Guillaume (1880-1918) / Bridgeman Images

Calligram of Guillaume Apollinaire (1880-1918) referring to a trip by car
Calligram of Guillaume Apollinaire (1880-1918) referring to a trip by car

GIA4796092: Calligram of Guillaume Apollinaire (1880-1918) referring to a trip by car, Apollinaire, Guillaume (1880-1918) / Bridgeman Images

Engraving by Adrien Moreau (1843-1906) illustrating “” Candide”” by Francois Marie Arouet dit Voltaire (1694-1778).
Engraving by Adrien Moreau (1843-1906) illustrating “” Candide”” by Francois Marie Arouet dit Voltaire (1694-1778).

GIA4798699: Engraving by Adrien Moreau (1843-1906) illustrating “” Candide”” by Francois Marie Arouet dit Voltaire (1694-1778)., Moreau, Adrien (1843-1906) / Bridgeman Images

Frontispice of “” Degli scritti”” (Writings) by the Italian writer Pietro Giordani (1774-1848) 1845
Frontispice of “” Degli scritti”” (Writings) by the Italian writer Pietro Giordani (1774-1848) 1845

GIA4797790: Frontispice of “” Degli scritti”” (Writings) by the Italian writer Pietro Giordani (1774-1848) 1845, Unknown Artist, (19th century) / Bridgeman Images

Risorgimento: “” Portrait of the politician, Italian philosopher Vincenzo Gioberti (1801-1852)”. Miniature on anonymous ivory. Museo del Risorgimento Milan
Risorgimento: “” Portrait of the politician, Italian philosopher Vincenzo Gioberti (1801-1852)”. Miniature on anonymous ivory. Museo del Risorgimento Milan

GIA4797801: Risorgimento: “” Portrait of the politician, Italian philosopher Vincenzo Gioberti (1801-1852)”. Miniature on anonymous ivory. Museo del Risorgimento Milan, Unknown Artist, (19th century) / Bridgeman Images

The characters of Maddalena and Sparafucile in Act III of the opera “” Rigoletto”” by composer Giuseppe Verdi (1813-1901), 1851
The characters of Maddalena and Sparafucile in Act III of the opera “” Rigoletto”” by composer Giuseppe Verdi (1813-1901), 1851

GIA4797586: The characters of Maddalena and Sparafucile in Act III of the opera “” Rigoletto”” by composer Giuseppe Verdi (1813-1901), 1851, Unknown Artist, (19th century) / Bridgeman Images

Figure number 17 representing the face of a woman in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the traits of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811.
Figure number 17 representing the face of a woman in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the traits of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811.

GIA4795301: Figure number 17 representing the face of a woman in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the traits of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811., Italian School, (19th century) / Bridgeman Images

Xylography from “” De Compendiosa Architectura et Complemento Artis”” by Giordano Bruno (1546-1600), Italian philosopher and theologian. 1582
Xylography from “” De Compendiosa Architectura et Complemento Artis”” by Giordano Bruno (1546-1600), Italian philosopher and theologian. 1582

GIA4799118: Xylography from “” De Compendiosa Architectura et Complemento Artis”” by Giordano Bruno (1546-1600), Italian philosopher and theologian. 1582, Unknown Artist, (16th century) / Bridgeman Images

Pressure cooker (pressure cooker or quick cooker). Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Pressure cooker (pressure cooker or quick cooker). Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798344: Pressure cooker (pressure cooker or quick cooker). Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Reet de Beritola. Illustration for the news 16 (New 6 of the second day) of the “Decameron”” by Giovanni Boccaccio dit Jean Boccaccio (1313-1375), Italian writer. Engraving in “” Decamerone ouer Cento nouelle”” Venice, Bartolomeo de 'Zanni, July 5, 1504.
Reet de Beritola. Illustration for the news 16 (New 6 of the second day) of the “Decameron”” by Giovanni Boccaccio dit Jean Boccaccio (1313-1375), Italian writer. Engraving in “” Decamerone ouer Cento nouelle”” Venice, Bartolomeo de 'Zanni, July 5, 1504.

GIA4795119: Reet de Beritola. Illustration for the news 16 (New 6 of the second day) of the “Decameron”” by Giovanni Boccaccio dit Jean Boccaccio (1313-1375), Italian writer. Engraving in “” Decamerone ouer Cento nouelle”” Venice, Bartolomeo de 'Zanni, July 5, 1504., Italian School, (16th century) / Bridgeman Images

Figure number 9 representing the face of a man in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the features of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811.
Figure number 9 representing the face of a man in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the features of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811.

GIA4795324: Figure number 9 representing the face of a man in “” Il Lavater portatile: o Sia compendio dell'arte di riconoscere gli Uomini dai Tratti del Volto”” (or “” Pocket washing: Abrege de l'art de recognizing men through the features of the face”). Volume 2. Work by Johann Kaspar Lavater, Swiss writer, thinker and theologian of German expression (1741-1801). Published in Milan in 1811., Italian School, (19th century) / Bridgeman Images

View of the Battle of Cape Saint-Vincent on 14/02/1797 Engraving of 1798
View of the Battle of Cape Saint-Vincent on 14/02/1797 Engraving of 1798

GIA4795519: View of the Battle of Cape Saint-Vincent on 14/02/1797 Engraving of 1798, Anonymous / Bridgeman Images

Allegory about Major Francesco Baracca (1888-1918) heros of the Italian Air Force who died in battle in 1918. Drawing by Tancredi Scarpelli. Milanese .
Allegory about Major Francesco Baracca (1888-1918) heros of the Italian Air Force who died in battle in 1918. Drawing by Tancredi Scarpelli. Milanese .

GIA4797687: Allegory about Major Francesco Baracca (1888-1918) heros of the Italian Air Force who died in battle in 1918. Drawing by Tancredi Scarpelli. Milanese ., Scarpelli, Tancredi (1866-1937) / Bridgeman Images

Portrait of Maria Garcia known as the Malibran (1808-1836) singer.
Portrait of Maria Garcia known as the Malibran (1808-1836) singer.

GIA4798064: Portrait of Maria Garcia known as the Malibran (1808-1836) singer., Unknown Artist, (19th century) / Bridgeman Images

Maria Garcia called the Malibran (1808-1836) singer dand “Otello” by Giuseppe Verdi: “” Padre se me abbandoni...””
Maria Garcia called the Malibran (1808-1836) singer dand “Otello” by Giuseppe Verdi: “” Padre se me abbandoni...””

GIA4798102: Maria Garcia called the Malibran (1808-1836) singer dand “Otello” by Giuseppe Verdi: “” Padre se me abbandoni...””, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Stephen I Bathory (1533-1586), Prince of Transylvania and King of Poland.
Portrait of Stephen I Bathory (1533-1586), Prince of Transylvania and King of Poland.

GIA4798228: Portrait of Stephen I Bathory (1533-1586), Prince of Transylvania and King of Poland., Unknown Artist, (16th century) / Bridgeman Images

Oil gas apparatus located at the Apothicaries Hall in London. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.
Oil gas apparatus located at the Apothicaries Hall in London. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823.

GIA4798364: Oil gas apparatus located at the Apothicaries Hall in London. Plate taken from “” Giornale dell'agricoltura, arti e tecniche”” (Revue d'agriculture, arts et techniques). 1823., Unknown Artist, (19th century) / Bridgeman Images

Colonialism: entry of the Dutch in Galle to Ceylon (present-day Sri Lanka or Srilanka) in the 17th century. Dutch print from “Afgoderye de oost-indische heydenen” (Description of the countries of eastern India) by Philippus Baldaeus (or Balde) (1632-1671), governor of the state of Ceylon. Amsterdam 1672
Colonialism: entry of the Dutch in Galle to Ceylon (present-day Sri Lanka or Srilanka) in the 17th century. Dutch print from “Afgoderye de oost-indische heydenen” (Description of the countries of eastern India) by Philippus Baldaeus (or Balde) (1632-1671), governor of the state of Ceylon. Amsterdam 1672

GIA4799027: Colonialism: entry of the Dutch in Galle to Ceylon (present-day Sri Lanka or Srilanka) in the 17th century. Dutch print from “Afgoderye de oost-indische heydenen” (Description of the countries of eastern India) by Philippus Baldaeus (or Balde) (1632-1671), governor of the state of Ceylon. Amsterdam 1672, Dutch School, (17th century) / Bridgeman Images

Map of the city of Tours in France. Engraving from the Atlas of “Braun and Hogenberg”” 1572
Map of the city of Tours in France. Engraving from the Atlas of “Braun and Hogenberg”” 1572

GIA4799075: Map of the city of Tours in France. Engraving from the Atlas of “Braun and Hogenberg”” 1572, Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90) / Bridgeman Images

Martin Luther (1483-1546) German religious reformer celebrating Christmas with the family. Engraving of the 19th century
Martin Luther (1483-1546) German religious reformer celebrating Christmas with the family. Engraving of the 19th century

GIA4799587: Martin Luther (1483-1546) German religious reformer celebrating Christmas with the family. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

An inhabitant of the planet Mars. Illustration by M. Dudouyt (1885-1946) for the novel by Herbert George Wells (1866-1946) “The War of the Worlds””.
An inhabitant of the planet Mars. Illustration by M. Dudouyt (1885-1946) for the novel by Herbert George Wells (1866-1946) “The War of the Worlds””.

GIA4799638: An inhabitant of the planet Mars. Illustration by M. Dudouyt (1885-1946) for the novel by Herbert George Wells (1866-1946) “The War of the Worlds””., Dudouyt, Charles (1885-1946) / Bridgeman Images

Arquebuse of Venitian production, 18th century. Venice, Naval Museum
Arquebuse of Venitian production, 18th century. Venice, Naval Museum

GIA4795666: Arquebuse of Venitian production, 18th century. Venice, Naval Museum, Italian School, (18th century) / Bridgeman Images

Scene of whale fishing in Greenland in the 18th century, anonymous popular print of the period
Scene of whale fishing in Greenland in the 18th century, anonymous popular print of the period

GIA4796028: Scene of whale fishing in Greenland in the 18th century, anonymous popular print of the period, Unknown artist, (18th century) / Bridgeman Images

View of the Bolchoi Theatre in Moscow, Russia in 1838 Engraving of the 19th century
View of the Bolchoi Theatre in Moscow, Russia in 1838 Engraving of the 19th century

GIA4795969: View of the Bolchoi Theatre in Moscow, Russia in 1838 Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Illustration for Scene 2 of Act II of “Ricciarda”” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century
Illustration for Scene 2 of Act II of “Ricciarda”” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century

GIA4796442: Illustration for Scene 2 of Act II of “Ricciarda”” by Italian poet and playwright Ugo Foscolo (1778-1827) 19th century, Unknown Artist, (19th century) / Bridgeman Images

Scenography of Philippe Chaperon for the opera “” Rigoletto”” by Italian composer Giuseppe Verdi (1813-1901) for the performance at the Paris Opera, 1897
Scenography of Philippe Chaperon for the opera “” Rigoletto”” by Italian composer Giuseppe Verdi (1813-1901) for the performance at the Paris Opera, 1897

GIA4797557: Scenography of Philippe Chaperon for the opera “” Rigoletto”” by Italian composer Giuseppe Verdi (1813-1901) for the performance at the Paris Opera, 1897, Unknown Artist, (19th century) / Bridgeman Images

View of the Loggia dei Lanzi (1576-1582) on Piazza della Signoria in Florence”” Anonymous painting of the 19th century
View of the Loggia dei Lanzi (1576-1582) on Piazza della Signoria in Florence”” Anonymous painting of the 19th century

GIA4797776: View of the Loggia dei Lanzi (1576-1582) on Piazza della Signoria in Florence”” Anonymous painting of the 19th century, Anonymous / Bridgeman Images

Portrait of the Italian Patriot and Historian Pietro Colletta (1775-1831) Engraving of the 19th century
Portrait of the Italian Patriot and Historian Pietro Colletta (1775-1831) Engraving of the 19th century

GIA4797850: Portrait of the Italian Patriot and Historian Pietro Colletta (1775-1831) Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images


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