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Colonial French Indochina: the banks of the Mekong River in Phnom Penh at the beginning of the 20th century (between 1900 and 1920) - crowd mashed by the river during the regattas of the fete des eaux - indigenous people and residents wearing colonial helmets - the trunks of the trees are bulwark with French flags - stereoscopic glass plate -
Colonial French Indochina: the banks of the Mekong River in Phnom Penh at the beginning of the 20th century (between 1900 and 1920) - crowd mashed by the river during the regattas of the fete des eaux - indigenous people and residents wearing colonial helmets - the trunks of the trees are bulwark with French flags - stereoscopic glass plate -

PCT4284606: Colonial French Indochina: the banks of the Mekong River in Phnom Penh at the beginning of the 20th century (between 1900 and 1920) - crowd mashed by the river during the regattas of the fete des eaux - indigenous people and residents wearing colonial helmets - the trunks of the trees are bulwark with French flags - stereoscopic glass plate - / Bridgeman Images

French colonial Indochina: swimming in the Mekong in Phnom Penh at the beginning of the 20th century (between 1900 and 1920) - four French bathers swim in the waters of the river - stereoscopic glass plate -
French colonial Indochina: swimming in the Mekong in Phnom Penh at the beginning of the 20th century (between 1900 and 1920) - four French bathers swim in the waters of the river - stereoscopic glass plate -

PCT4284644: French colonial Indochina: swimming in the Mekong in Phnom Penh at the beginning of the 20th century (between 1900 and 1920) - four French bathers swim in the waters of the river - stereoscopic glass plate - / Bridgeman Images

Colonial French Indochina: Near Dalat (currently Da Lat, Vietnam) in 1933 (photo)
Colonial French Indochina: Near Dalat (currently Da Lat, Vietnam) in 1933 (photo)

PCT4284715: Colonial French Indochina: Near Dalat (currently Da Lat, Vietnam) in 1933 (photo), Unknown photographer, (20th century) / Bridgeman Images

Goree Island in Senegal when this African territory was a French colony (French counter) - Colonial Africa - late 19th century photography -
Goree Island in Senegal when this African territory was a French colony (French counter) - Colonial Africa - late 19th century photography -

PCT4284771: Goree Island in Senegal when this African territory was a French colony (French counter) - Colonial Africa - late 19th century photography - / Bridgeman Images

Illustration of the book by Leo Taxil and J. Vindex “” Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - la mort de Mirabeau - Engraving by Cardon -
Illustration of the book by Leo Taxil and J. Vindex “” Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - la mort de Mirabeau - Engraving by Cardon -

PCT4285537: Illustration of the book by Leo Taxil and J. Vindex “” Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - la mort de Mirabeau - Engraving by Cardon - / Bridgeman Images

Illustration of the book by Leo Taxil and J. Vindex “Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - prison - Queen Marie Antoinette (Marie Antoinette) imprisoned at the Temple wrote a letter to La Fayette and handed it over to the municipal officer Lepitre - Cardon -
Illustration of the book by Leo Taxil and J. Vindex “Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - prison - Queen Marie Antoinette (Marie Antoinette) imprisoned at the Temple wrote a letter to La Fayette and handed it over to the municipal officer Lepitre - Cardon -

PCT4285562: Illustration of the book by Leo Taxil and J. Vindex “Marat ou les heros de la revolution””, Librairie anti-clericale (anti clerical, anticlerical) 1883 - Revolution Francaise - prison - Queen Marie Antoinette (Marie Antoinette) imprisoned at the Temple wrote a letter to La Fayette and handed it over to the municipal officer Lepitre - Cardon - / Bridgeman Images

Drawing by Albert Robida (1848-1926) in his book “The twentieth century (20th century)”, edition Georges Decaux 1883: aerienne revolving house - architectural premonition - science fiction - architecture - visionary - future -
Drawing by Albert Robida (1848-1926) in his book “The twentieth century (20th century)”, edition Georges Decaux 1883: aerienne revolving house - architectural premonition - science fiction - architecture - visionary - future -

PCT4284912: Drawing by Albert Robida (1848-1926) in his book “The twentieth century (20th century)”, edition Georges Decaux 1883: aerienne revolving house - architectural premonition - science fiction - architecture - visionary - future -, Robida, Albert (1848-1926) / Bridgeman Images

The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -
The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -

PCT4285005: The prophete Moses descends from Sinai with the tables of the Law - teaching - religion - faith - Illustration of Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Plate extracted from the Oryctology of Argenville (1755) - This engraving shows parts of the human body petrified, or at least what was taken in the 18th century for fossil men - 1: skeleton of salamander found in a miocene terrain near Constance and described by Scheuchzer as that of a man witness of the deluge (homo diluvii testivii s ) - 2: petrified vertebrae belonging pretenduously to the back of a man and which are in reality those of a fossil reptile, the ichtyosaur - 3: Modern head of pathological nature (hyperostosis) preserved in the gallery of Anthropology of the Musee de l'Homme - Legends after the book of Marcellin Boule “Les Hommes fossiles”, edition Masson 1923 -
Plate extracted from the Oryctology of Argenville (1755) - This engraving shows parts of the human body petrified, or at least what was taken in the 18th century for fossil men - 1: skeleton of salamander found in a miocene terrain near Constance and described by Scheuchzer as that of a man witness of the deluge (homo diluvii testivii s ) - 2: petrified vertebrae belonging pretenduously to the back of a man and which are in reality those of a fossil reptile, the ichtyosaur - 3: Modern head of pathological nature (hyperostosis) preserved in the gallery of Anthropology of the Musee de l'Homme - Legends after the book of Marcellin Boule “Les Hommes fossiles”, edition Masson 1923 -

PCT4285846: Plate extracted from the Oryctology of Argenville (1755) - This engraving shows parts of the human body petrified, or at least what was taken in the 18th century for fossil men - 1: skeleton of salamander found in a miocene terrain near Constance and described by Scheuchzer as that of a man witness of the deluge (homo diluvii testivii s ) - 2: petrified vertebrae belonging pretenduously to the back of a man and which are in reality those of a fossil reptile, the ichtyosaur - 3: Modern head of pathological nature (hyperostosis) preserved in the gallery of Anthropology of the Musee de l'Homme - Legends after the book of Marcellin Boule “Les Hommes fossiles”, edition Masson 1923 - / Bridgeman Images

Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm -
Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm -

PCT4285967: Projection and expansion of microscopic records during the Paris siege in 1871. The microphotography invented by Dagron allows the defenseurs of Paris to send messages to provincial armees by traveler pigeon and receive them - Engraving published in the Illustrous World of 1871 - transcription to the administration of the Telegraphs of private documents photographed and redued on a sheet of collodion and then projected on a wall by a Magnifying electrical apparatus - Drawing by nature by Adrien Marie - microscopic images - projection - photography - microfilm - / Bridgeman Images

Musicians of traditional Moroccan music (Berber) and Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - fete - carnival - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -
Musicians of traditional Moroccan music (Berber) and Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - fete - carnival - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -

PCT4285396: Musicians of traditional Moroccan music (Berber) and Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - fete - carnival - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -, Pinseau, Michel (1926-99) / Bridgeman Images

First World War 1914-1918 (14-18): Happy French soldiers wash an ambulance in a pond in the yard of a farm. Anonymous negative of period. private collection -
First World War 1914-1918 (14-18): Happy French soldiers wash an ambulance in a pond in the yard of a farm. Anonymous negative of period. private collection -

PCT4285445: First World War 1914-1918 (14-18): Happy French soldiers wash an ambulance in a pond in the yard of a farm. Anonymous negative of period. private collection -, Unknown photographer, (20th century) / Bridgeman Images

La Poste: rural mailman. In uniform and hewn with a kepi, the postman leaves on the roads to deliver letters (mail) to the inhabitants of isolated houses (farms) in the countryside. Illustration by Louis Maitrejean (1895-1947) for a school book of 1930.
La Poste: rural mailman. In uniform and hewn with a kepi, the postman leaves on the roads to deliver letters (mail) to the inhabitants of isolated houses (farms) in the countryside. Illustration by Louis Maitrejean (1895-1947) for a school book of 1930.

PCT4273518: La Poste: rural mailman. In uniform and hewn with a kepi, the postman leaves on the roads to deliver letters (mail) to the inhabitants of isolated houses (farms) in the countryside. Illustration by Louis Maitrejean (1895-1947) for a school book of 1930. / Bridgeman Images

Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Francois Boucher (1703-1770) engraved by Laurent Cars for the famous edition of 1734 of Moliere's works.
Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Francois Boucher (1703-1770) engraved by Laurent Cars for the famous edition of 1734 of Moliere's works.

PCT4273547: Scapin's Furries. Moliere's theatre piece, act 2. This scene is one of the most often represented in the illustrations of the work. Argante, hiding behind Scapin, attends the threats of Silvestre, who shouts with his sword, “” By blood! By the head! if he were there, i would give him a sword in his belly. Who is this man?” Scapin: “It's not him, sir, it's not him.” Illustration of Francois Boucher (1703-1770) engraved by Laurent Cars for the famous edition of 1734 of Moliere's works., Boucher, Francois (1703-70) / Bridgeman Images

Administration of medicaments by ingestion, fumigation, inhalation, spraying (inhaler, sprayer). Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).
Administration of medicaments by ingestion, fumigation, inhalation, spraying (inhaler, sprayer). Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).

PCT4273672: Administration of medicaments by ingestion, fumigation, inhalation, spraying (inhaler, sprayer). Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889). / Bridgeman Images

Various forms of lesions due to syphilis (hereditary, rose etc). Images of the Musee de l'Hôital Saint Louis de Paris presented on a board of a 1924 Larousse medical dictionary.
Various forms of lesions due to syphilis (hereditary, rose etc). Images of the Musee de l'Hôital Saint Louis de Paris presented on a board of a 1924 Larousse medical dictionary.

PCT4273702: Various forms of lesions due to syphilis (hereditary, rose etc). Images of the Musee de l'Hôital Saint Louis de Paris presented on a board of a 1924 Larousse medical dictionary. / Bridgeman Images

A book that underwent censorship, a forbidden one: Atala Rene (Atala-Rene), the last Abencerage. News by Francois Rene de Chateaubriand (1768-1848).
A book that underwent censorship, a forbidden one: Atala Rene (Atala-Rene), the last Abencerage. News by Francois Rene de Chateaubriand (1768-1848).

PCT4272874: A book that underwent censorship, a forbidden one: Atala Rene (Atala-Rene), the last Abencerage. News by Francois Rene de Chateaubriand (1768-1848)., Cartier, Patrice / Bridgeman Images

Moorish on the banks of the wadi, El Kantara (Algeria). Anonymous colonial postcard beginning 20th century. Nude - odalisque - indigenous naked women - exotic
Moorish on the banks of the wadi, El Kantara (Algeria). Anonymous colonial postcard beginning 20th century. Nude - odalisque - indigenous naked women - exotic

PCT4273016: Moorish on the banks of the wadi, El Kantara (Algeria). Anonymous colonial postcard beginning 20th century. Nude - odalisque - indigenous naked women - exotic, Unknown photographer, (20th century) / Bridgeman Images

Song “” Little Lucas””: the most beautiful songs for children illuminated by the image of Epinal (Imaging Pelerin) - Child who laughs and cries - laughter, tears, joy, sadness, onomatopee.
Song “” Little Lucas””: the most beautiful songs for children illuminated by the image of Epinal (Imaging Pelerin) - Child who laughs and cries - laughter, tears, joy, sadness, onomatopee.

PCT4273097: Song “” Little Lucas””: the most beautiful songs for children illuminated by the image of Epinal (Imaging Pelerin) - Child who laughs and cries - laughter, tears, joy, sadness, onomatopee. / Bridgeman Images

Let's play with words. Game, vocabulary, letters, alphabet. Children roll O's like wheels or hoops - Illustration by Ray Lambert (Raylambert, Raymond Gabriel Lambert 1889 - 1967) for a 50's (1950) school book.
Let's play with words. Game, vocabulary, letters, alphabet. Children roll O's like wheels or hoops - Illustration by Ray Lambert (Raylambert, Raymond Gabriel Lambert 1889 - 1967) for a 50's (1950) school book.

PCT4273153: Let's play with words. Game, vocabulary, letters, alphabet. Children roll O's like wheels or hoops - Illustration by Ray Lambert (Raylambert, Raymond Gabriel Lambert 1889 - 1967) for a 50's (1950) school book. / Bridgeman Images

Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard.
Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard.

PCT4274068: Railway - railroad - between 1900 and 1910. The arrival of the steam train at Sallele d'Aude station. Period postcard. / Bridgeman Images

The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...”
The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...”

PCT4274181: The Golden Age. Frontispice engraving of the complete works of Ovide, edition Ch. Poncelin an VII (1793). “The Golden Age began. The rules of good faith and justice were observed...” / Bridgeman Images

Marble quarries of Caunes-Minervois (Caunes Minervois) (Aude, Languedoc). Photography mid-20th century.
Marble quarries of Caunes-Minervois (Caunes Minervois) (Aude, Languedoc). Photography mid-20th century.

PCT4273207: Marble quarries of Caunes-Minervois (Caunes Minervois) (Aude, Languedoc). Photography mid-20th century. / Bridgeman Images

Visit of the pink marble quarries of Caunes-Minervois (Caunes Minervois) (Aude, Languedoc). Photography mid-20th century.
Visit of the pink marble quarries of Caunes-Minervois (Caunes Minervois) (Aude, Languedoc). Photography mid-20th century.

PCT4273220: Visit of the pink marble quarries of Caunes-Minervois (Caunes Minervois) (Aude, Languedoc). Photography mid-20th century. / Bridgeman Images

Jupiter to Hell - The god of ancient Greek mythology wielding lightning (lightning) in front of two demons, a devil and a dragon. Chromolithography (chromo) on cardboard 9.5 x 7 cm, beginning 20th century.
Jupiter to Hell - The god of ancient Greek mythology wielding lightning (lightning) in front of two demons, a devil and a dragon. Chromolithography (chromo) on cardboard 9.5 x 7 cm, beginning 20th century.

PCT4273299: Jupiter to Hell - The god of ancient Greek mythology wielding lightning (lightning) in front of two demons, a devil and a dragon. Chromolithography (chromo) on cardboard 9.5 x 7 cm, beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

Jean de Bethencourt, Norman gentleman, Baron de Saint Martin le Gaillard, conquered and Christianized the Canary Islands in January 1405,   from the magazine “Sur terre et sur mer”” n°28, January 8, 1876 (engraving)
Jean de Bethencourt, Norman gentleman, Baron de Saint Martin le Gaillard, conquered and Christianized the Canary Islands in January 1405,   from the magazine “Sur terre et sur mer”” n°28, January 8, 1876 (engraving)

PCT4273350: Jean de Bethencourt, Norman gentleman, Baron de Saint Martin le Gaillard, conquered and Christianized the Canary Islands in January 1405, from the magazine “Sur terre et sur mer”” n°28, January 8, 1876 (engraving), Cartier, Patrice / Bridgeman Images

Entertainment and celebrations in the Middle Ages (Middle Ages): the winner of a crossbow shooting competition in Switzerland. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.
Entertainment and celebrations in the Middle Ages (Middle Ages): the winner of a crossbow shooting competition in Switzerland. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century.

PCT4273401: Entertainment and celebrations in the Middle Ages (Middle Ages): the winner of a crossbow shooting competition in Switzerland. Advertising chromolithography (chromo - claim) of Liebig meat extract, late 19th, early 20th century. / Bridgeman Images

Air travel in the 1930s. Drawing by Jean Camille Bellaigue in a 1935 geography book. A family father and his children are getting into a biplane whose driver opens the door, while the mechanic checks the engine and refuels.
Air travel in the 1930s. Drawing by Jean Camille Bellaigue in a 1935 geography book. A family father and his children are getting into a biplane whose driver opens the door, while the mechanic checks the engine and refuels.

PCT4273775: Air travel in the 1930s. Drawing by Jean Camille Bellaigue in a 1935 geography book. A family father and his children are getting into a biplane whose driver opens the door, while the mechanic checks the engine and refuels. / Bridgeman Images

Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century.
Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century.

PCT4273894: Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Detail of an advertising chromolitography (chromo) of Chocolat d'Annecy, early 20th century. / Bridgeman Images

Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon.
Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon.

PCT4273998: Canal du Midi (Canal des deux mers) at the beginning of the 20th century (around 1900). Castelnaudary and its flour mills. Bridge on donkey. Photography Ramon. / Bridgeman Images

Portrait of the marechal Philippe Petain (1856-1951) and manuscript message to France reproduced in frontispiece of the book dedicated to him by General Laure: “” Petain””” editions Berger-Levrault 1941.
Portrait of the marechal Philippe Petain (1856-1951) and manuscript message to France reproduced in frontispiece of the book dedicated to him by General Laure: “” Petain””” editions Berger-Levrault 1941.

PCT4273538: Portrait of the marechal Philippe Petain (1856-1951) and manuscript message to France reproduced in frontispiece of the book dedicated to him by General Laure: “” Petain””” editions Berger-Levrault 1941., Cartier, Patrice / Bridgeman Images

Rickets, softening bones. Main bone deformations in a spinal child. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).
Rickets, softening bones. Main bone deformations in a spinal child. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).

PCT4273693: Rickets, softening bones. Main bone deformations in a spinal child. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889). / Bridgeman Images

Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century.
Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century.

PCT4274161: Cover of the Great European Military Alphabet (abecedary) - Imaging of Pont-a-Mousson (Pont a Mousson) late 19th century., Cartier, Patrice / Bridgeman Images

Girl's alphabet. Cover of an abecedary late 19th - early 20th century.
Girl's alphabet. Cover of an abecedary late 19th - early 20th century.

PCT4273768: Girl's alphabet. Cover of an abecedary late 19th - early 20th century., Cartier, Patrice / Bridgeman Images

Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940.
Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940.

PCT4273877: Allegorical portrait of his eminence Cardinal Eugenio Pacelli (1876-1958) elected pope on March 2, 1939 as Pius XII (Pius 12) - In the Almanach of Pelerin (Catholic press) of 1940. / Bridgeman Images

Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century.
Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century.

PCT4273890: Philip II (Philip Augustus 1165 - 1223) instituting the first laws of public hygiene, noted on parchment by a copist monk. Under the rule of this king of France, the main roads of Paris were pavees, and the French capital was called “Paris sans pairs” (without equals). Chromolitography (chromo) advertising of Chocolat d'Annecy, early 20th century. / Bridgeman Images


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