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Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France.
Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France.

ETI4396845: Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France. / Bridgeman Images

ID: ETI4396845

Portage de Croix, Romanesque painting of the church of Saint Michel in Castera Loubix, Pyrenees Atlantique, France.

Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France.
Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France.

ETI4396891: Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France. / Bridgeman Images

ID: ETI4396891

Samson makes his wife visire and brings him a kid, tapestry from the end of the 15th century. Chateau, residence du Gouverneur, Angers, Maine et Loire, France.

Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.
Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

ETI4396987: Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras. / Bridgeman Images

ID: ETI4396987

Drawing of a tree. Illustration of the best way to bind a field (boundary of a rural property). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.
Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

ETI4396996: Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras. / Bridgeman Images

ID: ETI4396996

Put terminal witnesses in a field. Illustration of the best way to bend land (rural property boundary). Miniature taken from a survey and boundary trek, (“Siensa de destrar y siensa de atermenar”) narrated by Arnaud de Villeneuve (Arnau de Vilanova or Arnaldus de Villanova) around 1240 - around 1311), a Catalan doctor, theologian and diplomat. Manuscript by Bertrand Boysset (1355-1415). Bibliotheque Inguimbertine Municipal de Carpentras.

Portrait of the author: Charles Grad (1842-1890), German politician, writer and naturalist. Engraving by Thiriat, to illustrate the story A Through Alsace and Lorraine, in 1887, by Charles Grad, German deputer, in the tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.
Portrait of the author: Charles Grad (1842-1890), German politician, writer and naturalist. Engraving by Thiriat, to illustrate the story A Through Alsace and Lorraine, in 1887, by Charles Grad, German deputer, in the tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334735: Portrait of the author: Charles Grad (1842-1890), German politician, writer and naturalist. Engraving by Thiriat, to illustrate the story A Through Alsace and Lorraine, in 1887, by Charles Grad, German deputer, in the tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris., Thiriat, Henri (1866-97) / Bridgeman Images

ID: LSE4334735

Portrait of the author: Charles Grad (1842-1890), German politician, writer and naturalist. Engraving by Thiriat, to illustrate the story A Through Alsace and Lorraine, in 1887, by Charles Grad, German deputer, in the tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

Thiriat, Henri (1866-97)

French residence in Hanoi. Engraving by Lancelot, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
French residence in Hanoi. Engraving by Lancelot, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334763: French residence in Hanoi. Engraving by Lancelot, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

ID: LSE4334763

French residence in Hanoi. Engraving by Lancelot, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

Lancelot, Dieudonne Auguste (1822-94)

Tonkinise in town costume. Engraving by Y.Pranishnikoff, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
Tonkinise in town costume. Engraving by Y.Pranishnikoff, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334765: Tonkinise in town costume. Engraving by Y.Pranishnikoff, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Pranishnikoff, Ivan (1841-1909) / Bridgeman Images

ID: LSE4334765

Tonkinise in town costume. Engraving by Y.Pranishnikoff, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

Pranishnikoff, Ivan (1841-1909)

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334801: Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334801

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Chinese letters from the French residence in Hanoi. Engraving by Thiriat, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
Chinese letters from the French residence in Hanoi. Engraving by Thiriat, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334817: Chinese letters from the French residence in Hanoi. Engraving by Thiriat, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Thiriat, Henri (1866-97) / Bridgeman Images

ID: LSE4334817

Chinese letters from the French residence in Hanoi. Engraving by Thiriat, after a photograph, to illustrate the story Trente mois au Tonkin in 1884, by Doctor Hocquard, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

Thiriat, Henri (1866-97)

Saturday night in Dublin. Engraving by Tofani, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.
Saturday night in Dublin. Engraving by Tofani, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334848: Saturday night in Dublin. Engraving by Tofani, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris., Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4334848

Saturday night in Dublin. Engraving by Tofani, to illustrate the story Trois mois en Irlande, in 1889, by Marie Anne de Bovet, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

Tofani, Oswaldo (1849-1915)

The funeral cortege. Engraving by Tofani, to illustrate the story Trente mois au Tonkin, in 1884, by Doctor Paul Hocquard, in le tour du monde 1890, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
The funeral cortege. Engraving by Tofani, to illustrate the story Trente mois au Tonkin, in 1884, by Doctor Paul Hocquard, in le tour du monde 1890, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4335016: The funeral cortege. Engraving by Tofani, to illustrate the story Trente mois au Tonkin, in 1884, by Doctor Paul Hocquard, in le tour du monde 1890, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4335016

The funeral cortege. Engraving by Tofani, to illustrate the story Trente mois au Tonkin, in 1884, by Doctor Paul Hocquard, in le tour du monde 1890, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Tofani, Oswaldo (1849-1915)

Portrait of Henry Morton Stanley (ne John Rowlands 1841-1904) journalist and explorer. Engraving by G.Vuillier, to illustrate the story Dans les tenebres de l'Afrique, Recherche discovered et retraite d'Emin Pacha, 1887-1889, by Henry Stanley, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.
Portrait of Henry Morton Stanley (ne John Rowlands 1841-1904) journalist and explorer. Engraving by G.Vuillier, to illustrate the story Dans les tenebres de l'Afrique, Recherche discovered et retraite d'Emin Pacha, 1887-1889, by Henry Stanley, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4335043: Portrait of Henry Morton Stanley (ne John Rowlands 1841-1904) journalist and explorer. Engraving by G.Vuillier, to illustrate the story Dans les tenebres de l'Afrique, Recherche discovered et retraite d'Emin Pacha, 1887-1889, by Henry Stanley, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris., Vuillier, Gaston (1847-1915) / Bridgeman Images

ID: LSE4335043

Portrait of Henry Morton Stanley (ne John Rowlands 1841-1904) journalist and explorer. Engraving by G.Vuillier, to illustrate the story Dans les tenebres de l'Afrique, Recherche discovered et retraite d'Emin Pacha, 1887-1889, by Henry Stanley, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

Vuillier, Gaston (1847-1915)

Three generations of Maori. Engraving by Barbotin, to illustrate the story Voyage a la Nouvelle Zelande, in 1889, by G.Verschuur, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.
Three generations of Maori. Engraving by Barbotin, to illustrate the story Voyage a la Nouvelle Zelande, in 1889, by G.Verschuur, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4335080: Three generations of Maori. Engraving by Barbotin, to illustrate the story Voyage a la Nouvelle Zelande, in 1889, by G.Verschuur, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris., Barbotin, William (1861-1931) / Bridgeman Images

ID: LSE4335080

Three generations of Maori. Engraving by Barbotin, to illustrate the story Voyage a la Nouvelle Zelande, in 1889, by G.Verschuur, in le tour du monde 1890, directed by Edouard Charton (1807-1890), Hachette, Paris.

Barbotin, William (1861-1931)

Jubilee in Rome in 1450, during the pontificate of Nicholas V (1447-1455). Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.
Jubilee in Rome in 1450, during the pontificate of Nicholas V (1447-1455). Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.

LSE4335168: Jubilee in Rome in 1450, during the pontificate of Nicholas V (1447-1455). Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris., French School, (19th century) / Bridgeman Images

ID: LSE4335168

Jubilee in Rome in 1450, during the pontificate of Nicholas V (1447-1455). Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.

French School, (19th century)

Galilee (or Galileo Galilei (1564-1642)) before the Holy Office in the Vatican”” The astronomer was sentenced by the Inquisition Tribunal in 1632. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.
Galilee (or Galileo Galilei (1564-1642)) before the Holy Office in the Vatican”” The astronomer was sentenced by the Inquisition Tribunal in 1632. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.

LSE4335239: Galilee (or Galileo Galilei (1564-1642)) before the Holy Office in the Vatican”” The astronomer was sentenced by the Inquisition Tribunal in 1632. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris., French School, (19th century) / Bridgeman Images

ID: LSE4335239

Galilee (or Galileo Galilei (1564-1642)) before the Holy Office in the Vatican”” The astronomer was sentenced by the Inquisition Tribunal in 1632. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.

French School, (19th century)

Alexander VII (Alexander or Alessandro) (Pope 1655 to 1667) at the foot of Christ. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.
Alexander VII (Alexander or Alessandro) (Pope 1655 to 1667) at the foot of Christ. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.

LSE4335249: Alexander VII (Alexander or Alessandro) (Pope 1655 to 1667) at the foot of Christ. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris., French School, (19th century) / Bridgeman Images

ID: LSE4335249

Alexander VII (Alexander or Alessandro) (Pope 1655 to 1667) at the foot of Christ. Engraving to illustrate Histoire des popes by Maurice Lachatre (1814-1900), librairie du progres, Paris.

French School, (19th century)

Commissioner of Police during the Revolution (1789-1799). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Commissioner of Police during the Revolution (1789-1799). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335371: Commissioner of Police during the Revolution (1789-1799). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4335371

Commissioner of Police during the Revolution (1789-1799). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

Unknown Artist, (19th century)

Officer of Peace (1802). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Officer of Peace (1802). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335378: Officer of Peace (1802). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4335378

Officer of Peace (1802). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

Unknown Artist, (19th century)

Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A.Paris, to illustrate the story “” the Transcanadien et l'Alaska”” by E.Cotteau, in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A.Paris, to illustrate the story “” the Transcanadien et l'Alaska”” by E.Cotteau, in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335516: Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A.Paris, to illustrate the story “” the Transcanadien et l'Alaska”” by E.Cotteau, in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Paris, Alfred (1846-1908) / Bridgeman Images

ID: LSE4335516

Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A.Paris, to illustrate the story “” the Transcanadien et l'Alaska”” by E.Cotteau, in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Paris, Alfred (1846-1908)

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335525: Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335525

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335536: Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335536

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

The ta lama, the ta amban and the other chiefs from Lhasa (Tibet, China). Engraving by A.Paris, to illustrate the story “From Paris to Tonkin, through unknown Tibet” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, edited by Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
The ta lama, the ta amban and the other chiefs from Lhasa (Tibet, China). Engraving by A.Paris, to illustrate the story “From Paris to Tonkin, through unknown Tibet” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, edited by Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335570: The ta lama, the ta amban and the other chiefs from Lhasa (Tibet, China). Engraving by A.Paris, to illustrate the story “From Paris to Tonkin, through unknown Tibet” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, edited by Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Paris, Alfred (1846-1908) / Bridgeman Images

ID: LSE4335570

The ta lama, the ta amban and the other chiefs from Lhasa (Tibet, China). Engraving by A.Paris, to illustrate the story “From Paris to Tonkin, through unknown Tibet” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, edited by Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Paris, Alfred (1846-1908)

Portrait of Emile Templier (1821- 1891), collaborator of Louis Hachette (1800-1864), in charge of the manufacture of the “Tour du monde”. Engraving by G.Vuillier, to illustrate the story “From Paris to Tonkin, through the unknown Tibet”” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, directed by Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Portrait of Emile Templier (1821- 1891), collaborator of Louis Hachette (1800-1864), in charge of the manufacture of the “Tour du monde”. Engraving by G.Vuillier, to illustrate the story “From Paris to Tonkin, through the unknown Tibet”” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, directed by Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335571: Portrait of Emile Templier (1821- 1891), collaborator of Louis Hachette (1800-1864), in charge of the manufacture of the “Tour du monde”. Engraving by G.Vuillier, to illustrate the story “From Paris to Tonkin, through the unknown Tibet”” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, directed by Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Vuillier, Gaston (1847-1915) / Bridgeman Images

ID: LSE4335571

Portrait of Emile Templier (1821- 1891), collaborator of Louis Hachette (1800-1864), in charge of the manufacture of the “Tour du monde”. Engraving by G.Vuillier, to illustrate the story “From Paris to Tonkin, through the unknown Tibet”” by Gabriel Bonvalot (1853-1933), in 1889-1890, in Le tour du monde, nouveau journal des voyages, directed by Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Vuillier, Gaston (1847-1915)

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335581: Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335581

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335593: Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335593

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Fantasia on foot, in front of the panorama of M'Zab (Algeria) batie in an amphitheatre with its minaret at the top. Engraving by Marius Perret, to illustrate the story “” Voyage d'Algiers au M'Zab”” by M.Zeys, charged with a mission by the Minister of Public Education, in 1887, in Le tour du monde, new journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Fantasia on foot, in front of the panorama of M'Zab (Algeria) batie in an amphitheatre with its minaret at the top. Engraving by Marius Perret, to illustrate the story “” Voyage d'Algiers au M'Zab”” by M.Zeys, charged with a mission by the Minister of Public Education, in 1887, in Le tour du monde, new journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335652: Fantasia on foot, in front of the panorama of M'Zab (Algeria) batie in an amphitheatre with its minaret at the top. Engraving by Marius Perret, to illustrate the story “” Voyage d'Algiers au M'Zab”” by M.Zeys, charged with a mission by the Minister of Public Education, in 1887, in Le tour du monde, new journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Perret, Marius (1853-1900) / Bridgeman Images

ID: LSE4335652

Fantasia on foot, in front of the panorama of M'Zab (Algeria) batie in an amphitheatre with its minaret at the top. Engraving by Marius Perret, to illustrate the story “” Voyage d'Algiers au M'Zab”” by M.Zeys, charged with a mission by the Minister of Public Education, in 1887, in Le tour du monde, new journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Perret, Marius (1853-1900)

The cave Napoleon, or Napoleon Bonaparte (1769-1821) loved to take refuge as a child to study and meditate. Engraving and story “” La Corse”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
The cave Napoleon, or Napoleon Bonaparte (1769-1821) loved to take refuge as a child to study and meditate. Engraving and story “” La Corse”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335705: The cave Napoleon, or Napoleon Bonaparte (1769-1821) loved to take refuge as a child to study and meditate. Engraving and story “” La Corse”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Vuillier, Gaston (1847-1915) / Bridgeman Images

ID: LSE4335705

The cave Napoleon, or Napoleon Bonaparte (1769-1821) loved to take refuge as a child to study and meditate. Engraving and story “” La Corse”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Vuillier, Gaston (1847-1915)

General view of Siena (Italy). Engraving by Taylor to illustrate the story “” A travers la Tuscane”” by Eugene Muntz (1845-1902), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
General view of Siena (Italy). Engraving by Taylor to illustrate the story “” A travers la Tuscane”” by Eugene Muntz (1845-1902), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4335750: General view of Siena (Italy). Engraving by Taylor to illustrate the story “” A travers la Tuscane”” by Eugene Muntz (1845-1902), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Taylor, T (fl.1850) / Bridgeman Images

ID: LSE4335750

General view of Siena (Italy). Engraving by Taylor to illustrate the story “” A travers la Tuscane”” by Eugene Muntz (1845-1902), in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Taylor, T (fl.1850)

Inside the church during the party. Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Inside the church during the party. Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4335752: Inside the church during the party. Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Paris, Alfred (1846-1908) / Bridgeman Images

ID: LSE4335752

Inside the church during the party. Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Paris, Alfred (1846-1908)

Salt mines of Koulpe (Armenia). Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Salt mines of Koulpe (Armenia). Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4335761: Salt mines of Koulpe (Armenia). Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Paris, Alfred (1846-1908) / Bridgeman Images

ID: LSE4335761

Salt mines of Koulpe (Armenia). Engraving by A.Paris to illustrate the story “A travers l'Armenie russe, Karabagh, vallee de l'Araxe, massif de l'Ararat”” by Madame B.Chantre, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Paris, Alfred (1846-1908)

Portrait of Dr. Carl Peters (1856-1918) German explorer. Engraving by Thiriat to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Portrait of Dr. Carl Peters (1856-1918) German explorer. Engraving by Thiriat to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4335765: Portrait of Dr. Carl Peters (1856-1918) German explorer. Engraving by Thiriat to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Thiriat, Henri (1866-97) / Bridgeman Images

ID: LSE4335765

Portrait of Dr. Carl Peters (1856-1918) German explorer. Engraving by Thiriat to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Thiriat, Henri (1866-97)

Interview with the Ouandorobbos, Ethiopia, after the expedition attack. Engraving by A.Paris to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Interview with the Ouandorobbos, Ethiopia, after the expedition attack. Engraving by A.Paris to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4335789: Interview with the Ouandorobbos, Ethiopia, after the expedition attack. Engraving by A.Paris to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Paris, Alfred (1846-1908) / Bridgeman Images

ID: LSE4335789

Interview with the Ouandorobbos, Ethiopia, after the expedition attack. Engraving by A.Paris to illustrate the story “” Au secours d'Emin Pacha””, by Doctor Peters (1856-1918), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Paris, Alfred (1846-1908)

Still Life with a Fruit Bowl - Painting by Juan Gris (1887-1927), 1918. Milano, Collezione Jesi
Still Life with a Fruit Bowl - Painting by Juan Gris (1887-1927), 1918. Milano, Collezione Jesi

LRI4353599: Still Life with a Fruit Bowl - Painting by Juan Gris (1887-1927), 1918. Milano, Collezione Jesi, Gris, Juan (1887-1927) / Bridgeman Images

ID: LRI4353599

Still Life with a Fruit Bowl - Painting by Juan Gris (1887-1927), 1918. Milano, Collezione Jesi

Gris, Juan (1887-1927)

Suzanne and the Elders - Oil on canvas, 17th century
Suzanne and the Elders - Oil on canvas, 17th century

LRI4353639: Suzanne and the Elders - Oil on canvas, 17th century, Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: LRI4353639

Suzanne and the Elders - Oil on canvas, 17th century

Guercino (Giovanni Francesco Barbieri) (1591-1666)

Herminie (Erminia) discovers Tancrede wits (detail), (Vafrino (Vafrin) helps to rescue him. Oil on canvas, 1619
Herminie (Erminia) discovers Tancrede wits (detail), (Vafrino (Vafrin) helps to rescue him. Oil on canvas, 1619

LRI4353641: Herminie (Erminia) discovers Tancrede wits (detail), (Vafrino (Vafrin) helps to rescue him. Oil on canvas, 1619, Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: LRI4353641

Herminie (Erminia) discovers Tancrede wits (detail), (Vafrino (Vafrin) helps to rescue him. Oil on canvas, 1619

Guercino (Giovanni Francesco Barbieri) (1591-1666)

Portrait of Claude Perrault French architect (1613-1688). Goblin tapestry panel adorning the Gallery of Apollo. Realised by A. de Brancas around 1858-1860. Musee du Louvre Paris.
Portrait of Claude Perrault French architect (1613-1688). Goblin tapestry panel adorning the Gallery of Apollo. Realised by A. de Brancas around 1858-1860. Musee du Louvre Paris.

ETI4397236: Portrait of Claude Perrault French architect (1613-1688). Goblin tapestry panel adorning the Gallery of Apollo. Realised by A. de Brancas around 1858-1860. Musee du Louvre Paris. / Bridgeman Images

ID: ETI4397236

Portrait of Claude Perrault French architect (1613-1688). Goblin tapestry panel adorning the Gallery of Apollo. Realised by A. de Brancas around 1858-1860. Musee du Louvre Paris.


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