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Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off.
Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off.

PCT4267269: Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off. / Bridgeman Images

ID: PCT4267269

Information leaflet disseminated by the Ministry of Agriculture and the institute of wines of current consumption in 1954/1955, encouraging winegrowers (winegrowers) to grubb up their vines in order to receive subsidies (compensation = voluntary grubbing-up premium) and avoid compulsory grubbing-up. Measures fixed by a decree of 30/9/1953. A cheque from Credit Agricole Mutuel's Caisse Regionale, issued for the sum of 480 000 francs representing 1 hectare of vine ripped off.

The palm grove of Marrakech (Morocco) in 1934. Anonymous photographic print from the period, from the archives of the Cherry family.
The palm grove of Marrakech (Morocco) in 1934. Anonymous photographic print from the period, from the archives of the Cherry family.

PCT4267293: The palm grove of Marrakech (Morocco) in 1934. Anonymous photographic print from the period, from the archives of the Cherry family. / Bridgeman Images

ID: PCT4267293

The palm grove of Marrakech (Morocco) in 1934. Anonymous photographic print from the period, from the archives of the Cherry family.

English dictionary for the soldier, by Franck Henius. A small dictionary and conversation manual for American soldiers debarking in France in 1944. The infantry journal. American military helmet and archetype representation of the French peasant, cap and mustache, arms open as a welcome sign.
English dictionary for the soldier, by Franck Henius. A small dictionary and conversation manual for American soldiers debarking in France in 1944. The infantry journal. American military helmet and archetype representation of the French peasant, cap and mustache, arms open as a welcome sign.

PCT4267183: English dictionary for the soldier, by Franck Henius. A small dictionary and conversation manual for American soldiers debarking in France in 1944. The infantry journal. American military helmet and archetype representation of the French peasant, cap and mustache, arms open as a welcome sign. / Bridgeman Images

ID: PCT4267183

English dictionary for the soldier, by Franck Henius. A small dictionary and conversation manual for American soldiers debarking in France in 1944. The infantry journal. American military helmet and archetype representation of the French peasant, cap and mustache, arms open as a welcome sign.

American comedian Charton Heston acting Ben Hur. Promotional photo of Ben-Hur film directed by William Wyler 1959.
American comedian Charton Heston acting Ben Hur. Promotional photo of Ben-Hur film directed by William Wyler 1959.

PCT4267192: American comedian Charton Heston acting Ben Hur. Promotional photo of Ben-Hur film directed by William Wyler 1959. / Bridgeman Images

ID: PCT4267192

American comedian Charton Heston acting Ben Hur. Promotional photo of Ben-Hur film directed by William Wyler 1959.

Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.
Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.

PCT4267405: Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4267405

Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.

Bayard, Emile Antoine (1837-91)

Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267181: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4267181

Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

Dore, Gustave (1832-83)

Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.
Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.

PCT4267216: Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4267216

Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.

Bayard, Emile Antoine (1837-91)

Meuniers during the carnival of the city of Limoux, Aude (11).
Meuniers during the carnival of the city of Limoux, Aude (11).

PCT4267282: Meuniers during the carnival of the city of Limoux, Aude (11). / Bridgeman Images

ID: PCT4267282

Meuniers during the carnival of the city of Limoux, Aude (11).

Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904).
Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904).

PCT4267420: Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904). / Bridgeman Images

ID: PCT4267420

Victor Hugo consoling his granddaughter Jeanne. The writer described his love for his grandchildren at length in “The terrible year” and “The art of being a grandfather”. Illustration by Daniel Virge (alias Daniel Urrabieta Ortiz y Virgo, 1851-1904).

Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century.
Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century.

PCT4267519: Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century. / Bridgeman Images

ID: PCT4267519

Funeral of Emperor Napoleon Bonaparte, 15 December 1840. Return of the ashes of Napoleon I to Paris: the cortege and the catafalque on the Champs-Elysees. Engraving by L. Mouchot, published in the complete works of Victor Hugo, Librairie Paul Ollendorff, early 20th century.

Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.
Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.

PCT4267565: Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4267565

Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.

Bayard, Emile Antoine (1837-91)

Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””.
Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””.

PCT4267678: Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””., Cartier, Patrice / Bridgeman Images

ID: PCT4267678

Cover of a popular novel with rose water appearing in a fascicle (1926). Marcel Priollet was one of the specialists of this popular literature featuring in river soap operas the desolate adventures of poor abused girls, girls-mother, etc. Here a young woman is “sold in the spring of her life”, a handful of thousand francs banknotes is thrown into her face by an anonymous male hand. Booklet Jules Tallandier, “the beautiful romance novels””.

Cartier, Patrice

A scene from William Shakespeare's play Hamlet. The Prince of Denmark Hamlet has just accidentally killed Polonius, a king's counselor and father of Ophelia whose prince is in love. Engraving beginning 20th century.
A scene from William Shakespeare's play Hamlet. The Prince of Denmark Hamlet has just accidentally killed Polonius, a king's counselor and father of Ophelia whose prince is in love. Engraving beginning 20th century.

PCT4267523: A scene from William Shakespeare's play Hamlet. The Prince of Denmark Hamlet has just accidentally killed Polonius, a king's counselor and father of Ophelia whose prince is in love. Engraving beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4267523

A scene from William Shakespeare's play Hamlet. The Prince of Denmark Hamlet has just accidentally killed Polonius, a king's counselor and father of Ophelia whose prince is in love. Engraving beginning 20th century.

Unknown Artist, (20th century)

The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.
The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.

PCT4267568: The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4267568

The archdeacon Claude Frollo is a pensive addition to his writing: engraving by G. Brion illustrating Victor Hugo's novel “Notre Dame de Paris””, Ollendorff edition beginning 20th century.

Unknown Artist, (20th century)

Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Mr. Jourdain in his new costume provokes the laughing of his handmaid Nicole (Aurelie Balte). Photo by Patrice Cartier
Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Mr. Jourdain in his new costume provokes the laughing of his handmaid Nicole (Aurelie Balte). Photo by Patrice Cartier

PCT4267595: Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Mr. Jourdain in his new costume provokes the laughing of his handmaid Nicole (Aurelie Balte). Photo by Patrice Cartier / Bridgeman Images

ID: PCT4267595

Jerome Savary playing “Le bourgeois gentilhomme”” by Moliere with the Grand Magic Circus in 1985. Mr. Jourdain in his new costume provokes the laughing of his handmaid Nicole (Aurelie Balte). Photo by Patrice Cartier

Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame.
Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame.

PCT4267635: Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame. / Bridgeman Images

ID: PCT4267635

Extract from a booklet of the Catalan aperitif Byrrh, to the attention of the Anlo-Saxon market, circa 1930. The text states that Byrrh (based in Thuir, Eastern Pyrenees) produces 16 million gallons of wine annually (72 million litres), which are exported to the four corners of the world. Photograph in helioengraving of the quay from the crates, with its beautiful metal frame.

The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.
The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.

PCT4267714: The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century. / Bridgeman Images

ID: PCT4267714

The god Mars naked on his chariot pulls by 4 horses through the clouds. Anonymous engraving at the end of the 19th century.

The actor of the Comedie Francaise Benoist-Constant in 1874 (print)
The actor of the Comedie Francaise Benoist-Constant in 1874 (print)

PCT4267830: The actor of the Comedie Francaise Benoist-Constant in 1874 (print) / Bridgeman Images

ID: PCT4267830

The actor of the Comedie Francaise Benoist-Constant in 1874 (print)

Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer.
Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer.

PCT4267941: Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer., Unknown photographer, (19th century) / Bridgeman Images

ID: PCT4267941

Photographic portrait of the poet Paul Verlaine (1844-1896) wearing a long scarf. Original print 39 x 54 mm from 1906: vignette of the 2nd album of the celebrites Felix Potin, uncredite photographer.

Unknown photographer, (19th century)

Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864.
Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864.

PCT4267992: Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864. / Bridgeman Images

ID: PCT4267992

Illustrated title page of a novel-soap by Viconte Pierre Alexis Ponson du Terrail (1829-1871), French popular writer: “” Les Gandins, mysteres du demi-monde (The matrimonial agency), Ždition Dentu 1864.

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was.
Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was.

PCT4267799: Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was., Chiostri, Carlo (1863-1939) / Bridgeman Images

ID: PCT4267799

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Pinocchio, finally becoming a real little boy, looks with Geppettto at the wooden puppet he was.

Chiostri, Carlo (1863-1939)

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.
Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.

PCT4267820: Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea., Chiostri, Carlo (1863-1939) / Bridgeman Images

ID: PCT4267820

Illustration of Pinocchio by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. The wooden puppet will be swallowed by a terrible shark, despite the help of the blue fee that has taken the look of a goat perched on a rock in the middle of the sea.

Chiostri, Carlo (1863-1939)

19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer.
19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer.

PCT4267878: 19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer. / Bridgeman Images

ID: PCT4267878

19th century map of the department of Herault (34, Languedoc Roussillon), extracted from the Atlas Migeon de Vuillemin. This map is accompanied by illustrations showing the weapons of Montpellier and a view of the port of Celle (today Sete, dominates by Mont Saint Clair, on the banks of the Lion Gulf). There are also portraits of the two great men of the department: Pierre Paul Riquet, Baron de Bonrepos (1604 or 1609-1680), engineer who created and realised the Canal du Midi in the south of France between the Garonne and the Mediterranean Sea, and Guillaume Louis Figuier (1819 -1894), writer and scientific popularizer.

Blue cart “” sulphate”” load of hay. Museum of Catalan Agriculture, Saint Michel de Llotes (66, Pyrenees Orientales). Photo by Patrice Cartier.
Blue cart “” sulphate”” load of hay. Museum of Catalan Agriculture, Saint Michel de Llotes (66, Pyrenees Orientales). Photo by Patrice Cartier.

PCT4265090: Blue cart “” sulphate”” load of hay. Museum of Catalan Agriculture, Saint Michel de Llotes (66, Pyrenees Orientales). Photo by Patrice Cartier., Cartier, Patrice / Bridgeman Images

ID: PCT4265090

Blue cart “” sulphate”” load of hay. Museum of Catalan Agriculture, Saint Michel de Llotes (66, Pyrenees Orientales). Photo by Patrice Cartier.

Cartier, Patrice

It has a harvest with its two-arm transport arms. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.
It has a harvest with its two-arm transport arms. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.

PCT4265094: It has a harvest with its two-arm transport arms. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier., Cartier, Patrice / Bridgeman Images

ID: PCT4265094

It has a harvest with its two-arm transport arms. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.

Cartier, Patrice

Illustration (engraving in soft size) of the title page of the tenth volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rural et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800). Harvest scene.
Illustration (engraving in soft size) of the title page of the tenth volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rural et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800). Harvest scene.

PCT4265237: Illustration (engraving in soft size) of the title page of the tenth volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rural et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800). Harvest scene. / Bridgeman Images

ID: PCT4265237

Illustration (engraving in soft size) of the title page of the tenth volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rural et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800). Harvest scene.

Title page illustrated from the tenth and last volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rurale et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800).
Title page illustrated from the tenth and last volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rurale et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800).

PCT4265266: Title page illustrated from the tenth and last volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rurale et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800). / Bridgeman Images

ID: PCT4265266

Title page illustrated from the tenth and last volume of the Cours complet d'agriculture theorique, pratique, economique et de medecine rurale et veterinaire or Dictionnaire universel d'agriculture de l'abbe Rozier, published in Paris, Librairie d'Education et des Sciences et Arts, an 8 (1800).

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.

PCT4265401: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4265401

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Allor si mosse, ed io gli tenni dietro. (Then he started, and I followed him)”, song 1 v.136.

Dore, Gustave (1832-83)

The actor Constant Coquelin in a play by Moliere (photo)
The actor Constant Coquelin in a play by Moliere (photo)

PCT4267905: The actor Constant Coquelin in a play by Moliere (photo), French Photographer, (19th century) / Bridgeman Images

ID: PCT4267905

The actor Constant Coquelin in a play by Moliere (photo)

French Photographer, (19th century)

First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital is adorned with a portrait of the poet (illumination) bordered by sober acanth leaves. (Rerum Senilium Liber, Carcassonne Library).
First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital is adorned with a portrait of the poet (illumination) bordered by sober acanth leaves. (Rerum Senilium Liber, Carcassonne Library).

PCT4267932: First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital is adorned with a portrait of the poet (illumination) bordered by sober acanth leaves. (Rerum Senilium Liber, Carcassonne Library). / Bridgeman Images

ID: PCT4267932

First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital is adorned with a portrait of the poet (illumination) bordered by sober acanth leaves. (Rerum Senilium Liber, Carcassonne Library).

Tram in the centre of Montpellier (Herault, 34, Languedoc Roussillon), Place de la Comedie, 2007. Photo by Patrice Cartier.
Tram in the centre of Montpellier (Herault, 34, Languedoc Roussillon), Place de la Comedie, 2007. Photo by Patrice Cartier.

PCT4268231: Tram in the centre of Montpellier (Herault, 34, Languedoc Roussillon), Place de la Comedie, 2007. Photo by Patrice Cartier., Cartier, Patrice / Bridgeman Images

ID: PCT4268231

Tram in the centre of Montpellier (Herault, 34, Languedoc Roussillon), Place de la Comedie, 2007. Photo by Patrice Cartier.

Cartier, Patrice

Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier.
Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier.

PCT4268351: Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier., Cartier, Patrice / Bridgeman Images

ID: PCT4268351

Happy scarecrow with a straw hat in a French countryside field. Photo by Patrice Cartier.

Cartier, Patrice

Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles.
Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles.

PCT4268078: Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles. / Bridgeman Images

ID: PCT4268078

Engraving by Alfred Johannot illustrating “” Itineraire de Paris a Jerusalem”” by Francois Rene de Chateaubriand, edition Furne 1859. Chateaubriand made this trip to the Orient in 1806 and published his notes in 1811. This illustration shows the watch leaving Bethleem on horseback, under the protection of men with rifles.

Portrait of German bodybuilder Eugen Sandow (photo)
Portrait of German bodybuilder Eugen Sandow (photo)

PCT4268135: Portrait of German bodybuilder Eugen Sandow (photo), Falk, Benjamin J. (1853-1925) / Bridgeman Images

ID: PCT4268135

Portrait of German bodybuilder Eugen Sandow (photo)

Falk, Benjamin J. (1853-1925)

Charlotte Wyns (from her real name Madame de Brujin or Bruyin, 1868-?) photographed in the role of Carmen by Reutlinger.
Charlotte Wyns (from her real name Madame de Brujin or Bruyin, 1868-?) photographed in the role of Carmen by Reutlinger.

PCT4268158: Charlotte Wyns (from her real name Madame de Brujin or Bruyin, 1868-?) photographed in the role of Carmen by Reutlinger. / Bridgeman Images

ID: PCT4268158

Charlotte Wyns (from her real name Madame de Brujin or Bruyin, 1868-?) photographed in the role of Carmen by Reutlinger.

Masterpiece of Renaissance architecture (1558) in Narbonne (Aude, Languedoc): the house of the three nannies, so named because of the 3 caryatid (caryatid) with oppulent breasts that adorn its window. Engraving 19th century, Municipal Library of Carcassonne.
Masterpiece of Renaissance architecture (1558) in Narbonne (Aude, Languedoc): the house of the three nannies, so named because of the 3 caryatid (caryatid) with oppulent breasts that adorn its window. Engraving 19th century, Municipal Library of Carcassonne.

PCT4268517: Masterpiece of Renaissance architecture (1558) in Narbonne (Aude, Languedoc): the house of the three nannies, so named because of the 3 caryatid (caryatid) with oppulent breasts that adorn its window. Engraving 19th century, Municipal Library of Carcassonne. / Bridgeman Images

ID: PCT4268517

Masterpiece of Renaissance architecture (1558) in Narbonne (Aude, Languedoc): the house of the three nannies, so named because of the 3 caryatid (caryatid) with oppulent breasts that adorn its window. Engraving 19th century, Municipal Library of Carcassonne.


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