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Wheelwright nailing a trake on to a wheel: illustration from “” The book of english trades and useful arts “” 1827 -
Wheelwright nailing a trake on to a wheel: illustration from “” The book of english trades and useful arts “” 1827 -

PCT4292018: Wheelwright nailing a trake on to a wheel: illustration from “” The book of english trades and useful arts “” 1827 - / Bridgeman Images

ID: PCT4292018

Wheelwright nailing a trake on to a wheel: illustration from “” The book of english trades and useful arts “” 1827 -

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier -
Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier -

PCT4292038: Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier - / Bridgeman Images

ID: PCT4292038

Sicilia, Italia (Sicily, Italy): Palermo (Palermo) - Palatine chapel (cappella palatina) - Palazzo dei Normanni (Palace of the Normans) - choir with mosaic representing Christ in glory (pantocrator), Arab-Norman medieval art- Photo Patrice Cartier -

Frontispice by Chauveau of the first edition in 1667 of Moliere's Misantrope (Le Misanthrope ou l'Atrabilaire amoureux) (Jean-Baptiste Poquelin, 1622-1673). Moliere himself appears in the role of Alceste, sitting beside Philinte (standing) -
Frontispice by Chauveau of the first edition in 1667 of Moliere's Misantrope (Le Misanthrope ou l'Atrabilaire amoureux) (Jean-Baptiste Poquelin, 1622-1673). Moliere himself appears in the role of Alceste, sitting beside Philinte (standing) -

PCT4292061: Frontispice by Chauveau of the first edition in 1667 of Moliere's Misantrope (Le Misanthrope ou l'Atrabilaire amoureux) (Jean-Baptiste Poquelin, 1622-1673). Moliere himself appears in the role of Alceste, sitting beside Philinte (standing) - / Bridgeman Images

ID: PCT4292061

Frontispice by Chauveau of the first edition in 1667 of Moliere's Misantrope (Le Misanthrope ou l'Atrabilaire amoureux) (Jean-Baptiste Poquelin, 1622-1673). Moliere himself appears in the role of Alceste, sitting beside Philinte (standing) -

Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) -
Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) -

PCT4293157: Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) - / Bridgeman Images

ID: PCT4293157

Dauphine, Vercors, Isere: picturesque and dizzying route of Combe Laval (Combe-Laval) Lente forest, near Saint-Jean-en-Royans (Saint, St Jean en Royans) - postcard beginning of the 20th century showing the first tourists who came to contemplate this landscape (panorama) -

Railway accident on January 16, 1914 (16-1-1914) at Narbonne (Aude) - buffering, derailment, steam locomotive - the winter of 1914 was particularly harsh, cold and snowy - the snow layer passed a metre high, congeres formed along the railway track, causing the collision of two trains - a locomotive of snow plow to clear the rails - several trains remained trapped in the snow for long hours - the event provoked a controversy over the poor maintenance of the railways by the Compagnie des chemins de fer du Midi - period postcard -
Railway accident on January 16, 1914 (16-1-1914) at Narbonne (Aude) - buffering, derailment, steam locomotive - the winter of 1914 was particularly harsh, cold and snowy - the snow layer passed a metre high, congeres formed along the railway track, causing the collision of two trains - a locomotive of snow plow to clear the rails - several trains remained trapped in the snow for long hours - the event provoked a controversy over the poor maintenance of the railways by the Compagnie des chemins de fer du Midi - period postcard -

PCT4293888: Railway accident on January 16, 1914 (16-1-1914) at Narbonne (Aude) - buffering, derailment, steam locomotive - the winter of 1914 was particularly harsh, cold and snowy - the snow layer passed a metre high, congeres formed along the railway track, causing the collision of two trains - a locomotive of snow plow to clear the rails - several trains remained trapped in the snow for long hours - the event provoked a controversy over the poor maintenance of the railways by the Compagnie des chemins de fer du Midi - period postcard - / Bridgeman Images

ID: PCT4293888

Railway accident on January 16, 1914 (16-1-1914) at Narbonne (Aude) - buffering, derailment, steam locomotive - the winter of 1914 was particularly harsh, cold and snowy - the snow layer passed a metre high, congeres formed along the railway track, causing the collision of two trains - a locomotive of snow plow to clear the rails - several trains remained trapped in the snow for long hours - the event provoked a controversy over the poor maintenance of the railways by the Compagnie des chemins de fer du Midi - period postcard -

Fable de La Fontaine “The frog and the beef”” illustrated by Godefroy, from a collection by the Maison Quinn, late 19th century -
Fable de La Fontaine “The frog and the beef”” illustrated by Godefroy, from a collection by the Maison Quinn, late 19th century -

PCT4294041: Fable de La Fontaine “The frog and the beef”” illustrated by Godefroy, from a collection by the Maison Quinn, late 19th century - / Bridgeman Images

ID: PCT4294041

Fable de La Fontaine “The frog and the beef”” illustrated by Godefroy, from a collection by the Maison Quinn, late 19th century -

Poissy (formerly Seine and Oise, department of the Yvelines since 1968 - Ile de France): Les Bigochets, boating on the Bras Migneaux, peniche, pier of the Sturgeon (restaurant) - Malcuit postcard beginning of the 20th century -
Poissy (formerly Seine and Oise, department of the Yvelines since 1968 - Ile de France): Les Bigochets, boating on the Bras Migneaux, peniche, pier of the Sturgeon (restaurant) - Malcuit postcard beginning of the 20th century -

PCT4294147: Poissy (formerly Seine and Oise, department of the Yvelines since 1968 - Ile de France): Les Bigochets, boating on the Bras Migneaux, peniche, pier of the Sturgeon (restaurant) - Malcuit postcard beginning of the 20th century - / Bridgeman Images

ID: PCT4294147

Poissy (formerly Seine and Oise, department of the Yvelines since 1968 - Ile de France): Les Bigochets, boating on the Bras Migneaux, peniche, pier of the Sturgeon (restaurant) - Malcuit postcard beginning of the 20th century -

Marly-le-Roi (Marly le Roi), formerly Seine and Oise, department of Yvelines since 1968 - Ile de France): avenue de l'watreuvoir et route de Versailles, railway bridge - postcard ELD beginning 20th century (sent in 1908) -
Marly-le-Roi (Marly le Roi), formerly Seine and Oise, department of Yvelines since 1968 - Ile de France): avenue de l'watreuvoir et route de Versailles, railway bridge - postcard ELD beginning 20th century (sent in 1908) -

PCT4294161: Marly-le-Roi (Marly le Roi), formerly Seine and Oise, department of Yvelines since 1968 - Ile de France): avenue de l'watreuvoir et route de Versailles, railway bridge - postcard ELD beginning 20th century (sent in 1908) - / Bridgeman Images

ID: PCT4294161

Marly-le-Roi (Marly le Roi), formerly Seine and Oise, department of Yvelines since 1968 - Ile de France): avenue de l'watreuvoir et route de Versailles, railway bridge - postcard ELD beginning 20th century (sent in 1908) -

Catalogue of clothes for the Samaritaine department store, 1940 (print)
Catalogue of clothes for the Samaritaine department store, 1940 (print)

PCT4294591: Catalogue of clothes for the Samaritaine department store, 1940 (print), French School, (20th century) / Bridgeman Images

ID: PCT4294591

Catalogue of clothes for the Samaritaine department store, 1940 (print)

French School, (20th century)

tragic wild boar hunt: pursued and attacked by dogs, the animal turns against the hunter who defends himself with his dagger - engraving of “The Illustree Hunting” of 3 September 1870 -
tragic wild boar hunt: pursued and attacked by dogs, the animal turns against the hunter who defends himself with his dagger - engraving of “The Illustree Hunting” of 3 September 1870 -

PCT4294540: tragic wild boar hunt: pursued and attacked by dogs, the animal turns against the hunter who defends himself with his dagger - engraving of “The Illustree Hunting” of 3 September 1870 - / Bridgeman Images

ID: PCT4294540

tragic wild boar hunt: pursued and attacked by dogs, the animal turns against the hunter who defends himself with his dagger - engraving of “The Illustree Hunting” of 3 September 1870 -

Elegant man, sitting in a chaise longue (deckchair, Chilean) and reading a newspaper outdoors in a park (garden). Anonymous photography beginning 20th century (around 1900 - 1930) - reading, paper press, rest -
Elegant man, sitting in a chaise longue (deckchair, Chilean) and reading a newspaper outdoors in a park (garden). Anonymous photography beginning 20th century (around 1900 - 1930) - reading, paper press, rest -

PCT4294572: Elegant man, sitting in a chaise longue (deckchair, Chilean) and reading a newspaper outdoors in a park (garden). Anonymous photography beginning 20th century (around 1900 - 1930) - reading, paper press, rest -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4294572

Elegant man, sitting in a chaise longue (deckchair, Chilean) and reading a newspaper outdoors in a park (garden). Anonymous photography beginning 20th century (around 1900 - 1930) - reading, paper press, rest -

Unknown photographer, (20th century)

Egypt, boat crossing the Suez Canal, Kantara Station - Original print on albumin paper, between 1870 and 1899 - Dimensions: 27.5 x 21.5 cm - Photograph sgnee ZANGAKI brothers, photographers.
Egypt, boat crossing the Suez Canal, Kantara Station - Original print on albumin paper, between 1870 and 1899 - Dimensions: 27.5 x 21.5 cm - Photograph sgnee ZANGAKI brothers, photographers.

PCT4294916: Egypt, boat crossing the Suez Canal, Kantara Station - Original print on albumin paper, between 1870 and 1899 - Dimensions: 27.5 x 21.5 cm - Photograph sgnee ZANGAKI brothers, photographers. / Bridgeman Images

ID: PCT4294916

Egypt, boat crossing the Suez Canal, Kantara Station - Original print on albumin paper, between 1870 and 1899 - Dimensions: 27.5 x 21.5 cm - Photograph sgnee ZANGAKI brothers, photographers.

Tour de France 1959 (photo)
Tour de France 1959 (photo)

PCT4294993: Tour de France 1959 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4294993

Tour de France 1959 (photo)

Unknown photographer, (20th century)

Illustration of Riou for Alexandre Dumas's novel “The leader of wolves”: Thibault, surrounded by the pack of wolves, sits in the middle of the smoking ruins of his burning cottage, 19th century 9engraving)
Illustration of Riou for Alexandre Dumas's novel “The leader of wolves”: Thibault, surrounded by the pack of wolves, sits in the middle of the smoking ruins of his burning cottage, 19th century 9engraving)

PCT4294492: Illustration of Riou for Alexandre Dumas's novel “The leader of wolves”: Thibault, surrounded by the pack of wolves, sits in the middle of the smoking ruins of his burning cottage, 19th century 9engraving) / Bridgeman Images

ID: PCT4294492

Illustration of Riou for Alexandre Dumas's novel “The leader of wolves”: Thibault, surrounded by the pack of wolves, sits in the middle of the smoking ruins of his burning cottage, 19th century 9engraving)

Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017-
Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017-

PCT4294568: Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017- / Bridgeman Images

ID: PCT4294568

Simon Johannin, ne en 1993, French model and writer - Photo Patrice Cartier, mars 2017-

The life of boys scouts: cooking - boy scout (boy scout), peeling and cooking potatoes, potato corvee, campfire, scouting - chromo (chromolithography) Felix Potin, beginning 20th century -
The life of boys scouts: cooking - boy scout (boy scout), peeling and cooking potatoes, potato corvee, campfire, scouting - chromo (chromolithography) Felix Potin, beginning 20th century -

PCT4294710: The life of boys scouts: cooking - boy scout (boy scout), peeling and cooking potatoes, potato corvee, campfire, scouting - chromo (chromolithography) Felix Potin, beginning 20th century -, Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4294710

The life of boys scouts: cooking - boy scout (boy scout), peeling and cooking potatoes, potato corvee, campfire, scouting - chromo (chromolithography) Felix Potin, beginning 20th century -

Unknown Artist, (20th century)

Mirepoix (Ariege, Cathare Country). Central square with half-timbered houses. Town Hall - Hotel de Ville. Photo by Patrice Cartier
Mirepoix (Ariege, Cathare Country). Central square with half-timbered houses. Town Hall - Hotel de Ville. Photo by Patrice Cartier

PCT4269992: Mirepoix (Ariege, Cathare Country). Central square with half-timbered houses. Town Hall - Hotel de Ville. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4269992

Mirepoix (Ariege, Cathare Country). Central square with half-timbered houses. Town Hall - Hotel de Ville. Photo by Patrice Cartier

Cartier, Patrice

Street show at the beginning of the 20th century. Saltimbanks with their caravan and their learned animals (a monkey and a dog) on the place de la republique in Limoux (Aude, 11). Postcard sent in June 1906.
Street show at the beginning of the 20th century. Saltimbanks with their caravan and their learned animals (a monkey and a dog) on the place de la republique in Limoux (Aude, 11). Postcard sent in June 1906.

PCT4266208: Street show at the beginning of the 20th century. Saltimbanks with their caravan and their learned animals (a monkey and a dog) on the place de la republique in Limoux (Aude, 11). Postcard sent in June 1906. / Bridgeman Images

ID: PCT4266208

Street show at the beginning of the 20th century. Saltimbanks with their caravan and their learned animals (a monkey and a dog) on the place de la republique in Limoux (Aude, 11). Postcard sent in June 1906.

Beautiful couple of young marriages photographs in studio at the beginning of the 20th century by photographer G. Baudillon from Toulouse.
Beautiful couple of young marriages photographs in studio at the beginning of the 20th century by photographer G. Baudillon from Toulouse.

PCT4266205: Beautiful couple of young marriages photographs in studio at the beginning of the 20th century by photographer G. Baudillon from Toulouse. / Bridgeman Images

ID: PCT4266205

Beautiful couple of young marriages photographs in studio at the beginning of the 20th century by photographer G. Baudillon from Toulouse.

Caroussel of 1662, the Duke of Enghien horseback in great uniform commanding the quadrille des Indiens. Engraving late 19th after a period engraving.
Caroussel of 1662, the Duke of Enghien horseback in great uniform commanding the quadrille des Indiens. Engraving late 19th after a period engraving.

PCT4265835: Caroussel of 1662, the Duke of Enghien horseback in great uniform commanding the quadrille des Indiens. Engraving late 19th after a period engraving. / Bridgeman Images

ID: PCT4265835

Caroussel of 1662, the Duke of Enghien horseback in great uniform commanding the quadrille des Indiens. Engraving late 19th after a period engraving.

Ramparts of the Cite de Carcassonne (Languedoc, Aude, Pays Cathare), 19th century romantic engraving.
Ramparts of the Cite de Carcassonne (Languedoc, Aude, Pays Cathare), 19th century romantic engraving.

PCT4266282: Ramparts of the Cite de Carcassonne (Languedoc, Aude, Pays Cathare), 19th century romantic engraving. / Bridgeman Images

ID: PCT4266282

Ramparts of the Cite de Carcassonne (Languedoc, Aude, Pays Cathare), 19th century romantic engraving.

Cite de Carcassonne (Languedoc, Aude, Pays Cathare), towers of the Porte Narbonnaise and the Treseau, engraving by Baron Taylor, 1830.
Cite de Carcassonne (Languedoc, Aude, Pays Cathare), towers of the Porte Narbonnaise and the Treseau, engraving by Baron Taylor, 1830.

PCT4266290: Cite de Carcassonne (Languedoc, Aude, Pays Cathare), towers of the Porte Narbonnaise and the Treseau, engraving by Baron Taylor, 1830. / Bridgeman Images

ID: PCT4266290

Cite de Carcassonne (Languedoc, Aude, Pays Cathare), towers of the Porte Narbonnaise and the Treseau, engraving by Baron Taylor, 1830.

Cairo, Egypt, circa 1870. Original photograph by Felix Bonfils. Print of the period on albumin paper (220 x 280 mm) after a negative glass in the collodion, sign, place, title and bearing a reference number (1151) at the bottom in the image.
Cairo, Egypt, circa 1870. Original photograph by Felix Bonfils. Print of the period on albumin paper (220 x 280 mm) after a negative glass in the collodion, sign, place, title and bearing a reference number (1151) at the bottom in the image.

PCT4266333: Cairo, Egypt, circa 1870. Original photograph by Felix Bonfils. Print of the period on albumin paper (220 x 280 mm) after a negative glass in the collodion, sign, place, title and bearing a reference number (1151) at the bottom in the image. / Bridgeman Images

ID: PCT4266333

Cairo, Egypt, circa 1870. Original photograph by Felix Bonfils. Print of the period on albumin paper (220 x 280 mm) after a negative glass in the collodion, sign, place, title and bearing a reference number (1151) at the bottom in the image.

Village Ball Orchestra beginning 20th century: the Indian Jazz de Rieux-Minervois (Aude, 11).
Village Ball Orchestra beginning 20th century: the Indian Jazz de Rieux-Minervois (Aude, 11).

PCT4266203: Village Ball Orchestra beginning 20th century: the Indian Jazz de Rieux-Minervois (Aude, 11)., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4266203

Village Ball Orchestra beginning 20th century: the Indian Jazz de Rieux-Minervois (Aude, 11).

Unknown photographer, (20th century)

A heron flying away. Hunting in Alsace and the Rhine Islands.
A heron flying away. Hunting in Alsace and the Rhine Islands.

PCT4266579: A heron flying away. Hunting in Alsace and the Rhine Islands. / Bridgeman Images

ID: PCT4266579

A heron flying away. Hunting in Alsace and the Rhine Islands.

weapons of Great Britain carried by a lion and a chain unicorn. The crown is topped by the lion of Judee. The motto of the order of the garter created by King Henry VIII “” Honi be wary of it” surrounds the ecu bearing the following symbols: at the top left the leopards of England and the lion of Scotland. Top right are the lilies of France. Lower left is the lyre of Ireland. Lower right are the two Normandy leopards, the white horse of Kent and the lion of Scotland. Undated engraving, probably 18th century. “God and my right” is the motto of the sovereign. This was the password chosen by King Richard I before the Battle of Gisors in 1198; he wanted to mean that he was not a vassal of France, but that he held his title as God alone. The formula became the royal motto of England under Henry VI. Always taken over by his successors, it appears under the shield of the royal coat of arms.
weapons of Great Britain carried by a lion and a chain unicorn. The crown is topped by the lion of Judee. The motto of the order of the garter created by King Henry VIII “” Honi be wary of it” surrounds the ecu bearing the following symbols: at the top left the leopards of England and the lion of Scotland. Top right are the lilies of France. Lower left is the lyre of Ireland. Lower right are the two Normandy leopards, the white horse of Kent and the lion of Scotland. Undated engraving, probably 18th century. “God and my right” is the motto of the sovereign. This was the password chosen by King Richard I before the Battle of Gisors in 1198; he wanted to mean that he was not a vassal of France, but that he held his title as God alone. The formula became the royal motto of England under Henry VI. Always taken over by his successors, it appears under the shield of the royal coat of arms.

PCT4266653: weapons of Great Britain carried by a lion and a chain unicorn. The crown is topped by the lion of Judee. The motto of the order of the garter created by King Henry VIII “” Honi be wary of it” surrounds the ecu bearing the following symbols: at the top left the leopards of England and the lion of Scotland. Top right are the lilies of France. Lower left is the lyre of Ireland. Lower right are the two Normandy leopards, the white horse of Kent and the lion of Scotland. Undated engraving, probably 18th century. “God and my right” is the motto of the sovereign. This was the password chosen by King Richard I before the Battle of Gisors in 1198; he wanted to mean that he was not a vassal of France, but that he held his title as God alone. The formula became the royal motto of England under Henry VI. Always taken over by his successors, it appears under the shield of the royal coat of arms. / Bridgeman Images

ID: PCT4266653

weapons of Great Britain carried by a lion and a chain unicorn. The crown is topped by the lion of Judee. The motto of the order of the garter created by King Henry VIII “” Honi be wary of it” surrounds the ecu bearing the following symbols: at the top left the leopards of England and the lion of Scotland. Top right are the lilies of France. Lower left is the lyre of Ireland. Lower right are the two Normandy leopards, the white horse of Kent and the lion of Scotland. Undated engraving, probably 18th century. “God and my right” is the motto of the sovereign. This was the password chosen by King Richard I before the Battle of Gisors in 1198; he wanted to mean that he was not a vassal of France, but that he held his title as God alone. The formula became the royal motto of England under Henry VI. Always taken over by his successors, it appears under the shield of the royal coat of arms.

The end of the Maginot line, part of which explodes under the eyes of German soldiers. Last cover of the Domenica del Corriere, illustrated supplement to the Corriere della Sera, 23 June 1940. Drawing by Beltrame.
The end of the Maginot line, part of which explodes under the eyes of German soldiers. Last cover of the Domenica del Corriere, illustrated supplement to the Corriere della Sera, 23 June 1940. Drawing by Beltrame.

PCT4266710: The end of the Maginot line, part of which explodes under the eyes of German soldiers. Last cover of the Domenica del Corriere, illustrated supplement to the Corriere della Sera, 23 June 1940. Drawing by Beltrame. / Bridgeman Images

ID: PCT4266710

The end of the Maginot line, part of which explodes under the eyes of German soldiers. Last cover of the Domenica del Corriere, illustrated supplement to the Corriere della Sera, 23 June 1940. Drawing by Beltrame.

Celeste Prudhomat by Gustave Guiches, 19th century (print)
Celeste Prudhomat by Gustave Guiches, 19th century (print)

PCT4266942: Celeste Prudhomat by Gustave Guiches, 19th century (print), Cartier, Patrice / Bridgeman Images

ID: PCT4266942

Celeste Prudhomat by Gustave Guiches, 19th century (print)

Cartier, Patrice

Spanish dictionaries: Castilian and Catalan. “” Nuevo diccionario enciclopedico illustrado de la lengua castellana””” by Miguel de Toro y Gomez (1918) and “” Castella-Catala Catala-Castella””” 1970.
Spanish dictionaries: Castilian and Catalan. “” Nuevo diccionario enciclopedico illustrado de la lengua castellana””” by Miguel de Toro y Gomez (1918) and “” Castella-Catala Catala-Castella””” 1970.

PCT4267083: Spanish dictionaries: Castilian and Catalan. “” Nuevo diccionario enciclopedico illustrado de la lengua castellana””” by Miguel de Toro y Gomez (1918) and “” Castella-Catala Catala-Castella””” 1970. / Bridgeman Images

ID: PCT4267083

Spanish dictionaries: Castilian and Catalan. “” Nuevo diccionario enciclopedico illustrado de la lengua castellana””” by Miguel de Toro y Gomez (1918) and “” Castella-Catala Catala-Castella””” 1970.

Sea baths: the raft. Engraving by Albert Robida, circa 1900.
Sea baths: the raft. Engraving by Albert Robida, circa 1900.

PCT4267112: Sea baths: the raft. Engraving by Albert Robida, circa 1900., Robida, Albert (1848-1926) / Bridgeman Images

ID: PCT4267112

Sea baths: the raft. Engraving by Albert Robida, circa 1900.

Robida, Albert (1848-1926)

Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267150: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4267150

Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

Dore, Gustave (1832-83)

Dessert plate decoree Digoin & Sarreguemines (porcelain, faience), early 20th century. Wedding party in Auvergne. Couple of young marriages, dancers and children musicians.
Dessert plate decoree Digoin & Sarreguemines (porcelain, faience), early 20th century. Wedding party in Auvergne. Couple of young marriages, dancers and children musicians.

PCT4266992: Dessert plate decoree Digoin & Sarreguemines (porcelain, faience), early 20th century. Wedding party in Auvergne. Couple of young marriages, dancers and children musicians. / Bridgeman Images

ID: PCT4266992

Dessert plate decoree Digoin & Sarreguemines (porcelain, faience), early 20th century. Wedding party in Auvergne. Couple of young marriages, dancers and children musicians.

Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267012: Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4267012

Sancho Panza (Panca), good living drinking and eating. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

Dore, Gustave (1832-83)

Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267070: Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4267070

Don Quixote (Quixote or Qijote) going on the adventure. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

Dore, Gustave (1832-83)

Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267143: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4267143

Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

Dore, Gustave (1832-83)

Young woman from the country (spinner) who made her wheel to watch a sick person in her bed. Engraving by Riou illustrating one of the “national novels” by Erkmann-Chatrian (Erkmann Chatrian), “Le conscrit de 1813”, edition Hetzel 1873.
Young woman from the country (spinner) who made her wheel to watch a sick person in her bed. Engraving by Riou illustrating one of the “national novels” by Erkmann-Chatrian (Erkmann Chatrian), “Le conscrit de 1813”, edition Hetzel 1873.

PCT4267223: Young woman from the country (spinner) who made her wheel to watch a sick person in her bed. Engraving by Riou illustrating one of the “national novels” by Erkmann-Chatrian (Erkmann Chatrian), “Le conscrit de 1813”, edition Hetzel 1873. / Bridgeman Images

ID: PCT4267223

Young woman from the country (spinner) who made her wheel to watch a sick person in her bed. Engraving by Riou illustrating one of the “national novels” by Erkmann-Chatrian (Erkmann Chatrian), “Le conscrit de 1813”, edition Hetzel 1873.


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