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View of the Garden Facade of the Chateau, from a collection of twelve 'Views of the Malmaison' (watercolour on paper)
View of the Garden Facade of the Chateau, from a collection of twelve 'Views of the Malmaison' (watercolour on paper)

XIR196953: View of the Garden Facade of the Chateau, from a collection of twelve 'Views of the Malmaison' (watercolour on paper), Garneray, Auguste Simon (1785-1824) / Bridgeman Images

ID: XIR196953

View of the Garden Facade of the Chateau, from a collection of twelve 'Views of the Malmaison' (watercolour on paper)

Garneray, Auguste Simon (1785-1824)

St. Michael's Mount, Cornwall (oil on panel)
St. Michael's Mount, Cornwall (oil on panel)

XKH191639: St. Michael's Mount, Cornwall (oil on panel), Stanfield, William Clarkson (1793-1867) / Bridgeman Images

ID: XKH191639

St. Michael's Mount, Cornwall (oil on panel)

Stanfield, William Clarkson (1793-1867)

Portrait of Cardinal Infante Ferdinand (1609-41) of Austria with Gun and Dog, 1632 (oil on canvas)
Portrait of Cardinal Infante Ferdinand (1609-41) of Austria with Gun and Dog, 1632 (oil on canvas)

XJL180974: Portrait of Cardinal Infante Ferdinand (1609-41) of Austria with Gun and Dog, 1632 (oil on canvas), Velazquez, Diego Rodriguez de Silva y (1599-1660) / Bridgeman Images

ID: XJL180974

Portrait of Cardinal Infante Ferdinand (1609-41) of Austria with Gun and Dog, 1632 (oil on canvas)

Velazquez, Diego Rodriguez de Silva y (1599-1660)

Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)
Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)

STC181183: Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: STC181183

Eruption of Vesuvius, Monday 9th August 1779, plate 3, published as a supplement to 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)

Fabris, Pietro (fl.1768-78)

Mr Bumble and Oliver Twist, illustration for 'Character Sketches from Dickens' compiled by B.W. Matz, 1924 (colour litho)
Mr Bumble and Oliver Twist, illustration for 'Character Sketches from Dickens' compiled by B.W. Matz, 1924 (colour litho)

IL193486: Mr Bumble and Oliver Twist, illustration for 'Character Sketches from Dickens' compiled by B.W. Matz, 1924 (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: IL193486

Mr Bumble and Oliver Twist, illustration for 'Character Sketches from Dickens' compiled by B.W. Matz, 1924 (colour litho)

Copping, Harold (1863-1932)

Disaster on the Railway between Versailles and Bellevue, 8th May 1842 (oil on canvas)
Disaster on the Railway between Versailles and Bellevue, 8th May 1842 (oil on canvas)

XIR168768: Disaster on the Railway between Versailles and Bellevue, 8th May 1842 (oil on canvas), Provost, A (fl. 1834-1855) / Bridgeman Images

ID: XIR168768

Disaster on the Railway between Versailles and Bellevue, 8th May 1842 (oil on canvas)

Provost, A (fl. 1834-1855)

Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving)
Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving)

CHT169034: Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving), Cochin, Charles Nicolas II (1715-90) (after) / Bridgeman Images

ID: CHT169034

Frontispiece to 'L Émile, ou De l'éducation' by J.J Rousseau, c.1782 (engraving)

Cochin, Charles Nicolas II (1715-90) (after)

Untitled, 1968 (steel & wood trolley with rubber tyres & charcoal)
Untitled, 1968 (steel & wood trolley with rubber tyres & charcoal)

XKH180815: Untitled, 1968 (steel & wood trolley with rubber tyres & charcoal), Kounellis, Jannis (1936-2017) / Bridgeman Images

ID: XKH180815

Untitled, 1968 (steel & wood trolley with rubber tyres & charcoal)

Kounellis, Jannis (1936-2017)

View of an eruption of Mt. Vesuvius which began on 23rd December 1760 and ended 5th January 1761, plate 12 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)
View of an eruption of Mt. Vesuvius which began on 23rd December 1760 and ended 5th January 1761, plate 12 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)

STC181187: View of an eruption of Mt. Vesuvius which began on 23rd December 1760 and ended 5th January 1761, plate 12 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper), Fabris, Pietro (fl.1768-78) / Bridgeman Images

ID: STC181187

View of an eruption of Mt. Vesuvius which began on 23rd December 1760 and ended 5th January 1761, plate 12 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies', by Sir William Hamilton (1730-1803), published 1776 (w/c on paper)

Fabris, Pietro (fl.1768-78)

Anemones, 1921 (oil on canvas)
Anemones, 1921 (oil on canvas)

CBR170552: Anemones, 1921 (oil on canvas), Valtat, Louis (1869-1952) / Bridgeman Images

ID: CBR170552

Anemones, 1921 (oil on canvas)

Valtat, Louis (1869-1952)

The Childhood of St. Genevieve (fresco)
The Childhood of St. Genevieve (fresco)

XIR170598: The Childhood of St. Genevieve (fresco), Puvis de Chavannes, Pierre (1824-98) / Bridgeman Images

ID: XIR170598

The Childhood of St. Genevieve (fresco)

Puvis de Chavannes, Pierre (1824-98)

Study for Woman in Blue, 1912 (oil on canvas)
Study for Woman in Blue, 1912 (oil on canvas)

XIR204925: Study for Woman in Blue, 1912 (oil on canvas), Leger, Fernand (1881-1955) / Bridgeman Images

ID: XIR204925

Study for Woman in Blue, 1912 (oil on canvas)

Leger, Fernand (1881-1955)

Rough Seas, Rin School, Middle Edo Period
Rough Seas, Rin School, Middle Edo Period

TFJ194551: Rough Seas, Rin School, Middle Edo Period, Japanese School / Bridgeman Images

ID: TFJ194551

Rough Seas, Rin School, Middle Edo Period

Japanese School

In and Around the City of Kyoto, Kano School (see also 194569)
In and Around the City of Kyoto, Kano School (see also 194569)

TFJ194570: In and Around the City of Kyoto, Kano School (see also 194569), Japanese School, (15th century) / Bridgeman Images

ID: TFJ194570

In and Around the City of Kyoto, Kano School (see also 194569)

Japanese School, (15th century)

St. Bruno (1030-1101) and Pope Urban II (c.1035-99) 1630-35 (oil on canvas)
St. Bruno (1030-1101) and Pope Urban II (c.1035-99) 1630-35 (oil on canvas)

XIR215050: St. Bruno (1030-1101) and Pope Urban II (c.1035-99) 1630-35 (oil on canvas), Zurbaran, Francisco de (1598-1664) / Bridgeman Images

ID: XIR215050

St. Bruno (1030-1101) and Pope Urban II (c.1035-99) 1630-35 (oil on canvas)

Zurbaran, Francisco de (1598-1664)

View from a Window of the Moscow School of Painting, 1878 (oil on canvas)
View from a Window of the Moscow School of Painting, 1878 (oil on canvas)

BBC206182: View from a Window of the Moscow School of Painting, 1878 (oil on canvas), Svetoslavsky, Sergei Ivanovich (1857-1931) / Bridgeman Images

ID: BBC206182

View from a Window of the Moscow School of Painting, 1878 (oil on canvas)

Svetoslavsky, Sergei Ivanovich (1857-1931)

Persimmon, 1964 (oil on canvas)
Persimmon, 1964 (oil on canvas)

BBC207313: Persimmon, 1964 (oil on canvas), Rauschenberg, Robert (1925-2008) / Bridgeman Images

ID: BBC207313

Persimmon, 1964 (oil on canvas)

Rauschenberg, Robert (1925-2008)

Transporting a Stone Block, 1786-87 (oil on canvas)
Transporting a Stone Block, 1786-87 (oil on canvas)

XIR209256: Transporting a Stone Block, 1786-87 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XIR209256

Transporting a Stone Block, 1786-87 (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho)
Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho)

STC219916: Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho), Trentsensky, Matthias (1790-1868) / Bridgeman Images

ID: STC219916

Elder, fig. 13 from 'The Young Landsman', published Vienna, 1845 (hand-coloured litho)

Trentsensky, Matthias (1790-1868)

Burial of the Vicomte de Chateaubriand (1768-1848) at Grand-Be, 19th July 1848 (oil on canvas)
Burial of the Vicomte de Chateaubriand (1768-1848) at Grand-Be, 19th July 1848 (oil on canvas)

XIR200021: Burial of the Vicomte de Chateaubriand (1768-1848) at Grand-Be, 19th July 1848 (oil on canvas), Doutreleau, Valentin Louis (b.1814) / Bridgeman Images

ID: XIR200021

Burial of the Vicomte de Chateaubriand (1768-1848) at Grand-Be, 19th July 1848 (oil on canvas)

Doutreleau, Valentin Louis (b.1814)

The Prisoners at Work at the Noumea Penal Colony in New Caledonia, engraved by Gillot, c.1900 (colour litho)
The Prisoners at Work at the Noumea Penal Colony in New Caledonia, engraved by Gillot, c.1900 (colour litho)

CHT199434: The Prisoners at Work at the Noumea Penal Colony in New Caledonia, engraved by Gillot, c.1900 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT199434

The Prisoners at Work at the Noumea Penal Colony in New Caledonia, engraved by Gillot, c.1900 (colour litho)

French School, (20th century)

Bather and Maid, c.1900 (oil on canvas)
Bather and Maid, c.1900 (oil on canvas)

BRN194382: Bather and Maid, c.1900 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BRN194382

Bather and Maid, c.1900 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

North America, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving)
North America, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving)

KWE205832: North America, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving), Bonne, Charles Marie Rigobert (1727-95) / Bridgeman Images

ID: KWE205832

North America, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving)

Bonne, Charles Marie Rigobert (1727-95)

Standing Nude, 1875-77 (oil on canvas)
Standing Nude, 1875-77 (oil on canvas)

FFA195952: Standing Nude, 1875-77 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: FFA195952

Standing Nude, 1875-77 (oil on canvas)

Cezanne, Paul (1839-1906)

Symbols of the progress of civilization: a tennis player and an athlete, c.1920 (colour litho)
Symbols of the progress of civilization: a tennis player and an athlete, c.1920 (colour litho)

CHT216704: Symbols of the progress of civilization: a tennis player and an athlete, c.1920 (colour litho), Vietnamese School (20th century) / Bridgeman Images

ID: CHT216704

Symbols of the progress of civilization: a tennis player and an athlete, c.1920 (colour litho)

Vietnamese School (20th century)

A peacock, from the central panel of a mural from the Fouquet jewellers in Paris, 1901 (bronze & wood)
A peacock, from the central panel of a mural from the Fouquet jewellers in Paris, 1901 (bronze & wood)

XIR218924: A peacock, from the central panel of a mural from the Fouquet jewellers in Paris, 1901 (bronze & wood), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: XIR218924

A peacock, from the central panel of a mural from the Fouquet jewellers in Paris, 1901 (bronze & wood)

Mucha, Alphonse Marie (1860-1939)

The Apprentices, 1892 (oil on canvas)
The Apprentices, 1892 (oil on canvas)

XIR218969: The Apprentices, 1892 (oil on canvas), Pion, Louis (1851-1934) / Bridgeman Images

ID: XIR218969

The Apprentices, 1892 (oil on canvas)

Pion, Louis (1851-1934)

The caning of Voltaire (1694-1778) by the lackeys of the Duc de Rohan in 1726, c.1900 (colour litho)
The caning of Voltaire (1694-1778) by the lackeys of the Duc de Rohan in 1726, c.1900 (colour litho)

CHT247112: The caning of Voltaire (1694-1778) by the lackeys of the Duc de Rohan in 1726, c.1900 (colour litho), Bombled, Louis Charles (1862-1927) / Bridgeman Images

ID: CHT247112

The caning of Voltaire (1694-1778) by the lackeys of the Duc de Rohan in 1726, c.1900 (colour litho)

Bombled, Louis Charles (1862-1927)

Dancer arranging her hair, c.1900-12 (pastel on paper)
Dancer arranging her hair, c.1900-12 (pastel on paper)

CH259615: Dancer arranging her hair, c.1900-12 (pastel on paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: CH259615

Dancer arranging her hair, c.1900-12 (pastel on paper)

Degas, Edgar (1834-1917)

What's to be Done? 1969, shown here in an exhibition in 1991 (mixed media)
What's to be Done? 1969, shown here in an exhibition in 1991 (mixed media)

WNB226961: What's to be Done? 1969, shown here in an exhibition in 1991 (mixed media), Merz, Mario (1925-2003) / Bridgeman Images

ID: WNB226961

What's to be Done? 1969, shown here in an exhibition in 1991 (mixed media)

Merz, Mario (1925-2003)

Robin with friend and Trixie, Torquay, 1952 (oil on board)
Robin with friend and Trixie, Torquay, 1952 (oil on board)

PSA229845: Robin with friend and Trixie, Torquay, 1952 (oil on board), Samuelson, Peter (1912-96) / Bridgeman Images

ID: PSA229845

Robin with friend and Trixie, Torquay, 1952 (oil on board)

Samuelson, Peter (1912-96)

The Palace Harem (photo)
The Palace Harem (photo)

STF230224: The Palace Harem (photo), Turkish School / Bridgeman Images

ID: STF230224

The Palace Harem (photo)

Turkish School

Stage design for opera 'Orpheo ed Euridice' by Christoph Gluck (1714-87) 1911 (w/c on paper)
Stage design for opera 'Orpheo ed Euridice' by Christoph Gluck (1714-87) 1911 (w/c on paper)

XAB238854: Stage design for opera 'Orpheo ed Euridice' by Christoph Gluck (1714-87) 1911 (w/c on paper), Golovin, Aleksandr Jakovlevic (1863-1930) / Bridgeman Images

ID: XAB238854

Stage design for opera 'Orpheo ed Euridice' by Christoph Gluck (1714-87) 1911 (w/c on paper)

Golovin, Aleksandr Jakovlevic (1863-1930)

Jesus with the Doctors, from the Altarpiece of the Dominicans, c.1470-80 (oil on panel)
Jesus with the Doctors, from the Altarpiece of the Dominicans, c.1470-80 (oil on panel)

XIR242446: Jesus with the Doctors, from the Altarpiece of the Dominicans, c.1470-80 (oil on panel), Schongauer, Martin (c.1440-91) (school of) / Bridgeman Images

ID: XIR242446

Jesus with the Doctors, from the Altarpiece of the Dominicans, c.1470-80 (oil on panel)

Schongauer, Martin (c.1440-91) (school of)

Pyre with Persian priests, illustration from 'Il Costumo Antico e Moderno' by Giulio Ferrario, Milan, 1819-1834 (coloured engraving)
Pyre with Persian priests, illustration from 'Il Costumo Antico e Moderno' by Giulio Ferrario, Milan, 1819-1834 (coloured engraving)

CHT243025: Pyre with Persian priests, illustration from 'Il Costumo Antico e Moderno' by Giulio Ferrario, Milan, 1819-1834 (coloured engraving), Biasioli, Angelo (1790-1830) / Bridgeman Images

ID: CHT243025

Pyre with Persian priests, illustration from 'Il Costumo Antico e Moderno' by Giulio Ferrario, Milan, 1819-1834 (coloured engraving)

Biasioli, Angelo (1790-1830)

Tryptic of the Virgin, central panel (oil on panel)
Tryptic of the Virgin, central panel (oil on panel)

XIR279477: Tryptic of the Virgin, central panel (oil on panel), Maestro di Cesi (fl.1300) / Bridgeman Images

ID: XIR279477

Tryptic of the Virgin, central panel (oil on panel)

Maestro di Cesi (fl.1300)


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