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Portrait of Margaret of Navarre (oil on panel)
Portrait of Margaret of Navarre (oil on panel)

MOU293390: Portrait of Margaret of Navarre (oil on panel), Clouet, Francois (c.1510-72) (circle of) / Bridgeman Images

ID: MOU293390

Portrait of Margaret of Navarre (oil on panel)

Clouet, Francois (c.1510-72) (circle of)

The Parthenon, built 447-432 BC (photo)
The Parthenon, built 447-432 BC (photo)

IBE291769: The Parthenon, built 447-432 BC (photo) / Bridgeman Images

ID: IBE291769

The Parthenon, built 447-432 BC (photo)

The Dance of Death from the Marienkirche in Luebeck (colour engraving)
The Dance of Death from the Marienkirche in Luebeck (colour engraving)

CHT307816: The Dance of Death from the Marienkirche in Luebeck (colour engraving), German School, (19th century) / Bridgeman Images

ID: CHT307816

The Dance of Death from the Marienkirche in Luebeck (colour engraving)

German School, (19th century)

Bartlett's Buildings, Holborn, 1838 (w/c on paper)
Bartlett's Buildings, Holborn, 1838 (w/c on paper)

XCF306052: Bartlett's Buildings, Holborn, 1838 (w/c on paper), Shepherd, Thomas Hosmer (1792-1864) / Bridgeman Images

ID: XCF306052

Bartlett's Buildings, Holborn, 1838 (w/c on paper)

Shepherd, Thomas Hosmer (1792-1864)

A cottage at Redlynch (w/c on paper)
A cottage at Redlynch (w/c on paper)

XPG359488: A cottage at Redlynch (w/c on paper), Allingham, Helen (1848-1926) / Bridgeman Images

ID: XPG359488

A cottage at Redlynch (w/c on paper)

Allingham, Helen (1848-1926)

Edward Bawden Working in his Studio, 1930 (tempera on board)
Edward Bawden Working in his Studio, 1930 (tempera on board)

RCA354879: Edward Bawden Working in his Studio, 1930 (tempera on board), Ravilious, Eric (1903-42) / Bridgeman Images

ID: RCA354879

Edward Bawden Working in his Studio, 1930 (tempera on board)

Ravilious, Eric (1903-42)

Capitoline Brutus, 4th-3rd century BC (bronze) (detail)
Capitoline Brutus, 4th-3rd century BC (bronze) (detail)

XZO349738: Capitoline Brutus, 4th-3rd century BC (bronze) (detail), Roman / Bridgeman Images

ID: XZO349738

Capitoline Brutus, 4th-3rd century BC (bronze) (detail)

Roman

Napoleon, 1907 (w/c on paper)
Napoleon, 1907 (w/c on paper)

PNH351393: Napoleon, 1907 (w/c on paper), Detaille, Jean-Baptiste Edouard (1848-1912) / Bridgeman Images

ID: PNH351393

Napoleon, 1907 (w/c on paper)

Detaille, Jean-Baptiste Edouard (1848-1912)

Portrait of Marie Duplessis (1824-1847) also known as 'La Dame aux Camelias', 1847 (w/c on paper)
Portrait of Marie Duplessis (1824-1847) also known as 'La Dame aux Camelias', 1847 (w/c on paper)

CHT352347: Portrait of Marie Duplessis (1824-1847) also known as 'La Dame aux Camelias', 1847 (w/c on paper), French School, (19th century) / Bridgeman Images

ID: CHT352347

Portrait of Marie Duplessis (1824-1847) also known as 'La Dame aux Camelias', 1847 (w/c on paper)

French School, (19th century)

All that was left of them
All that was left of them

LAL319219: All that was left of them, Woodville, Richard Caton (1825-55) / Bridgeman Images

ID: LAL319219

All that was left of them

Woodville, Richard Caton (1825-55)

The shepherds finding the infant Christ lying in a manger
The shepherds finding the infant Christ lying in a manger

LLM339657: The shepherds finding the infant Christ lying in a manger, Hole, William Brassey (1846-1917) / Bridgeman Images

ID: LLM339657

The shepherds finding the infant Christ lying in a manger

Hole, William Brassey (1846-1917)

Britain As It Was Devided In The Tyme of the Englishe Saxons especially during their Heptarchy (hand coloured copper engraving)
Britain As It Was Devided In The Tyme of the Englishe Saxons especially during their Heptarchy (hand coloured copper engraving)

XCF291063: Britain As It Was Devided In The Tyme of the Englishe Saxons especially during their Heptarchy (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF291063

Britain As It Was Devided In The Tyme of the Englishe Saxons especially during their Heptarchy (hand coloured copper engraving)

Speed, John (1552-1629)

Astor House Reading Room, 1840 (w/c on paper)
Astor House Reading Room, 1840 (w/c on paper)

MNY90566: Astor House Reading Room, 1840 (w/c on paper), Calyo, Nicolino (1799-1884) / Bridgeman Images

ID: MNY90566

Astor House Reading Room, 1840 (w/c on paper)

Calyo, Nicolino (1799-1884)

The Indiscretion, 1895 (oil on panel)
The Indiscretion, 1895 (oil on panel)

XKL90667: The Indiscretion, 1895 (oil on panel), Cap, Constant Aime Marie (1842-1915) / Bridgeman Images

ID: XKL90667

The Indiscretion, 1895 (oil on panel)

Cap, Constant Aime Marie (1842-1915)

Standing Female Nude (oil on canvas)
Standing Female Nude (oil on canvas)

PWI91679: Standing Female Nude (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: PWI91679

Standing Female Nude (oil on canvas)

Bonnard, Pierre (1867-1947)

In the Wood (oil on canvas)
In the Wood (oil on canvas)

CH96157: In the Wood (oil on canvas), Bouguereau, Elizabeth Jane Gardner (1837-1922) / Bridgeman Images

ID: CH96157

In the Wood (oil on canvas)

Bouguereau, Elizabeth Jane Gardner (1837-1922)

Self Portrait, study for a fresco, 1907 (tempera on card)
Self Portrait, study for a fresco, 1907 (tempera on card)

SRM96256: Self Portrait, study for a fresco, 1907 (tempera on card), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images

ID: SRM96256

Self Portrait, study for a fresco, 1907 (tempera on card)

Malevich, Kazimir Severinovich (1878-1935)

Tableau-Poeme, with text by Michel Seuphor, 1928 (pencil, pen, ink & gouache on cardboard)
Tableau-Poeme, with text by Michel Seuphor, 1928 (pencil, pen, ink & gouache on cardboard)

XIR96795: Tableau-Poeme, with text by Michel Seuphor, 1928 (pencil, pen, ink & gouache on cardboard), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: XIR96795

Tableau-Poeme, with text by Michel Seuphor, 1928 (pencil, pen, ink & gouache on cardboard)

Mondrian, Piet (1872-1944)

Portrait of Elizabeth of Austria (1554-92) Queen of France, c.1570 (oil on panel)
Portrait of Elizabeth of Austria (1554-92) Queen of France, c.1570 (oil on panel)

PWI94310: Portrait of Elizabeth of Austria (1554-92) Queen of France, c.1570 (oil on panel), Clouet, Francois (c.1510-72) / Bridgeman Images

ID: PWI94310

Portrait of Elizabeth of Austria (1554-92) Queen of France, c.1570 (oil on panel)

Clouet, Francois (c.1510-72)

A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho)
A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho)

MNY94361: A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho), Wenzell, Albert Beck (1864-1917) / Bridgeman Images

ID: MNY94361

A Showdown - In the 400. Blue-Bloods Playing for Blue Chips, plate 6 from a poker series, pub. by the Truth Company, New York, 1895 (litho)

Wenzell, Albert Beck (1864-1917)

Greenfinch, 1873 (watercolour, pencil on paper)
Greenfinch, 1873 (watercolour, pencil on paper)

CFA97880: Greenfinch, 1873 (watercolour, pencil on paper), Gould, John (1804-81) / Bridgeman Images

ID: CFA97880

Greenfinch, 1873 (watercolour, pencil on paper)

Gould, John (1804-81)

The Winged Deer (tapestry)
The Winged Deer (tapestry)

PWI95771: The Winged Deer (tapestry), French School, (15th century) / Bridgeman Images

ID: PWI95771

The Winged Deer (tapestry)

French School, (15th century)

Great Mosque at Brussa, plate 24 from 'Illustrations of Constantinople', engraved by the artist, pub. 1838 (litho)
Great Mosque at Brussa, plate 24 from 'Illustrations of Constantinople', engraved by the artist, pub. 1838 (litho)

STC83298: Great Mosque at Brussa, plate 24 from 'Illustrations of Constantinople', engraved by the artist, pub. 1838 (litho), Lewis, John Frederick (1804-76) / Bridgeman Images

ID: STC83298

Great Mosque at Brussa, plate 24 from 'Illustrations of Constantinople', engraved by the artist, pub. 1838 (litho)

Lewis, John Frederick (1804-76)

Dinner held at Delphi in honour of the painter by the elder of the village of Chryso, plate 10 from Part 2 of 'Views in Greece', engraved by T. Fielding, pub. 1821 (coloured aquatint)
Dinner held at Delphi in honour of the painter by the elder of the village of Chryso, plate 10 from Part 2 of 'Views in Greece', engraved by T. Fielding, pub. 1821 (coloured aquatint)

STC83270: Dinner held at Delphi in honour of the painter by the elder of the village of Chryso, plate 10 from Part 2 of 'Views in Greece', engraved by T. Fielding, pub. 1821 (coloured aquatint), Dodwell, Edward (1767-1832) (after) / Bridgeman Images

ID: STC83270

Dinner held at Delphi in honour of the painter by the elder of the village of Chryso, plate 10 from Part 2 of 'Views in Greece', engraved by T. Fielding, pub. 1821 (coloured aquatint)

Dodwell, Edward (1767-1832) (after)

Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk)
Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk)

XIR84903: Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk), Flemish School, (16th century) / Bridgeman Images

ID: XIR84903

Portrait of Titus Livius known as Livy (59BC-17AD) (red chalk)

Flemish School, (16th century)

Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne)
Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne)

XTD69808: Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne), Gentileschi, Orazio (1563-1639) / Bridgeman Images

ID: XTD69808

Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne)

Gentileschi, Orazio (1563-1639)

The Great Buddha, 1899
The Great Buddha, 1899

BAL69901: The Great Buddha, 1899, Gauguin, Paul (1848-1903) / Bridgeman Images

ID: BAL69901

The Great Buddha, 1899

Gauguin, Paul (1848-1903)

Milton a Poem: Albion on the rock, 1804 (relief etching, white engraving, w/c)
Milton a Poem: Albion on the rock, 1804 (relief etching, white engraving, w/c)

XND70247: Milton a Poem: Albion on the rock, 1804 (relief etching, white engraving, w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XND70247

Milton a Poem: Albion on the rock, 1804 (relief etching, white engraving, w/c)

Blake, William (1757-1827)

Guardian Angel, c.1685-94 (oil on canvas)
Guardian Angel, c.1685-94 (oil on canvas)

XIR70360: Guardian Angel, c.1685-94 (oil on canvas), Pozzo, Andrea (1642-1709) / Bridgeman Images

ID: XIR70360

Guardian Angel, c.1685-94 (oil on canvas)

Pozzo, Andrea (1642-1709)

Interior, 31 Mornington Crescent (oil on canvas)
Interior, 31 Mornington Crescent (oil on canvas)

LMG112939: Interior, 31 Mornington Crescent (oil on canvas), Gore, Spencer Frederick (1878-1914) / Bridgeman Images

ID: LMG112939

Interior, 31 Mornington Crescent (oil on canvas)

Gore, Spencer Frederick (1878-1914)

Portrait of Samuel Taylor Coleridge (1772-1834), 1818-21 (oil on canvas)
Portrait of Samuel Taylor Coleridge (1772-1834), 1818-21 (oil on canvas)

CAV113145: Portrait of Samuel Taylor Coleridge (1772-1834), 1818-21 (oil on canvas), Phillips, Thomas (1770-1845) / Bridgeman Images

ID: CAV113145

Portrait of Samuel Taylor Coleridge (1772-1834), 1818-21 (oil on canvas)

Phillips, Thomas (1770-1845)

Indefined Divisibility, 1942 (oil on canvas)
Indefined Divisibility, 1942 (oil on canvas)

NUM111343: Indefined Divisibility, 1942 (oil on canvas), Tanguy, Yves (1900-55) / Bridgeman Images

ID: NUM111343

Indefined Divisibility, 1942 (oil on canvas)

Tanguy, Yves (1900-55)

English Trading with Indians of the West Indies, from 'Americae', written and engraved by Theodor de Bry (1525-75), 1628 (engraving)
English Trading with Indians of the West Indies, from 'Americae', written and engraved by Theodor de Bry (1525-75), 1628 (engraving)

BAL111660: English Trading with Indians of the West Indies, from 'Americae', written and engraved by Theodor de Bry (1525-75), 1628 (engraving), Le Moyne, Jacques (de Morgues) (d.1587/88) (after) / Bridgeman Images

ID: BAL111660

English Trading with Indians of the West Indies, from 'Americae', written and engraved by Theodor de Bry (1525-75), 1628 (engraving)

Le Moyne, Jacques (de Morgues) (d.1587/88) (after)

William Godwin (1756-1836) 1802 (oil on canvas) (b&w photo)
William Godwin (1756-1836) 1802 (oil on canvas) (b&w photo)

XJF114037: William Godwin (1756-1836) 1802 (oil on canvas) (b&w photo), Northcote, James (1746-1831) / Bridgeman Images

ID: XJF114037

William Godwin (1756-1836) 1802 (oil on canvas) (b&w photo)

Northcote, James (1746-1831)

Wings Over Water, 1931-32 (oil on canvas)
Wings Over Water, 1931-32 (oil on canvas)

LMG100036: Wings Over Water, 1931-32 (oil on canvas), Hodgkins, Frances (1869-1947) / Bridgeman Images

ID: LMG100036

Wings Over Water, 1931-32 (oil on canvas)

Hodgkins, Frances (1869-1947)

Portrait of a Hound belonging to William Pitt, 1st Earl of Chatham, 1788 (oil on panel)
Portrait of a Hound belonging to William Pitt, 1st Earl of Chatham, 1788 (oil on panel)

BSA101191: Portrait of a Hound belonging to William Pitt, 1st Earl of Chatham, 1788 (oil on panel), Stubbs, George (1724-1806) / Bridgeman Images

ID: BSA101191

Portrait of a Hound belonging to William Pitt, 1st Earl of Chatham, 1788 (oil on panel)

Stubbs, George (1724-1806)


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