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The Indolents, illustration for 'Fetes Galantes' by Paul Verlaine (1844-96) 1928 (pochoir print)
The Indolents, illustration for 'Fetes Galantes' by Paul Verlaine (1844-96) 1928 (pochoir print)

STC226943: The Indolents, illustration for 'Fetes Galantes' by Paul Verlaine (1844-96) 1928 (pochoir print), Barbier, Georges (1882-1932) / Bridgeman Images

ID: STC226943

The Indolents, illustration for 'Fetes Galantes' by Paul Verlaine (1844-96) 1928 (pochoir print)

Barbier, Georges (1882-1932)

Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho)
Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho)

CHT221520: Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho), Checa y Sanz, Ulpiano (1860-1916) / Bridgeman Images

ID: CHT221520

Chilon Accusing the Christians of Starting the Fire in Rome, illustration from 'Quo Vadis' by Henryk Sienkiewicz (1846-1916) c.1910 (colour litho)

Checa y Sanz, Ulpiano (1860-1916)

The Aldermen of Toulouse, 1369 (vellum)
The Aldermen of Toulouse, 1369 (vellum)

XIR244185: The Aldermen of Toulouse, 1369 (vellum), French School, (14th century) / Bridgeman Images

ID: XIR244185

The Aldermen of Toulouse, 1369 (vellum)

French School, (14th century)

A Merry Moment, 1897 (oil on canvas)
A Merry Moment, 1897 (oil on canvas)

XAB244851: A Merry Moment, 1897 (oil on canvas), Rzhevskaya, Antonina Leonardov (1861-1934) / Bridgeman Images

ID: XAB244851

A Merry Moment, 1897 (oil on canvas)

Rzhevskaya, Antonina Leonardov (1861-1934)

Suffragette parade, outside the Adelphi Theatre, New York, 1910 (b/w photo)
Suffragette parade, outside the Adelphi Theatre, New York, 1910 (b/w photo)

SLS251106: Suffragette parade, outside the Adelphi Theatre, New York, 1910 (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: SLS251106

Suffragette parade, outside the Adelphi Theatre, New York, 1910 (b/w photo)

American Photographer, (20th century)

The Nativity, engraved by G.S. and S.G. Facius, 1785 (coloured engraving)
The Nativity, engraved by G.S. and S.G. Facius, 1785 (coloured engraving)

NCO241098: The Nativity, engraved by G.S. and S.G. Facius, 1785 (coloured engraving), Reynolds, Joshua (1723-92) (after) / Bridgeman Images

ID: NCO241098

The Nativity, engraved by G.S. and S.G. Facius, 1785 (coloured engraving)

Reynolds, Joshua (1723-92) (after)

Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving)
Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving)

XJF380273: Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF380273

Frontispiece and Titlepage to 'Gulliver's Travels' by Jonathan Swift, 1726 (engraving)

English School, (18th century)

Map of the World, 1671 (woodblock print)
Map of the World, 1671 (woodblock print)

XJF387451: Map of the World, 1671 (woodblock print), Japanese School, (17th century) / Bridgeman Images

ID: XJF387451

Map of the World, 1671 (woodblock print)

Japanese School, (17th century)

Guy de Maupassant, French writer (engraving)
Guy de Maupassant, French writer (engraving)

XEE4413275: Guy de Maupassant, French writer (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4413275

Guy de Maupassant, French writer (engraving)

Unknown Artist, (19th century)

The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211)
The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211)

VCH175727: The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: VCH175727

The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211)

Rackham, Arthur (1867-1939)

Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)
Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)

XIR175952: Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic), Byzantine / Bridgeman Images

ID: XIR175952

Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)

Byzantine

The city of Kinsai, c.1410-12 (tempera on vellum)
The city of Kinsai, c.1410-12 (tempera on vellum)

CHT176650: The city of Kinsai, c.1410-12 (tempera on vellum), Boucicaut Master, (fl.1390-1430) (and workshop) / Bridgeman Images

ID: CHT176650

The city of Kinsai, c.1410-12 (tempera on vellum)

Boucicaut Master, (fl.1390-1430) (and workshop)

George's Dock Basin, Liverpool, 1797 (oil on canvas)
George's Dock Basin, Liverpool, 1797 (oil on canvas)

PFA177611: George's Dock Basin, Liverpool, 1797 (oil on canvas), Serres, John Thomas (1759-1825) / Bridgeman Images

ID: PFA177611

George's Dock Basin, Liverpool, 1797 (oil on canvas)

Serres, John Thomas (1759-1825)

How the Indians Catch their Fish, from 'Admiranda Narratio...', 1590 (coloured engraving)
How the Indians Catch their Fish, from 'Admiranda Narratio...', 1590 (coloured engraving)

XIR182520: How the Indians Catch their Fish, from 'Admiranda Narratio...', 1590 (coloured engraving), White, John (fl.1570-93) (after) / Bridgeman Images

ID: XIR182520

How the Indians Catch their Fish, from 'Admiranda Narratio...', 1590 (coloured engraving)

White, John (fl.1570-93) (after)

At the court of King Henry III and Queen Caterina de Medici known as the Bal of the Duke of Alencon, second half of the 16th century (oil on canvas)
At the court of King Henry III and Queen Caterina de Medici known as the Bal of the Duke of Alencon, second half of the 16th century (oil on canvas)

JLJ4576436: At the court of King Henry III and Queen Caterina de Medici known as the Bal of the Duke of Alencon, second half of the 16th century (oil on canvas), French School, (16th century) / Bridgeman Images

ID: JLJ4576436

At the court of King Henry III and Queen Caterina de Medici known as the Bal of the Duke of Alencon, second half of the 16th century (oil on canvas)

French School, (16th century)

Representation of Byzantine Impress Theodora, wife of Justinian I (Sculpture)
Representation of Byzantine Impress Theodora, wife of Justinian I (Sculpture)

LRI4582469: Representation of Byzantine Impress Theodora, wife of Justinian I (Sculpture), Byzantine School, (6th century) / Bridgeman Images

ID: LRI4582469

Representation of Byzantine Impress Theodora, wife of Justinian I (Sculpture)

Byzantine School, (6th century)

History of writing: Johannes Gutenberg, German printer and inventor of printing, using his press for printing (chromo)
History of writing: Johannes Gutenberg, German printer and inventor of printing, using his press for printing (chromo)

XEE4190444: History of writing: Johannes Gutenberg, German printer and inventor of printing, using his press for printing (chromo), Unknown Artist / Bridgeman Images

ID: XEE4190444

History of writing: Johannes Gutenberg, German printer and inventor of printing, using his press for printing (chromo)

Unknown Artist

Ms 6712 (A.6.89) fol.129r Henry I (1068-1135), miniature from 'Flores Historiarum', by Matthew Paris, 1250-52 (vellum)
Ms 6712 (A.6.89) fol.129r Henry I (1068-1135), miniature from 'Flores Historiarum', by Matthew Paris, 1250-52 (vellum)

CHL206578: Ms 6712 (A.6.89) fol.129r Henry I (1068-1135), miniature from 'Flores Historiarum', by Matthew Paris, 1250-52 (vellum), English School, (13th century) / Bridgeman Images

ID: CHL206578

Ms 6712 (A.6.89) fol.129r Henry I (1068-1135), miniature from 'Flores Historiarum', by Matthew Paris, 1250-52 (vellum)

English School, (13th century)

Ile Saint-Denis, 1872 (oil on canvas)
Ile Saint-Denis, 1872 (oil on canvas)

XIR197264: Ile Saint-Denis, 1872 (oil on canvas), Sisley, Alfred (1839-99) / Bridgeman Images

ID: XIR197264

Ile Saint-Denis, 1872 (oil on canvas)

Sisley, Alfred (1839-99)

Songye power figure (copper) (see 198854 for detail)
Songye power figure (copper) (see 198854 for detail)

HSC198855: Songye power figure (copper) (see 198854 for detail), African School / Bridgeman Images

ID: HSC198855

Songye power figure (copper) (see 198854 for detail)

African School

Madeline after Prayer, 1868 (oil on canvas)
Madeline after Prayer, 1868 (oil on canvas)

WGL202378: Madeline after Prayer, 1868 (oil on canvas), Maclise, Daniel (Croquis, Alfred) (1806-70) / Bridgeman Images

ID: WGL202378

Madeline after Prayer, 1868 (oil on canvas)

Maclise, Daniel (Croquis, Alfred) (1806-70)

Romeo and Juliet, 1905 (marble) (see 195199)
Romeo and Juliet, 1905 (marble) (see 195199)

BOO183886: Romeo and Juliet, 1905 (marble) (see 195199), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: BOO183886

Romeo and Juliet, 1905 (marble) (see 195199)

Rodin, Auguste (1840-1917)

Dogon Kanaga Mask, Mali
Dogon Kanaga Mask, Mali

HSC199814: Dogon Kanaga Mask, Mali, African School / Bridgeman Images

ID: HSC199814

Dogon Kanaga Mask, Mali

African School

Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)
Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)

XIR180117: Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: XIR180117

Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)

Redoute, Pierre Joseph (1759-1840) (after)

Invocation of Neptune, 1866 (oil on canvas)
Invocation of Neptune, 1866 (oil on canvas)

XIR212538: Invocation of Neptune, 1866 (oil on canvas), Lecomte du Nouy, Jean Jules Antoine (1842-1923) / Bridgeman Images

ID: XIR212538

Invocation of Neptune, 1866 (oil on canvas)

Lecomte du Nouy, Jean Jules Antoine (1842-1923)

The Times of the Day: Daytime Dash (lithograph in colours)
The Times of the Day: Daytime Dash (lithograph in colours)

CH1766955: The Times of the Day: Daytime Dash (lithograph in colours), Mucha, Alphonse Marie (1860-1939) / Bridgeman Images

ID: CH1766955

The Times of the Day: Daytime Dash (lithograph in colours)

Mucha, Alphonse Marie (1860-1939)

Villas at Villers-sur-Mer, 1880 (oil on canvas)
Villas at Villers-sur-Mer, 1880 (oil on canvas)

CH1768068: Villas at Villers-sur-Mer, 1880 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: CH1768068

Villas at Villers-sur-Mer, 1880 (oil on canvas)

Caillebotte, Gustave (1848-94)

The Rally of the Romanian Peasants at Blaj in Transylvania on the 15th of May, 1848 (colour lithograph)
The Rally of the Romanian Peasants at Blaj in Transylvania on the 15th of May, 1848 (colour lithograph)

CHT171881: The Rally of the Romanian Peasants at Blaj in Transylvania on the 15th of May, 1848 (colour lithograph), Hungarian School / Bridgeman Images

ID: CHT171881

The Rally of the Romanian Peasants at Blaj in Transylvania on the 15th of May, 1848 (colour lithograph)

Hungarian School

Four Different Racial Groups (oil on panel)
Four Different Racial Groups (oil on panel)

XJL186953: Four Different Racial Groups (oil on panel), Islas, Andres de (fl.1772) / Bridgeman Images

ID: XJL186953

Four Different Racial Groups (oil on panel)

Islas, Andres de (fl.1772)

The Founder of English Astronomy (Jeremiah Horrocks), 1891 (oil on canvas)
The Founder of English Astronomy (Jeremiah Horrocks), 1891 (oil on canvas)

WGL191903: The Founder of English Astronomy (Jeremiah Horrocks), 1891 (oil on canvas), Crowe, Eyre (1824-1910) / Bridgeman Images

ID: WGL191903

The Founder of English Astronomy (Jeremiah Horrocks), 1891 (oil on canvas)

Crowe, Eyre (1824-1910)

A Woman Taking an Oath before King James I (1207-76) of Majorca, detail of the magistrate, the woman and the scribe, from the 'Capbreu de Clayra et de Millas', 1292 (vellum) (detail of 181839)
A Woman Taking an Oath before King James I (1207-76) of Majorca, detail of the magistrate, the woman and the scribe, from the 'Capbreu de Clayra et de Millas', 1292 (vellum) (detail of 181839)

XIR192816: A Woman Taking an Oath before King James I (1207-76) of Majorca, detail of the magistrate, the woman and the scribe, from the 'Capbreu de Clayra et de Millas', 1292 (vellum) (detail of 181839), Spanish School, (13th century) / Bridgeman Images

ID: XIR192816

A Woman Taking an Oath before King James I (1207-76) of Majorca, detail of the magistrate, the woman and the scribe, from the 'Capbreu de Clayra et de Millas', 1292 (vellum) (detail of 181839)

Spanish School, (13th century)

The Triumph of the Innocents, 1876 (oil on canvas)
The Triumph of the Innocents, 1876 (oil on canvas)

WGL194329: The Triumph of the Innocents, 1876 (oil on canvas), Hunt, William Holman (1827-1910) / Bridgeman Images

ID: WGL194329

The Triumph of the Innocents, 1876 (oil on canvas)

Hunt, William Holman (1827-1910)

The Moroccan Storyteller, 1877 (oil on canvas)
The Moroccan Storyteller, 1877 (oil on canvas)

EDI190537: The Moroccan Storyteller, 1877 (oil on canvas), Dehodencq, Alfred (1822-82) / Bridgeman Images

ID: EDI190537

The Moroccan Storyteller, 1877 (oil on canvas)

Dehodencq, Alfred (1822-82)

Paul I (1754-1801), Maria Feodorovna (1759-1828) and their Children, c.1800 (oil on canvas)
Paul I (1754-1801), Maria Feodorovna (1759-1828) and their Children, c.1800 (oil on canvas)

BAL183673: Paul I (1754-1801), Maria Feodorovna (1759-1828) and their Children, c.1800 (oil on canvas), Kugelgen, Franz Gerhard von (1772-1820) / Bridgeman Images

ID: BAL183673

Paul I (1754-1801), Maria Feodorovna (1759-1828) and their Children, c.1800 (oil on canvas)

Kugelgen, Franz Gerhard von (1772-1820)

Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint)
Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint)

STC97208: Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint), Gautier D'Agoty, Arnauld Eloi (1741-1780/83) / Bridgeman Images

ID: STC97208

Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint)

Gautier D'Agoty, Arnauld Eloi (1741-1780/83)

The Raising of the Son of Theophilus, the King of Antioch, and St. Peter Enthroned as First Bishop of Antioch, c.1427 and c.1480 (fresco)
The Raising of the Son of Theophilus, the King of Antioch, and St. Peter Enthroned as First Bishop of Antioch, c.1427 and c.1480 (fresco)

BEN63302: The Raising of the Son of Theophilus, the King of Antioch, and St. Peter Enthroned as First Bishop of Antioch, c.1427 and c.1480 (fresco), Masaccio, T. (1401-28) & Lippi, F. (1457/8-1504) / Bridgeman Images

ID: BEN63302

The Raising of the Son of Theophilus, the King of Antioch, and St. Peter Enthroned as First Bishop of Antioch, c.1427 and c.1480 (fresco)

Masaccio, T. (1401-28) & Lippi, F. (1457/8-1504)


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