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The Burda of al-Busiri, 1379 (gold leaf, blue pigment & ink on paper)
The Burda of al-Busiri, 1379 (gold leaf, blue pigment & ink on paper)

XIR352393: The Burda of al-Busiri, 1379 (gold leaf, blue pigment & ink on paper), Egyptian School (14th century AD) / Bridgeman Images

ID: XIR352393

The Burda of al-Busiri, 1379 (gold leaf, blue pigment & ink on paper)

Egyptian School (14th century AD)

The Battle of Waterloo in 1815, 1831 (w/c & ink on paper)
The Battle of Waterloo in 1815, 1831 (w/c & ink on paper)

XAB351671: The Battle of Waterloo in 1815, 1831 (w/c & ink on paper), Steiben, Charles (1788-1856) / Bridgeman Images

ID: XAB351671

The Battle of Waterloo in 1815, 1831 (w/c & ink on paper)

Steiben, Charles (1788-1856)

The Lily Pond (oil on canvas)
The Lily Pond (oil on canvas)

CH376912: The Lily Pond (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376912

The Lily Pond (oil on canvas)

Monet, Claude (1840-1926)

Apple orchard, 1892 (oil on canvas)
Apple orchard, 1892 (oil on canvas)

HEH372240: Apple orchard, 1892 (oil on canvas), Gorder, Luther Emerson van (1861-1931) / Bridgeman Images

ID: HEH372240

Apple orchard, 1892 (oil on canvas)

Gorder, Luther Emerson van (1861-1931)

Mexican women, with their children and the products of their labour, marching to demand their rights, from the cycle, 'The Mexican people call for social security' (fresco)
Mexican women, with their children and the products of their labour, marching to demand their rights, from the cycle, 'The Mexican people call for social security' (fresco)

XOT366581: Mexican women, with their children and the products of their labour, marching to demand their rights, from the cycle, 'The Mexican people call for social security' (fresco), Orozco, Jose Clemente (1883-1949) / Bridgeman Images

ID: XOT366581

Mexican women, with their children and the products of their labour, marching to demand their rights, from the cycle, 'The Mexican people call for social security' (fresco)

Orozco, Jose Clemente (1883-1949)

The Departure, 1885 (oil on canvas)
The Departure, 1885 (oil on canvas)

PNH367443: The Departure, 1885 (oil on canvas), Pattein, Cesar (1850-1931) / Bridgeman Images

ID: PNH367443

The Departure, 1885 (oil on canvas)

Pattein, Cesar (1850-1931)

The Cedars of Lebanon, 1861 (oil on canvas)
The Cedars of Lebanon, 1861 (oil on canvas)

PNH354603: The Cedars of Lebanon, 1861 (oil on canvas), Lear, Edward (1812-88) / Bridgeman Images

ID: PNH354603

The Cedars of Lebanon, 1861 (oil on canvas)

Lear, Edward (1812-88)

Score for trio for piano, violin and violoncello (pen & ink on paper)
Score for trio for piano, violin and violoncello (pen & ink on paper)

XIR360246: Score for trio for piano, violin and violoncello (pen & ink on paper), Franck, Cesar (1822-90) / Bridgeman Images

ID: XIR360246

Score for trio for piano, violin and violoncello (pen & ink on paper)

Franck, Cesar (1822-90)

Performance of the opera by Gluck, 'Il Parnaso Confuso' at Schoenbrunn Palace on 24th January 1765 (oil on canvas)
Performance of the opera by Gluck, 'Il Parnaso Confuso' at Schoenbrunn Palace on 24th January 1765 (oil on canvas)

XIR365066: Performance of the opera by Gluck, 'Il Parnaso Confuso' at Schoenbrunn Palace on 24th January 1765 (oil on canvas), Weikert, Johann Georg (1745-99) (attr. to) / Bridgeman Images

ID: XIR365066

Performance of the opera by Gluck, 'Il Parnaso Confuso' at Schoenbrunn Palace on 24th January 1765 (oil on canvas)

Weikert, Johann Georg (1745-99) (attr. to)

The Agony in the Garden (oil on canvas)
The Agony in the Garden (oil on canvas)

AGN227804: The Agony in the Garden (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: AGN227804

The Agony in the Garden (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Jesus and St. Peter, detail from Jesus washing the feet of the apostle (mosaic)
Jesus and St. Peter, detail from Jesus washing the feet of the apostle (mosaic)

XIR228276: Jesus and St. Peter, detail from Jesus washing the feet of the apostle (mosaic), Byzantine School, (12th century) / Bridgeman Images

ID: XIR228276

Jesus and St. Peter, detail from Jesus washing the feet of the apostle (mosaic)

Byzantine School, (12th century)

Game of pelota in the open air, 13th century (vellum)
Game of pelota in the open air, 13th century (vellum)

XIR226506: Game of pelota in the open air, 13th century (vellum), Spanish School, (13th century) / Bridgeman Images

ID: XIR226506

Game of pelota in the open air, 13th century (vellum)

Spanish School, (13th century)

Chapter 21 Heavenly Jerusalem, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) 1047 (vellum)
Chapter 21 Heavenly Jerusalem, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) 1047 (vellum)

IBE291881: Chapter 21 Heavenly Jerusalem, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) 1047 (vellum), Spanish School, (11th century) / Bridgeman Images

ID: IBE291881

Chapter 21 Heavenly Jerusalem, from a Commentary on the Apocalypse by the Asturian monk Beatus of Liebana (c.776) 1047 (vellum)

Spanish School, (11th century)

Portrait of Benjamin Constant (oil on canvas)
Portrait of Benjamin Constant (oil on canvas)

XPH335452: Portrait of Benjamin Constant (oil on canvas), French School, (19th century) / Bridgeman Images

ID: XPH335452

Portrait of Benjamin Constant (oil on canvas)

French School, (19th century)

Portrait of Khair ed-Din, c.1550 (oil on canvas)
Portrait of Khair ed-Din, c.1550 (oil on canvas)

CH332987: Portrait of Khair ed-Din, c.1550 (oil on canvas), Italian School, (16th century) / Bridgeman Images

ID: CH332987

Portrait of Khair ed-Din, c.1550 (oil on canvas)

Italian School, (16th century)

The Daemon of evil, with his fierce ravening, greedily grasped them, from 'Hero Myths and Legends of the British Race' by M.I. Ebbutt, 1910 (litho)
The Daemon of evil, with his fierce ravening, greedily grasped them, from 'Hero Myths and Legends of the British Race' by M.I. Ebbutt, 1910 (litho)

STC323650: The Daemon of evil, with his fierce ravening, greedily grasped them, from 'Hero Myths and Legends of the British Race' by M.I. Ebbutt, 1910 (litho), Bacon, John Henry Frederick (1868-1914) (after) / Bridgeman Images

ID: STC323650

The Daemon of evil, with his fierce ravening, greedily grasped them, from 'Hero Myths and Legends of the British Race' by M.I. Ebbutt, 1910 (litho)

Bacon, John Henry Frederick (1868-1914) (after)

Crinolette, 1880 (linen & wire)
Crinolette, 1880 (linen & wire)

FMB329173: Crinolette, 1880 (linen & wire), English School, (19th century) / Bridgeman Images

ID: FMB329173

Crinolette, 1880 (linen & wire)

English School, (19th century)

Naval dockyard, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (coloured engraving)
Naval dockyard, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (coloured engraving)

REV326114: Naval dockyard, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (coloured engraving), Goussier, Louis-Jacques (1722-99) (after) / Bridgeman Images

ID: REV326114

Naval dockyard, illustration from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) engraved by Robert Benard (fl.1734) published c.1770 (coloured engraving)

Goussier, Louis-Jacques (1722-99) (after)

Title page of the Coverdale Bible, printed in 1535, from 'The National and Domestic History of England' by William Hickman Smith Aubrey (1858-1916) published London, c.1890 (litho)
Title page of the Coverdale Bible, printed in 1535, from 'The National and Domestic History of England' by William Hickman Smith Aubrey (1858-1916) published London, c.1890 (litho)

KWE322671: Title page of the Coverdale Bible, printed in 1535, from 'The National and Domestic History of England' by William Hickman Smith Aubrey (1858-1916) published London, c.1890 (litho), English School, (19th century) / Bridgeman Images

ID: KWE322671

Title page of the Coverdale Bible, printed in 1535, from 'The National and Domestic History of England' by William Hickman Smith Aubrey (1858-1916) published London, c.1890 (litho)

English School, (19th century)

Rilke in Moscow, c.1930 (oil on canvas)
Rilke in Moscow, c.1930 (oil on canvas)

XPH324151: Rilke in Moscow, c.1930 (oil on canvas), Pasternak, Leonid Osipovic (1862-1945) / Bridgeman Images

ID: XPH324151

Rilke in Moscow, c.1930 (oil on canvas)

Pasternak, Leonid Osipovic (1862-1945)

Napoleon III, 1860-70 (b/w photo)
Napoleon III, 1860-70 (b/w photo)

XJF331767: Napoleon III, 1860-70 (b/w photo), French Photographer, (19th century) / Bridgeman Images

ID: XJF331767

Napoleon III, 1860-70 (b/w photo)

French Photographer, (19th century)

Woman with a Mask (oil on canvas) (detail of 154158)
Woman with a Mask (oil on canvas) (detail of 154158)

XIR243098: Woman with a Mask (oil on canvas) (detail of 154158), Lippi, Lorenzo (1606-65) / Bridgeman Images

ID: XIR243098

Woman with a Mask (oil on canvas) (detail of 154158)

Lippi, Lorenzo (1606-65)

Illustration from 'Le Reve' by Emile Zola (1840-1902) c.1888 (watercolour on paper)
Illustration from 'Le Reve' by Emile Zola (1840-1902) c.1888 (watercolour on paper)

XIR238608: Illustration from 'Le Reve' by Emile Zola (1840-1902) c.1888 (watercolour on paper), Schwabe, Carlos (1866-1926) / Bridgeman Images

ID: XIR238608

Illustration from 'Le Reve' by Emile Zola (1840-1902) c.1888 (watercolour on paper)

Schwabe, Carlos (1866-1926)

Christ the Man of Sorrows (oil on canvas)
Christ the Man of Sorrows (oil on canvas)

CH261381: Christ the Man of Sorrows (oil on canvas), Murillo, Bartolome Esteban (1618-82) / Bridgeman Images

ID: CH261381

Christ the Man of Sorrows (oil on canvas)

Murillo, Bartolome Esteban (1618-82)

Statue of Moses Maimonides (bronze)
Statue of Moses Maimonides (bronze)

KW259061: Statue of Moses Maimonides (bronze), Spanish School / Bridgeman Images

ID: KW259061

Statue of Moses Maimonides (bronze)

Spanish School

Two empire line evening dresses, from 'Les Robes de Paul Poiret' 1908 (pochoir print)
Two empire line evening dresses, from 'Les Robes de Paul Poiret' 1908 (pochoir print)

STC255309: Two empire line evening dresses, from 'Les Robes de Paul Poiret' 1908 (pochoir print), Iribe, Paul (1883-1935) / Bridgeman Images

ID: STC255309

Two empire line evening dresses, from 'Les Robes de Paul Poiret' 1908 (pochoir print)

Iribe, Paul (1883-1935)

Cook, Pastrycook, Caterer, Seller of roast meat, illustration from the 'Encyclopedia' by Denis Diderot, 1751-72 (engraving) (b/w photo)
Cook, Pastrycook, Caterer, Seller of roast meat, illustration from the 'Encyclopedia' by Denis Diderot, 1751-72 (engraving) (b/w photo)

XIR253042: Cook, Pastrycook, Caterer, Seller of roast meat, illustration from the 'Encyclopedia' by Denis Diderot, 1751-72 (engraving) (b/w photo), French School, (18th century) / Bridgeman Images

ID: XIR253042

Cook, Pastrycook, Caterer, Seller of roast meat, illustration from the 'Encyclopedia' by Denis Diderot, 1751-72 (engraving) (b/w photo)

French School, (18th century)

Drum, Dong Son style, 2nd-1st century BC (bronze) (see also 181009)
Drum, Dong Son style, 2nd-1st century BC (bronze) (see also 181009)

XIR232894: Drum, Dong Son style, 2nd-1st century BC (bronze) (see also 181009), Vietnamese School / Bridgeman Images

ID: XIR232894

Drum, Dong Son style, 2nd-1st century BC (bronze) (see also 181009)

Vietnamese School

Upper portion of the facade of St. Mark's Church, 1862 (w/c on paper)
Upper portion of the facade of St. Mark's Church, 1862 (w/c on paper)

STC230279: Upper portion of the facade of St. Mark's Church, 1862 (w/c on paper), Scott, William Bell (1811-90) / Bridgeman Images

ID: STC230279

Upper portion of the facade of St. Mark's Church, 1862 (w/c on paper)

Scott, William Bell (1811-90)

Wing of a Blue Roller, copy of an original by Albrecht Durer of 1512 (watercolour on paper)
Wing of a Blue Roller, copy of an original by Albrecht Durer of 1512 (watercolour on paper)

XIR230525: Wing of a Blue Roller, copy of an original by Albrecht Durer of 1512 (watercolour on paper), Hoffmann, Hans (c.1545/50-1591/92) / Bridgeman Images

ID: XIR230525

Wing of a Blue Roller, copy of an original by Albrecht Durer of 1512 (watercolour on paper)

Hoffmann, Hans (c.1545/50-1591/92)

St. Francis of Assisi, 1580-95 (oil on canvas)
St. Francis of Assisi, 1580-95 (oil on canvas)

XIR231540: St. Francis of Assisi, 1580-95 (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614) / Bridgeman Images

ID: XIR231540

St. Francis of Assisi, 1580-95 (oil on canvas)

Greco, El (Domenico Theotocopuli) (1541-1614)

First draft of the Constitution of the United States, 1787 (pen & ink on paper)
First draft of the Constitution of the United States, 1787 (pen & ink on paper)

XBP228822: First draft of the Constitution of the United States, 1787 (pen & ink on paper), American School, (18th century) / Bridgeman Images

ID: XBP228822

First draft of the Constitution of the United States, 1787 (pen & ink on paper)

American School, (18th century)

Tantric diagram of the right foot (gouache and w/c on paper)
Tantric diagram of the right foot (gouache and w/c on paper)

DND221205: Tantric diagram of the right foot (gouache and w/c on paper), Indian School / Bridgeman Images

ID: DND221205

Tantric diagram of the right foot (gouache and w/c on paper)

Indian School

Samuel Taylor Coleridge, 1804 (oil on canvas)
Samuel Taylor Coleridge, 1804 (oil on canvas)

WRD274287: Samuel Taylor Coleridge, 1804 (oil on canvas), Northcote, James (1746-1831) / Bridgeman Images

ID: WRD274287

Samuel Taylor Coleridge, 1804 (oil on canvas)

Northcote, James (1746-1831)

La Somme le Roi', by Lambert le Petity, 1311 (vellum)
La Somme le Roi', by Lambert le Petity, 1311 (vellum)

XIR266928: La Somme le Roi', by Lambert le Petity, 1311 (vellum), French School, (14th century) / Bridgeman Images

ID: XIR266928

La Somme le Roi', by Lambert le Petity, 1311 (vellum)

French School, (14th century)

The Last Trump, from the Wenhaston Doom, c.1500-20 (painted wood)
The Last Trump, from the Wenhaston Doom, c.1500-20 (painted wood)

MFI271189: The Last Trump, from the Wenhaston Doom, c.1500-20 (painted wood), English School, (16th century) / Bridgeman Images

ID: MFI271189

The Last Trump, from the Wenhaston Doom, c.1500-20 (painted wood)

English School, (16th century)


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