TWC62777:
Mademoiselle de Camargo Dancing, 1730 (oil on canvas), Lancret, Nicolas (1690-1743) / Bridgeman Images
ID: TWC62777
Mademoiselle de Camargo Dancing, 1730 (oil on canvas)
Lancret, Nicolas (1690-1743)
XAM68902:
The `Pragmatic Sanction' issued by Emperor Charles VI (1685-1740) in Germany settling the succession to the Habsburg lands on his daughter Maria Theresa (later Empress) (1717-80), 1713 (vellum) / Bridgeman Images
ID: XAM68902
The `Pragmatic Sanction' issued by Emperor Charles VI (1685-1740) in Germany settling the succession to the Habsburg lands on his daughter Maria Theresa (later Empress) (1717-80), 1713 (vellum)
BOO74453:
View of the Fontanka River from the grotto and the Guest Palace, etched by Grigory Anikievich Kachalov (1711/12-1759), 1753 (etching with engraving), Makhaev, Mikhail Ivanovich (c.1718-1770) (after) / Bridgeman Images
ID: BOO74453
View of the Fontanka River from the grotto and the Guest Palace, etched by Grigory Anikievich Kachalov (1711/12-1759), 1753 (etching with engraving)
Makhaev, Mikhail Ivanovich (c.1718-1770) (after)
RAF81453:
A View of the Calle de Alcala, Madrid, c.1750 (oil on canvas), Joli, Antonio (1700-77) / Bridgeman Images
ID: RAF81453
A View of the Calle de Alcala, Madrid, c.1750 (oil on canvas)
Joli, Antonio (1700-77)
XTD84808:
Title page of volume I of the English Dictionary by Dr Samuel Johnson (1709-84), pub. in 1755 (print), English School, (18th century) / Bridgeman Images
ID: XTD84808
Title page of volume I of the English Dictionary by Dr Samuel Johnson (1709-84), pub. in 1755 (print)
English School, (18th century)
RAF86396:
Trompe l'oeil letter rack with a print of an old man, 1703 (panel), Colyer or Collier, Edwaert (c.1640-c.1707) / Bridgeman Images
ID: RAF86396
Trompe l'oeil letter rack with a print of an old man, 1703 (panel)
Colyer or Collier, Edwaert (c.1640-c.1707)
STC133999:
Atlas Supports the Heavens on his Shoulders, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images
ID: STC133999
Atlas Supports the Heavens on his Shoulders, 1731 (engraving)
Picart, Bernard (1673-1733)
XKH141600:
The Angler, 1759 (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images
ID: XKH141600
The Angler, 1759 (oil on canvas)
Boucher, Francois (1703-70)
XYC146045:
William Lowndes (1652-1724), Auditor of His Majesty's Court of Exchequer, 1771 (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images
ID: XYC146045
William Lowndes (1652-1724), Auditor of His Majesty's Court of Exchequer, 1771 (oil on canvas)
Gainsborough, Thomas (1727-88)
STC152476:
At the Bank, c.1800 (engraving), English School, (19th century) / Bridgeman Images
ID: STC152476
At the Bank, c.1800 (engraving)
English School, (19th century)
XIR155924:
Scene from the Life of Cincinnatus. Cincinnatus Returning to his Plough Decorated with a Laurel Wreath, 1799 (oil on canvas), Poerson, Charles Francois (1653-1725) / Bridgeman Images
ID: XIR155924
Scene from the Life of Cincinnatus. Cincinnatus Returning to his Plough Decorated with a Laurel Wreath, 1799 (oil on canvas)
Poerson, Charles Francois (1653-1725)
ARH163952:
Tax Office at the Entrance of a City for Wines and Spirits, decree of The Council of State 22nd March 1707, from Registers of the Council of State of Paris, 1739 (engraving) (b/w photo) (detail) (see also 163952), French School, (18th century) / Bridgeman Images
ID: ARH163952
Tax Office at the Entrance of a City for Wines and Spirits, decree of The Council of State 22nd March 1707, from Registers of the Council of State of Paris, 1739 (engraving) (b/w photo) (detail) (see also 163952)
French School, (18th century)
HNT167616:
The Connoisseurs, 1799 (hand coloured etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images
ID: HNT167616
The Connoisseurs, 1799 (hand coloured etching)
Rowlandson, Thomas (1756-1827)
NCO190496:
Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar, published by Hannah Humphrey in 1792 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images
ID: NCO190496
Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar, published by Hannah Humphrey in 1792 (hand-coloured etching)
Gillray, James (1757-1815)
XJF190561:
Pantheon Macaroni, 1773 (oil on canvas) (b/w photo), English School, (18th century) / Bridgeman Images
ID: XJF190561
Pantheon Macaroni, 1773 (oil on canvas) (b/w photo)
English School, (18th century)
XIR194730:
Steam-powered car invented by Nicolas Joseph Cugnot (1725-1804), 1771 (mixed media) (b/w photo), French School, (18th century) / Bridgeman Images
ID: XIR194730
Steam-powered car invented by Nicolas Joseph Cugnot (1725-1804), 1771 (mixed media) (b/w photo)
French School, (18th century)
KNW203591:
The Rattle Snake (w/c on paper), Bartram, William (1739-1823) / Bridgeman Images
ID: KNW203591
The Rattle Snake (w/c on paper)
Bartram, William (1739-1823)
AKM204615:
Treaty of Greeneville Peace Medal, 1795, American School, (18th century) / Bridgeman Images
ID: AKM204615
Treaty of Greeneville Peace Medal, 1795
American School, (18th century)
XIR219621:
Joseph Bara (1779-93) as a Young Man (oil on canvas), Weerts, Jean Joseph (1847-1927) / Bridgeman Images
ID: XIR219621
Joseph Bara (1779-93) as a Young Man (oil on canvas)
Weerts, Jean Joseph (1847-1927)
XYC284033:
Omai, engraved by John Jacobe, 1777 (mezzotint), Reynolds, Joshua (1723-92) (after) / Bridgeman Images
ID: XYC284033
Omai, engraved by John Jacobe, 1777 (mezzotint)
Reynolds, Joshua (1723-92) (after)
XYC289234:
Papyrus (w/c over graphite on paper), Bruce, James (Abyssinian Bruce) (1730-94) / Bridgeman Images
ID: XYC289234
Papyrus (w/c over graphite on paper)
Bruce, James (Abyssinian Bruce) (1730-94)
XCK339923:
Vulcan Presenting Arms to Venus for Aeneas, 1756 (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images
ID: XCK339923
Vulcan Presenting Arms to Venus for Aeneas, 1756 (oil on canvas)
Boucher, Francois (1703-70)
XJF387408:
Riot in Broad Street, June 1780 (engraving), Heath, James (1757-1834) / Bridgeman Images
ID: XJF387408
Riot in Broad Street, June 1780 (engraving)
Heath, James (1757-1834)
ROC409959:
Queen Charlotte, 1779 (oil on canvas), West, Benjamin (1738-1820) / Bridgeman Images
ID: ROC409959
Queen Charlotte, 1779 (oil on canvas)
West, Benjamin (1738-1820)
BRH470269:
Spaniard and Mulatta Produce a Morisca, c.1715 (oil on canvas), Juarez, Juan Rodriguez (1675-1728) / Bridgeman Images
ID: BRH470269
Spaniard and Mulatta Produce a Morisca, c.1715 (oil on canvas)
Juarez, Juan Rodriguez (1675-1728)
MNS828832:
Nebuchadnezzar, 1795 (tempera, pen & ink and w/c on paper), Blake, William (1757-1827) / Bridgeman Images
ID: MNS828832
Nebuchadnezzar, 1795 (tempera, pen & ink and w/c on paper)
Blake, William (1757-1827)
GNS941795:
Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper), Gainsborough, Thomas (1727-88) / Bridgeman Images
ID: GNS941795
Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)
Gainsborough, Thomas (1727-88)
MEP1124996:
Tsar Boris Fedorovich Godunov, 1750 (oil on canvas), Russian School (18th century) / Bridgeman Images
ID: MEP1124996
Tsar Boris Fedorovich Godunov, 1750 (oil on canvas)
Russian School (18th century)
TAD1751508:
Capture of Bastille jail in Paris on july 14, 1789, French revolution, engraving / Bridgeman Images
ID: TAD1751508
Capture of Bastille jail in Paris on july 14, 1789, French revolution, engraving
CCI1969200:
Grove of Maria Teresa in the Schonbrunn garden, c.1780 (engraving) / Bridgeman Images
ID: CCI1969200
Grove of Maria Teresa in the Schonbrunn garden, c.1780 (engraving)
NCR3577013:
Capriccio: The Rialto Bridge and the Church of S. Giorgio Maggiore, c.1750 (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images
ID: NCR3577013
Capriccio: The Rialto Bridge and the Church of S. Giorgio Maggiore, c.1750 (oil on canvas)
Canaletto, (Giovanni Antonio Canal) (1697-1768)
LSE4076541:
Century of Light: Reason, Equality and Liberty holding the table of Human Rights and the French Constitution, late 18th century (engraving), French School, (18th century) / Bridgeman Images
ID: LSE4076541
Century of Light: Reason, Equality and Liberty holding the table of Human Rights and the French Constitution, late 18th century (engraving)
French School, (18th century)
LSE4335134:
Portrait of Denis Diderot, 1767 (oil on canvas), Van Loo, Louis Michel (1707-71) / Bridgeman Images
ID: LSE4335134
Portrait of Denis Diderot, 1767 (oil on canvas)
Van Loo, Louis Michel (1707-71)
JLJ4643561:
The port of Bordeaux with the ramparts, 18th century (oil on canvas), Vernet, Claude Joseph (1714-89) / Bridgeman Images
ID: JLJ4643561
The port of Bordeaux with the ramparts, 18th century (oil on canvas)
Vernet, Claude Joseph (1714-89)
JEB4961813:
Architecture: view of the inner courtyard of the Hotel de Roquelaure (246, bd st germain), Paris. Today Ministry of Equipment. Architect: Pierre Cailleteau dit Lassurance (1660-1724), approximately 1722 / Bridgeman Images
ID: JEB4961813
Architecture: view of the inner courtyard of the Hotel de Roquelaure (246, bd st germain), Paris. Today Ministry of Equipment. Architect: Pierre Cailleteau dit Lassurance (1660-1724), approximately 1722
BAL8287:
Poster advertising the 'Exposition Internationale d'Affiches', Paris, c.1896 (colour litho), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images
ID: BAL8287
Poster advertising the 'Exposition Internationale d'Affiches', Paris, c.1896 (colour litho)