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Heavenly Bodies, Liebig Card, 1892 (print)
Heavenly Bodies, Liebig Card, 1892 (print)

XLF3785341: Heavenly Bodies, Liebig Card, 1892 (print), German School, (19th century) / Bridgeman Images

ID: XLF3785341

Heavenly Bodies, Liebig Card, 1892 (print)

German School, (19th century)

Aristotle at the court of Philip of Macedonia, Liebig Card, 1921 (print)
Aristotle at the court of Philip of Macedonia, Liebig Card, 1921 (print)

XLF3780092: Aristotle at the court of Philip of Macedonia, Liebig Card, 1921 (print), French School, (20th century) / Bridgeman Images

ID: XLF3780092

Aristotle at the court of Philip of Macedonia, Liebig Card, 1921 (print)

French School, (20th century)

Jesus turns water into wine - Bible
Jesus turns water into wine - Bible

XLF3780780: Jesus turns water into wine - Bible / Bridgeman Images

ID: XLF3780780

Jesus turns water into wine - Bible

Elsa Schiaparelli drawing, 1938
Elsa Schiaparelli drawing, 1938

XLF3779851: Elsa Schiaparelli drawing, 1938, Schiaparelli, Elsa (1890-1973) / Bridgeman Images

ID: XLF3779851

Elsa Schiaparelli drawing, 1938

Schiaparelli, Elsa (1890-1973)

Portobelo Fair, Panama, 'Weltgeschichte' by J.v.Pfluck-Harttung, 1815 (engraving)
Portobelo Fair, Panama, 'Weltgeschichte' by J.v.Pfluck-Harttung, 1815 (engraving)

XLF3778951: Portobelo Fair, Panama, 'Weltgeschichte' by J.v.Pfluck-Harttung, 1815 (engraving), Aveline, Antoine (1718-1780) / Bridgeman Images

ID: XLF3778951

Portobelo Fair, Panama, 'Weltgeschichte' by J.v.Pfluck-Harttung, 1815 (engraving)

Aveline, Antoine (1718-1780)

Lord Shiva Shanker Parvati Miniature Painting on Paper
Lord Shiva Shanker Parvati Miniature Painting on Paper

DND3609895: Lord Shiva Shanker Parvati Miniature Painting on Paper, Indian School / Bridgeman Images

ID: DND3609895

Lord Shiva Shanker Parvati Miniature Painting on Paper

Indian School

Edmond Dantes, the Count of Monte-Cristo leaving Paris - Engraving by Riou, in “” La Comte de Monte-Cristo”” by Alexandre Dumas, Rouff & Cie, 19th century
Edmond Dantes, the Count of Monte-Cristo leaving Paris - Engraving by Riou, in “” La Comte de Monte-Cristo”” by Alexandre Dumas, Rouff & Cie, 19th century

LSE4103796: Edmond Dantes, the Count of Monte-Cristo leaving Paris - Engraving by Riou, in “” La Comte de Monte-Cristo”” by Alexandre Dumas, Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4103796

Edmond Dantes, the Count of Monte-Cristo leaving Paris - Engraving by Riou, in “” La Comte de Monte-Cristo”” by Alexandre Dumas, Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

Paris Exhibition 1900 - Advertising poster, 1900
Paris Exhibition 1900 - Advertising poster, 1900

LSE4099682: Paris Exhibition 1900 - Advertising poster, 1900, French School, (20th century) / Bridgeman Images

ID: LSE4099682

Paris Exhibition 1900 - Advertising poster, 1900

French School, (20th century)

The Brown Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper)
The Brown Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper)

STC3273310: The Brown Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper), Lear, Edward (1812-88) / Bridgeman Images

ID: STC3273310

The Brown Bird, from 'Sixteen Drawings of Comic Birds' (pen & ink w/c on paper)

Lear, Edward (1812-88)

The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)
The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)

GRC3036385: The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: GRC3036385

The Sleep of Reason Produces Monsters by Francisco Goya, 1799 (etching with aquatint)

Goya y Lucientes, Francisco Jose de (1746-1828)

Lisbeth Reading (w/c with tempera on paper)
Lisbeth Reading (w/c with tempera on paper)

XOS3086678: Lisbeth Reading (w/c with tempera on paper), Larsson, Carl (1853-1919) / Bridgeman Images

ID: XOS3086678

Lisbeth Reading (w/c with tempera on paper)

Larsson, Carl (1853-1919)

Phèdre, c.1880 (oil on canvas)
Phèdre, c.1880 (oil on canvas)

DGC3113901: Phèdre, c.1880 (oil on canvas), Cabanel, Alexandre (1823-89) / Bridgeman Images

ID: DGC3113901

Phèdre, c.1880 (oil on canvas)

Cabanel, Alexandre (1823-89)

A view of Zuoz looking towards St. Moritz and Piz Margna in the Upper Engadine, 1919 (oil on canvas)
A view of Zuoz looking towards St. Moritz and Piz Margna in the Upper Engadine, 1919 (oil on canvas)

JMT2963440: A view of Zuoz looking towards St. Moritz and Piz Margna in the Upper Engadine, 1919 (oil on canvas), Schlatter, Ernst Emil (1883-1954) / Bridgeman Images

ID: JMT2963440

A view of Zuoz looking towards St. Moritz and Piz Margna in the Upper Engadine, 1919 (oil on canvas)

Schlatter, Ernst Emil (1883-1954)

Denial of St Peter, 1610 (oil on canvas)
Denial of St Peter, 1610 (oil on canvas)

XOS3432850: Denial of St Peter, 1610 (oil on canvas), Caravaggio, Michelangelo Merisi da (1571-1610) / Bridgeman Images

ID: XOS3432850

Denial of St Peter, 1610 (oil on canvas)

Caravaggio, Michelangelo Merisi da (1571-1610)

Oklahoma Land Rush, 1889, Sooners claim land
Oklahoma Land Rush, 1889, Sooners claim land

TAD1746397: Oklahoma Land Rush, 1889, Sooners claim land / Bridgeman Images

ID: TAD1746397

Oklahoma Land Rush, 1889, Sooners claim land

The Monarch of the Glen (engraving)
The Monarch of the Glen (engraving)

LIP1614922: The Monarch of the Glen (engraving), Landseer, Edwin (1802-73) (after) / Bridgeman Images

ID: LIP1614922

The Monarch of the Glen (engraving)

Landseer, Edwin (1802-73) (after)

Hydrangea
Hydrangea

LLM457331: Hydrangea, Hulme, Frederick Edward (1841-1909) / Bridgeman Images

ID: LLM457331

Hydrangea

Hulme, Frederick Edward (1841-1909)

Portrait of Natalya Andreevna Malevich (nee Manchenka) (b.1902) the artist's wife, 1933 (oil on canvas)
Portrait of Natalya Andreevna Malevich (nee Manchenka) (b.1902) the artist's wife, 1933 (oil on canvas)

SRM96272: Portrait of Natalya Andreevna Malevich (nee Manchenka) (b.1902) the artist's wife, 1933 (oil on canvas), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images

ID: SRM96272

Portrait of Natalya Andreevna Malevich (nee Manchenka) (b.1902) the artist's wife, 1933 (oil on canvas)

Malevich, Kazimir Severinovich (1878-1935)

The Thinker (bronze)
The Thinker (bronze)

FTB97072: The Thinker (bronze), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: FTB97072

The Thinker (bronze)

Rodin, Auguste (1840-1917)

Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint)
Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint)

STC97208: Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint), Gautier D'Agoty, Arnauld Eloi (1741-1780/83) / Bridgeman Images

ID: STC97208

Deep Muscular System of the Back of the Body, plate 10 of a complete course of anatomy, pub. 1773 (mezzotint)

Gautier D'Agoty, Arnauld Eloi (1741-1780/83)

Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving)
Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving)

STC99282: Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving), Evelyn, John (1620-1706) (after) / Bridgeman Images

ID: STC99282

Charles II (1630-85) as Patron of the Royal Society, engraved by Wenceslaus Hollar (1607-77) 1667 (engraving)

Evelyn, John (1620-1706) (after)

St. Jerome in his Study, 1480 (fresco) (see 44344 for detail)
St. Jerome in his Study, 1480 (fresco) (see 44344 for detail)

BAT99655: St. Jerome in his Study, 1480 (fresco) (see 44344 for detail), Ghirlandaio, Domenico (1449-94) / Bridgeman Images

ID: BAT99655

St. Jerome in his Study, 1480 (fresco) (see 44344 for detail)

Ghirlandaio, Domenico (1449-94)

The Path through the Woods, 1880 (oil on canvas)
The Path through the Woods, 1880 (oil on canvas)

SRM96609: The Path through the Woods, 1880 (oil on canvas), Shishkin, Ivan Ivanovich (1832-98) / Bridgeman Images

ID: SRM96609

The Path through the Woods, 1880 (oil on canvas)

Shishkin, Ivan Ivanovich (1832-98)

Resting Acrobats (oil on canvas)
Resting Acrobats (oil on canvas)

LMG123033: Resting Acrobats (oil on canvas), Philpot, Glyn Warren (1884-1937) / Bridgeman Images

ID: LMG123033

Resting Acrobats (oil on canvas)

Philpot, Glyn Warren (1884-1937)

The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)
The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

BEN120251: The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco), Uccello, Paolo (1397-1475) / Bridgeman Images

ID: BEN120251

The Birth of the Virgin, from the cycle of the Lives of the Virgin and St. Stephen, from the Cappella dell'Assunta (Chapel of the Assumption) 1433-34 (fresco)

Uccello, Paolo (1397-1475)

The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving)
The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving)

STC120772: The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving), French School, (18th century) / Bridgeman Images

ID: STC120772

The Prussian Army Camp, Drawn from Life on the Fields in Pomerania, engraved by Vale, c.1750 (hand coloured engraving)

French School, (18th century)

The Excavation of the Great Temple of Ramesses II, Abu Simbel (w/c on paper)
The Excavation of the Great Temple of Ramesses II, Abu Simbel (w/c on paper)

NUM116708: The Excavation of the Great Temple of Ramesses II, Abu Simbel (w/c on paper), Linant de Bellefonds, Louis M.A. (1799-1883) (attr. to) / Bridgeman Images

ID: NUM116708

The Excavation of the Great Temple of Ramesses II, Abu Simbel (w/c on paper)

Linant de Bellefonds, Louis M.A. (1799-1883) (attr. to)

George's Dock Basin, Liverpool, 1797 (oil on canvas)
George's Dock Basin, Liverpool, 1797 (oil on canvas)

PFA177611: George's Dock Basin, Liverpool, 1797 (oil on canvas), Serres, John Thomas (1759-1825) / Bridgeman Images

ID: PFA177611

George's Dock Basin, Liverpool, 1797 (oil on canvas)

Serres, John Thomas (1759-1825)

Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)
Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)

XIR175952: Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic), Byzantine / Bridgeman Images

ID: XIR175952

Cross of Sbeitla, from the Basilica of Henchir Ali Ben Rzal, Tunisia, 5th-6th century (mosaic)

Byzantine

The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211)
The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211)

VCH175727: The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211), Rackham, Arthur (1867-1939) / Bridgeman Images

ID: VCH175727

The Hare and the Tortoise, illustration from 'Aesop's Fables', published by Heinemann, 1912 (colour litho) (see also 98211)

Rackham, Arthur (1867-1939)

Angel Weighing a Soul, 1348-54 (oil on panel)
Angel Weighing a Soul, 1348-54 (oil on panel)

XAL176194: Angel Weighing a Soul, 1348-54 (oil on panel), Guariento, Ridolfo di Arpo (c.1310-c.1370) / Bridgeman Images

ID: XAL176194

Angel Weighing a Soul, 1348-54 (oil on panel)

Guariento, Ridolfo di Arpo (c.1310-c.1370)

Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)
Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)

XIR180117: Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: XIR180117

Rosa Gallica Pontiana, from 'Les Roses' by Claude Antoine Thory (1757-1827) engraved by Eustache Hyacinthe Langlois (1777-1837) (coloured engraving)

Redoute, Pierre Joseph (1759-1840) (after)

A Fat Man and a Wheelbarrow, c.1521 (engraving)
A Fat Man and a Wheelbarrow, c.1521 (engraving)

XJF444351: A Fat Man and a Wheelbarrow, c.1521 (engraving), Weiditz, Hans (c.1500-c.1536) / Bridgeman Images

ID: XJF444351

A Fat Man and a Wheelbarrow, c.1521 (engraving)

Weiditz, Hans (c.1500-c.1536)

Statue of Moses Maimonides (bronze)
Statue of Moses Maimonides (bronze)

KW259061: Statue of Moses Maimonides (bronze), Spanish School / Bridgeman Images

ID: KW259061

Statue of Moses Maimonides (bronze)

Spanish School

Esther, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho)
Esther, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho)

IL309307: Esther, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: IL309307

Esther, illustration from 'Women of the Bible', published by The Religious Tract Society, 1927 (colour litho)

Copping, Harold (1863-1932)

Frieze of Dancers, c.1895 (oil on fabric)
Frieze of Dancers, c.1895 (oil on fabric)

XCL491312: Frieze of Dancers, c.1895 (oil on fabric), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCL491312

Frieze of Dancers, c.1895 (oil on fabric)

Degas, Edgar (1834-1917)


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