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Central Australian Landscape, c.1949 (ripolin & red ochre oil paint on board)
Central Australian Landscape, c.1949 (ripolin & red ochre oil paint on board)

AGN97741: Central Australian Landscape, c.1949 (ripolin & red ochre oil paint on board), Nolan, Sidney (1917-92) / Bridgeman Images

ID: AGN97741

Central Australian Landscape, c.1949 (ripolin & red ochre oil paint on board)

Nolan, Sidney (1917-92)

Design for a Dragon (pen & ink on paper)
Design for a Dragon (pen & ink on paper)

BAT99683: Design for a Dragon (pen & ink on paper), Arcimboldo, Giuseppe (1527-93) / Bridgeman Images

ID: BAT99683

Design for a Dragon (pen & ink on paper)

Arcimboldo, Giuseppe (1527-93)

The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo)
The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo)

JKL104852: The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo), Bruegel, Pieter the Elder (c.1525-69) (workshop of) / Bridgeman Images

ID: JKL104852

The Beekeepers, 'If You Know Where the Treasure is, You Can Rob it', c.1567-68 (pen and brown ink on paper) (b/w photo)

Bruegel, Pieter the Elder (c.1525-69) (workshop of)

Harvesting in Summer, 1820s (oil on canvas)
Harvesting in Summer, 1820s (oil on canvas)

XAB106373: Harvesting in Summer, 1820s (oil on canvas), Venetsianov, Aleksei Gavrilovich (1780-1847) / Bridgeman Images

ID: XAB106373

Harvesting in Summer, 1820s (oil on canvas)

Venetsianov, Aleksei Gavrilovich (1780-1847)

Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta)
Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta)

PWI107996: Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta) / Bridgeman Images

ID: PWI107996

Statuettes of Actors and Actresses, Hellenistic, c.325-50 BC (terracotta)

Lion monkey and condor, native to Chile or Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 1, by Jules Ferrario, engraved by Gallo Gallina (1796-1874), published c.1820s-30s (colour litho)
Lion monkey and condor, native to Chile or Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 1, by Jules Ferrario, engraved by Gallo Gallina (1796-1874), published c.1820s-30s (colour litho)

STC109009: Lion monkey and condor, native to Chile or Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 1, by Jules Ferrario, engraved by Gallo Gallina (1796-1874), published c.1820s-30s (colour litho), Humboldt, Friedrich Alexander, Baron von (1769-1859) (after) / Bridgeman Images

ID: STC109009

Lion monkey and condor, native to Chile or Ecuador, from 'Le Costume Ancien et Moderne', Volume II, plate 1, by Jules Ferrario, engraved by Gallo Gallina (1796-1874), published c.1820s-30s (colour litho)

Humboldt, Friedrich Alexander, Baron von (1769-1859) (after)

The Bagman's Toast 'Sweethearts and Wives'(oil on canvas)
The Bagman's Toast 'Sweethearts and Wives'(oil on canvas)

PFA109340: The Bagman's Toast 'Sweethearts and Wives'(oil on canvas), Sadler, Walter Dendy (1854-1923) / Bridgeman Images

ID: PFA109340

The Bagman's Toast 'Sweethearts and Wives'(oil on canvas)

Sadler, Walter Dendy (1854-1923)

Crest of the King of the United Kingdom of Great Britain and Ireland, Defender of the Faith and King of Hanover (c.1801-37) (see also 111318)
Crest of the King of the United Kingdom of Great Britain and Ireland, Defender of the Faith and King of Hanover (c.1801-37) (see also 111318)

STC111319: Crest of the King of the United Kingdom of Great Britain and Ireland, Defender of the Faith and King of Hanover (c.1801-37) (see also 111318), German School, (19th century) / Bridgeman Images

ID: STC111319

Crest of the King of the United Kingdom of Great Britain and Ireland, Defender of the Faith and King of Hanover (c.1801-37) (see also 111318)

German School, (19th century)

Ganesh, the Elephant God (gouache on paper)
Ganesh, the Elephant God (gouache on paper)

DND111540: Ganesh, the Elephant God (gouache on paper), Indian School / Bridgeman Images

ID: DND111540

Ganesh, the Elephant God (gouache on paper)

Indian School

The Christmas Pudding, a Victorian christmas card (colour engraving)
The Christmas Pudding, a Victorian christmas card (colour engraving)

BAL115522: The Christmas Pudding, a Victorian christmas card (colour engraving), English School, (19th century) / Bridgeman Images

ID: BAL115522

The Christmas Pudding, a Victorian christmas card (colour engraving)

English School, (19th century)

Woman Looking Down (pencil on paper)
Woman Looking Down (pencil on paper)

XCF115940: Woman Looking Down (pencil on paper), Verrocchio, Andrea del (1435-88) / Bridgeman Images

ID: XCF115940

Woman Looking Down (pencil on paper)

Verrocchio, Andrea del (1435-88)

NAL 1203 fol.3 Christ in Majesty, from the Godescale Gospel, c.781-783 AD (vellum)
NAL 1203 fol.3 Christ in Majesty, from the Godescale Gospel, c.781-783 AD (vellum)

NUM121168: NAL 1203 fol.3 Christ in Majesty, from the Godescale Gospel, c.781-783 AD (vellum), Carolingian School (8th century) / Bridgeman Images

ID: NUM121168

NAL 1203 fol.3 Christ in Majesty, from the Godescale Gospel, c.781-783 AD (vellum)

Carolingian School (8th century)

Major General George Armstrong Custer, engraved from a photograph, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)
Major General George Armstrong Custer, engraved from a photograph, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

BAL122909: Major General George Armstrong Custer, engraved from a photograph, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving), Gardner, Alexander (1821-82) (after) / Bridgeman Images

ID: BAL122909

Major General George Armstrong Custer, engraved from a photograph, illustration from 'Battles and Leaders of the Civil War', edited by Robert Underwood Johnson and Clarence Clough Buel (engraving)

Gardner, Alexander (1821-82) (after)

The Fagus Shoe Factory, designed by Walter Gropius (1883-1969) and Adolph Meyer, 1910-11 (photo)
The Fagus Shoe Factory, designed by Walter Gropius (1883-1969) and Adolph Meyer, 1910-11 (photo)

NUM123893: The Fagus Shoe Factory, designed by Walter Gropius (1883-1969) and Adolph Meyer, 1910-11 (photo) / Bridgeman Images

ID: NUM123893

The Fagus Shoe Factory, designed by Walter Gropius (1883-1969) and Adolph Meyer, 1910-11 (photo)

The Battle of Waterloo (oil on canvas)
The Battle of Waterloo (oil on canvas)

ARM123907: The Battle of Waterloo (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images

ID: ARM123907

The Battle of Waterloo (oil on canvas)

Hillingford, Robert Alexander (1825-1904)

CWA123977: "Thou Tuneful Scarecrow and Thou Warbling Bird", caricature of Farinelli, Cuzzoni and Heidegger, said to have been etched from a design by the Countess of Burlington, 1730s (etching), Goupy, Joseph (c.1680-1768) / Bridgeman Images

ID: CWA123977

"Thou Tuneful Scarecrow and Thou Warbling Bird", caricature of Farinelli, Cuzzoni and Heidegger, said to have been etched from a design by the Countess of Burlington, 1730s (etching)

Goupy, Joseph (c.1680-1768)

Historiated initial 'A' depicting a man working in the fields, from the 'Historia Naturalis' (vellum)
Historiated initial 'A' depicting a man working in the fields, from the 'Historia Naturalis' (vellum)

XIR125864: Historiated initial 'A' depicting a man working in the fields, from the 'Historia Naturalis' (vellum), Italian School, (15th century) / Bridgeman Images

ID: XIR125864

Historiated initial 'A' depicting a man working in the fields, from the 'Historia Naturalis' (vellum)

Italian School, (15th century)

Allegory of Vice and Virtue (oil on panel)
Allegory of Vice and Virtue (oil on panel)

BAL128341: Allegory of Vice and Virtue (oil on panel), Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613) / Bridgeman Images

ID: BAL128341

Allegory of Vice and Virtue (oil on panel)

Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613)

Coronation of Karl XI (1655-97) (oil on canvas)
Coronation of Karl XI (1655-97) (oil on canvas)

SNM128741: Coronation of Karl XI (1655-97) (oil on canvas), Ehrenstrahl, David Klocker (1629-98) / Bridgeman Images

ID: SNM128741

Coronation of Karl XI (1655-97) (oil on canvas)

Ehrenstrahl, David Klocker (1629-98)

Women and Children Making Shoes (engraving) (b/w photo)
Women and Children Making Shoes (engraving) (b/w photo)

XJF137006: Women and Children Making Shoes (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: XJF137006

Women and Children Making Shoes (engraving) (b/w photo)

English School, (19th century)

The Garter (oil on canvas)
The Garter (oil on canvas)

XZL151194: The Garter (oil on canvas), Troy, Jean Francois de (1679-1752) / Bridgeman Images

ID: XZL151194

The Garter (oil on canvas)

Troy, Jean Francois de (1679-1752)

Stage model for the opera 'Tristan and Isolde' by Richard Wagner (1813-83) (painted card)
Stage model for the opera 'Tristan and Isolde' by Richard Wagner (1813-83) (painted card)

XZL151825: Stage model for the opera 'Tristan and Isolde' by Richard Wagner (1813-83) (painted card), German School, (19th century) / Bridgeman Images

ID: XZL151825

Stage model for the opera 'Tristan and Isolde' by Richard Wagner (1813-83) (painted card)

German School, (19th century)

The Parable of the Sower (April or September) (oil on panel)
The Parable of the Sower (April or September) (oil on panel)

BWM152545: The Parable of the Sower (April or September) (oil on panel), Grimer, Abel (c.1570-p.1619) / Bridgeman Images

ID: BWM152545

The Parable of the Sower (April or September) (oil on panel)

Grimer, Abel (c.1570-p.1619)

Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas)
Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas)

XIR154922: Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR154922

Portrait of a Man, presumed to be Francois II Couperin (1668-1733) (oil on canvas)

French School, (17th century)

The Happy Mother (oil on canvas)
The Happy Mother (oil on canvas)

XIR155328: The Happy Mother (oil on canvas), Mayer Lamartiniere, Constance Marie (1775-1821) / Bridgeman Images

ID: XIR155328

The Happy Mother (oil on canvas)

Mayer Lamartiniere, Constance Marie (1775-1821)

Ruins of the Palace of Pataliputra (photo)
Ruins of the Palace of Pataliputra (photo)

EAM161189: Ruins of the Palace of Pataliputra (photo), Indian School / Bridgeman Images

ID: EAM161189

Ruins of the Palace of Pataliputra (photo)

Indian School

Portrait of Oliver Cromwell (1599-1658) (oil on canvas)
Portrait of Oliver Cromwell (1599-1658) (oil on canvas)

MOU162525: Portrait of Oliver Cromwell (1599-1658) (oil on canvas), Walker, Robert (1599-1658) (circle of) / Bridgeman Images

ID: MOU162525

Portrait of Oliver Cromwell (1599-1658) (oil on canvas)

Walker, Robert (1599-1658) (circle of)

Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)
Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)

BLT162751: Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper), Balzac, Honore de (1799-1850) / Bridgeman Images

ID: BLT162751

Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)

Balzac, Honore de (1799-1850)

Algoma Country, 1920-21 (oil on canvas)
Algoma Country, 1920-21 (oil on canvas)

ONT162837: Algoma Country, 1920-21 (oil on canvas), Harris, Lawren Stewart (1885-1970) / Bridgeman Images

ID: ONT162837

Algoma Country, 1920-21 (oil on canvas)

Harris, Lawren Stewart (1885-1970)

Fragment of a vase depicting an ibex, from Mohenjo-Daro, Indus Valley, Pakistan (ceramic)
Fragment of a vase depicting an ibex, from Mohenjo-Daro, Indus Valley, Pakistan (ceramic)

EAM162914: Fragment of a vase depicting an ibex, from Mohenjo-Daro, Indus Valley, Pakistan (ceramic), Harappan / Bridgeman Images

ID: EAM162914

Fragment of a vase depicting an ibex, from Mohenjo-Daro, Indus Valley, Pakistan (ceramic)

Harappan

Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving)
Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving)

CHT163123: Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving), French School, (20th century) / Bridgeman Images

ID: CHT163123

Tom Thumb removing Ogre's Seven League Boots, illustration for Charles Perrault tale, from a colouring book, c.1910 (colour engraving)

French School, (20th century)

Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73), 1848-49 (colour litho)
Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73), 1848-49 (colour litho)

CHT164162: Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73), 1848-49 (colour litho), Sorrieu, Frederic (1807-c.1861) / Bridgeman Images

ID: CHT164162

Universal Suffrage, 10th December 1848, election of Louis Napoleon Bonaparte (1808-73), 1848-49 (colour litho)

Sorrieu, Frederic (1807-c.1861)

Portrait of Paul Scarron (1610-60) (oil on canvas)
Portrait of Paul Scarron (1610-60) (oil on canvas)

XIR165597: Portrait of Paul Scarron (1610-60) (oil on canvas), French School, (17th century) / Bridgeman Images

ID: XIR165597

Portrait of Paul Scarron (1610-60) (oil on canvas)

French School, (17th century)

Figure of a bull, from the Maikop burial mound of the Northern Caucasus, 3rd millennium BC (gold)
Figure of a bull, from the Maikop burial mound of the Northern Caucasus, 3rd millennium BC (gold)

XAB165717: Figure of a bull, from the Maikop burial mound of the Northern Caucasus, 3rd millennium BC (gold), Scythian / Bridgeman Images

ID: XAB165717

Figure of a bull, from the Maikop burial mound of the Northern Caucasus, 3rd millennium BC (gold)

Scythian

Lady Lloyd and her son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk, c.1745-46 (oil on canvas)
Lady Lloyd and her son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk, c.1745-46 (oil on canvas)

XYC165942: Lady Lloyd and her son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk, c.1745-46 (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: XYC165942

Lady Lloyd and her son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk, c.1745-46 (oil on canvas)

Gainsborough, Thomas (1727-88)

Ms 1151 f.1 Charles VII (1403-61) Surrounded by his Court and Joan of Arc (1412-31) (vellum)
Ms 1151 f.1 Charles VII (1403-61) Surrounded by his Court and Joan of Arc (1412-31) (vellum)

XIR166074: Ms 1151 f.1 Charles VII (1403-61) Surrounded by his Court and Joan of Arc (1412-31) (vellum), French School, (15th century) / Bridgeman Images

ID: XIR166074

Ms 1151 f.1 Charles VII (1403-61) Surrounded by his Court and Joan of Arc (1412-31) (vellum)

French School, (15th century)


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