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Thibaudia floribunda (Pichincha thibaudia glabrous variety, Thibaudia pichinchensis glabra). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847.
Thibaudia floribunda (Pichincha thibaudia glabrous variety, Thibaudia pichinchensis glabra). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847.

FLO4585512: Thibaudia floribunda (Pichincha thibaudia glabrous variety, Thibaudia pichinchensis glabra). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847. / Bridgeman Images

Narcissus - Spanish daffodil, Narcissus hispanicus (Great daffodil, Narcissus major). Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.
Narcissus - Spanish daffodil, Narcissus hispanicus (Great daffodil, Narcissus major). Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.

FLO4585554: Narcissus - Spanish daffodil, Narcissus hispanicus (Great daffodil, Narcissus major). Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787., Sowerby, James (1757-1822) / Bridgeman Images

Wachendorfia paniculee, or red root, with yellow and ecarlate flowers. Panicled wachendorfia with vivid crimson and yellow flowers. Wachendorfia paniculata.
Wachendorfia paniculee, or red root, with yellow and ecarlate flowers. Panicled wachendorfia with vivid crimson and yellow flowers. Wachendorfia paniculata.

FLO4585624: Wachendorfia paniculee, or red root, with yellow and ecarlate flowers. Panicled wachendorfia with vivid crimson and yellow flowers. Wachendorfia paniculata. / Bridgeman Images

Dendrobium gracilicaule, orchid variety with small pale yellow flowers, from the east coast of Australia. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Dendrobium gracilicaule, orchid variety with small pale yellow flowers, from the east coast of Australia. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585816: Dendrobium gracilicaule, orchid variety with small pale yellow flowers, from the east coast of Australia. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Harvest: early christian sarcophagus of Constantina, 4th century
Harvest: early christian sarcophagus of Constantina, 4th century

LRI4585490: Harvest: early christian sarcophagus of Constantina, 4th century, Paleo-Christian, (4th century) / Bridgeman Images

Whole leaf clematite - whole-leaved clematis or virgins bower, Clematis integrifolia. Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.
Whole leaf clematite - whole-leaved clematis or virgins bower, Clematis integrifolia. Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.

FLO4585692: Whole leaf clematite - whole-leaved clematis or virgins bower, Clematis integrifolia. Handcolured copperplate engraving after a botanical illustration from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787., Sowerby, James (1757-1822) / Bridgeman Images

Red-flowered cactus variete - Echinopsis cinnabarina cactus (Cinnabar flowered echinocactus, Echinocactus cinnabarinus). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847.
Red-flowered cactus variete - Echinopsis cinnabarina cactus (Cinnabar flowered echinocactus, Echinocactus cinnabarinus). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847.

FLO4585399: Red-flowered cactus variete - Echinopsis cinnabarina cactus (Cinnabar flowered echinocactus, Echinocactus cinnabarinus). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847. / Bridgeman Images

The triumph of Marcus Furius Camillus, general and Roman statesman (Fresco, 1543)
The triumph of Marcus Furius Camillus, general and Roman statesman (Fresco, 1543)

LRI4585411: The triumph of Marcus Furius Camillus, general and Roman statesman (Fresco, 1543), Salviati, Francesco de Rossi (1510-63) / Bridgeman Images

Anemone from Japan - Anemone scabiosa (Japan anemone, Anemone japonica). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847.
Anemone from Japan - Anemone scabiosa (Japan anemone, Anemone japonica). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847.

FLO4585455: Anemone from Japan - Anemone scabiosa (Japan anemone, Anemone japonica). Handcoloured botanical illustration drawn and lithographed by Walter Fitch from Sir William Jackson Hooker's “Curtis's Botanical Magazine,” London, 1847. / Bridgeman Images

Narcissus - Reflexed daffodil, Narcissus triandrus. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.
Narcissus - Reflexed daffodil, Narcissus triandrus. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787.

FLO4585533: Narcissus - Reflexed daffodil, Narcissus triandrus. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1787., Sowerby, James (1757-1822) / Bridgeman Images

Ixia has ringente corolla of yellow purple and brown colors. Ringent ixia with yellow, purple and brown flowers. Ixia bicolor. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.
Ixia has ringente corolla of yellow purple and brown colors. Ringent ixia with yellow, purple and brown flowers. Ixia bicolor. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

FLO4585587: Ixia has ringente corolla of yellow purple and brown colors. Ringent ixia with yellow, purple and brown flowers. Ixia bicolor. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Marica marica with small white flowers and narrow and striped leaves. Marsh marica with small white flowers and narrow striped leaves. Marica paludosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.
Marica marica with small white flowers and narrow and striped leaves. Marsh marica with small white flowers and narrow striped leaves. Marica paludosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

FLO4585673: Marica marica with small white flowers and narrow and striped leaves. Marsh marica with small white flowers and narrow striped leaves. Marica paludosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Moraea with bright yellow flowers. Origin of Cape Town (South Africa). Flexuose moraea with bright yellow flowers. A native of the Cape. Moraea flexuosa.
Moraea with bright yellow flowers. Origin of Cape Town (South Africa). Flexuose moraea with bright yellow flowers. A native of the Cape. Moraea flexuosa.

FLO4585718: Moraea with bright yellow flowers. Origin of Cape Town (South Africa). Flexuose moraea with bright yellow flowers. A native of the Cape. Moraea flexuosa. / Bridgeman Images

Opuntia polyacantha, yellow cactus native to the United States (USA). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Opuntia polyacantha, yellow cactus native to the United States (USA). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585842: Opuntia polyacantha, yellow cactus native to the United States (USA). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Saxifraga latepetiolata, white saxifrage native to Spain. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Saxifraga latepetiolata, white saxifrage native to Spain. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585906: Saxifraga latepetiolata, white saxifrage native to Spain. Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Stapelia gigantea, Giant flower of the country Zulu and Namaqualand (South Africa). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Stapelia gigantea, Giant flower of the country Zulu and Namaqualand (South Africa). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4585993: Stapelia gigantea, Giant flower of the country Zulu and Namaqualand (South Africa). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Anoiganthus breviflorus, Cape and Natal yellow lily (South Africa). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Anoiganthus breviflorus, Cape and Natal yellow lily (South Africa). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4586021: Anoiganthus breviflorus, Cape and Natal yellow lily (South Africa). Drawing by Matilda Smith (1854-1926), Lithography by J.N. Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

View of the cloister, 1462-1472
View of the cloister, 1462-1472

LRI4586415: View of the cloister, 1462-1472 / Bridgeman Images

Large flower cordia - large-flowered cordia, Cordia grandiflora. Handcoloured copperplate engraving by S. Watts after an illustration by M. Hart from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.
Large flower cordia - large-flowered cordia, Cordia grandiflora. Handcoloured copperplate engraving by S. Watts after an illustration by M. Hart from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.

FLO4586451: Large flower cordia - large-flowered cordia, Cordia grandiflora. Handcoloured copperplate engraving by S. Watts after an illustration by M. Hart from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief)
The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief)

LRI4586493: The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief), Buglioni, Santi (1494-1576) / Bridgeman Images

Amorphophallus eichleri, lily voodoo native to West Africa. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Amorphophallus eichleri, lily voodoo native to West Africa. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4586154: Amorphophallus eichleri, lily voodoo native to West Africa. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Common Glaieul - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1789 (England) - Common corn flag, Gladiolus communis - Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Curtis's “” Botanical Magazine,” Lambeth, London, 1789
Common Glaieul - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1789 (England) - Common corn flag, Gladiolus communis - Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Curtis's “” Botanical Magazine,” Lambeth, London, 1789

FLO4586235: Common Glaieul - Lithography by James Sowerby (1757-1822), from the Botanical Magazine by William Curtis (1746-1799), 1789 (England) - Common corn flag, Gladiolus communis - Handcolored copperplate engraving from a botanical illustration by James Sowerby from William Curtis's “” Botanical Magazine,” Lambeth, London, 1789, Sowerby, James (1757-1822) / Bridgeman Images

Grassgrass tac tac - Hop-flowered barleria, Barleria lupulina. Handcoloured copperplate engraving by S. Watts after an illustration by Sarah Drake from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.
Grassgrass tac tac - Hop-flowered barleria, Barleria lupulina. Handcoloured copperplate engraving by S. Watts after an illustration by Sarah Drake from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.

FLO4586364: Grassgrass tac tac - Hop-flowered barleria, Barleria lupulina. Handcoloured copperplate engraving by S. Watts after an illustration by Sarah Drake from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Almond-leaved pear - Almond-leaved pear, Pyrus amygdaliformis (Snow pear, Pyrus nivalis). Handcoloured copperplate engraving by S. Watts after an illustration by Sarah Drake from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.
Almond-leaved pear - Almond-leaved pear, Pyrus amygdaliformis (Snow pear, Pyrus nivalis). Handcoloured copperplate engraving by S. Watts after an illustration by Sarah Drake from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.

FLO4586374: Almond-leaved pear - Almond-leaved pear, Pyrus amygdaliformis (Snow pear, Pyrus nivalis). Handcoloured copperplate engraving by S. Watts after an illustration by Sarah Drake from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)

LRI4586510: The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief), Buglioni, Santi (1494-1576) / Bridgeman Images

Thrinax excelsa, palm tree of Jamaican. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Thrinax excelsa, palm tree of Jamaican. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4586136: Thrinax excelsa, palm tree of Jamaican. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Geranium monsonia has large light pink and dark pink flower. Large flowered monsonia with pale pink and deep pink flowers. Monsonia speciosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.
Geranium monsonia has large light pink and dark pink flower. Large flowered monsonia with pale pink and deep pink flowers. Monsonia speciosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

FLO4586178: Geranium monsonia has large light pink and dark pink flower. Large flowered monsonia with pale pink and deep pink flowers. Monsonia speciosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Hellebore (ellebore) livid or black - Livid or purple hellebore, Helleborus lividus. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1789.
Hellebore (ellebore) livid or black - Livid or purple hellebore, Helleborus lividus. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1789.

FLO4586184: Hellebore (ellebore) livid or black - Livid or purple hellebore, Helleborus lividus. Handcolured copperplate engraving after a botanical illustration by James Sowerby from William Curtis' The Botanical Magazine, Lambeth Marsh, London, 1789., Sowerby, James (1757-1822) / Bridgeman Images

The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief)
The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief)

LRI4586485: The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief), Buglioni, Santi (1494-1576) / Bridgeman Images

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)

LRI4586520: The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief), Buglioni, Santi (1494-1576) / Bridgeman Images

Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.
Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.

FLO4590938: Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806. / Bridgeman Images

Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.
Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.

FLO4590960: Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images

Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591146: Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591518: Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591530: Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591536: Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images


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