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Egyptian bath, with a naked man being massaged, while another man rinsed his back and a third made oil heated. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian bath with naked male customer being massaged by one attendant in loincloth, while another pours water over his back and a third brings hot coals to heat oils. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Egyptian bath, with a naked man being massaged, while another man rinsed his back and a third made oil heated. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian bath with naked male customer being massaged by one attendant in loincloth, while another pours water over his back and a third brings hot coals to heat oils. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634912: Egyptian bath, with a naked man being massaged, while another man rinsed his back and a third made oil heated. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian bath with naked male customer being massaged by one attendant in loincloth, while another pours water over his back and a third brings hot coals to heat oils. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

View of the port of Algiers (Algeria), from the Mediterranean Sea. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of the port of Algiers, North Africa, from the Mediterranean, with several ships in the foreground and castle above the town. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
View of the port of Algiers (Algeria), from the Mediterranean Sea. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of the port of Algiers, North Africa, from the Mediterranean, with several ships in the foreground and castle above the town. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634931: View of the port of Algiers (Algeria), from the Mediterranean Sea. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of the port of Algiers, North Africa, from the Mediterranean, with several ships in the foreground and castle above the town. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

King Louis XI and the Knights of the Order of Saint Michael. 15th century (miniature)
King Louis XI and the Knights of the Order of Saint Michael. 15th century (miniature)

LRI4634984: King Louis XI and the Knights of the Order of Saint Michael. 15th century (miniature), Unknown Artist, (15th century) / Bridgeman Images

The village of Fulier in Senegal, with rows of huts in the center of a coral a betail. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Village of Fulier in Senegal, showing rows of huts in a central zone surrounded by a corral of cattle. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The village of Fulier in Senegal, with rows of huts in the center of a coral a betail. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Village of Fulier in Senegal, showing rows of huts in a central zone surrounded by a corral of cattle. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635153: The village of Fulier in Senegal, with rows of huts in the center of a coral a betail. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Village of Fulier in Senegal, showing rows of huts in a central zone surrounded by a corral of cattle. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

The Minister of Finance Bettino Ricasoli. 1865 (cartoon)
The Minister of Finance Bettino Ricasoli. 1865 (cartoon)

LRI4635197: The Minister of Finance Bettino Ricasoli. 1865 (cartoon), Italian School, (19th century) / Bridgeman Images

Man bloup (Flup or feloupe) (Senegal) wearing gold circles around legs and arms and a mandinka (Mandinka or Mande) (West Africa) bearded, with a tunic and turban. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Fulup man in loin cloth and gold leg and arm bands with quivers, spears, bow and arrow, and a bearded Mandingo man in robe and turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Man bloup (Flup or feloupe) (Senegal) wearing gold circles around legs and arms and a mandinka (Mandinka or Mande) (West Africa) bearded, with a tunic and turban. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Fulup man in loin cloth and gold leg and arm bands with quivers, spears, bow and arrow, and a bearded Mandingo man in robe and turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635208: Man bloup (Flup or feloupe) (Senegal) wearing gold circles around legs and arms and a mandinka (Mandinka or Mande) (West Africa) bearded, with a tunic and turban. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Fulup man in loin cloth and gold leg and arm bands with quivers, spears, bow and arrow, and a bearded Mandingo man in robe and turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

A noble from the kingdom of Juida or Whidah (Benin) and a woman from Congo with her baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A nobleman of the kingdom of Whydah (Benin) in feathers and robes, and a woman of Congo with baby. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A noble from the kingdom of Juida or Whidah (Benin) and a woman from Congo with her baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A nobleman of the kingdom of Whydah (Benin) in feathers and robes, and a woman of Congo with baby. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635251: A noble from the kingdom of Juida or Whidah (Benin) and a woman from Congo with her baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. A nobleman of the kingdom of Whydah (Benin) in feathers and robes, and a woman of Congo with baby. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Mohammed al Amin el Kanemi al Haji (1776-1837), Sheikh of Bornu (Chad, Nigeria). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Alameen-Ben Mohammed el Kanemy, Sheik of Bornu. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Mohammed al Amin el Kanemi al Haji (1776-1837), Sheikh of Bornu (Chad, Nigeria). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Alameen-Ben Mohammed el Kanemy, Sheik of Bornu. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635263: Mohammed al Amin el Kanemi al Haji (1776-1837), Sheikh of Bornu (Chad, Nigeria). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Alameen-Ben Mohammed el Kanemy, Sheik of Bornu. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Guinee Conakry weapons, spears, clubs, bow and arrows in their quiver, shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Weapons of Guinea, Africa: lances, club, shield, quiver, bow and arrows. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Guinee Conakry weapons, spears, clubs, bow and arrows in their quiver, shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Weapons of Guinea, Africa: lances, club, shield, quiver, bow and arrows. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635291: Guinee Conakry weapons, spears, clubs, bow and arrows in their quiver, shield. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840.Weapons of Guinea, Africa: lances, club, shield, quiver, bow and arrows. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Group of khoikhoi (South Africa) resting around a fire near the estuary of the Orange River and a couple of gonaqua (Lithography for the book: “” Galerie complete in faithful paintings of the peoples of Africa””” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Khoikhoi in fur capes resting around a campfire near the Orange River estuary, and Gonaqua man and woman with bow and arrow, necklace, and beaded apron. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Group of khoikhoi (South Africa) resting around a fire near the estuary of the Orange River and a couple of gonaqua (Lithography for the book: “” Galerie complete in faithful paintings of the peoples of Africa””” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Khoikhoi in fur capes resting around a campfire near the Orange River estuary, and Gonaqua man and woman with bow and arrow, necklace, and beaded apron. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4635327: Group of khoikhoi (South Africa) resting around a fire near the estuary of the Orange River and a couple of gonaqua (Lithography for the book: “” Galerie complete in faithful paintings of the peoples of Africa””” by Friedrich Wilhelm Goedsche (1785-1863), Meissen edition (Germany), 1835-1840. Khoikhoi in fur capes resting around a campfire near the Orange River estuary, and Gonaqua man and woman with bow and arrow, necklace, and beaded apron. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643114: Long-tailed paradise whydah, Vidua paradisaea, male. (Red-breasted long-tailed finch, Emberiza paradisaea) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643168: Silver pheasant, Lophura nycthemera, female. (Pencilled Chinese pheasant, Phasianus nycthemerus) Handcoloured copperplate engraving of an illustration Matilda Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643184: Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.
Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park.

FLO4643219: Common waxbill, Estrilda astrild. (Loxia astreld) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park., Hayes, William (1735-1802) / Bridgeman Images

Official document of Emperor Charles IV certifying the University of Siena as the General Studium, 1357 (manuscript)
Official document of Emperor Charles IV certifying the University of Siena as the General Studium, 1357 (manuscript)

LRI4643305: Official document of Emperor Charles IV certifying the University of Siena as the General Studium, 1357 (manuscript), Italian School, (14th century) / Bridgeman Images

Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving)
Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving)

JLJ4643338: Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving), Leloir, Maurice (1853-1940) / Bridgeman Images

Blue-headed quail-dove, Starnoenas cyanocephala. Endangered. (Blue headed turtle or pigeon, Columba cyanocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Blue-headed quail-dove, Starnoenas cyanocephala. Endangered. (Blue headed turtle or pigeon, Columba cyanocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643391: Blue-headed quail-dove, Starnoenas cyanocephala. Endangered. (Blue headed turtle or pigeon, Columba cyanocephala) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

Scarlet macaw, Ara macao. (Red and blue maccaw, Psittacus macao) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Scarlet macaw, Ara macao. (Red and blue maccaw, Psittacus macao) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643406: Scarlet macaw, Ara macao. (Red and blue maccaw, Psittacus macao) Handcoloured copperplate engraving of an illustration by William Hayes and his daughter Matilda from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

Northern shoveller, Anas clypeata, male. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Northern shoveller, Anas clypeata, male. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643475: Northern shoveller, Anas clypeata, male. Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)
The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)

LRI4643505: The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863), Gamba, Enrico (1831-83) / Bridgeman Images

Tapestry around 1380-1430, with characters playing ball and other games, in a garden - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Tapestry around 1380-1430, with characters playing ball and other games, in a garden - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643638: Tapestry around 1380-1430, with characters playing ball and other games, in a garden - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

View of the dry hold of the port of Naples inaugurated in 1852 (View over the drydock of Naples) Painting of the 19th century Museo di Capodimonte Naples
View of the dry hold of the port of Naples inaugurated in 1852 (View over the drydock of Naples) Painting of the 19th century Museo di Capodimonte Naples

LRI4643649: View of the dry hold of the port of Naples inaugurated in 1852 (View over the drydock of Naples) Painting of the 19th century Museo di Capodimonte Naples, Unknown Artist, (19th century) / Bridgeman Images

Tournament saddles, equestrian equipment, between 1390 and 1430 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Tournament saddles, equestrian equipment, between 1390 and 1430 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643690: Tournament saddles, equestrian equipment, between 1390 and 1430 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Knight in armor, 15th century - Tombstone of Philipp von Ingelheim, died 1431 in the church of Oberlingelheim (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Krich Keller, Frankfurt, 1883
Knight in armor, 15th century - Tombstone of Philipp von Ingelheim, died 1431 in the church of Oberlingelheim (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Krich Keller, Frankfurt, 1883

FLO4643702: Knight in armor, 15th century - Tombstone of Philipp von Ingelheim, died 1431 in the church of Oberlingelheim (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Krich Keller, Frankfurt, 1883 / Bridgeman Images

Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.
Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet.

TEC4653006: Accommodation, 65 rue La Fontaine in Paris 75016. Architect Henri Sauvage (1873-1932), realisation 1926-1928.Known as the Studio Building, this remarkable building is made up of fifty duplex apartments each containing an artist's studio. Ceram gres coating by Gentil and Bourdet. / Bridgeman Images

The farewell of Napoleon Bonaparte (1769-1821), 19th century (oil on canvas)
The farewell of Napoleon Bonaparte (1769-1821), 19th century (oil on canvas)

JLJ4653017: The farewell of Napoleon Bonaparte (1769-1821), 19th century (oil on canvas), French School, (19th century) / Bridgeman Images

Bauhaus building in Dessau (Germany) designed in 1925 (photo)
Bauhaus building in Dessau (Germany) designed in 1925 (photo)

TEC4653047: Bauhaus building in Dessau (Germany) designed in 1925 (photo) / Bridgeman Images

The Virgin Surrounded by Saints, 1736 (fresco)
The Virgin Surrounded by Saints, 1736 (fresco)

LRI4653089: The Virgin Surrounded by Saints, 1736 (fresco), Bergmuller, Johann Georg (1688-1792) / Bridgeman Images

Hitoe koubai or species of red Chinese plum or Japanese apricot blossom, Prunus mume (Japanese apricot flower) Handcoloured woodblock print by Kono Bairei from Senshu no Hana (One Thousand Varieties of Flowers), Bunkyudo, Kyoto, 1900.
Hitoe koubai or species of red Chinese plum or Japanese apricot blossom, Prunus mume (Japanese apricot flower) Handcoloured woodblock print by Kono Bairei from Senshu no Hana (One Thousand Varieties of Flowers), Bunkyudo, Kyoto, 1900.

FLO4653111: Hitoe koubai or species of red Chinese plum or Japanese apricot blossom, Prunus mume (Japanese apricot flower) Handcoloured woodblock print by Kono Bairei from Senshu no Hana (One Thousand Varieties of Flowers), Bunkyudo, Kyoto, 1900. / Bridgeman Images

Bauhaus building in Dessau (Germany) designed in 1925 (photo)
Bauhaus building in Dessau (Germany) designed in 1925 (photo)

TEC4653121: Bauhaus building in Dessau (Germany) designed in 1925 (photo) / Bridgeman Images

Industrial Revolution:
Industrial Revolution:

JLJ4653139: Industrial Revolution: "La grande forge de Fourchambault" Detail of, 1839 (oil on canvas), Bonhomme, Ignace Francois (1809-81) / Bridgeman Images

Amandou or almond blossom, Prunus amygdalus (almond). Handcoloured woodblock print by Kono Bairei from Senshu no Hana (One Thousand Varieties of Flowers), Bunkyudo, Kyoto, 1900.
Amandou or almond blossom, Prunus amygdalus (almond). Handcoloured woodblock print by Kono Bairei from Senshu no Hana (One Thousand Varieties of Flowers), Bunkyudo, Kyoto, 1900.

FLO4653147: Amandou or almond blossom, Prunus amygdalus (almond). Handcoloured woodblock print by Kono Bairei from Senshu no Hana (One Thousand Varieties of Flowers), Bunkyudo, Kyoto, 1900. / Bridgeman Images

Bauhaus building in Dessau (Germany) designed in 1925 (photo)
Bauhaus building in Dessau (Germany) designed in 1925 (photo)

TEC4653161: Bauhaus building in Dessau (Germany) designed in 1925 (photo) / Bridgeman Images

View of the St. Martin's Cathedral, built between the 10th and 12th centuries (photography)
View of the St. Martin's Cathedral, built between the 10th and 12th centuries (photography)

LRI4653192: View of the St. Martin's Cathedral, built between the 10th and 12th centuries (photography), Romanesque, (12th century) / Bridgeman Images

Christ taking Saint Bernard of Clairvaux (San Bernardo di Chiaravalle) (1090-1153) in his arms, 1621 (painting)
Christ taking Saint Bernard of Clairvaux (San Bernardo di Chiaravalle) (1090-1153) in his arms, 1621 (painting)

JLJ4653259: Christ taking Saint Bernard of Clairvaux (San Bernardo di Chiaravalle) (1090-1153) in his arms, 1621 (painting), Ribalta, Francisco (1565-1628) / Bridgeman Images

Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).
Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955).

JSN4653395: Madarsson Memorial in Bastogne, Belgium. Architect Georges Dedoyard (1897-1988), 1950, Mosaic by Fernand Leger (1881-1955)., Leger, Fernand (1881-1955) / Bridgeman Images


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