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William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672284: William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672284

William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672433: Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672433

Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672470: Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672470

Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672045: King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672045

King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Men's costumes 13th-14th century, wearing short tunics and colored stockings, at the time of King Edward I Plantagenet (1239-1307) and Edward II (1284-1327). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Men's costumes 13th-14th century, wearing short tunics and colored stockings, at the time of King Edward I Plantagenet (1239-1307) and Edward II (1284-1327). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672088: Men's costumes 13th-14th century, wearing short tunics and colored stockings, at the time of King Edward I Plantagenet (1239-1307) and Edward II (1284-1327). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672088

Men's costumes 13th-14th century, wearing short tunics and colored stockings, at the time of King Edward I Plantagenet (1239-1307) and Edward II (1284-1327). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho)
Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho)

FLO4672155: Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho), Martin, Charles (1884-1934) / Bridgeman Images

ID: FLO4672155

Typical male costume during the time of King Henry IV and Henry V, illustration from 'Costumes Civils d'Angleterre depuis la Conquete à nos Jours', 1842 (colour litho)

Martin, Charles (1884-1934)

Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672243: Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672243

Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings. From a portrait of Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672337: Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672337

Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672397: Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672397

Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Woman in green wool redingote with gold trim, pink petticoat, gauze fichu, straw hat with pink crepe bonnet top, decorated with green ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in green wool redingote with gold trim, pink petticoat, gauze fichu, straw hat with pink crepe bonnet top, decorated with green ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671952: Woman in green wool redingote with gold trim, pink petticoat, gauze fichu, straw hat with pink crepe bonnet top, decorated with green ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671952

Woman in green wool redingote with gold trim, pink petticoat, gauze fichu, straw hat with pink crepe bonnet top, decorated with green ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672039: 11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672039

11th century costume: woman wearing a dress with long sleeves, with coat and veil. Period of William I the Conquerant (1027-1087), inspired by a manuscript from the Cotton library. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants, a long coat and long pointed shoes. From the lying of the abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.
Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants, a long coat and long pointed shoes. From the lying of the abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

FLO4672080: Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants, a long coat and long pointed shoes. From the lying of the abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672080

Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants, a long coat and long pointed shoes. From the lying of the abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete au nos jours”, 1842, London.

Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672222: Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672222

Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671389: Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671389

Glaieul Jupiter with crimson red flowers. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671407: Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671407

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Rose ecarlate, variete Madame George Schwartz. Rose rose rose, grown in Schwartz greenhouses in 1872
Rose ecarlate, variete Madame George Schwartz. Rose rose rose, grown in Schwartz greenhouses in 1872

FLO4671421: Rose ecarlate, variete Madame George Schwartz. Rose rose rose, grown in Schwartz greenhouses in 1872 / Bridgeman Images

ID: FLO4671421

Rose ecarlate, variete Madame George Schwartz. Rose rose rose, grown in Schwartz greenhouses in 1872

Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671601: Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671601

Lemon, Citrus medica. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671786: Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671786

Striped satin hood hat with ribbons and plumes, bonnet a la captif in satin nacarat, headband bonnet in Italian gauze, and huge morning bonnet in Italian gauze with violet ribbon. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671537: Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671537

Cinnamon, Cinnamomum verum (Laurus cinnamomum). Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671688: French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

ID: FLO4671688

French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

Woman in satin robe a la turkish in violet and green stripes, canary corset, white petticoat and fichu, and a bonnet a la turkish decorated with heron plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in satin robe a la turkish in violet and green stripes, canary corset, white petticoat and fichu, and a bonnet a la turkish decorated with heron plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671767: Woman in satin robe a la turkish in violet and green stripes, canary corset, white petticoat and fichu, and a bonnet a la turkish decorated with heron plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671767

Woman in satin robe a la turkish in violet and green stripes, canary corset, white petticoat and fichu, and a bonnet a la turkish decorated with heron plumes. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671382: Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671382

Crimson pink and purple. Hybrid variety of the tea, grown in greenhouse, type Rose of China. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671482: Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671482

Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671565: Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

ID: FLO4671565

Opium poppy, Papaver somniferum. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671769: Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671769

Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman dancing a minuet in apple-green caraco over a white gilet, white fichu-jabot, pink satin petticoat, and green slippers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman dancing a minuet in apple-green caraco over a white gilet, white fichu-jabot, pink satin petticoat, and green slippers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671833: Woman dancing a minuet in apple-green caraco over a white gilet, white fichu-jabot, pink satin petticoat, and green slippers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

ID: FLO4671833

Woman dancing a minuet in apple-green caraco over a white gilet, white fichu-jabot, pink satin petticoat, and green slippers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670904: Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670904

Two-tailed pasha or foxy emperor, Charaxes jasius, dorsal and ventral views. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Enamel plate representing the prophets Aaron and Moses. Rhenane school. 12th century. Florence, Nazionale Museo del Bargello
Enamel plate representing the prophets Aaron and Moses. Rhenane school. 12th century. Florence, Nazionale Museo del Bargello

LRI4671195: Enamel plate representing the prophets Aaron and Moses. Rhenane school. 12th century. Florence, Nazionale Museo del Bargello, German School, (12th century) / Bridgeman Images

ID: LRI4671195

Enamel plate representing the prophets Aaron and Moses. Rhenane school. 12th century. Florence, Nazionale Museo del Bargello

German School, (12th century)

Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello
Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello

LRI4671243: Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello, Carolingian School / Bridgeman Images

ID: LRI4671243

Carolingian art: holy women at the sepulcher - (Holy women at the sepulcher) Ivory relief, 11th century Florence, Museo Nazionale del Bargello

Carolingian School

Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671338: Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

ID: FLO4671338

Crimson red hibiscus variete, rosa sinensis miniatus semi plenus type. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

Artist's view of a boreale aurora - Artist's view of a boreal aurora
Artist's view of a boreale aurora - Artist's view of a boreal aurora

PIX4670802: Artist's view of a boreale aurora - Artist's view of a boreal aurora / Bridgeman Images

ID: PIX4670802

Artist's view of a boreale aurora - Artist's view of a boreal aurora

Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670840: Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670840

Large tortoiseshell, Nymphalis polychloros, small tortoiseshell, Aglais urticae, and comma butterfly, Polygonia c-album. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4670868: Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4670868

Lofty bath white, Pontia callidice, brimstone, Gonepteryx rhamni, and bath white, Pontia daplidice. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671081: Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671081

Scarlet tiger moth, Callimorpha dominula, clouded buff, Diacrisia sannio, wood tiger, Parasemia plantaginis, and purple tiger, Rhyparia purpurata. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671132: Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671132

Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

Light crimson underwing, Catocala promissa, old lady, Mormo maura, drinker, Euthrix potatoria, and yellow-tail, Euproctis similis. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Light crimson underwing, Catocala promissa, old lady, Mormo maura, drinker, Euthrix potatoria, and yellow-tail, Euproctis similis. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671148: Light crimson underwing, Catocala promissa, old lady, Mormo maura, drinker, Euthrix potatoria, and yellow-tail, Euproctis similis. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

ID: FLO4671148

Light crimson underwing, Catocala promissa, old lady, Mormo maura, drinker, Euthrix potatoria, and yellow-tail, Euproctis similis. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.


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