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Woman in mushroom fancy dress costume, le mushroom, hat and dress in mushroom form, decorated with snails and flowers. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in mushroom fancy dress costume, le mushroom, hat and dress in mushroom form, decorated with snails and flowers. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684516: Woman in mushroom fancy dress costume, le mushroom, hat and dress in mushroom form, decorated with snails and flowers. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684516

Woman in mushroom fancy dress costume, le mushroom, hat and dress in mushroom form, decorated with snails and flowers. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Woman in fancy dress costume as Miss Helyett, with large hat, blue coat, pink ribbon, and tartan skirt. Miss Helyett was a comic operetta by Edmond Audran first performed in 1890. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as Miss Helyett, with large hat, blue coat, pink ribbon, and tartan skirt. Miss Helyett was a comic operetta by Edmond Audran first performed in 1890. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684529: Woman in fancy dress costume as Miss Helyett, with large hat, blue coat, pink ribbon, and tartan skirt. Miss Helyett was a comic operetta by Edmond Audran first performed in 1890. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684529

Woman in fancy dress costume as Miss Helyett, with large hat, blue coat, pink ribbon, and tartan skirt. Miss Helyett was a comic operetta by Edmond Audran first performed in 1890. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684533: Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684533

Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Lepidoptere, American moth variety, caterpillar, nymph and adult, Hypercompe scribonia - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Lepidoptere, American moth variety, caterpillar, nymph and adult, Hypercompe scribonia - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4684083: Lepidoptere, American moth variety, caterpillar, nymph and adult, Hypercompe scribonia - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4684083

Lepidoptere, American moth variety, caterpillar, nymph and adult, Hypercompe scribonia - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Ophrys bee, European terrestrial variety of orchid. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Bee ophrys or bee orchis. Ophrys apifera. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Ophrys bee, European terrestrial variety of orchid. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Bee ophrys or bee orchis. Ophrys apifera. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684174: Ophrys bee, European terrestrial variety of orchid. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Bee ophrys or bee orchis. Ophrys apifera. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684174

Ophrys bee, European terrestrial variety of orchid. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Bee ophrys or bee orchis. Ophrys apifera. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Steller's Eider duck. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw.Western, variegated duck or Steller's Eider duck
Steller's Eider duck. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw.Western, variegated duck or Steller's Eider duck

FLO4684218: Steller's Eider duck. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw.Western, variegated duck or Steller's Eider duck / Bridgeman Images

ID: FLO4684218

Steller's Eider duck. Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1790 by George Shaw.Western, variegated duck or Steller's Eider duck

The group called
The group called

JLJ4684312: The group called "Tetrarchs", 300-315 (bronze), Byzantine, (4th century) / Bridgeman Images

ID: JLJ4684312

The group called "Tetrarchs", 300-315 (bronze)

Byzantine, (4th century)

Volute has orange striped shell. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Orange flag shell or Orange striped volute. Voluta arausiaca. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).
Volute has orange striped shell. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Orange flag shell or Orange striped volute. Voluta arausiaca. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684315: Volute has orange striped shell. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Orange flag shell or Orange striped volute. Voluta arausiaca. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684315

Volute has orange striped shell. Copper engraving by Frederick Polydor Nodder (1751-1801), George Shaw's illustration for the naturalist collection, published in 1790 by George Shaw. Orange flag shell or Orange striped volute. Voluta arausiaca. Handcolored copperplate engraving, illustration signed S (George Shaw) from George Shaw's “” Naturalist's Miscellany”” (1790).

Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).
Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684326: Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684326

Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684530: Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684530

Woman in fancy dress costume as La fleur d'orange, with silver dress, glass hat and ballet shoes. La fleur d'orange was a short ballet by Andre Messager first performed in 1878 at the Folies Bergere. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672222: Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672222

Man's costume in the time of King Henry VIII (1491-1547), wearing a short jacket, a cape, a collar (strawberry), trousers and shoes with square toe. From a portrait of Sir Thomas Gresham (circa 1519-1579) by Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672433: Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672433

Shoulder and arm bone: scapula, humerus, cubitus and radius. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672470: Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672470

Saphene vein and medial plantar nerves. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672529: Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672529

Sympathic nervous system in the thoracic, lumbar and sacral plexus. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672575: Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672575

Bone of the forearm, wrist and hand. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Muscles of the pharynx and larynx. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Muscles of the pharynx and larynx. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672628: Muscles of the pharynx and larynx. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672628

Muscles of the pharynx and larynx. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672265: Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672265

Men's costume at the time of Elisabeth I (1533-1603), wearing a tunic and padded panties and a collar (strawberry) with a cape. From a period engraving. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672284: William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672284

William Villiers (1614-1643), Viscount Grandion, wearing a shirt with a wide lace collar under a blue jacket, with trousers of the boots, a feather hat and a cape. From a portrait of Antonie Van Dyck (1599-1641). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672337: Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672337

Barbara Palmer (1640-1709), Duchess of Cleveland, mistress of Charles II (1630-1685), in a blue dress with lace and a red cape. By Peter Lely (1618-1680). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

FLO4672397: Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London. / Bridgeman Images

ID: FLO4672397

Women's costumes from 1719 to 1755, regne of George I (1660-1727) and George II (1683-1760), Long dresses with cuffs, fan and bridle hat. Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.

Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672545: Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672545

Shoulder and elbow joints. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672670: Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672670

Shoulder and arm muscles. Lithograph of Anneshower, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672728: Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672728

Aponevrosis of the neck, shoulder and eye. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672792: Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672792

Sections of the pharynx and larynx. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672926: The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672926

The circulatory system of the intestines. Lithograph of Anneshower, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672981: Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672981

Circulatory system of the leg and foot. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672702: Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672702

Thigh muscles and tendons. Lithograph of Lebrun, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672795: Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672795

Breast, tongue, skin and finger sections. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Sections of the nasal cavity. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the nasal cavity. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672810: Sections of the nasal cavity. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4672810

Sections of the nasal cavity. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673246: Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4673246

Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

Massard, Leopold (1812-1889)

Veins of the legs and foot. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Veins of the legs and foot. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673005: Veins of the legs and foot. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673005

Veins of the legs and foot. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Brain sections, cerebellum and ventricles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Brain sections, cerebellum and ventricles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673145: Brain sections, cerebellum and ventricles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673145

Brain sections, cerebellum and ventricles. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673112: Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673112

Section through the brain. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Brain sections. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Brain sections. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673204: Brain sections. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

ID: FLO4673204

Brain sections. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865
Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865

FLO4686329: Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865 / Bridgeman Images

ID: FLO4686329

Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865

Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685959: Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685959

Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.


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