1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

2501542 Search Results

Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.
Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609124: Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609124

Chrysanthemum, Chrysanthemum indicum. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1819.

Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.
Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

FLO4609156: Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819. / Bridgeman Images

ID: FLO4609156

Field pink, Rosa arvensis. Handcoloured copperplate engraving from Samuel Curtis' Botanical Magazine, London, 1819.

Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609308: Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

ID: FLO4609308

Betoine blanchatre. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

Roman period in Great Britain (1st to 5th century): A Roman Brito and a Feryllt (metallurgist, chemist and botanist) - Eau forte by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - A Briton and a Feryllt, a metallurgist, chemist and botanist. The Briton in a plaid cloak and sagum, carrying a two-handed sword, cleddyv deuddwrn. Feryllt in green robe holding hammer and thongs before an anvil. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.
Roman period in Great Britain (1st to 5th century): A Roman Brito and a Feryllt (metallurgist, chemist and botanist) - Eau forte by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - A Briton and a Feryllt, a metallurgist, chemist and botanist. The Briton in a plaid cloak and sagum, carrying a two-handed sword, cleddyv deuddwrn. Feryllt in green robe holding hammer and thongs before an anvil. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

FLO4608266: Roman period in Great Britain (1st to 5th century): A Roman Brito and a Feryllt (metallurgist, chemist and botanist) - Eau forte by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - A Briton and a Feryllt, a metallurgist, chemist and botanist. The Briton in a plaid cloak and sagum, carrying a two-handed sword, cleddyv deuddwrn. Feryllt in green robe holding hammer and thongs before an anvil. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821. / Bridgeman Images

ID: FLO4608266

Roman period in Great Britain (1st to 5th century): A Roman Brito and a Feryllt (metallurgist, chemist and botanist) - Eau forte by Robert Havell (1793-1878) from an illustration by Charles Hamilton Smith (1776-1859), from Samuel Meyrick (1783-1848), 1821 - A Briton and a Feryllt, a metallurgist, chemist and botanist. The Briton in a plaid cloak and sagum, carrying a two-handed sword, cleddyv deuddwrn. Feryllt in green robe holding hammer and thongs before an anvil. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

Redeemer between the four evangelists (fresco, 14th century)
Redeemer between the four evangelists (fresco, 14th century)

LRI4608280: Redeemer between the four evangelists (fresco, 14th century), Master of Mocchirolo (fl.c.1350) / Bridgeman Images

ID: LRI4608280

Redeemer between the four evangelists (fresco, 14th century)

Master of Mocchirolo (fl.c.1350)

Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas)
Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas)

LRI4608298: Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas), Master of Mocchirolo (fl.c.1350) / Bridgeman Images

ID: LRI4608298

Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas)

Master of Mocchirolo (fl.c.1350)

St. Ambrose (Fresco, 14th century)
St. Ambrose (Fresco, 14th century)

LRI4608308: St. Ambrose (Fresco, 14th century), Master of Mocchirolo (fl.c.1350) / Bridgeman Images

ID: LRI4608308

St. Ambrose (Fresco, 14th century)

Master of Mocchirolo (fl.c.1350)

African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837
African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

FLO4611079: African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4611079

African bat (Taphozous perforatus) and common serotine (Eptesicus serotinus) - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “Dictionary of Natural Sciences” by Antoine de Jussieu (1686-1758) - Egyptian tomb bat and serotine bat Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,”” Paris, 1837

Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837
Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

FLO4610996: Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837 / Bridgeman Images

ID: FLO4610996

Gnu noir et chamois - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Black wildebeest and chamois - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Turpin, from Jussieu's “” Dictionary of Natural Science,”” Paris, 1837

Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837
Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

FLO4611163: Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

ID: FLO4611163

Blossom bangle or butome with umbrellas - Lithography, illustration by Jean Gabriel Pretre (1780-1885) under the direction of Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Flowering rush, Butomus umbellatus - Handcoloured copperplate engraving, illustration by J. G. Pretre (178aving (178aving) 0-1845), directed by P. J.F. Turpin, from Jussieu's “Dictionary of Natural Science,” Paris, 1837

Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837
Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

FLO4611018: Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837 / Bridgeman Images

ID: FLO4611018

Bats rhinolophes - Lithography, illustration by Jean Gabriel Pretre (1780-1885) edited by Pierre Jean Francois Turpin (1775-1840), extracted from the “dictionary of natural sciences” by Antoine de Jussieu (1686-1758) - Bat - Handcoloured copperplate engraving, illustration by J. G. Pretre (1780-1845), directed by P. J.F. Pin, from Jussieu's “” Dictionary of Natural Science,” Paris, 1837

Samurai walk past courtesans in barred teahouses, a courtesan entertains a customer upstairs, and a man with a lantern guides a couple in the street. Scene in Kyomachi Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Samurai walk past courtesans in barred teahouses, a courtesan entertains a customer upstairs, and a man with a lantern guides a couple in the street. Scene in Kyomachi Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630772: Samurai walk past courtesans in barred teahouses, a courtesan entertains a customer upstairs, and a man with a lantern guides a couple in the street. Scene in Kyomachi Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630772

Samurai walk past courtesans in barred teahouses, a courtesan entertains a customer upstairs, and a man with a lantern guides a couple in the street. Scene in Kyomachi Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631032: Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631032

Charles Clarence and Charles d'Arbel in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631051: Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631051

Mezzo-soprano Rosine Stoltz as Zaida in Dom Sebastien, Act II, by Gaetano Donizetti, Theatre de l'Opera, 1843. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Japanese god Daikokuten with courtesan and kamuro (young girl maid). Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Japanese god Daikokuten with courtesan and kamuro (young girl maid). Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630765: Japanese god Daikokuten with courtesan and kamuro (young girl maid). Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630765

Japanese god Daikokuten with courtesan and kamuro (young girl maid). Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630869: Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630869

Samurai customer with kamuro walking past two shamisen players in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Title page calligraphed with a siren with an animal's paw and a knight out of a snail shell with a tail and legs, from the British Library manuscript - Lithography from the enlumine manuscript of John (Jehan) Froissart (1337-1404), 1868 - Calligraphic title page with illuminated panel showing merited maid and knight emerging from a snail shell with legs and tail - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Title page calligraphed with a siren with an animal's paw and a knight out of a snail shell with a tail and legs, from the British Library manuscript - Lithography from the enlumine manuscript of John (Jehan) Froissart (1337-1404), 1868 - Calligraphic title page with illuminated panel showing merited maid and knight emerging from a snail shell with legs and tail - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630692: Title page calligraphed with a siren with an animal's paw and a knight out of a snail shell with a tail and legs, from the British Library manuscript - Lithography from the enlumine manuscript of John (Jehan) Froissart (1337-1404), 1868 - Calligraphic title page with illuminated panel showing merited maid and knight emerging from a snail shell with legs and tail - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

ID: FLO4630692

Title page calligraphed with a siren with an animal's paw and a knight out of a snail shell with a tail and legs, from the British Library manuscript - Lithography from the enlumine manuscript of John (Jehan) Froissart (1337-1404), 1868 - Calligraphic title page with illuminated panel showing merited maid and knight emerging from a snail shell with legs and tail - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

Two kamuro maids try to drag two samurai to their courtesan mistresses. Scene in Yoshiwara pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Two kamuro maids try to drag two samurai to their courtesan mistresses. Scene in Yoshiwara pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630825: Two kamuro maids try to drag two samurai to their courtesan mistresses. Scene in Yoshiwara pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

ID: FLO4630825

Two kamuro maids try to drag two samurai to their courtesan mistresses. Scene in Yoshiwara pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

Madame J. Rey as the grand coquette Pauline Langlois in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Madame J. Rey as the grand coquette Pauline Langlois in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631028: Madame J. Rey as the grand coquette Pauline Langlois in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631028

Madame J. Rey as the grand coquette Pauline Langlois in La Dame de St. Tropez by Anicet-Bourgeois and Dennery, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Miss Desiree as Gianina in Rebecca, Act II, by Eugene Scribe, Theatre du Gymnasium Dramatique, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Miss Desiree as Gianina in Rebecca, Act II, by Eugene Scribe, Theatre du Gymnasium Dramatique, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631081: Miss Desiree as Gianina in Rebecca, Act II, by Eugene Scribe, Theatre du Gymnasium Dramatique, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631081

Miss Desiree as Gianina in Rebecca, Act II, by Eugene Scribe, Theatre du Gymnasium Dramatique, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631167: Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631167

Dancer in costume as a woman of Breton in the Cogniard brothers' La Biche au Bois, Theatre da la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631251: Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631251

Bassbaritone Edouard Gassier in the role of the Comte in Auber's La Barcarolle, Opera Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631306: Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631306

Miss Elisa Clarisse Lemenil as Pushette in Sylvandire, Act V, by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4631448: Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4631448

Eugene Grailly in the role of Kernoc in Les Naufrageurs de Kerougal, by Boule, Chabot de Bouin and Saint-Yves, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631679: English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631679

English actress Pauline Virginie Dejazet as Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631761: English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631761

English actress Madame Paul Ernest as the Marquise in Gentil Bernard, ou L'Art d'aimer, by Philippe-Francois Dumanoir and Clairville, Theatre des Varietes, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631810: English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631810

English actor Desbirons as Esparville in Le Roman Comique by Dennery, Cormon and Romain, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Leon Achard and Larifla in La Morale en Action by Jaime and Villeneuve, Theatre du Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Leon Achard and Larifla in La Morale en Action by Jaime and Villeneuve, Theatre du Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631189: Leon Achard and Larifla in La Morale en Action by Jaime and Villeneuve, Theatre du Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631189

Leon Achard and Larifla in La Morale en Action by Jaime and Villeneuve, Theatre du Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Madame Charlotte Doche, Eugenie Fleury or Marie Charlotte Eugenie Plunkett in the role of Madeleine in Eugene Scribe's L'Image, Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Madame Charlotte Doche, Eugenie Fleury or Marie Charlotte Eugenie Plunkett in the role of Madeleine in Eugene Scribe's L'Image, Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631202: Madame Charlotte Doche, Eugenie Fleury or Marie Charlotte Eugenie Plunkett in the role of Madeleine in Eugene Scribe's L'Image, Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631202

Madame Charlotte Doche, Eugenie Fleury or Marie Charlotte Eugenie Plunkett in the role of Madeleine in Eugene Scribe's L'Image, Gymnasium Dramatique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631266: Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631266

Pierre-Cheri Lafont in the role of Rafaello in A Fairy Tale (Un Conte de Fee) by Leuven/Lherie, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631593: French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631593

French actor Louis Lacressonniere as King Charles I in Les Mousquetaires by Alexandre Dumas, Theatre de l'Ambigu Comique, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631676: A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631676

A bergere in the comic opera Les Musketeaires de la Reine by Fromental Halevy, Theatre Royal de l'Opera Comique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

French ballet dancer Miss Zina Richard in the ballet Trilby, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
French ballet dancer Miss Zina Richard in the ballet Trilby, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631590: French ballet dancer Miss Zina Richard in the ballet Trilby, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4631590

French ballet dancer Miss Zina Richard in the ballet Trilby, Theatre de la Porte St. Martin, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854.
Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854.

FLO4631597: Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854. / Bridgeman Images

ID: FLO4631597

Baritone opera singer Leonard Hermann-Leon (1814-1858) as Captain Roland in Les Mousquetaires de la Reine by Fromental Halevy, Theatre Royale de l'Opera Comique, 1854. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1854.

Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631712: Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

ID: FLO4631712

Marie-Pauline Albaret or Miss Irma Aubry as Polkette in Le Mardi Gras at the Hotel des Beans by Laurencin and Clairville, Theatre du Gymnasium, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Painted nettle, Plectranthus scutellarioides. Coleus scutellarioides foliis atropurpureis viride cinctis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.
Painted nettle, Plectranthus scutellarioides. Coleus scutellarioides foliis atropurpureis viride cinctis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.

FLO4627649: Painted nettle, Plectranthus scutellarioides. Coleus scutellarioides foliis atropurpureis viride cinctis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65. / Bridgeman Images

ID: FLO4627649

Painted nettle, Plectranthus scutellarioides. Coleus scutellarioides foliis atropurpureis viride cinctis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1862-65.


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.