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A T.S.F. company installs microphones in the forests and fields to record and transmit the song of birds. Illustration of Damblans in “” Le Pelerin”” of 21 May 1933.
A T.S.F. company installs microphones in the forests and fields to record and transmit the song of birds. Illustration of Damblans in “” Le Pelerin”” of 21 May 1933.

XEE4134213: A T.S.F. company installs microphones in the forests and fields to record and transmit the song of birds. Illustration of Damblans in “” Le Pelerin”” of 21 May 1933., Damblans, Eugene (1865-1945) / Bridgeman Images

Portrait of the Italian poet Dante Alighieri, 1933 (print)
Portrait of the Italian poet Dante Alighieri, 1933 (print)

XEE4134216: Portrait of the Italian poet Dante Alighieri, 1933 (print), Unknown Artist, (20th century) / Bridgeman Images

Steps in the manufacture of the new 5 francs metal coins: on the left, the casting of the ingots that will be used to punch the new pieces; in the center, the pieces are depolished with sulphuric acid after striking; on the right, the pieces are counted, by hundreds, using special devices, before being packaged. Illustration of Moritz in “” Le Pelerin”” of September 24, 1933.
Steps in the manufacture of the new 5 francs metal coins: on the left, the casting of the ingots that will be used to punch the new pieces; in the center, the pieces are depolished with sulphuric acid after striking; on the right, the pieces are counted, by hundreds, using special devices, before being packaged. Illustration of Moritz in “” Le Pelerin”” of September 24, 1933.

XEE4134220: Steps in the manufacture of the new 5 francs metal coins: on the left, the casting of the ingots that will be used to punch the new pieces; in the center, the pieces are depolished with sulphuric acid after striking; on the right, the pieces are counted, by hundreds, using special devices, before being packaged. Illustration of Moritz in “” Le Pelerin”” of September 24, 1933., Moritz, A. R. (fl.1920s) / Bridgeman Images

Marcellin Berthelot (1827-1907), French chemist, in his practice. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 31, 1894.
Marcellin Berthelot (1827-1907), French chemist, in his practice. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 31, 1894.

XEE4134231: Marcellin Berthelot (1827-1907), French chemist, in his practice. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 31, 1894., Unknown Artist, (19th century) / Bridgeman Images

Making wax characters at the Musee Grevin, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 April 1894.
Making wax characters at the Musee Grevin, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 April 1894.

XEE4134232: Making wax characters at the Musee Grevin, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 April 1894., Unknown Artist, (19th century) / Bridgeman Images

Place de l'Opera: the crowd at the arrival of Admiral Avellan and Russian officers (1893),  1894 (engraving)
Place de l'Opera: the crowd at the arrival of Admiral Avellan and Russian officers (1893),  1894 (engraving)

XEE4134247: Place de l'Opera: the crowd at the arrival of Admiral Avellan and Russian officers (1893), 1894 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Training of French troops in the Alps: a winter observation post. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of February 24, 1900.
Training of French troops in the Alps: a winter observation post. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of February 24, 1900.

XEE4134259: Training of French troops in the Alps: a winter observation post. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of February 24, 1900., Unknown Artist, (20th century) / Bridgeman Images

Making a tyre: the oven bakes envelopes and chambers. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 7 April 1900.
Making a tyre: the oven bakes envelopes and chambers. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 7 April 1900.

XEE4134271: Making a tyre: the oven bakes envelopes and chambers. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 7 April 1900., Unknown Artist, (20th century) / Bridgeman Images

Balalaikists: derives from the Balalaika. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 25 August 1900.
Balalaikists: derives from the Balalaika. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 25 August 1900.

XEE4134280: Balalaikists: derives from the Balalaika. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 25 August 1900., Unknown Artist, (20th century) / Bridgeman Images

Overview of the Motor Show in Paris, by night. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 January 1902.
Overview of the Motor Show in Paris, by night. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 January 1902.

XEE4134295: Overview of the Motor Show in Paris, by night. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 January 1902., Unknown Artist, (20th century) / Bridgeman Images

Pygmees of East Africa: Pygmee M'boute du Loupanzula (Upper Ituri district profile view. (After Johnston). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 5, 1904.
Pygmees of East Africa: Pygmee M'boute du Loupanzula (Upper Ituri district profile view. (After Johnston). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 5, 1904.

XEE4134312: Pygmees of East Africa: Pygmee M'boute du Loupanzula (Upper Ituri district profile view. (After Johnston). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 5, 1904., Unknown Artist, (20th century) / Bridgeman Images

Pygmees of East Africa: Pygmees Bamboute of the Great Forest of Congo (west of the Semliki River). (After Johnston). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 5, 1904.
Pygmees of East Africa: Pygmees Bamboute of the Great Forest of Congo (west of the Semliki River). (After Johnston). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 5, 1904.

XEE4134316: Pygmees of East Africa: Pygmees Bamboute of the Great Forest of Congo (west of the Semliki River). (After Johnston). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 5, 1904., Unknown Artist, (20th century) / Bridgeman Images

Metropolitan, line from Avenue de Villiers to Menilamount (Paris): works on the station of Saint Lazare (Saint-Lazare). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of November 5, 1904.
Metropolitan, line from Avenue de Villiers to Menilamount (Paris): works on the station of Saint Lazare (Saint-Lazare). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of November 5, 1904.

XEE4134327: Metropolitan, line from Avenue de Villiers to Menilamount (Paris): works on the station of Saint Lazare (Saint-Lazare). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of November 5, 1904., Unknown Artist, (20th century) / Bridgeman Images

Depart of the Lapons on the Greenland Ice Sheet. Engraving in “” Le Journal de la jeunesse””, 1889.
Depart of the Lapons on the Greenland Ice Sheet. Engraving in “” Le Journal de la jeunesse””, 1889.

XEE4134354: Depart of the Lapons on the Greenland Ice Sheet. Engraving in “” Le Journal de la jeunesse””, 1889., Unknown Artist, (19th century) / Bridgeman Images

Prehistoire - the first metallurgists of the Bronze Age: making bronze. Engraving in “” Le Journal de la jeunesse””, 1889.
Prehistoire - the first metallurgists of the Bronze Age: making bronze. Engraving in “” Le Journal de la jeunesse””, 1889.

XEE4134361: Prehistoire - the first metallurgists of the Bronze Age: making bronze. Engraving in “” Le Journal de la jeunesse””, 1889., Unknown Artist, (19th century) / Bridgeman Images

The buildings of Clos de Vougeot (Cote d'Armor, 21), after an ancient engraving. Engraving in “” Le Journal de la jeunesse””, 1890.
The buildings of Clos de Vougeot (Cote d'Armor, 21), after an ancient engraving. Engraving in “” Le Journal de la jeunesse””, 1890.

XEE4134368: The buildings of Clos de Vougeot (Cote d'Armor, 21), after an ancient engraving. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

Kabba Righe (Kabba-Righe), King of Ounyoro (in Africa), and his sequel. Engraving in “” Le Journal de la jeunesse””, 1890.
Kabba Righe (Kabba-Righe), King of Ounyoro (in Africa), and his sequel. Engraving in “” Le Journal de la jeunesse””, 1890.

XEE4134385: Kabba Righe (Kabba-Righe), King of Ounyoro (in Africa), and his sequel. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

The doctor was marbling: a doctor examines the ear of a deaf child. Engraving illustrating the new “The carpet of the four facardins”” by Mme de Vitt, nee Guizot. In “Le Journal de la jeunesse”, 1884.
The doctor was marbling: a doctor examines the ear of a deaf child. Engraving illustrating the new “The carpet of the four facardins”” by Mme de Vitt, nee Guizot. In “Le Journal de la jeunesse”, 1884.

XEE4134416: The doctor was marbling: a doctor examines the ear of a deaf child. Engraving illustrating the new “The carpet of the four facardins”” by Mme de Vitt, nee Guizot. In “Le Journal de la jeunesse”, 1884., French School, (19th century) / Bridgeman Images

He held a scroll in his hand. Engraving illustrating the novel “Pour la patrie! “” by Josephine Colomb. In “Le Journal de la jeunesse”, 1884.
He held a scroll in his hand. Engraving illustrating the novel “Pour la patrie! “” by Josephine Colomb. In “Le Journal de la jeunesse”, 1884.

XEE4134419: He held a scroll in his hand. Engraving illustrating the novel “Pour la patrie! “” by Josephine Colomb. In “Le Journal de la jeunesse”, 1884., French School, (19th century) / Bridgeman Images

Egyptian musicians and dancers. Man holds cymbals between his fingers. Engraving in “” Le Journal de la jeunesse””, 1884.
Egyptian musicians and dancers. Man holds cymbals between his fingers. Engraving in “” Le Journal de la jeunesse””, 1884.

XEE4134424: Egyptian musicians and dancers. Man holds cymbals between his fingers. Engraving in “” Le Journal de la jeunesse””, 1884., French School, (19th century) / Bridgeman Images

Linen: linen rushing in the Riviere Lys. Engraving in “Le Journal de la jeunesse””, 1884.
Linen: linen rushing in the Riviere Lys. Engraving in “Le Journal de la jeunesse””, 1884.

XEE4134434: Linen: linen rushing in the Riviere Lys. Engraving in “Le Journal de la jeunesse””, 1884., French School, (19th century) / Bridgeman Images

Vats of the Suffrice factory charged to ecumer the Seine. Engraving in “” Le Journal de la jeunesse””, 1885.
Vats of the Suffrice factory charged to ecumer the Seine. Engraving in “” Le Journal de la jeunesse””, 1885.

XEE4134444: Vats of the Suffrice factory charged to ecumer the Seine. Engraving in “” Le Journal de la jeunesse””, 1885., French School, (19th century) / Bridgeman Images

Portrait of Henri Jules Debray (1827-1888), French chemist. (From a photograph by Eugene Pirou). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 August 1888.
Portrait of Henri Jules Debray (1827-1888), French chemist. (From a photograph by Eugene Pirou). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 August 1888.

XEE4134470: Portrait of Henri Jules Debray (1827-1888), French chemist. (From a photograph by Eugene Pirou). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 August 1888., Unknown Artist, (19th century) / Bridgeman Images

Luxury trains in Europe: internal view of a restaurant wagon. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of May 1, 1897.
Luxury trains in Europe: internal view of a restaurant wagon. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of May 1, 1897.

XEE4134489: Luxury trains in Europe: internal view of a restaurant wagon. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of May 1, 1897., Unknown Artist, (19th century) / Bridgeman Images

Hunting in Germany in the 18th century: a deer hunt near Leonberg in 1748. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 13 June 1891.
Hunting in Germany in the 18th century: a deer hunt near Leonberg in 1748. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 13 June 1891.

XEE4134498: Hunting in Germany in the 18th century: a deer hunt near Leonberg in 1748. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 13 June 1891., Unknown Artist, (19th century) / Bridgeman Images

Metallurgy in the 18th century: removable home for walking blacksmiths. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891.
Metallurgy in the 18th century: removable home for walking blacksmiths. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891.

XEE4134504: Metallurgy in the 18th century: removable home for walking blacksmiths. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891., Unknown Artist, (19th century) / Bridgeman Images

Overview of a bar with vending machines, rue Montmartre, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 7 November 1891.
Overview of a bar with vending machines, rue Montmartre, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 7 November 1891.

XEE4134507: Overview of a bar with vending machines, rue Montmartre, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 7 November 1891., Unknown Artist, (19th century) / Bridgeman Images

Frontispice of geometry in the “Margarita Philosophica” by Gregor Reisch (1467-1525), 1508. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 14 November 1891.
Frontispice of geometry in the “Margarita Philosophica” by Gregor Reisch (1467-1525), 1508. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 14 November 1891.

XEE4134513: Frontispice of geometry in the “Margarita Philosophica” by Gregor Reisch (1467-1525), 1508. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 14 November 1891., Unknown Artist, (19th century) / Bridgeman Images

Telephony in Sweden: room of the central telephone office in Stockholm. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 23 March 1889.
Telephony in Sweden: room of the central telephone office in Stockholm. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 23 March 1889.

XEE4134531: Telephony in Sweden: room of the central telephone office in Stockholm. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 23 March 1889., Unknown Artist, (19th century) / Bridgeman Images

Bibliotheque Nationale in Paris: journal handling and filing room at the Bureau des Entrees. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 17 June 1893.
Bibliotheque Nationale in Paris: journal handling and filing room at the Bureau des Entrees. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 17 June 1893.

XEE4134587: Bibliotheque Nationale in Paris: journal handling and filing room at the Bureau des Entrees. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 17 June 1893., Unknown Artist, (19th century) / Bridgeman Images

The ten figures figure by Harlequin. (Reduction of half of the original, from the collection of Gaston Tissandier). German engraving of the 18th century in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”, 13 July 1895.
The ten figures figure by Harlequin. (Reduction of half of the original, from the collection of Gaston Tissandier). German engraving of the 18th century in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”, 13 July 1895.

XEE4134591: The ten figures figure by Harlequin. (Reduction of half of the original, from the collection of Gaston Tissandier). German engraving of the 18th century in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”, 13 July 1895., German School, (18th century) / Bridgeman Images

The Trans-Siberian Railway: Chinese workers' site. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 October 1895.
The Trans-Siberian Railway: Chinese workers' site. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 October 1895.

XEE4134610: The Trans-Siberian Railway: Chinese workers' site. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 October 1895., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Joseph de Montgolfier (1740-1810), French industrialist, inventor of the hot air balloon. (From the portrait of Boissieu, at the Musee de Lyon). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of April 2, 1887.
Portrait of Joseph de Montgolfier (1740-1810), French industrialist, inventor of the hot air balloon. (From the portrait of Boissieu, at the Musee de Lyon). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of April 2, 1887.

XEE4134636: Portrait of Joseph de Montgolfier (1740-1810), French industrialist, inventor of the hot air balloon. (From the portrait of Boissieu, at the Musee de Lyon). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of April 2, 1887., Boissieu, Jean Jacques de (1736-1810) / Bridgeman Images

Jean Baptiste Lully (Giovanni Battista Lulli), child, playing violin in the kitchen of Mademoiselle de Montpensier. Engraving, 1887.
Jean Baptiste Lully (Giovanni Battista Lulli), child, playing violin in the kitchen of Mademoiselle de Montpensier. Engraving, 1887.

XEE4134642: Jean Baptiste Lully (Giovanni Battista Lulli), child, playing violin in the kitchen of Mademoiselle de Montpensier. Engraving, 1887., Unknown Artist, (19th century) / Bridgeman Images

Ovens of the mechanical bakery of the Avenue de l'Opera, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 August 1885.
Ovens of the mechanical bakery of the Avenue de l'Opera, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 August 1885.

XEE4134663: Ovens of the mechanical bakery of the Avenue de l'Opera, in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 August 1885., Unknown Artist, (19th century) / Bridgeman Images

Concordance of Chinese and Christian chronology. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of October 10, 1885.
Concordance of Chinese and Christian chronology. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of October 10, 1885.

XEE4134667: Concordance of Chinese and Christian chronology. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of October 10, 1885., Unknown Artist, (19th century) / Bridgeman Images


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