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Portrait of Merovee, king of the Salian Francs from 448 to 456. Chromolithography (Chromo) of the beginning of the 20th century.
Portrait of Merovee, king of the Salian Francs from 448 to 456. Chromolithography (Chromo) of the beginning of the 20th century.

XEE4135371: Portrait of Merovee, king of the Salian Francs from 448 to 456. Chromolithography (Chromo) of the beginning of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

Portrait of Dagobert II, king of the Francs from 711a 716. Chromolithography (Chromo) of the beginning of the 20th century.
Portrait of Dagobert II, king of the Francs from 711a 716. Chromolithography (Chromo) of the beginning of the 20th century.

XEE4135375: Portrait of Dagobert II, king of the Francs from 711a 716. Chromolithography (Chromo) of the beginning of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

Merovingian Dynasty: Portrait of Dagobert III (699-715) King of the Franks from 711 to 715. Chromolithography (Chromo) of the beginning of the 20th century.
Merovingian Dynasty: Portrait of Dagobert III (699-715) King of the Franks from 711 to 715. Chromolithography (Chromo) of the beginning of the 20th century.

XEE4135392: Merovingian Dynasty: Portrait of Dagobert III (699-715) King of the Franks from 711 to 715. Chromolithography (Chromo) of the beginning of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

Portrait of Childebert I, King of the Franks from 511 to 558. Chromolithography (Chromo) of the beginning of the 20th century.
Portrait of Childebert I, King of the Franks from 511 to 558. Chromolithography (Chromo) of the beginning of the 20th century.

XEE4135393: Portrait of Childebert I, King of the Franks from 511 to 558. Chromolithography (Chromo) of the beginning of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

Portrait of Louis XVI, King of France. Chromolithography (Chromo) from the beginning of the 20th century.
Portrait of Louis XVI, King of France. Chromolithography (Chromo) from the beginning of the 20th century.

XEE4135435: Portrait of Louis XVI, King of France. Chromolithography (Chromo) from the beginning of the 20th century., Unknown Artist, (20th century) / Bridgeman Images

First crusade (1096-1099): the capture of Jerusalem by the croises led by Godefroy (Godefroi) of Bouillon (1061-1100) on 15 July 1099. Advertising chromolithography of Antoine chocolates in Brussels, beginning of the 20th century. Private Collection
First crusade (1096-1099): the capture of Jerusalem by the croises led by Godefroy (Godefroi) of Bouillon (1061-1100) on 15 July 1099. Advertising chromolithography of Antoine chocolates in Brussels, beginning of the 20th century. Private Collection

XEE4135471: First crusade (1096-1099): the capture of Jerusalem by the croises led by Godefroy (Godefroi) of Bouillon (1061-1100) on 15 July 1099. Advertising chromolithography of Antoine chocolates in Brussels, beginning of the 20th century. Private Collection, Anonymous / Bridgeman Images

Revolution 1848: “” The archbishop Denis Affre (1793-1848) wounds and wears on a stretcher in 1848.”
Revolution 1848: “” The archbishop Denis Affre (1793-1848) wounds and wears on a stretcher in 1848.”

XEE4135513: Revolution 1848: “” The archbishop Denis Affre (1793-1848) wounds and wears on a stretcher in 1848.”, Unknown Artist, (19th century) / Bridgeman Images

Allegory of marriage: the priest throws the fiel of the animals behind the altar to show that there is no bitterness at marriage. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of marriage: the priest throws the fiel of the animals behind the altar to show that there is no bitterness at marriage. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135521: Allegory of marriage: the priest throws the fiel of the animals behind the altar to show that there is no bitterness at marriage. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

Allegory of the origin of diseases. Seneque, hating the exces of the treats of his time, said one day: “Do you wonder you may see unnumbered diseases? Think there are also an infinite number of cooks.” Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of the origin of diseases. Seneque, hating the exces of the treats of his time, said one day: “Do you wonder you may see unnumbered diseases? Think there are also an infinite number of cooks.” Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135535: Allegory of the origin of diseases. Seneque, hating the exces of the treats of his time, said one day: “Do you wonder you may see unnumbered diseases? Think there are also an infinite number of cooks.” Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

Allegory of caution while enjoying. A philosopher warns us that the vine produces three kinds of grapes: that of pleasure, that of drunkenness and that of doulers and madness. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of caution while enjoying. A philosopher warns us that the vine produces three kinds of grapes: that of pleasure, that of drunkenness and that of doulers and madness. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135538: Allegory of caution while enjoying. A philosopher warns us that the vine produces three kinds of grapes: that of pleasure, that of drunkenness and that of doulers and madness. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

Allegory of love for life. An old woman calls death to help her put her wooden bunks on her head. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of love for life. An old woman calls death to help her put her wooden bunks on her head. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135544: Allegory of love for life. An old woman calls death to help her put her wooden bunks on her head. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

Allegory of prodigalite depicted with a blindfold and shaking a horn of abundance from where silver and jewelry fall which harpies greedily take. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Allegory of prodigalite depicted with a blindfold and shaking a horn of abundance from where silver and jewelry fall which harpies greedily take. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135563: Allegory of prodigalite depicted with a blindfold and shaking a horn of abundance from where silver and jewelry fall which harpies greedily take. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

The ways in the Middle Ages: the lords of the Middle Ages wiped their hands to the tablecloth, ate with their fingers, without forks or knives, and shared their mug and plate with two, a man and a woman. Engraving in “” La cuisine des familles”” from 1905-1908.
The ways in the Middle Ages: the lords of the Middle Ages wiped their hands to the tablecloth, ate with their fingers, without forks or knives, and shared their mug and plate with two, a man and a woman. Engraving in “” La cuisine des familles”” from 1905-1908.

XEE4133774: The ways in the Middle Ages: the lords of the Middle Ages wiped their hands to the tablecloth, ate with their fingers, without forks or knives, and shared their mug and plate with two, a man and a woman. Engraving in “” La cuisine des familles”” from 1905-1908., Unknown Artist, (20th century) / Bridgeman Images

A game lover: Van der Kubel, a painter from The Hague, a master of still life of game, often asked the sponsor of his works the game he wanted to paint after nature and eaten it with his friends. Engraving in “” La cuisine des familles”” from 1905-1908.
A game lover: Van der Kubel, a painter from The Hague, a master of still life of game, often asked the sponsor of his works the game he wanted to paint after nature and eaten it with his friends. Engraving in “” La cuisine des familles”” from 1905-1908.

XEE4133787: A game lover: Van der Kubel, a painter from The Hague, a master of still life of game, often asked the sponsor of his works the game he wanted to paint after nature and eaten it with his friends. Engraving in “” La cuisine des familles”” from 1905-1908., Unknown Artist, (20th century) / Bridgeman Images

In the 14th century, the ogre of Wirtemberg of Saxony had the profession of eating for money. For lack of food, it was reported that he weighted his stomach with stones. Engraving in “” La cuisine des familles”” from 1905-1908.
In the 14th century, the ogre of Wirtemberg of Saxony had the profession of eating for money. For lack of food, it was reported that he weighted his stomach with stones. Engraving in “” La cuisine des familles”” from 1905-1908.

XEE4133817: In the 14th century, the ogre of Wirtemberg of Saxony had the profession of eating for money. For lack of food, it was reported that he weighted his stomach with stones. Engraving in “” La cuisine des familles”” from 1905-1908., Unknown Artist, (20th century) / Bridgeman Images

The night before in Romania. Romanian peasants spinning and weaving wool. Moritz illustration. In “” Le Pelerin”” of December 8, 1929.
The night before in Romania. Romanian peasants spinning and weaving wool. Moritz illustration. In “” Le Pelerin”” of December 8, 1929.

XEE4133914: The night before in Romania. Romanian peasants spinning and weaving wool. Moritz illustration. In “” Le Pelerin”” of December 8, 1929., Moritz, A. R. (fl.1920s) / Bridgeman Images

About the inauguration, at the Lateran Palace, in Rome, of the Museums of the White Sisters in a village in Equatorial Africa where they catechism and care for the sick. Illustration of Damblans. In “” Le Pelerin”” of January 29, 1928.
About the inauguration, at the Lateran Palace, in Rome, of the Museums of the White Sisters in a village in Equatorial Africa where they catechism and care for the sick. Illustration of Damblans. In “” Le Pelerin”” of January 29, 1928.

XEE4133922: About the inauguration, at the Lateran Palace, in Rome, of the Museums of the White Sisters in a village in Equatorial Africa where they catechism and care for the sick. Illustration of Damblans. In “” Le Pelerin”” of January 29, 1928., Damblans, Eugene (1865-1945) / Bridgeman Images

Following the explosion in the Cwn mine (Wales), the miners' women brought their canaries to rescue the firedamp. Illustration of Damblans. In “” Le Pelerin”” of March 20, 1927.
Following the explosion in the Cwn mine (Wales), the miners' women brought their canaries to rescue the firedamp. Illustration of Damblans. In “” Le Pelerin”” of March 20, 1927.

XEE4133924: Following the explosion in the Cwn mine (Wales), the miners' women brought their canaries to rescue the firedamp. Illustration of Damblans. In “” Le Pelerin”” of March 20, 1927., Damblans, Eugene (1865-1945) / Bridgeman Images

Robbers arrested by the Italian fascist police. Sicily, Italy. Illustration of Damblans. In “” Le Pelerin”” of February 14, 1926.
Robbers arrested by the Italian fascist police. Sicily, Italy. Illustration of Damblans. In “” Le Pelerin”” of February 14, 1926.

XEE4133929: Robbers arrested by the Italian fascist police. Sicily, Italy. Illustration of Damblans. In “” Le Pelerin”” of February 14, 1926., Damblans, Eugene (1865-1945) / Bridgeman Images

Colonial troops unlocked the Aoulay (Aoulai) post in Morocco under Captain Duboin. Illustration of Damblans. In “” Le Pelerin”” of June 7, 1925.
Colonial troops unlocked the Aoulay (Aoulai) post in Morocco under Captain Duboin. Illustration of Damblans. In “” Le Pelerin”” of June 7, 1925.

XEE4133944: Colonial troops unlocked the Aoulay (Aoulai) post in Morocco under Captain Duboin. Illustration of Damblans. In “” Le Pelerin”” of June 7, 1925., Damblans, Eugene (1865-1945) / Bridgeman Images

Lord William Tyrrell (1866-1947), Ambassador of Great Britain to Paris, presented to the President of the Republic Paul Doumer (1857-1932) the banner of Saint Joan of Arc offered and reconstituted by the “Anglo-French Luncheon Club”. Moritz illustration. In “” Le Pelerin”” of March 20, 1932.
Lord William Tyrrell (1866-1947), Ambassador of Great Britain to Paris, presented to the President of the Republic Paul Doumer (1857-1932) the banner of Saint Joan of Arc offered and reconstituted by the “Anglo-French Luncheon Club”. Moritz illustration. In “” Le Pelerin”” of March 20, 1932.

XEE4133950: Lord William Tyrrell (1866-1947), Ambassador of Great Britain to Paris, presented to the President of the Republic Paul Doumer (1857-1932) the banner of Saint Joan of Arc offered and reconstituted by the “Anglo-French Luncheon Club”. Moritz illustration. In “” Le Pelerin”” of March 20, 1932., Moritz, A. R. (fl.1920s) / Bridgeman Images

XIIIth Air Show (1930): passengers board a commercial transport aircraft of type D.B. On the right, the buildings of Bron Airport. Lyon, Rhone (69). Moritz illustration. In “” Le Pelerin”” of December 14, 1930.
XIIIth Air Show (1930): passengers board a commercial transport aircraft of type D.B. On the right, the buildings of Bron Airport. Lyon, Rhone (69). Moritz illustration. In “” Le Pelerin”” of December 14, 1930.

XEE4133984: XIIIth Air Show (1930): passengers board a commercial transport aircraft of type D.B. On the right, the buildings of Bron Airport. Lyon, Rhone (69). Moritz illustration. In “” Le Pelerin”” of December 14, 1930., Moritz, A. R. (fl.1920s) / Bridgeman Images

Wine making: a press. Illustration of Gignoux after a painting by Luke in the calendar of the J.O.C. (Jeunesse Chretienne Ouvriere) of 1933. In “” Le Pelerin”” of October 15, 1933.
Wine making: a press. Illustration of Gignoux after a painting by Luke in the calendar of the J.O.C. (Jeunesse Chretienne Ouvriere) of 1933. In “” Le Pelerin”” of October 15, 1933.

XEE4133988: Wine making: a press. Illustration of Gignoux after a painting by Luke in the calendar of the J.O.C. (Jeunesse Chretienne Ouvriere) of 1933. In “” Le Pelerin”” of October 15, 1933., Grignoux, (active c.1931-1935) / Bridgeman Images

Maurice Ridart's obseques, killed by police officers in the church of La Madeleine in Paris. The flags of the Youth Patriotes salute his coffin. Illustration of Damblans. In “” Le Pelerin”” of April 18, 1926.
Maurice Ridart's obseques, killed by police officers in the church of La Madeleine in Paris. The flags of the Youth Patriotes salute his coffin. Illustration of Damblans. In “” Le Pelerin”” of April 18, 1926.

XEE4134007: Maurice Ridart's obseques, killed by police officers in the church of La Madeleine in Paris. The flags of the Youth Patriotes salute his coffin. Illustration of Damblans. In “” Le Pelerin”” of April 18, 1926., Damblans, Eugene (1865-1945) / Bridgeman Images

The tomb of Marechal Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) in front of the Minaret of the Necropolis of Chellah (13th century) in Rabat, Morocco. Illustration of Gignoux. In “” Le Pelerin”” of October 27, 1935.
The tomb of Marechal Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) in front of the Minaret of the Necropolis of Chellah (13th century) in Rabat, Morocco. Illustration of Gignoux. In “” Le Pelerin”” of October 27, 1935.

XEE4134032: The tomb of Marechal Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) in front of the Minaret of the Necropolis of Chellah (13th century) in Rabat, Morocco. Illustration of Gignoux. In “” Le Pelerin”” of October 27, 1935., Grignoux, (active c.1931-1935) / Bridgeman Images

Rice planting in the Philippines. Engraving in “The Youth Journal”, 1885.
Rice planting in the Philippines. Engraving in “The Youth Journal”, 1885.

XEE4134078: Rice planting in the Philippines. Engraving in “The Youth Journal”, 1885., Unknown Artist, (19th century) / Bridgeman Images

Overview of the island of Philae (Egypt), submerged, with the Temple of Isis. Engraving in “La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 30 May 1903.
Overview of the island of Philae (Egypt), submerged, with the Temple of Isis. Engraving in “La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 30 May 1903.

XEE4134137: Overview of the island of Philae (Egypt), submerged, with the Temple of Isis. Engraving in “La Nature. revue des sciences et de leurs applications aux arts et a l'industrie”” of 30 May 1903., Unknown Artist, (20th century) / Bridgeman Images

Les chiffonniers: le tricage d'apres nature. Engraving in “Le journal de la jeunesse””, 1884.
Les chiffonniers: le tricage d'apres nature. Engraving in “Le journal de la jeunesse””, 1884.

XEE4134152: Les chiffonniers: le tricage d'apres nature. Engraving in “Le journal de la jeunesse””, 1884., Unknown Artist, (19th century) / Bridgeman Images

Les chiffonniers: le weighing. Engraving in “Le journal de la jeunesse”, 1884.
Les chiffonniers: le weighing. Engraving in “Le journal de la jeunesse”, 1884.

XEE4134153: Les chiffonniers: le weighing. Engraving in “Le journal de la jeunesse”, 1884., Unknown Artist, (19th century) / Bridgeman Images

Glycere posing in front of the Greek painter Pausias (4th century BC) for the painting “” Stephanopoclos”””. Engraving in “Le journal de la jeunesse””, 1884.
Glycere posing in front of the Greek painter Pausias (4th century BC) for the painting “” Stephanopoclos”””. Engraving in “Le journal de la jeunesse””, 1884.

XEE4134156: Glycere posing in front of the Greek painter Pausias (4th century BC) for the painting “” Stephanopoclos”””. Engraving in “Le journal de la jeunesse””, 1884., Unknown Artist, (19th century) / Bridgeman Images

The face has something, portrait of Arthur Rimbaud by Ernest Delahaye of 1875.
The face has something, portrait of Arthur Rimbaud by Ernest Delahaye of 1875.

XEE4134165: The face has something, portrait of Arthur Rimbaud by Ernest Delahaye of 1875., Delahaye, Ernest (1853-1930) / Bridgeman Images

Birth certificate of Arthur Rimbaud (1854-1891), French poet Charleville, Musee Rimbaud.
Birth certificate of Arthur Rimbaud (1854-1891), French poet Charleville, Musee Rimbaud.

XEE4134167: Birth certificate of Arthur Rimbaud (1854-1891), French poet Charleville, Musee Rimbaud., Anonymous / Bridgeman Images

Portrait of the President of the French Republic, Paul Doumer (1857-1932), assassinated on May 6, 1932. Illustration in “” Le Pelerin”” of May 15, 1932.
Portrait of the President of the French Republic, Paul Doumer (1857-1932), assassinated on May 6, 1932. Illustration in “” Le Pelerin”” of May 15, 1932.

XEE4134186: Portrait of the President of the French Republic, Paul Doumer (1857-1932), assassinated on May 6, 1932. Illustration in “” Le Pelerin”” of May 15, 1932., Unknown Artist, (20th century) / Bridgeman Images

Portrait of Saint Savinien, first eveque of Senses Illustration in “” Le Pelerin”” of August 1, 1926.
Portrait of Saint Savinien, first eveque of Senses Illustration in “” Le Pelerin”” of August 1, 1926.

XEE4134197: Portrait of Saint Savinien, first eveque of Senses Illustration in “” Le Pelerin”” of August 1, 1926., Unknown Artist, (20th century) / Bridgeman Images

Plowering the cavaliere track, Cours la Reine, in Paris. Illustration of Grand'Aigle (Henri Genevrier (1881-1951)) in “” Le Pelerin”” of November 15, 1931.
Plowering the cavaliere track, Cours la Reine, in Paris. Illustration of Grand'Aigle (Henri Genevrier (1881-1951)) in “” Le Pelerin”” of November 15, 1931.

XEE4134203: Plowering the cavaliere track, Cours la Reine, in Paris. Illustration of Grand'Aigle (Henri Genevrier (1881-1951)) in “” Le Pelerin”” of November 15, 1931., Grand'Aigle, Henri (1881-1951) / Bridgeman Images

Queue in front of the soup soup in Paris. Illustration of Gignoux in “” Le Pelerin”” of January 24, 1932.
Queue in front of the soup soup in Paris. Illustration of Gignoux in “” Le Pelerin”” of January 24, 1932.

XEE4134208: Queue in front of the soup soup in Paris. Illustration of Gignoux in “” Le Pelerin”” of January 24, 1932., Grignoux, (active c.1931-1935) / Bridgeman Images


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