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Representation of Deucalion and Pyrrha, the only survivors after the deluge caused by Zeus to destroy the human race. Themis after the deluge asks them to walk the head covered by throwing behind them the bones of their mother (the stones of the Earth) (Representation of Deucalion and Pyrrha single survivors after the deluge created by Zeus to destroy human race, once the deluge is over they are told to throw mother bones behind their shoulder (Earth rocks) with the head covered) From “Mythologie de la jeunesse” by Pierre Blanchard 1803.
Representation of Deucalion and Pyrrha, the only survivors after the deluge caused by Zeus to destroy the human race. Themis after the deluge asks them to walk the head covered by throwing behind them the bones of their mother (the stones of the Earth) (Representation of Deucalion and Pyrrha single survivors after the deluge created by Zeus to destroy human race, once the deluge is over they are told to throw mother bones behind their shoulder (Earth rocks) with the head covered) From “Mythologie de la jeunesse” by Pierre Blanchard 1803.

XEE4417378: Representation of Deucalion and Pyrrha, the only survivors after the deluge caused by Zeus to destroy the human race. Themis after the deluge asks them to walk the head covered by throwing behind them the bones of their mother (the stones of the Earth) (Representation of Deucalion and Pyrrha single survivors after the deluge created by Zeus to destroy human race, once the deluge is over they are told to throw mother bones behind their shoulder (Earth rocks) with the head covered) From “Mythologie de la jeunesse” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417378

Representation of Deucalion and Pyrrha, the only survivors after the deluge caused by Zeus to destroy the human race. Themis after the deluge asks them to walk the head covered by throwing behind them the bones of their mother (the stones of the Earth) (Representation of Deucalion and Pyrrha single survivors after the deluge created by Zeus to destroy human race, once the deluge is over they are told to throw mother bones behind their shoulder (Earth rocks) with the head covered) From “Mythologie de la jeunesse” by Pierre Blanchard 1803.

French School, (19th century)

Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803.
Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803.

XEE4417390: Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417390

Representation of Hercules decoching a poisoned arrow to the centaur Nessus (Nessos) who kidnaps his wife Dejanire (Hercules (Heracles) shot a poisoned arrow to the centaur Nessus who attempt to kidnap Deianira) From “” Mythologie de la jeunesse “” by Pierre Blanchard 1803.

French School, (19th century)

Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803.
Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417393: Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417393

Oedipus solves the riddle of the sphinx who throw herself from her high rock. From “Mythology of Youth” by Pierre Blanchard 1803.

French School, (19th century)

Trojan war: Triumphant Achilles dragging Hector's lifeless body in front of the Gates of Troy. From “Mythology of Youth” by Pierre Blanchard 1803.
Trojan war: Triumphant Achilles dragging Hector's lifeless body in front of the Gates of Troy. From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417409: Trojan war: Triumphant Achilles dragging Hector's lifeless body in front of the Gates of Troy. From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417409

Trojan war: Triumphant Achilles dragging Hector's lifeless body in front of the Gates of Troy. From “Mythology of Youth” by Pierre Blanchard 1803.

French School, (19th century)

Illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving)
Illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving)

XOS4428801: Illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving), Benard, Robert (fl.1734) / Bridgeman Images

ID: XOS4428801

Illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving)

Benard, Robert (fl.1734)

Urchins, illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving)
Urchins, illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving)

XOS4428803: Urchins, illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving), Benard, Robert (fl.1734) / Bridgeman Images

ID: XOS4428803

Urchins, illustration from 'Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques, avec leur explication' by Denis Diderot, 1762-72 (engraving)

Benard, Robert (fl.1734)

Urchins, 1805-12 (engraving)
Urchins, 1805-12 (engraving)

XOS4429271: Urchins, 1805-12 (engraving), Macret, Jean-Cesar (1768-1813) / Bridgeman Images

ID: XOS4429271

Urchins, 1805-12 (engraving)

Macret, Jean-Cesar (1768-1813)

Echinus Esculentus or Common Sea Urchin; The same with the Spines rubbed off, from 'Zoological lectures delivered at the Royal institution in the years 1806 and 1807' by George Shaw, 1809 (engraving)
Echinus Esculentus or Common Sea Urchin; The same with the Spines rubbed off, from 'Zoological lectures delivered at the Royal institution in the years 1806 and 1807' by George Shaw, 1809 (engraving)

XOS4429274: Echinus Esculentus or Common Sea Urchin; The same with the Spines rubbed off, from 'Zoological lectures delivered at the Royal institution in the years 1806 and 1807' by George Shaw, 1809 (engraving), English School, (19th century) / Bridgeman Images

ID: XOS4429274

Echinus Esculentus or Common Sea Urchin; The same with the Spines rubbed off, from 'Zoological lectures delivered at the Royal institution in the years 1806 and 1807' by George Shaw, 1809 (engraving)

English School, (19th century)

Stage design for the play 'The Thread Breaks Where it is the Weakest' by Ivan Turgenev, 1911 (w/c & gouache on paper)
Stage design for the play 'The Thread Breaks Where it is the Weakest' by Ivan Turgenev, 1911 (w/c & gouache on paper)

FIA4429316: Stage design for the play 'The Thread Breaks Where it is the Weakest' by Ivan Turgenev, 1911 (w/c & gouache on paper), Dobuzhinsky, Mstislav (1875-1957) / Bridgeman Images

ID: FIA4429316

Stage design for the play 'The Thread Breaks Where it is the Weakest' by Ivan Turgenev, 1911 (w/c & gouache on paper)

Dobuzhinsky, Mstislav (1875-1957)

Portrait of Mikhail Kuzmin, 1910 (tempera & pastel on canvas)
Portrait of Mikhail Kuzmin, 1910 (tempera & pastel on canvas)

FIA4429318: Portrait of Mikhail Kuzmin, 1910 (tempera & pastel on canvas), Golovin, Aleksandr Jakovlevic (1863-1930) / Bridgeman Images

ID: FIA4429318

Portrait of Mikhail Kuzmin, 1910 (tempera & pastel on canvas)

Golovin, Aleksandr Jakovlevic (1863-1930)

Portrait of Mstislav Dobuzhinsky, 1922 (oil on canvas)
Portrait of Mstislav Dobuzhinsky, 1922 (oil on canvas)

FIA4429323: Portrait of Mstislav Dobuzhinsky, 1922 (oil on canvas), Braz, Osip Emmanuilovich (1873-1936) / Bridgeman Images

ID: FIA4429323

Portrait of Mstislav Dobuzhinsky, 1922 (oil on canvas)

Braz, Osip Emmanuilovich (1873-1936)

Drawing room, sketch for the play
Drawing room, sketch for the play

FIA4429324: Drawing room, sketch for the play "A Month in the Country" by Ivan Turgenyev, 1919 (w/c & gouache on paper), Dobuzhinsky, Mstislav (1875-1957) / Bridgeman Images

ID: FIA4429324

Drawing room, sketch for the play "A Month in the Country" by Ivan Turgenyev, 1919 (w/c & gouache on paper)

Dobuzhinsky, Mstislav (1875-1957)

A terrace, 1916 (oil on canvas)
A terrace, 1916 (oil on canvas)

FIA4429326: A terrace, 1916 (oil on canvas), Dobuzhinsky, Mstislav (1875-1957) / Bridgeman Images

ID: FIA4429326

A terrace, 1916 (oil on canvas)

Dobuzhinsky, Mstislav (1875-1957)

Costume design for the ballet 'La Fille Mal Gardee' by J. Dauberval, 1915 (w/c on paper)
Costume design for the ballet 'La Fille Mal Gardee' by J. Dauberval, 1915 (w/c on paper)

FIA4429330: Costume design for the ballet 'La Fille Mal Gardee' by J. Dauberval, 1915 (w/c on paper), Dobuzhinsky, Mstislav (1875-1957) / Bridgeman Images

ID: FIA4429330

Costume design for the ballet 'La Fille Mal Gardee' by J. Dauberval, 1915 (w/c on paper)

Dobuzhinsky, Mstislav (1875-1957)

Stage design for the play 'Nikolay Stavrogin' after 'The Devils' by Fedor Dostoevski, 1913 (w/c & gouache on card)
Stage design for the play 'Nikolay Stavrogin' after 'The Devils' by Fedor Dostoevski, 1913 (w/c & gouache on card)

FIA4429332: Stage design for the play 'Nikolay Stavrogin' after 'The Devils' by Fedor Dostoevski, 1913 (w/c & gouache on card), Dobuzhinsky, Mstislav (1875-1957) / Bridgeman Images

ID: FIA4429332

Stage design for the play 'Nikolay Stavrogin' after 'The Devils' by Fedor Dostoevski, 1913 (w/c & gouache on card)

Dobuzhinsky, Mstislav (1875-1957)

Ornithology: “Synallaxis major”” described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839
Ornithology: “Synallaxis major”” described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839

FAT4429337: Ornithology: “Synallaxis major”” described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839 / Bridgeman Images

ID: FAT4429337

Ornithology: “Synallaxis major”” described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839

Portrait of Albrecht Wallenstein (1583-1634) military and Czech politician. Engraving of the 19th century
Portrait of Albrecht Wallenstein (1583-1634) military and Czech politician. Engraving of the 19th century

FAT4429341: Portrait of Albrecht Wallenstein (1583-1634) military and Czech politician. Engraving of the 19th century / Bridgeman Images

ID: FAT4429341

Portrait of Albrecht Wallenstein (1583-1634) military and Czech politician. Engraving of the 19th century

Ornithology: “Limnornis curvirostris” of the furnariid family described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839
Ornithology: “Limnornis curvirostris” of the furnariid family described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839

FAT4429344: Ornithology: “Limnornis curvirostris” of the furnariid family described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839 / Bridgeman Images

ID: FAT4429344

Ornithology: “Limnornis curvirostris” of the furnariid family described by Charles Darwin during his expedition aboard the Beagle. Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. Edited and superintended by Charles Darwin. London: Henry Colburn 1839

Ornithology: “” Sylvicola aureola””” finches observed and described by Charles Darwin (1809-1882). Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843.
Ornithology: “” Sylvicola aureola””” finches observed and described by Charles Darwin (1809-1882). Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843.

FAT4429349: Ornithology: “” Sylvicola aureola””” finches observed and described by Charles Darwin (1809-1882). Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843. / Bridgeman Images

ID: FAT4429349

Ornithology: “” Sylvicola aureola””” finches observed and described by Charles Darwin (1809-1882). Plate from “The zoology of the voyage of H.M.S. Beagle. Flight. III, Birds described by John Gould, with notice of their habits by Charles Darwin, 1838-1843.

Architecture: exterior view of the Hotel de Ville de Paris (1873, neo-renaissance style). Photography beginning 20th century.
Architecture: exterior view of the Hotel de Ville de Paris (1873, neo-renaissance style). Photography beginning 20th century.

NIK4429555: Architecture: exterior view of the Hotel de Ville de Paris (1873, neo-renaissance style). Photography beginning 20th century. / Bridgeman Images

ID: NIK4429555

Architecture: exterior view of the Hotel de Ville de Paris (1873, neo-renaissance style). Photography beginning 20th century.

A couple embraces. 1920 postcard.
A couple embraces. 1920 postcard.

NIK4429556: A couple embraces. 1920 postcard. / Bridgeman Images

ID: NIK4429556

A couple embraces. 1920 postcard.

Two seated men playing music. Self-portrait, France, early 1930;
Two seated men playing music. Self-portrait, France, early 1930;

NIK4429566: Two seated men playing music. Self-portrait, France, early 1930; / Bridgeman Images

ID: NIK4429566

Two seated men playing music. Self-portrait, France, early 1930;

Portrait of a battleshirer or gendarme. France, late 19th century photography.
Portrait of a battleshirer or gendarme. France, late 19th century photography.

NIK4429575: Portrait of a battleshirer or gendarme. France, late 19th century photography. / Bridgeman Images

ID: NIK4429575

Portrait of a battleshirer or gendarme. France, late 19th century photography.

Spanish War (1936-1939): stamp of the communist militias (antifascistas) representing a locomotive of the company MZA (Compania de los Ferrocarriles de Madrid a Zaragoza y Alicante).
Spanish War (1936-1939): stamp of the communist militias (antifascistas) representing a locomotive of the company MZA (Compania de los Ferrocarriles de Madrid a Zaragoza y Alicante).

NIK4429577: Spanish War (1936-1939): stamp of the communist militias (antifascistas) representing a locomotive of the company MZA (Compania de los Ferrocarriles de Madrid a Zaragoza y Alicante). / Bridgeman Images

ID: NIK4429577

Spanish War (1936-1939): stamp of the communist militias (antifascistas) representing a locomotive of the company MZA (Compania de los Ferrocarriles de Madrid a Zaragoza y Alicante).

First World War (1914-1918): Hairy soldiers in winter dress in a trench in 1916-1917. They wear sheepskin jackets and a gas mask.
First World War (1914-1918): Hairy soldiers in winter dress in a trench in 1916-1917. They wear sheepskin jackets and a gas mask.

NIK4429588: First World War (1914-1918): Hairy soldiers in winter dress in a trench in 1916-1917. They wear sheepskin jackets and a gas mask. / Bridgeman Images

ID: NIK4429588

First World War (1914-1918): Hairy soldiers in winter dress in a trench in 1916-1917. They wear sheepskin jackets and a gas mask.

Bathers on the beach of Pouliguen, Loire Atlantique (44), years 1920.
Bathers on the beach of Pouliguen, Loire Atlantique (44), years 1920.

NIK4429597: Bathers on the beach of Pouliguen, Loire Atlantique (44), years 1920. / Bridgeman Images

ID: NIK4429597

Bathers on the beach of Pouliguen, Loire Atlantique (44), years 1920.

Laziness against “” Work””: on the left, the lazy child is tears and wears a donkey cap. On the right, the working child is all smiling and wears a crown of laurels. France, 1900.
Laziness against “” Work””: on the left, the lazy child is tears and wears a donkey cap. On the right, the working child is all smiling and wears a crown of laurels. France, 1900.

NIK4429606: Laziness against “” Work””: on the left, the lazy child is tears and wears a donkey cap. On the right, the working child is all smiling and wears a crown of laurels. France, 1900. / Bridgeman Images

ID: NIK4429606

Laziness against “” Work””: on the left, the lazy child is tears and wears a donkey cap. On the right, the working child is all smiling and wears a crown of laurels. France, 1900.

Way of the Cross - via crucis - Stations of the Cross: crucifixion, twelfth station, Jesus dies on the cross Chromolithography Private collection
Way of the Cross - via crucis - Stations of the Cross: crucifixion, twelfth station, Jesus dies on the cross Chromolithography Private collection

NIK4429624: Way of the Cross - via crucis - Stations of the Cross: crucifixion, twelfth station, Jesus dies on the cross Chromolithography Private collection / Bridgeman Images

ID: NIK4429624

Way of the Cross - via crucis - Stations of the Cross: crucifixion, twelfth station, Jesus dies on the cross Chromolithography Private collection

Portrait of Clement des Marets dit Marot (1496-1544), poet. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.
Portrait of Clement des Marets dit Marot (1496-1544), poet. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.

XEE4415531: Portrait of Clement des Marets dit Marot (1496-1544), poet. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving., French School, (19th century) / Bridgeman Images

ID: XEE4415531

Portrait of Clement des Marets dit Marot (1496-1544), poet. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.

French School, (19th century)

Capture of Lagny by Farnese in 1590, after an old engraving. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.
Capture of Lagny by Farnese in 1590, after an old engraving. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.

XEE4415569: Capture of Lagny by Farnese in 1590, after an old engraving. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving., French School, (19th century) / Bridgeman Images

ID: XEE4415569

Capture of Lagny by Farnese in 1590, after an old engraving. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.

French School, (19th century)

Terrace of the Arab World Institute in Paris.
Terrace of the Arab World Institute in Paris.

XEE4415575: Terrace of the Arab World Institute in Paris. / Bridgeman Images

ID: XEE4415575

Terrace of the Arab World Institute in Paris.

portrait of Jules Massenet (1842-1912), French composer.
portrait of Jules Massenet (1842-1912), French composer.

XEE4415577: portrait of Jules Massenet (1842-1912), French composer., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4415577

portrait of Jules Massenet (1842-1912), French composer.

Unknown Artist, (19th century)

Normandy's attachment to France in 1203: engraving represents Jean Sans Terre (1167-1216) receiving the news of the conquete of Rouen by the French king Philippe Auguste. Engraving by Moreau le jeune, 1782.
Normandy's attachment to France in 1203: engraving represents Jean Sans Terre (1167-1216) receiving the news of the conquete of Rouen by the French king Philippe Auguste. Engraving by Moreau le jeune, 1782.

XEE4415595: Normandy's attachment to France in 1203: engraving represents Jean Sans Terre (1167-1216) receiving the news of the conquete of Rouen by the French king Philippe Auguste. Engraving by Moreau le jeune, 1782., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

ID: XEE4415595

Normandy's attachment to France in 1203: engraving represents Jean Sans Terre (1167-1216) receiving the news of the conquete of Rouen by the French king Philippe Auguste. Engraving by Moreau le jeune, 1782.

Moreau, Jean Michel the Younger (1741-1814)

Portrait of Prosper Duvergier de Hauranne, French politician (1798 - 1881).
Portrait of Prosper Duvergier de Hauranne, French politician (1798 - 1881).

XEE4415596: Portrait of Prosper Duvergier de Hauranne, French politician (1798 - 1881)., Unknown Artist / Bridgeman Images

ID: XEE4415596

Portrait of Prosper Duvergier de Hauranne, French politician (1798 - 1881).

Unknown Artist

portrait of François Andrieux (1759-1833), French poet and playwright.
portrait of François Andrieux (1759-1833), French poet and playwright.

XEE4415656: portrait of François Andrieux (1759-1833), French poet and playwright., Unknown Artist / Bridgeman Images

ID: XEE4415656

portrait of François Andrieux (1759-1833), French poet and playwright.

Unknown Artist

The bottling of Champagne wine. Engraving from 1864.
The bottling of Champagne wine. Engraving from 1864.

XEE4415661: The bottling of Champagne wine. Engraving from 1864., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4415661

The bottling of Champagne wine. Engraving from 1864.

Unknown Artist, (19th century)


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