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Romanesque art: Christ in majesty (Jesus Christ in glory is represented inside a mandorla) surrounded by angels. Detail of the eardrum of the abbey Sainte Foy (Sainte-Foy) of Conques representing the Last Judgement (11th and 13th century). Aveyron (12).
Romanesque art: Christ in majesty (Jesus Christ in glory is represented inside a mandorla) surrounded by angels. Detail of the eardrum of the abbey Sainte Foy (Sainte-Foy) of Conques representing the Last Judgement (11th and 13th century). Aveyron (12).

TTN4394366: Romanesque art: Christ in majesty (Jesus Christ in glory is represented inside a mandorla) surrounded by angels. Detail of the eardrum of the abbey Sainte Foy (Sainte-Foy) of Conques representing the Last Judgement (11th and 13th century). Aveyron (12). / Bridgeman Images

ID: TTN4394366

Romanesque art: Christ in majesty (Jesus Christ in glory is represented inside a mandorla) surrounded by angels. Detail of the eardrum of the abbey Sainte Foy (Sainte-Foy) of Conques representing the Last Judgement (11th and 13th century). Aveyron (12).

Preparation of a representation of the play Faust by Johann Wolfgang von Goethe (1749-1832) - engraving (1874) by August von Kreling (1819-1876) - actors (comedians), accessorists (machinists), blower and director during a repetition in the presence of the author who is still working on his text - theatre metiers, comedy -
Preparation of a representation of the play Faust by Johann Wolfgang von Goethe (1749-1832) - engraving (1874) by August von Kreling (1819-1876) - actors (comedians), accessorists (machinists), blower and director during a repetition in the presence of the author who is still working on his text - theatre metiers, comedy -

PCT4297028: Preparation of a representation of the play Faust by Johann Wolfgang von Goethe (1749-1832) - engraving (1874) by August von Kreling (1819-1876) - actors (comedians), accessorists (machinists), blower and director during a repetition in the presence of the author who is still working on his text - theatre metiers, comedy - / Bridgeman Images

ID: PCT4297028

Preparation of a representation of the play Faust by Johann Wolfgang von Goethe (1749-1832) - engraving (1874) by August von Kreling (1819-1876) - actors (comedians), accessorists (machinists), blower and director during a repetition in the presence of the author who is still working on his text - theatre metiers, comedy -

Illustration for the theatre play Faust by Johann Wolfgang von Goethe, 1874 (engraving)
Illustration for the theatre play Faust by Johann Wolfgang von Goethe, 1874 (engraving)

PCT4297041: Illustration for the theatre play Faust by Johann Wolfgang von Goethe, 1874 (engraving), Kreling, August von (1819-76) / Bridgeman Images

ID: PCT4297041

Illustration for the theatre play Faust by Johann Wolfgang von Goethe, 1874 (engraving)

Kreling, August von (1819-76)

Illustration for the theatre play Faust by Johann Wolfgang von Goethe (1749-1832): engraving (1874) by August von Kreling (1819-1876) - Faust and Marguerite spies by Mephistopheles - Faust and Margaret - flirt, amoureux -
Illustration for the theatre play Faust by Johann Wolfgang von Goethe (1749-1832): engraving (1874) by August von Kreling (1819-1876) - Faust and Marguerite spies by Mephistopheles - Faust and Margaret - flirt, amoureux -

PCT4297045: Illustration for the theatre play Faust by Johann Wolfgang von Goethe (1749-1832): engraving (1874) by August von Kreling (1819-1876) - Faust and Marguerite spies by Mephistopheles - Faust and Margaret - flirt, amoureux - / Bridgeman Images

ID: PCT4297045

Illustration for the theatre play Faust by Johann Wolfgang von Goethe (1749-1832): engraving (1874) by August von Kreling (1819-1876) - Faust and Marguerite spies by Mephistopheles - Faust and Margaret - flirt, amoureux -

Colorized postcard of the period, showing a scene of the silent film “” Faust “” by Gaumont (sound and speaking thanks to the chronophone process) - The various paintings this adaptation to cinema (made between 1903 and 1906) are taken from the opera by Charles Gounod (libretto by Jules Barbier), himself inspired by Goethe's play - Quartet du jardin ( third act): Doctor Faust, Margarita, Mephistopheles and Lady Martha, governess of Margarita -
Colorized postcard of the period, showing a scene of the silent film “” Faust “” by Gaumont (sound and speaking thanks to the chronophone process) - The various paintings this adaptation to cinema (made between 1903 and 1906) are taken from the opera by Charles Gounod (libretto by Jules Barbier), himself inspired by Goethe's play - Quartet du jardin ( third act): Doctor Faust, Margarita, Mephistopheles and Lady Martha, governess of Margarita -

PCT4297144: Colorized postcard of the period, showing a scene of the silent film “” Faust “” by Gaumont (sound and speaking thanks to the chronophone process) - The various paintings this adaptation to cinema (made between 1903 and 1906) are taken from the opera by Charles Gounod (libretto by Jules Barbier), himself inspired by Goethe's play - Quartet du jardin ( third act): Doctor Faust, Margarita, Mephistopheles and Lady Martha, governess of Margarita - / Bridgeman Images

ID: PCT4297144

Colorized postcard of the period, showing a scene of the silent film “” Faust “” by Gaumont (sound and speaking thanks to the chronophone process) - The various paintings this adaptation to cinema (made between 1903 and 1906) are taken from the opera by Charles Gounod (libretto by Jules Barbier), himself inspired by Goethe's play - Quartet du jardin ( third act): Doctor Faust, Margarita, Mephistopheles and Lady Martha, governess of Margarita -

From left to right, guitarist and bassist Ron Wood (Ronnie, Ronald David Wood), singer Rod Steward, keyboarder Ian McLagan (1945-1994) and bassist and singer Ronnie Lane (1946-1997) gather on stage and sing together at a concert of the British rock and Roll (Rock & Roll) band The Faces in 1972 - photo Urve Kuusiusius K-
From left to right, guitarist and bassist Ron Wood (Ronnie, Ronald David Wood), singer Rod Steward, keyboarder Ian McLagan (1945-1994) and bassist and singer Ronnie Lane (1946-1997) gather on stage and sing together at a concert of the British rock and Roll (Rock & Roll) band The Faces in 1972 - photo Urve Kuusiusius K-

PCT4297172: From left to right, guitarist and bassist Ron Wood (Ronnie, Ronald David Wood), singer Rod Steward, keyboarder Ian McLagan (1945-1994) and bassist and singer Ronnie Lane (1946-1997) gather on stage and sing together at a concert of the British rock and Roll (Rock & Roll) band The Faces in 1972 - photo Urve Kuusiusius K- / Bridgeman Images

ID: PCT4297172

From left to right, guitarist and bassist Ron Wood (Ronnie, Ronald David Wood), singer Rod Steward, keyboarder Ian McLagan (1945-1994) and bassist and singer Ronnie Lane (1946-1997) gather on stage and sing together at a concert of the British rock and Roll (Rock & Roll) band The Faces in 1972 - photo Urve Kuusiusius K-

Uniform portrait of General Philippe Leclerc of Hauteclocque (1902-1947), who later became marechal - postcard Photochrom of the period, true photography, uncredite photographer -
Uniform portrait of General Philippe Leclerc of Hauteclocque (1902-1947), who later became marechal - postcard Photochrom of the period, true photography, uncredite photographer -

PCT4297180: Uniform portrait of General Philippe Leclerc of Hauteclocque (1902-1947), who later became marechal - postcard Photochrom of the period, true photography, uncredite photographer - / Bridgeman Images

ID: PCT4297180

Uniform portrait of General Philippe Leclerc of Hauteclocque (1902-1947), who later became marechal - postcard Photochrom of the period, true photography, uncredite photographer -

British bassist and rock singer Ronnie Lane (Ronald Frederick dit Plonk, 1946-1997) playing in concert with rock band and Roll (Rock & Roll) The Faces in 1972 - Singer and bass player Ronnie Lane (1946-1997) playing in 1972 with the Faces - photo Urve Kuusik -
British bassist and rock singer Ronnie Lane (Ronald Frederick dit Plonk, 1946-1997) playing in concert with rock band and Roll (Rock & Roll) The Faces in 1972 - Singer and bass player Ronnie Lane (1946-1997) playing in 1972 with the Faces - photo Urve Kuusik -

PCT4297204: British bassist and rock singer Ronnie Lane (Ronald Frederick dit Plonk, 1946-1997) playing in concert with rock band and Roll (Rock & Roll) The Faces in 1972 - Singer and bass player Ronnie Lane (1946-1997) playing in 1972 with the Faces - photo Urve Kuusik - / Bridgeman Images

ID: PCT4297204

British bassist and rock singer Ronnie Lane (Ronald Frederick dit Plonk, 1946-1997) playing in concert with rock band and Roll (Rock & Roll) The Faces in 1972 - Singer and bass player Ronnie Lane (1946-1997) playing in 1972 with the Faces - photo Urve Kuusik -

Hurricane in Martinique the ruins of the Dillon factory (rum distillery) after the cyclone of August 1891. In the 19th century, four cyclones were ahead of the Caribbean coast: On September 3, 1804, a raz de maree caused by a cyclone hit the Martinique coast. At Saint-Pierre, seventeen boats sink or are thrown at the coast. At Fort de France, seven ships disappeared in the harbor. On July 23, 1813, a hurricane blowing from the northwest passed north of Martinique. The churches of Robert and Macouba were destroyed as well as many houses. In Saint-Pierre, warehouses and shops set up on the seafront are carried away by the waves. In the harbor about 40 boats are sinking. On the night of September 4 to 5, 1883, a new cyclone hit Martinique. At Saint-Pierre, twenty boats are thrown at the coast and many roofs are torn by the wind. At Morne Rouge, most buildings are damaged. In St. Mary the roof of the church is partly washed away, and from Carbet to Lamentin the plantations are either flooded or torn by the wind. On the night of August 18 to 19, 1891, a powerful cyclone ravaged Fort de France and much of the island. More than 400 people died during this cyclonic episode and more than 60,000 were homeless, more than one third of the population of the period (175,000 inhabitants). Economically, the cyclone is a disaster. Banana and sugar cane plantations were ravaged, as were most sugar and rum factories - engraved by the Journal des voyages 1891 -
Hurricane in Martinique the ruins of the Dillon factory (rum distillery) after the cyclone of August 1891. In the 19th century, four cyclones were ahead of the Caribbean coast: On September 3, 1804, a raz de maree caused by a cyclone hit the Martinique coast. At Saint-Pierre, seventeen boats sink or are thrown at the coast. At Fort de France, seven ships disappeared in the harbor. On July 23, 1813, a hurricane blowing from the northwest passed north of Martinique. The churches of Robert and Macouba were destroyed as well as many houses. In Saint-Pierre, warehouses and shops set up on the seafront are carried away by the waves. In the harbor about 40 boats are sinking. On the night of September 4 to 5, 1883, a new cyclone hit Martinique. At Saint-Pierre, twenty boats are thrown at the coast and many roofs are torn by the wind. At Morne Rouge, most buildings are damaged. In St. Mary the roof of the church is partly washed away, and from Carbet to Lamentin the plantations are either flooded or torn by the wind. On the night of August 18 to 19, 1891, a powerful cyclone ravaged Fort de France and much of the island. More than 400 people died during this cyclonic episode and more than 60,000 were homeless, more than one third of the population of the period (175,000 inhabitants). Economically, the cyclone is a disaster. Banana and sugar cane plantations were ravaged, as were most sugar and rum factories - engraved by the Journal des voyages 1891 -

PCT4297220: Hurricane in Martinique the ruins of the Dillon factory (rum distillery) after the cyclone of August 1891. In the 19th century, four cyclones were ahead of the Caribbean coast: On September 3, 1804, a raz de maree caused by a cyclone hit the Martinique coast. At Saint-Pierre, seventeen boats sink or are thrown at the coast. At Fort de France, seven ships disappeared in the harbor. On July 23, 1813, a hurricane blowing from the northwest passed north of Martinique. The churches of Robert and Macouba were destroyed as well as many houses. In Saint-Pierre, warehouses and shops set up on the seafront are carried away by the waves. In the harbor about 40 boats are sinking. On the night of September 4 to 5, 1883, a new cyclone hit Martinique. At Saint-Pierre, twenty boats are thrown at the coast and many roofs are torn by the wind. At Morne Rouge, most buildings are damaged. In St. Mary the roof of the church is partly washed away, and from Carbet to Lamentin the plantations are either flooded or torn by the wind. On the night of August 18 to 19, 1891, a powerful cyclone ravaged Fort de France and much of the island. More than 400 people died during this cyclonic episode and more than 60,000 were homeless, more than one third of the population of the period (175,000 inhabitants). Economically, the cyclone is a disaster. Banana and sugar cane plantations were ravaged, as were most sugar and rum factories - engraved by the Journal des voyages 1891 - / Bridgeman Images

ID: PCT4297220

Hurricane in Martinique the ruins of the Dillon factory (rum distillery) after the cyclone of August 1891. In the 19th century, four cyclones were ahead of the Caribbean coast: On September 3, 1804, a raz de maree caused by a cyclone hit the Martinique coast. At Saint-Pierre, seventeen boats sink or are thrown at the coast. At Fort de France, seven ships disappeared in the harbor. On July 23, 1813, a hurricane blowing from the northwest passed north of Martinique. The churches of Robert and Macouba were destroyed as well as many houses. In Saint-Pierre, warehouses and shops set up on the seafront are carried away by the waves. In the harbor about 40 boats are sinking. On the night of September 4 to 5, 1883, a new cyclone hit Martinique. At Saint-Pierre, twenty boats are thrown at the coast and many roofs are torn by the wind. At Morne Rouge, most buildings are damaged. In St. Mary the roof of the church is partly washed away, and from Carbet to Lamentin the plantations are either flood

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - music: band - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - music: band - Photo Patrice Cartier -

PCT4297277: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - music: band - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297277

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - music: band - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -

PCT4297287: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297287

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square, the first day of the Carnival - mask, disguise - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier -

PCT4297332: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297332

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier -

PCT4297345: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297345

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers under the arcades of the central square, the first day of the Carnival - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): the Meuniers reus at the City Hall on the first day of Carnival - A Meunier takes off his mask in front of two people who are laughing - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): the Meuniers reus at the City Hall on the first day of Carnival - A Meunier takes off his mask in front of two people who are laughing - Photo Patrice Cartier -

PCT4297351: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): the Meuniers reus at the City Hall on the first day of Carnival - A Meunier takes off his mask in front of two people who are laughing - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297351

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): the Meuniers reus at the City Hall on the first day of Carnival - A Meunier takes off his mask in front of two people who are laughing - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguising, music, fanfare - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguising, music, fanfare - Photo Patrice Cartier -

PCT4297382: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguising, music, fanfare - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297382

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguising, music, fanfare - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -

PCT4297385: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297385

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, on the first day of Carnival - a Meunier masks “” china”” an inhabitant - masquerade, disguisise - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguise - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguise - Photo Patrice Cartier -

PCT4297391: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguise - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297391

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers (with their whips) in the city center, the first day of Carnival - mask, disguise - Photo Patrice Cartier -

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square on the first day of the Carnival - Photo Patrice Cartier -
Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square on the first day of the Carnival - Photo Patrice Cartier -

PCT4297397: Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square on the first day of the Carnival - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4297397

Carnival of Limoux Languedoc-Roussillon, France - Carnival of Limoux (11, Aude, Languedoc, Occitanie): exit of the Meuniers on the central square on the first day of the Carnival - Photo Patrice Cartier -

Homage from a Johnny Hallyday fan. On the day of the announcement of the disappearance of the singer (December 6, 2017, the postmark of La Poste being authentic), one of his admirers sends another fan a postage letter with a stamp with the effigy of their idol. See also ref. GUT9368.
Homage from a Johnny Hallyday fan. On the day of the announcement of the disappearance of the singer (December 6, 2017, the postmark of La Poste being authentic), one of his admirers sends another fan a postage letter with a stamp with the effigy of their idol. See also ref. GUT9368.

PCT4297448: Homage from a Johnny Hallyday fan. On the day of the announcement of the disappearance of the singer (December 6, 2017, the postmark of La Poste being authentic), one of his admirers sends another fan a postage letter with a stamp with the effigy of their idol. See also ref. GUT9368. / Bridgeman Images

ID: PCT4297448

Homage from a Johnny Hallyday fan. On the day of the announcement of the disappearance of the singer (December 6, 2017, the postmark of La Poste being authentic), one of his admirers sends another fan a postage letter with a stamp with the effigy of their idol. See also ref. GUT9368.

Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed.
Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed.

PCT4297449: Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed. / Bridgeman Images

ID: PCT4297449

Homage of a fan to Johnny Hallyday: on the day the singer's disappearance is announced (died on the night of December 5-6, 2017), one of his admirers sends another fan a postage letter with a fictional stamp with the effigy of their idol, accole to another stamp representing the Eiffel Tower. Two French monuments! N.B. For the sake of confidentiality, the name and address on the envelope have been changed.

Autograph signature by Francois Mauriac (1885-1970)
Autograph signature by Francois Mauriac (1885-1970)

PCT4297455: Autograph signature by Francois Mauriac (1885-1970) / Bridgeman Images

ID: PCT4297455

Autograph signature by Francois Mauriac (1885-1970)

Portrait of man in the mid-19th century (between 1840 and 1850): daguerreotype. Photo on copper plate covered with a layer of silver, directly exposed to light using a camera obscura. This is the first photographic method employed commercially. Patrice Cartier Collection -
Portrait of man in the mid-19th century (between 1840 and 1850): daguerreotype. Photo on copper plate covered with a layer of silver, directly exposed to light using a camera obscura. This is the first photographic method employed commercially. Patrice Cartier Collection -

PCT4297524: Portrait of man in the mid-19th century (between 1840 and 1850): daguerreotype. Photo on copper plate covered with a layer of silver, directly exposed to light using a camera obscura. This is the first photographic method employed commercially. Patrice Cartier Collection - / Bridgeman Images

ID: PCT4297524

Portrait of man in the mid-19th century (between 1840 and 1850): daguerreotype. Photo on copper plate covered with a layer of silver, directly exposed to light using a camera obscura. This is the first photographic method employed commercially. Patrice Cartier Collection -

First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -
First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -

PCT4297536: First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 - / Bridgeman Images

ID: PCT4297536

First World War 1914-1918 (War 14-18). American sailors sailing at the foot of the Arc de Triomphe in Paris during the Grand Defile de la Victoire (Fete, fetes de le Victoire) July 14, 1919 - American soldiers sailors during grand victory parade, Paris, France, July 14, 1919 -

Monument raised to the memory of Aristide Boucicaut (1810-1877) in front of his home in Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders, entrepreneurs and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, put the bump that afflicted him on the right temple and which is the origin of the popular expression “” busse du commerce “” - postcard beginning 20th century -
Monument raised to the memory of Aristide Boucicaut (1810-1877) in front of his home in Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders, entrepreneurs and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, put the bump that afflicted him on the right temple and which is the origin of the popular expression “” busse du commerce “” - postcard beginning 20th century -

PCT4297539: Monument raised to the memory of Aristide Boucicaut (1810-1877) in front of his home in Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders, entrepreneurs and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, put the bump that afflicted him on the right temple and which is the origin of the popular expression “” busse du commerce “” - postcard beginning 20th century - / Bridgeman Images

ID: PCT4297539

Monument raised to the memory of Aristide Boucicaut (1810-1877) in front of his home in Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders, entrepreneurs and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, put the bump that afflicted him on the right temple and which is the origin of the popular expression “” busse du commerce “” - postcard beginning 20th century -

Monument raised by his friends to the memory of Aristide Boucicaut (1810-1877, entrepreneur and businessman) in his hometown of Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, has shown on the right temple of the man of business the bump that afflicted him and that is at the origin of the popular expression “” busse du commerce “” - postcard ND beginning 20th century -
Monument raised by his friends to the memory of Aristide Boucicaut (1810-1877, entrepreneur and businessman) in his hometown of Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, has shown on the right temple of the man of business the bump that afflicted him and that is at the origin of the popular expression “” busse du commerce “” - postcard ND beginning 20th century -

PCT4297579: Monument raised by his friends to the memory of Aristide Boucicaut (1810-1877, entrepreneur and businessman) in his hometown of Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, has shown on the right temple of the man of business the bump that afflicted him and that is at the origin of the popular expression “” busse du commerce “” - postcard ND beginning 20th century - / Bridgeman Images

ID: PCT4297579

Monument raised by his friends to the memory of Aristide Boucicaut (1810-1877, entrepreneur and businessman) in his hometown of Belleme (Orne) - A. Boucicaut and his wife Marguerite, traders and philanthropists, are the creators of the department stores of Bon Marche - the sculptor of the bust, Henri Chapu, has shown on the right temple of the man of business the bump that afflicted him and that is at the origin of the popular expression “” busse du commerce “” - postcard ND beginning 20th century -

Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop -
Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop -

PCT4297620: Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop - / Bridgeman Images

ID: PCT4297620

Europe in 1914 (before the First World War 1914-1918 - 14-18) and in 1920 after the World War. Maps from 1947 book, Aristide Quillet Bookshop -

The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness -
The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness -

PCT4297646: The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness - / Bridgeman Images

ID: PCT4297646

The perils of Mont Saint Michel (Mont Saint-Michel), dangerous beach: young woman surprised by the rising maree while she is immobilized in the moving sands - engraving of a Mame book on abbeys and monasteres 19th century - danger by the sea, recklessness -

First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -
First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -

PCT4297718: First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate - / Bridgeman Images

ID: PCT4297718

First World War 14-18 (1914-1918): scene of bivouac in the forest, in the middle of the pine trees - the toilet - a French soldier in a shirt wipes the back of an aure soldier bare torso - photograph on glass plate -

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -
The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -

PCT4297748: The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore - / Bridgeman Images

ID: PCT4297748

The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he

Reclaim for the folding and portable writing machine Corona published in the women's press (agenda of Femina magazine) in 1921
Reclaim for the folding and portable writing machine Corona published in the women's press (agenda of Femina magazine) in 1921

PCT4297756: Reclaim for the folding and portable writing machine Corona published in the women's press (agenda of Femina magazine) in 1921 / Bridgeman Images

ID: PCT4297756

Reclaim for the folding and portable writing machine Corona published in the women's press (agenda of Femina magazine) in 1921

Fake news: inscription made with the cubes of a board game on a computer keyboard - false news, false news - information, information, rumor - Photo Patrice Cartier - see also GUT9377 -
Fake news: inscription made with the cubes of a board game on a computer keyboard - false news, false news - information, information, rumor - Photo Patrice Cartier - see also GUT9377 -

PCT4297757: Fake news: inscription made with the cubes of a board game on a computer keyboard - false news, false news - information, information, rumor - Photo Patrice Cartier - see also GUT9377 - / Bridgeman Images

ID: PCT4297757

Fake news: inscription made with the cubes of a board game on a computer keyboard - false news, false news - information, information, rumor - Photo Patrice Cartier - see also GUT9377 -

A dish from the south of France: Cassoulet, a traditional recipe for stew from the south west (Southwest, Languedoc, Midi-Pyrenees, Occitanie) - beans (white bean), Toulouse sausage, poultry confit and pork meat, cooked in a terrine (cassole). There are special recipes for three cities competing for the paternity of this Occitan feast: Castelnaudary, Carcassonne and Toulouse - meals, local cuisine, tradition, Midi - photo Patrice Cartier - see also GUT2289, 2290 and 2291 -
A dish from the south of France: Cassoulet, a traditional recipe for stew from the south west (Southwest, Languedoc, Midi-Pyrenees, Occitanie) - beans (white bean), Toulouse sausage, poultry confit and pork meat, cooked in a terrine (cassole). There are special recipes for three cities competing for the paternity of this Occitan feast: Castelnaudary, Carcassonne and Toulouse - meals, local cuisine, tradition, Midi - photo Patrice Cartier - see also GUT2289, 2290 and 2291 -

PCT4297813: A dish from the south of France: Cassoulet, a traditional recipe for stew from the south west (Southwest, Languedoc, Midi-Pyrenees, Occitanie) - beans (white bean), Toulouse sausage, poultry confit and pork meat, cooked in a terrine (cassole). There are special recipes for three cities competing for the paternity of this Occitan feast: Castelnaudary, Carcassonne and Toulouse - meals, local cuisine, tradition, Midi - photo Patrice Cartier - see also GUT2289, 2290 and 2291 - / Bridgeman Images

ID: PCT4297813

A dish from the south of France: Cassoulet, a traditional recipe for stew from the south west (Southwest, Languedoc, Midi-Pyrenees, Occitanie) - beans (white bean), Toulouse sausage, poultry confit and pork meat, cooked in a terrine (cassole). There are special recipes for three cities competing for the paternity of this Occitan feast: Castelnaudary, Carcassonne and Toulouse - meals, local cuisine, tradition, Midi - photo Patrice Cartier - see also GUT2289, 2290 and 2291 -

Hand holding a small blank pinch, which the image user can fill by writing a text of his choice and directing the image horizontally, panel to the right or left. Specimen of “” mat-partout”, printing character late 19th or early 20th century - printing, writing, information, demonstration -
Hand holding a small blank pinch, which the image user can fill by writing a text of his choice and directing the image horizontally, panel to the right or left. Specimen of “” mat-partout”, printing character late 19th or early 20th century - printing, writing, information, demonstration -

PCT4297839: Hand holding a small blank pinch, which the image user can fill by writing a text of his choice and directing the image horizontally, panel to the right or left. Specimen of “” mat-partout”, printing character late 19th or early 20th century - printing, writing, information, demonstration - / Bridgeman Images

ID: PCT4297839

Hand holding a small blank pinch, which the image user can fill by writing a text of his choice and directing the image horizontally, panel to the right or left. Specimen of “” mat-partout”, printing character late 19th or early 20th century - printing, writing, information, demonstration -

Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -
Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -

PCT4297915: Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) - / Bridgeman Images

ID: PCT4297915

Automotive industry in Romania: envelope with stamp celebrating in 1987 the Oltcit factory in Craiova producing, among other things, the low cost model Axel de Citroen (between 1984 and 1990) -

A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803.
A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417358: A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417358

A representation of the goddess of chance Fortune (Fortuna), she decides the good and evil of human beings, holds a horn of abundance, and stands on a wheel. (Representation of Fortuna, goddess of luck, she decides about what happen to human beings, she holds a cornucopia and stand on a wheel). From “Mythology of Youth” by Pierre Blanchard 1803.

French School, (19th century)

Representation of centaur Chiron, half man half horse, master of archery, he teaches this art in Achilles. (Representation of the centaur Chiron (Cheiron or Kheiro), half human half horse. He teachs the young Achille the art of archery). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of centaur Chiron, half man half horse, master of archery, he teaches this art in Achilles. (Representation of the centaur Chiron (Cheiron or Kheiro), half human half horse. He teachs the young Achille the art of archery). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417371: Representation of centaur Chiron, half man half horse, master of archery, he teaches this art in Achilles. (Representation of the centaur Chiron (Cheiron or Kheiro), half human half horse. He teachs the young Achille the art of archery). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

ID: XEE4417371

Representation of centaur Chiron, half man half horse, master of archery, he teaches this art in Achilles. (Representation of the centaur Chiron (Cheiron or Kheiro), half human half horse. He teachs the young Achille the art of archery). From “Mythology of Youth” by Pierre Blanchard 1803.

French School, (19th century)


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