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A Fakir of Rajpootana, from 'Voyages in India', pub. by Smith, Elder & Co., 1858 (litho)
A Fakir of Rajpootana, from 'Voyages in India', pub. by Smith, Elder & Co., 1858 (litho)

STC444644: A Fakir of Rajpootana, from 'Voyages in India', pub. by Smith, Elder & Co., 1858 (litho), Soltykoff, A. (19th century) (after) / Bridgeman Images

Taguri Tatars of the Crimea, from 'Costume dei...' by Giulio Ferrario, c.1820s-30s (coloured engraving)
Taguri Tatars of the Crimea, from 'Costume dei...' by Giulio Ferrario, c.1820s-30s (coloured engraving)

STC444668: Taguri Tatars of the Crimea, from 'Costume dei...' by Giulio Ferrario, c.1820s-30s (coloured engraving), Bonatti, D.K. (fl.1720-80) (after) / Bridgeman Images

Bath, the Concert Room, from 'Bath, Illustrated by a Series of Views', published 1805 (coloured engraving)
Bath, the Concert Room, from 'Bath, Illustrated by a Series of Views', published 1805 (coloured engraving)

STC444697: Bath, the Concert Room, from 'Bath, Illustrated by a Series of Views', published 1805 (coloured engraving), Nattes, John Claude (c.1765-1822) / Bridgeman Images

'I am a stranger here, and know of no oracle; but what of my one sandal?' (litho)
'I am a stranger here, and know of no oracle; but what of my one sandal?' (litho)

STC445081: 'I am a stranger here, and know of no oracle; but what of my one sandal?' (litho), Davie, Howard (fl.1914-44) / Bridgeman Images

Stirrups and Sollerets, from The British Army: Its Origins, Progress and Equipment, published 1868.
Stirrups and Sollerets, from The British Army: Its Origins, Progress and Equipment, published 1868.

KWE619324: Stirrups and Sollerets, from The British Army: Its Origins, Progress and Equipment, published 1868., English School, (19th century) / Bridgeman Images

Tangent Sight for an English Cannon, made in 1609, from The British Army: Its Origins, Progress and Equipment, published 1868.
Tangent Sight for an English Cannon, made in 1609, from The British Army: Its Origins, Progress and Equipment, published 1868.

KWE619341: Tangent Sight for an English Cannon, made in 1609, from The British Army: Its Origins, Progress and Equipment, published 1868., English School, (19th century) / Bridgeman Images

Sir Kenelm Digby (engraving)
Sir Kenelm Digby (engraving)

STC619421: Sir Kenelm Digby (engraving), English School / Bridgeman Images

Delphinium (coloured engraving)
Delphinium (coloured engraving)

STC619471: Delphinium (coloured engraving), Buchoz, Pierre-Joseph (1731-1807) / Bridgeman Images

Mrs Johnston in the Melodrama of Timour the Tartar, 1811 (coloured engraving)
Mrs Johnston in the Melodrama of Timour the Tartar, 1811 (coloured engraving)

STC619506: Mrs Johnston in the Melodrama of Timour the Tartar, 1811 (coloured engraving), Dighton, Robert (1752-1814) / Bridgeman Images

The Promenade in St James Park, c.1796 (coloured engraving)
The Promenade in St James Park, c.1796 (coloured engraving)

STC619543: The Promenade in St James Park, c.1796 (coloured engraving), Days, Edward (fl.1796) / Bridgeman Images

Visit of Charlemagne to the Pope, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Visit of Charlemagne to the Pope, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619615: Visit of Charlemagne to the Pope, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Sir John Oldcastle, afterwards Lord Cobham, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Sir John Oldcastle, afterwards Lord Cobham, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619661: Sir John Oldcastle, afterwards Lord Cobham, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Satan (?) (recto), (pencil)
Satan (?) (recto), (pencil)

CH651825: Satan (?) (recto), (pencil), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

The Floods of 1910, The Pavilon de Flore, at The Louvre, Paris; Les Inondations de 1910, Le Pavillon de Flore, 1910 (oil on panel)
The Floods of 1910, The Pavilon de Flore, at The Louvre, Paris; Les Inondations de 1910, Le Pavillon de Flore, 1910 (oil on panel)

CH652437: The Floods of 1910, The Pavilon de Flore, at The Louvre, Paris; Les Inondations de 1910, Le Pavillon de Flore, 1910 (oil on panel), Luce, Maximilien (1858-1941) / Bridgeman Images

Cathedrale D'Auxerre, (oil on canvas)
Cathedrale D'Auxerre, (oil on canvas)

CH652530: Cathedrale D'Auxerre, (oil on canvas), Loiseau, Gustave (1865-1935) / Bridgeman Images

By the Duck Pond, (pencil, watercolour and bodycolour)
By the Duck Pond, (pencil, watercolour and bodycolour)

CH651867: By the Duck Pond, (pencil, watercolour and bodycolour), Foster, Myles Birket (1825-99) / Bridgeman Images

Unloading a Coaster Below St. Michael's Mount, (watercolour)
Unloading a Coaster Below St. Michael's Mount, (watercolour)

CH651933: Unloading a Coaster Below St. Michael's Mount, (watercolour), Bentley, Charles (1805/6-54) / Bridgeman Images

Studies of Insects, (pencil, pen and ink with touches of white heightening, bodycolou)
Studies of Insects, (pencil, pen and ink with touches of white heightening, bodycolou)

CH651953: Studies of Insects, (pencil, pen and ink with touches of white heightening, bodycolou), Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Painted Salon in the Palace of Schonbrunn Called Marian's Drawing Room, Schonbrunn, 1831 (pencil and watercolour)
Painted Salon in the Palace of Schonbrunn Called Marian's Drawing Room, Schonbrunn, 1831 (pencil and watercolour)

CH652010: Painted Salon in the Palace of Schonbrunn Called Marian's Drawing Room, Schonbrunn, 1831 (pencil and watercolour), Nachtmann, Franz Xavier (1799-1846) / Bridgeman Images

Shipping Off Scarborough, 1848 (watercolour)
Shipping Off Scarborough, 1848 (watercolour)

CH652014: Shipping Off Scarborough, 1848 (watercolour), Bentley, Charles (1805/6-54) / Bridgeman Images

Studies of Hibisci, an Aloe, and Others, c.1840 (pencil and watercolour heightened with white and gum arabic)
Studies of Hibisci, an Aloe, and Others, c.1840 (pencil and watercolour heightened with white and gum arabic)

CH652035: Studies of Hibisci, an Aloe, and Others, c.1840 (pencil and watercolour heightened with white and gum arabic), Anglo-Indian School, (19th century) / Bridgeman Images

The Protestant Princes signing their Confession, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
The Protestant Princes signing their Confession, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619691: The Protestant Princes signing their Confession, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Walter Capel reading the Scriptures to his daughter, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)
Walter Capel reading the Scriptures to his daughter, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving)

STC619715: Walter Capel reading the Scriptures to his daughter, illustration from 'The History of Protestantism' by James Aitken Wylie (1808-1890), pub. 1878 (engraving), English School, (19th century) / Bridgeman Images

Profile of a vessel with all its floor plates, illustration from the 'Atlas de Colbert', plate 7 (pencil & watercolour on paper)
Profile of a vessel with all its floor plates, illustration from the 'Atlas de Colbert', plate 7 (pencil & watercolour on paper)

XIR619828: Profile of a vessel with all its floor plates, illustration from the 'Atlas de Colbert', plate 7 (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas)
Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas)

CH652136: Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas), Dobson, William (1611-46) / Bridgeman Images

Frontispiece to 'Desseins of different ways of ships... from Nantes to Bayonne... ', 1679 (pencil & watercolour on paper)
Frontispiece to 'Desseins of different ways of ships... from Nantes to Bayonne... ', 1679 (pencil & watercolour on paper)

XIR619867: Frontispiece to 'Desseins of different ways of ships... from Nantes to Bayonne... ', 1679 (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Building, equipping and launching of a galley, plate XXIII (pencil & watercolour on paper)
Building, equipping and launching of a galley, plate XXIII (pencil & watercolour on paper)

XIR619879: Building, equipping and launching of a galley, plate XXIII (pencil & watercolour on paper), French School, (17th century) / Bridgeman Images

Portrait of Raden Saleh and his Calling Card, c.1850-70 (b/w photo and engraving)
Portrait of Raden Saleh and his Calling Card, c.1850-70 (b/w photo and engraving)

JHL619900: Portrait of Raden Saleh and his Calling Card, c.1850-70 (b/w photo and engraving), Indonesian School, (19th century) / Bridgeman Images

Roscoe 'Fatty' Arbuckle (b/w photo)
Roscoe 'Fatty' Arbuckle (b/w photo)

XOS619950: Roscoe 'Fatty' Arbuckle (b/w photo), American Photographer, (20th century) / Bridgeman Images

Han Chinese Boy's Robe ('One Hundred Households Robe'), Guangxu period, late 19th century (embroidered silk with silk & metallic threads)
Han Chinese Boy's Robe ('One Hundred Households Robe'), Guangxu period, late 19th century (embroidered silk with silk & metallic threads)

STM620242: Han Chinese Boy's Robe ('One Hundred Households Robe'), Guangxu period, late 19th century (embroidered silk with silk & metallic threads), Chinese School, Qing Dynasty (1644-1912) / Bridgeman Images

Old Field Horse, by 1856 (oil on canvas)
Old Field Horse, by 1856 (oil on canvas)

STM620252: Old Field Horse, by 1856 (oil on canvas), Bingham, George Caleb (1811-79) / Bridgeman Images

Album Quilt, 1848 (cotton)
Album Quilt, 1848 (cotton)

STM620273: Album Quilt, 1848 (cotton), American School, (19th century) / Bridgeman Images

Maud Sewing, 1883 (w/c & graphite on paper)
Maud Sewing, 1883 (w/c & graphite on paper)

STM620283: Maud Sewing, 1883 (w/c & graphite on paper), Hassam, Childe Frederick (1859-1935) / Bridgeman Images

Dish with foliated rim and floral scrolls, Yongle Period, 1403-24 (porcelain)
Dish with foliated rim and floral scrolls, Yongle Period, 1403-24 (porcelain)

STM620324: Dish with foliated rim and floral scrolls, Yongle Period, 1403-24 (porcelain), Chinese School, Ming Dynasty (1368-1644) / Bridgeman Images

Landscape with a Goatherd, c.1650 (oil on panel)
Landscape with a Goatherd, c.1650 (oil on panel)

STM620380: Landscape with a Goatherd, c.1650 (oil on panel), Pynacker, Adam (1622-73) / Bridgeman Images

Punch Bowl, 1790-1820 (glazed porcelain with underglaze decoration, enamel & gilding)
Punch Bowl, 1790-1820 (glazed porcelain with underglaze decoration, enamel & gilding)

STM620407: Punch Bowl, 1790-1820 (glazed porcelain with underglaze decoration, enamel & gilding), Chinese School / Bridgeman Images


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