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XEE4148888: 18th century architecture: exterior view of Bordeaux City Hall, , 1862 (engraving), French School, (19th century) / Bridgeman Images
XEE4148836: A champion of the "Kultur" with a liquid tank inflamed, 1915, Unknown Artist, (20th century) / Bridgeman Images
XEE4148910: Eugene Turpin, the inventor of melinite, just died - cover of "Le-Pelerin", February 6, 1927 / Bridgeman Images
XEE4148938: Jerome Bonaparte dit Plon (Plonplon) (1822-1891) (Napoleon-Jerome Bonaparte or Prince Jerome Napoleon), son of Jerome Bonaparte (1784-1860) - Engraving by Navellier in “The Illustrous Journal” of 1891, Navellier, Edouard Felicien Eugene (1865-c.1945) / Bridgeman Images
XEE4148971: Charles III the simple, king of France prisoner, 10th century (engraving), Tardieu, Ambroise (1788-1841) / Bridgeman Images
XEE4149000: Paulmerie - Game of Palm and Snowshoeing - Jeu de Paume short - “” La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images
XEE4149047: Vannier - tools - basketball maker - “” The Great Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images
XEE4148932: Court of Love in the Middle Ages in the presence of the troubadours - Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century, Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images
XEE4148967: Portrait of Charles James Fox (1749-1806) British politician - Portrait of Charles James Fox (1749-1806) British statesman - Engraving in “L'Histoire d'Angleterre, depuis les temps plus recules” by Francois Guizot 1877, Unknown Artist, (19th century) / Bridgeman Images
XEE4148996: Paulmerie - Jeu de paume et construction de la racket - Jeu de Paume court and various stages in the construction of racquets (paddle-bats or battoirs) - “” La Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert ( 1717-1783), French School, (18th century) / Bridgeman Images
XEE4149060: Cartier - Manufacture of Playing Cards - “” The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers”” (Encyclopedia or Dictionary of the Sciences, Arts and Professions) by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783), French School, (18th century) / Bridgeman Images
XEE4149129: London Universal Esposition, 1862: Opening Ceremony of the Exhibition Palace in London, England, May 1, 1862. Engraving in “” Le Monde Illustré”” n°267 of 24 May 1862., French School, (19th century) / Bridgeman Images
XEE4149196: The Knights of the Templar - engraving - Templar in the 13th century, Unknown Artist / Bridgeman Images
XEE4149168: Encyclopedia or Dictionary of the Sciences, Arts and Professions by Denis Diderot (1713-1784) and Jean d'Alembert (1717-1783)., French School, (18th century) / Bridgeman Images
XEE4149203: Portrait of Marie Adrienne Francoise de Noailles, Marquise de La Fayette, (1759 -1807) wife of Gilbert du Motier, Marquis de La Fayette (Lafayette). Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images
XEE4148057: Agricultural machine: a plaster mill presented at the Paris agricultural competition in 1860 (engraving), French School, (19th century) / Bridgeman Images
XEE4149284: Distillator shop in Paris in the 19th century - Engraving in “Sciences made available to all - physics and chemistry” by Alexis Clerc - End 19th century - Private collection, French School, (19th century) / Bridgeman Images
XEE4148137: Portraits of Riflewomen: battalions of female volunteers in England. Engraving in “” Le Monde Illustré”” n°172 of 28 July 1860., French School, (19th century) / Bridgeman Images
XEE4150941: La Catastrophe de Saint-Gervais (Saint Gervais) ou catastrophe du glacier de la Tete Rousse (department of Haute-Savoie) (12-13 July 1892) - Glacier de Tette-Rousse - inner cave and wall of tearing the glacier, Engraving in “” La Nature”” - August 20, 1892, Unknown Artist, (19th century) / Bridgeman Images
XEE4151862: Last Moments of the Duke of Wellington (Arthur Wellesley, 1769-1852) litho after JL Williams (c1815-1877), Williams, J.L. (c.1815-77) (after) / Bridgeman Images
XEE4151881: CHRISTMAS SHOPPING, 1852 - Grocer's shop at Christmas - Wood engraving, England, 1852, Unknown Artist, (19th century) / Bridgeman Images
XEE4151028: Jacques Law, Marquis de Lauriston - Portrait of Jacques Alexandre Bernard Law, Marquis de Lauriston, marechal of France (1768-1828) - in “Histoire de l'empire suite à l'histoire du consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images
XEE4151050: Portrait of Vittorio Amedeo II, Duke of Savoy, King of Sicily, then King of Sardinia, Unknown Artist / Bridgeman Images
XEE4151178: Anton von Schmerling, Austrian politician - engraving - Portrait of Anton von Schmerling (1805-1893), Austrian lawyer and politician, Unknown Artist, (19th century) / Bridgeman Images
XEE4151229: L'omelette du cure - engraving in “La Physiologie du gout”” by Jean Anthelme Brillat Savarin (Brillat-Savarin, 1755-1826) French gastronome illustrated by Bertall 1851, Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images
XEE4151271: Paris - Rue Saint-Martin, church Saint-Julien-des-Menetriers (Saint Julien des Menetriers) Engraving in “” Physical, civil and moral history of Paris: from the first historical times to the present day” by Jacques Antoine Dulaure, 1853, French School, (19th century) / Bridgeman Images
XEE4151909: Felix Faure, President of the French Republic, 1895 - Portrait of Felix Faure (1841-1899) President of the French Republic - engraving in “Le Progres illustrious” de 1895, Unknown Artist, (19th century) / Bridgeman Images
XEE4151938: Le proces du marquis de Nayve aux assizes de Bourges in 1895 - Engraving in “Le Progres illustrious”” of 1895, Unknown Artist, (19th century) / Bridgeman Images
XEE4151997: Portrait of Abraham by Fabert by Esternay Marshal of France - engraving, Unknown Artist / Bridgeman Images
XEE4152029: Christmas races: an elegant young woman knocks at the door of a house with a parcel in hand, illustration from a drawing by Abraham Solomon (1824-1862), 1857 - “The Christmas Errand”, from a drawing by Abraham Solomon (1824-1862), 1857, Solomon, Abraham (1824-62) (after) / Bridgeman Images
XEE4152159: Leopold Mozart and his son Wolfgang Amadeus in the black forest - Leopold Mozart and his son Wolfgang Amadeus in the black forest in Germany - engraving in “” Popular music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images
XEE4152172: Allegory of the plebiscite of 8 May 1870, last plebiscite organized under the Second Empire, 1870 (engraving), Marc, A. (19th century) / Bridgeman Images
XEE4152188: First World War (1914-1918): "Queen Mary of Romania (Mary of Saxony Cobourg Gotha) (1875-1938) visiting the wounded in the Royal Palace of Bucharest" In "The mirror" 1916, Unknown photographer, (20th century) / Bridgeman Images
XEE4151366: The giant Eriphile defeated by Roger (Ruggero, Ruggiero) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151455: Rodomont abandons Paris - engraving of 1851 from “” Roland furieux”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images
XEE4151474: Marphise (Marfisa) and the old woman meet Pinabel (Pinabello) - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images