Print Friendly Version Page

2497571 Search Results

Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877
Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877

XEE4152083: Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877, Dore, Gustave (1832-83) / Bridgeman Images

Exterior view of the new stores in the Grand Conde, in Paris, inaugurated on April 8, 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861.
Exterior view of the new stores in the Grand Conde, in Paris, inaugurated on April 8, 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861.

XEE4152127: Exterior view of the new stores in the Grand Conde, in Paris, inaugurated on April 8, 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861., French School, (19th century) / Bridgeman Images

Advert for Benson's Special Strength English Complicated Watches, 1898 (engraving)
Advert for Benson's Special Strength English Complicated Watches, 1898 (engraving)

XEE4152165: Advert for Benson's Special Strength English Complicated Watches, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Visit of the President of the Republic Raymond Poincare to Limousin and Quercy -  the “Le Petit Journal” of September 14, 1913.
Visit of the President of the Republic Raymond Poincare to Limousin and Quercy -  the “Le Petit Journal” of September 14, 1913.

XEE4152180: Visit of the President of the Republic Raymond Poincare to Limousin and Quercy - the “Le Petit Journal” of September 14, 1913., French School, (20th century) / Bridgeman Images

Cordelia (King Lear) (King Lear) - in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838
Cordelia (King Lear) (King Lear) - in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

XEE4152892: Cordelia (King Lear) (King Lear) - in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images

View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861.
View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861.

XEE4151846: View of a street in Mendoza (Argentina) after the earthquake of March 20, 1861. Engraving in “” Le Monde Illustré”” n°215 of 25 May 1861., French School, (19th century) / Bridgeman Images

Moses and the tablets of the Law - Moise reports from Mount Sinai the tables of the law - “Holy History
Moses and the tablets of the Law - Moise reports from Mount Sinai the tables of the law - “Holy History

XEE4153042: Moses and the tablets of the Law - Moise reports from Mount Sinai the tables of the law - “Holy History" circa 1890 - color byHenri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

Eliezer and Rebecca at the Wel - “Holy History
Eliezer and Rebecca at the Wel - “Holy History

XEE4153052: Eliezer and Rebecca at the Wel - “Holy History" circa 1890 - (engraving), Grobet, Henri (active c.1890) / Bridgeman Images

Portrait of Louis Galloche French painter
Portrait of Louis Galloche French painter

XEE4152593: Portrait of Louis Galloche French painter, Unknown Artist / Bridgeman Images

Saints and saints hurrying at the door of Paradise - composition and engraving by Jacques Callot (1592-1635)
Saints and saints hurrying at the door of Paradise - composition and engraving by Jacques Callot (1592-1635)

XEE4152634: Saints and saints hurrying at the door of Paradise - composition and engraving by Jacques Callot (1592-1635), Callot, Jacques (1592-1635) / Bridgeman Images

Queen Catherine of Aragon, wife of Henry VIII (The Famous History of the Life of King Henry the Eighth) - Catherine of Aragon (The Famous History of the Life of King Henry the Eighth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary records”” 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”””, circa 1838
Queen Catherine of Aragon, wife of Henry VIII (The Famous History of the Life of King Henry the Eighth) - Catherine of Aragon (The Famous History of the Life of King Henry the Eighth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary records”” 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”””, circa 1838

XEE4152747: Queen Catherine of Aragon, wife of Henry VIII (The Famous History of the Life of King Henry the Eighth) - Catherine of Aragon (The Famous History of the Life of King Henry the Eighth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary records”” 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”””, circa 1838, English School, (19th century) / Bridgeman Images

Hero, daughter of Leonato (Much Ado About Nothing) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Hero, daughter of Leonato (Much Ado About Nothing) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152770: Hero, daughter of Leonato (Much Ado About Nothing) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

L'image du Pelerin - The pilgrim with his dog in front of a castle, illustration from an edition of the Opera of Johannes Gerson published 1514 (print)
L'image du Pelerin - The pilgrim with his dog in front of a castle, illustration from an edition of the Opera of Johannes Gerson published 1514 (print)

XEE4153280: L'image du Pelerin - The pilgrim with his dog in front of a castle, illustration from an edition of the Opera of Johannes Gerson published 1514 (print), Unknown Artist, (16th century) / Bridgeman Images

Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808 - 1883) ABDELKADER, Amir of Mascara, military and religious leader - engraving 1883
Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808 - 1883) ABDELKADER, Amir of Mascara, military and religious leader - engraving 1883

XEE4153305: Portrait of Ben Mahi Ed Din Abd El Kader (Abd El-Kader) (1808 - 1883) ABDELKADER, Amir of Mascara, military and religious leader - engraving 1883, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pierre Louis Manuel, French politician depute of the Seine at the National Convention.
Portrait of Pierre Louis Manuel, French politician depute of the Seine at the National Convention.

XEE4153340: Portrait of Pierre Louis Manuel, French politician depute of the Seine at the National Convention., Unknown Artist / Bridgeman Images

L'art Ogival a son declin - Notre-dame de Roscoff en bretagne - engraving of the 19th century din
L'art Ogival a son declin - Notre-dame de Roscoff en bretagne - engraving of the 19th century din

XEE4152485: L'art Ogival a son declin - Notre-dame de Roscoff en bretagne - engraving of the 19th century din, Unknown Artist, (19th century) / Bridgeman Images

The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel
The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel

XEE4152523: The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel, Marot, Jean (1619-79) / Bridgeman Images

Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860.
Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860.

XEE4152576: Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860., French School, (19th century) / Bridgeman Images

Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien
Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien

XEE4152589: Portrait of Corneille Van Cleve French sculptor (1645-1732) engraving by Poilly after the painting by Joseph Vivien, Vivien, Joseph (1657-1734) (after) / Bridgeman Images

Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain
Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain

XEE4152623: Portrait of Nicolas de Largillierre (Largillier) (1656-1746) French painter engraving by Dupuis after the painting by Gueuslain, French School / Bridgeman Images

Viola (“” La twelzieme nuit) (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838
Viola (“” La twelzieme nuit) (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838

XEE4152800: Viola (“” La twelzieme nuit) (Twelfth Night) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” around 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838, English School, (19th century) / Bridgeman Images

Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838
Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

XEE4152876: Lady Macbeth (Macbeth) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images

Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152907: Imogene: daughter of Cymbeline - Imogen (Cymbeline) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century.
View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century.

XEE4152924: View of Mount Sibille (Paradise of Queen Sybille) (Double map of Mount Pilate and Mount Sibyl) - Antoine de La Sale (La Salle) French satirical writer of the 15th century., Unknown Artist, (15th century) / Bridgeman Images

Architecture, Paris: views of the old bridge au Change (1639-1647) in 1660 and the new bridge built in 1860. Engraving in “” Le Monde Illustré”” n°184 of 20 October 1860.
Architecture, Paris: views of the old bridge au Change (1639-1647) in 1660 and the new bridge built in 1860. Engraving in “” Le Monde Illustré”” n°184 of 20 October 1860.

XEE4153001: Architecture, Paris: views of the old bridge au Change (1639-1647) in 1660 and the new bridge built in 1860. Engraving in “” Le Monde Illustré”” n°184 of 20 October 1860., French School, (19th century) / Bridgeman Images

The Sacrifice of Abraham - Sacrifice of Abraham -
The Sacrifice of Abraham - Sacrifice of Abraham -

XEE4153048: The Sacrifice of Abraham - Sacrifice of Abraham - "Holy History" circa 1890 - color byHenri Grobet, Grobet, Henri (active c.1890) / Bridgeman Images

The rebel angels were precipitated into hell - The good and bad angels - “Holy Histoire” circa 1890
The rebel angels were precipitated into hell - The good and bad angels - “Holy Histoire” circa 1890

XEE4153071: The rebel angels were precipitated into hell - The good and bad angels - “Holy Histoire” circa 1890, Grobet, Henri (active c.1890) / Bridgeman Images

Portrait of Chevalier de Bayard (Pierre Terrail, seigneur of Bayard) (1475-1524), French soldier.
Portrait of Chevalier de Bayard (Pierre Terrail, seigneur of Bayard) (1475-1524), French soldier.

XEE4153442: Portrait of Chevalier de Bayard (Pierre Terrail, seigneur of Bayard) (1475-1524), French soldier., Unknown Artist, (19th century) / Bridgeman Images

Mission saharienne Foureau Lamy (1898-1900 - “” Journal of the Route of a Corporal of Tirailleurs of the Saharan Mission (Mission Foureau-Lamy), 1898-1900: Sahara, Air, Sudan, Lake Chad, Chari, Congo - Author Sergeant Charles Guilleux - (Sergeant of the 1st Regiment of Algerian Tirailleurs) Author: Charles Guilleux (Sergeant of the 1st Regiment of Algerian Tirailleurs) 1904 - private collection
Mission saharienne Foureau Lamy (1898-1900 - “” Journal of the Route of a Corporal of Tirailleurs of the Saharan Mission (Mission Foureau-Lamy), 1898-1900: Sahara, Air, Sudan, Lake Chad, Chari, Congo - Author Sergeant Charles Guilleux - (Sergeant of the 1st Regiment of Algerian Tirailleurs) Author: Charles Guilleux (Sergeant of the 1st Regiment of Algerian Tirailleurs) 1904 - private collection

XEE4153445: Mission saharienne Foureau Lamy (1898-1900 - “” Journal of the Route of a Corporal of Tirailleurs of the Saharan Mission (Mission Foureau-Lamy), 1898-1900: Sahara, Air, Sudan, Lake Chad, Chari, Congo - Author Sergeant Charles Guilleux - (Sergeant of the 1st Regiment of Algerian Tirailleurs) Author: Charles Guilleux (Sergeant of the 1st Regiment of Algerian Tirailleurs) 1904 - private collection, Anonymous / Bridgeman Images

Pope Leo XIII (Leon XIII) The Pope's Episcopal Jubilee, His Holiness pronouncing the Benediction after the Jubilee Mass in St Peter's, Rome - Illustration for The Graphic, 4 March 1893.
Pope Leo XIII (Leon XIII) The Pope's Episcopal Jubilee, His Holiness pronouncing the Benediction after the Jubilee Mass in St Peter's, Rome - Illustration for The Graphic, 4 March 1893.

XEE4153516: Pope Leo XIII (Leon XIII) The Pope's Episcopal Jubilee, His Holiness pronouncing the Benediction after the Jubilee Mass in St Peter's, Rome - Illustration for The Graphic, 4 March 1893., English School, (19th century) / Bridgeman Images

Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153543: Portrait of Chilperic II (c. 670 - 721), King of Neustria - CHILPERIC II king of the Franks - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821
Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821

XEE4153608: Portrait of Charles V the Sage (1338 - 1380) - Charles V the wise or Charles V the Sage, King of France from the House of Valois - engraving from “Instruction sur l'Histoire de France”” by Charles Constant Le Tellier 1821, Unknown Artist, (19th century) / Bridgeman Images

View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877
View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877

XEE4153640: View of Timbuktu (Mali) in the middle of the 19th century - Engraving in “” Picturesque Histoire des grands voyages au nineteenth century”””. 1877, Unknown Artist, (19th century) / Bridgeman Images

Desdemona, from the play Othello, 1838 (drawing)
Desdemona, from the play Othello, 1838 (drawing)

XEE4152743: Desdemona, from the play Othello, 1838 (drawing), English School, (19th century) / Bridgeman Images

Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152764: Julia (The Two Gentlemen of Verona) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152792: Mistress Ford (The Merry Wives of Windsor) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary records””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images


Back to top